\n McCormick is an artist\, filmmaker\, photograp
her\, and musician who has produced several well-received projects in rec
ent years. His films defy genre distinctions and fashion witty\, abstract
observations of contemporary culture and the urban landscape. \;\n
p>http://www.rodeofilmco.com/
X-LIVEWHALE-TAGS:art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20090930T120000
DTEND;TZID=America/Los_Angeles:20090930T130000
LOCATION:Miller Center for the Humanities\, Room 105
SUMMARY:Storm Tharp \, Artist - Miller Center for the Humanities\, Room 105
UID:20090930T190000Z-192@college.lclark.edu
DTSTAMP:20090923T104659Z
URL:https://calendar.lclark.edu/MasterCalendar/EventDetails.aspx?data=hHr
80o3M7J5%2fMDocjdXOALA3H%2fXaJlckowyOdf8t0UvvGQIRchQoTg%3d%3d
LAST-MODIFIED:20090923T174932Z
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X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-TAGS:art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20091014T120000
DTEND;TZID=America/Los_Angeles:20091014T130000
LOCATION:Miller Center for the Humanities\, Room 105
SUMMARY:Beth Sellars \, Curator of Suyama Space - Miller Center for the H
umanities\, Room 105
UID:20091014T190000Z-191@college.lclark.edu
DTSTAMP:20090923T104659Z
URL:https://calendar.lclark.edu/MasterCalendar/EventDetails.aspx?data=hHr
80o3M7J4PPfqE9aREsLcfQ9bVcYRFrvzj2D8v6X0pnI0OthjUrw%3d%3d
LAST-MODIFIED:20090923T175017Z
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:191
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-TAGS:art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20091019T160000
DTEND;TZID=America/Los_Angeles:20091019T170000
LOCATION:Miller Center for the Humanities\, Room 105
SUMMARY:Hun-chung Lee\, Artist - Miller Center for the Humanities\, Room
105
UID:20091019T230000Z-190@college.lclark.edu
DTSTAMP:20090923T104659Z
URL:https://calendar.lclark.edu/MasterCalendar/EventDetails.aspx?data=hHr
80o3M7J51QBhgEWv5Qwx1DAWUQ7BaIOFETH4nIZA0NXaYWAJHmg%3d%3d
LAST-MODIFIED:20090923T175012Z
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X-LIVEWHALE-ID:190
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-TAGS:art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20091030T120000
DTEND;TZID=America/Los_Angeles:20091030T130000
LOCATION:Miller Center for the Humanities\, Room 105
SUMMARY:Ryan Pierce Artist - Miller Center for the Humanities\, Room 105
UID:20091030T190000Z-189@college.lclark.edu
DTSTAMP:20090923T104659Z
URL:https://calendar.lclark.edu/MasterCalendar/EventDetails.aspx?data=hHr
80o3M7J72RK%2fADhph%2blOye9rP09sr3mRzNIjD3lWuFELtxfCIHA%3d%3d
LAST-MODIFIED:20090923T175041Z
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X-LIVEWHALE-ID:189
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-TAGS:art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20091104T120000
DTEND;TZID=America/Los_Angeles:20091104T130000
LOCATION:Miller Center for the Humanities\, Room 105
SUMMARY:Sam Gould of Red76 - Miller Center for the Humanities\, Room 105
UID:20091104T200000Z-188@college.lclark.edu
DTSTAMP:20090923T104659Z
URL:https://calendar.lclark.edu/MasterCalendar/EventDetails.aspx?data=hHr
80o3M7J5KXkV6JrLvymsrhPZIPxQ%2bCbXZBkc26j19u%2bIr0O%2bLXQ%3d%3d
LAST-MODIFIED:20090923T175031Z
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:188
