News from the College of Arts & Sciences

Two recent Lewis & Clark alumni have been awarded National Science Foundation Graduate Research Fellowships. Three other L&C alumni have been given honorable mentions.

Helen Cecile Nowatka BA ’22 and Armando Montoya Rodriguez BA ’22 both earned awards at this year’s Toyama Cup Japanese Speech Contest, an annual competition cosponsored by the Toyama Prefectural Government of Japan and the Japan-America Society of Oregon.

Emily Hayes-Rich BA ’19, Stephen Holden Jones BA ’18, and David Manicke BA ’21 have recently been awarded Fulbright research grants, while last year’s winners, Noah Foster-Koth BA ’19 and Cole Harris BA ’20, are now hoping to begin their postponed fellowships. The Fulbright Program was particularly competitive this year, with applications up 12 percent.

Lewis & Clark College is proud to announce this year’s speaker at the virtual 148th commencement ceremony of the College of Arts and Sciences will be the Honorable Ambassador Linda Thomas-Greenfield, U.S. Permanent Representative to the United Nations. The Ambassador was nominated by President Joe Biden and confirmed by the United States Senate on February 23, 2021.

Through strong critical thinking and problem-solving skills, data science engages individuals in computing, statistics, interpretation, and communication. The new minor will reflect the strength of a liberal arts curriculum above all else, thanks to the diligence and passion of faculty members across the college.

Starting in the fall of 2021, Lewis & Clark’s Department of Mathematical Sciences will begin offering a new concentration within the computer science program: cybersecurity. The new concentration in cybersecurity provides students an interdisciplinary approach, bringing together technology, people, information, and processes through the creation, operation, analysis, and testing of secure computer systems.

From November 4–7, the Lewis & Clark Theatre Department, along with the Music Department presented the musical Cabaret. Taking place in socially lively 1930s Berlin, this musical is a sharp political commentary told through provocative characters and musical numbers. Battling circumstance and technology, the performance could be seen both in-person and virtually while following health and safety guidelines.