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-TAGS:art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20091113T120000
DTEND;TZID=America/Los_Angeles:20091113T130000
LOCATION:Miller Center for the Humanities\, Room 105
SUMMARY:Laura Valenti Artist/Program Director of Newspace Center for Phot
ography - Miller Center for the Humanities\, Room 105
UID:20091113T200000Z-187@college.lclark.edu
DTSTAMP:20090923T104659Z
URL:https://calendar.lclark.edu/MasterCalendar/EventDetails.aspx?data=hHr
80o3M7J5amXZ3nRFHOFv9TApCo4RAXkQBvf2fOKQYLszWbzquXA%3d%3d
LAST-MODIFIED:20090923T175022Z
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:187
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-TAGS:art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20091120T120000
DTEND;TZID=America/Los_Angeles:20091120T130000
LOCATION:Miller Center for the Humanities\, Room 105
SUMMARY:*Professor Uri McMillen\, Mellon Postdoctoral Fellow\, Lewis &
; Clark - Miller Center for the Humanities\, Room 105
UID:20091120T200000Z-193@college.lclark.edu
DTSTAMP:20090923T135946Z
URL:https://calendar.lclark.edu/MasterCalendar/EventDetails.aspx?data=hHr
80o3M7J5z4WRtsj6UvSAtuj0TLtY4ntNDZEb%2fattc0vHME9tZAw%3d%3d
LAST-MODIFIED:20090923T210201Z
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:193
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-TAGS:art
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20100430
DTEND;VALUE=DATE:20100501
LOCATION:CAS Campus
SUMMARY:Art Department Seniors Place Work in Miller Center for the Humani
ties
DESCRIPTION:Four Art Department seniors are exhibiting their sculpture wo
rks in Miller Center for the Humanities from Friday\, April 30th \;un
til Monday\, May 9th. \; Please join them at a reception Wednesday\,
May 5th \;from 5:00-6:00 pm in Miller Center for the Humanities\, 1st
\;floor lobby \; Haley Brill 'Meat/Fabric\, in a Boat' \
; Wooden boat (8 ft x 4 ft). \; Installed on second floor hallway.
\; Elizabeth Jeager 'Death and Disco' Two plaster life-size figur
es\; one seated (3 ft ) and one standing (6 ft)\, with disco ball and sil
ver curtain hung from ceiling. \; Installed on first floor. \;
Niccolo Jose 'Nature: Play' \; Sculpture made from organic compost
materials gathered from South Campus. \;Installed on second floor.
\; Kelly Kuykendall 'Thistle Studies' \; Four thistle works\
, each consisting of various mixtures of fabric\, rawhide\, silicone\, wo
od\, and paint. Installed on second floor. \;
X-ALT-DESC;FMTTYPE=text/html:
Four Art Department seniors are exhibit
ing their sculpture works in Miller Center for the Humanities from Friday
\, April 30th \;until Monday\, May 9th. \;
Please join them at a reception Wednesday\, May 5th \;from
5:00-6:00 pm in Miller Center for the Humanities\, 1st \;
floor lobby
\;
Haley Brill
'Meat/Fabric\, in
a Boat' \;
Wooden boat (8 ft x 4 ft). \; Installed on se
cond floor hallway.
\;
Elizabeth Jeager
'Dea
th and Disco'
Two plaster life-size figures\; one seated (3 ft )
and one standing (6 ft)\, with disco ball and silver curtain hung from ce
iling. \; Installed on first floor.
\;
Niccolo J
ose
'Nature: Play' \;
Sculpture made from organic com
post materials gathered from South Campus. \;Installed on second flo
or.
\;
Kelly Kuykendall
'Thistle Studies'
60\;
Four thistle works\, each consisting of various mixtures of
fabric\, rawhide\, silicone\, wood\, and paint. Installed on second floor
.
\;
UID:20100430T070000Z-1603@college.lclark.edu
DTSTAMP:20100429T150611Z
URL:https://college.lclark.edu/live/events/1603-art-department-seniors-pl
ace-work-in-miller-center
LAST-MODIFIED:20120628T170505Z
RRULE:FREQ=DAILY;UNTIL=20100509T000000Z;INTERVAL=1
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/10590_jaeger-man.rev.1373936664.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:1603
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/10590_jaeger-man.rev.1373936664.jpg
X-LIVEWHALE-IMAGE-CAPTION:'Death and Disco' by Elizabeth Jeager
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Four Art Department majors exhibit sculptures
X-LIVEWHALE-TAGS:art|exhibition|open to the public|seniors
X-LIVEWHALE-REPEATS-UNTIL:2010-05-09 07:00:00
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20100923T140000
DTEND;TZID=America/Los_Angeles:20100923T153000
LOCATION:Miller 105
SUMMARY:Julia Dolan\, Visiting Artist & Scholar Lecture Series
DESCRIPTION:Julia Dolan is the newly appointed curator of photography at
the Portland Art Museum. \; Formerly the Horace W. Goldsmith Curatori
al Fellow in Photography at the Philadelphia Museum of Art\, Dolan has he
ld positions at the Addison Gallery of American Art in Andover\, MA and H
arvard University's Fogg Art Museum. In addition to her curatorial experi
ence\, Ms. Dolan holds a PhD in Art History from Boston University with
her research focusing on the industrial era photography of Lewis Hine.
X-ALT-DESC;FMTTYPE=text/html:
Julia Dolan is the newly appointed cura
tor of photography at the Portland Art Museum. \; Formerly the Horace
W. Goldsmith Curatorial Fellow in Photography at the Philadelphia Museum
of Art\, Dolan has held positions at the Addison Gallery of American Art
in Andover\, MA and Harvard University's Fogg Art Museum. In addition to
her curatorial experience\, Ms. Dolan holds a PhD in Art History from
Boston University with her research focusing on the industrial era photog
raphy of Lewis Hine.
UID:20100923T210000Z-3282@college.lclark.edu
DTSTAMP:20100922T131723Z
URL:https://college.lclark.edu/live/events/3282-julia-dolan-visiting-arti
st-scholar-lecture
LAST-MODIFIED:20100922T201732Z
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:3282
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-SUMMARY:Julia Dolan is the newly appointed curator of photogr
aphy at the Portland Art Museum.
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20100924T150000
DTEND;TZID=America/Los_Angeles:20100924T170000
LOCATION:Smith Hall
SUMMARY:2010 Sherrer Memorial Lecture presents Dr. David Carr
DESCRIPTION: \;The formative legacy of any democratic culture or lear
ning community is borne and embodied by its library. \; At its best\,
it is a living\, constructive institution where experience and knowledge
increase. \; The aspirations of a community – what it wants to bec
ome and what it hopes to give to its children – require a generative pu
blic conscience and provocative voices. \; More than a record of our
time and place\, the library is a record of us as we embrace or turn away
from our challenges. \; We require a place that holds both pages and
voices\, electrons and arguments\; and more: \; a place where though
tful citizens will strive to become something together.
X-ALT-DESC;FMTTYPE=text/html:
\;The formative legacy of any demo
cratic culture or learning community is borne and embodied by its library
. \; At its best\, it is a living\, constructive institution where ex
perience and knowledge increase. \; The aspirations of a community â€
“ what it wants to become and what it hopes to give to its children – r
equire a generative public conscience and provocative voices. \; More
than a record of our time and place\, the library is a record of us as w
e embrace or turn away from our challenges. \; We require a place tha
t holds both pages and voices\, electrons and arguments\; and more: \
; a place where thoughtful citizens will strive to become something toget
her.
UID:20100924T220000Z-3292@college.lclark.edu
DTSTAMP:20100922T134640Z
URL:https://college.lclark.edu/live/events/3292-2010-sherrer-memorial-lec
ture-presents-dr-david
LAST-MODIFIED:20100922T205004Z
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:3292
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-SUMMARY:Dr Carr's topic is "Think with Me: \; The Possibi
lities of Public Conversations in Cultural Institutions." A reception fol
lows the lecture.
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20100930T140000
DTEND;TZID=America/Los_Angeles:20100930T153000
LOCATION:Miller 105
SUMMARY:Jesse Locker\, Visiting Artist & Scholar Lecture Series
DESCRIPTION:Jesse Locker\, Assistant Professor of Renaissance &\; Baro
que Art History at PSU\, specializes in the art of Italy\, Spain\, and th
e Netherlands in the sixteenth and seventeenth centuries. Particular area
s of interest include: baroque painting\, the art and topography of Rome
and Naples\, and national identity and cultural syncretism in art. He has
published a number of articles and reviews on various aspects of early m
odern art\, most recently on Raphael's Woman with a Veil for the Portland
Art Museum\, and is currently completing a book on the seventeenth-centu
ry Italian painter Artemisia Gentileschi. He holds a PhD from Johns Hop
kins University and is a recent recipient of the Metropolitan Museum of A
rt Fellowship in Art History.
X-ALT-DESC;FMTTYPE=text/html:
Jesse Locker\, Assistant Professor of R
enaissance &\; Baroque Art History at PSU\, specializes in the art of
Italy\, Spain\, and the Netherlands in the sixteenth and seventeenth cent
uries. Particular areas of interest include: baroque painting\, the art a
nd topography of Rome and Naples\, and national identity and cultural syn
cretism in art. He has published a number of articles and reviews on vari
ous aspects of early modern art\, most recently on Raphael's Woman with a
Veil for the Portland Art Museum\, and is currently completing a book on
the seventeenth-century Italian painter Artemisia Gentileschi. He holds
a PhD from Johns Hopkins University and is a recent recipient of the Me
tropolitan Museum of Art Fellowship in Art History.
UID:20100930T210000Z-3281@college.lclark.edu
DTSTAMP:20100922T131305Z
URL:https://college.lclark.edu/live/events/3281-jesse-locker-visiting-art
ist-scholar-lecture
LAST-MODIFIED:20100922T201537Z
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:3281
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-SUMMARY:Jesse Locker\, Assistant Professor of Renaissance &am
p\; Baroque Art History at PSU\, specializes in the art of Italy\, Spain\
, and the Netherlands in the sixteenth and seventeenth centuries.
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20101002T140000
DTEND;TZID=America/Los_Angeles:20101002T160000
LOCATION:The Lab at Museum of Contemporary Craft\, downtown Portland\, OR
SUMMARY:Prof. Odell lectures at Museum of Contemporary Craft
DESCRIPTION:Imitation and forgery play an important role in Chinese cultu
re both in the past and the present. How can we understand shifting value
s of "the antique"—particularly with ceramics? How does history become
an aspect of beauty for Chinese (and global) consumers of Chinese ceramic
s? Assistant Professor of Art History at Lewis &\; Clark College sinc
e 2007\, Dawn Odell teaches contemporary Chinese art and studies the cros
s-cultural exchanges between Europe and Asia specifically in the 17th and
18th centuries. Odell's discussion at the Museum will address the histor
y of ceramics in China\, providing a context by which the controversial c
eramic works of Ai Weiwei can be understood.
X-ALT-DESC;FMTTYPE=text/html:
Imitation and forgery play an important
role in Chinese culture both in the past and the present. How can we und
erstand shifting values of "the antique"—particularly with ceramics? Ho
w does history become an aspect of beauty for Chinese (and global) consum
ers of Chinese ceramics?
Assistant Professor of Art History at Le
wis &\; Clark College since 2007\, Dawn Odell teaches contemporary Chi
nese art and studies the cross-cultural exchanges between Europe and Asia
specifically in the 17th and 18th centuries. Odell's discussion at the M
useum will address the history of ceramics in China\, providing a context
by which the controversial ceramic works of Ai Weiwei can be understood.
UID:20101002T210000Z-3325@college.lclark.edu
DTSTAMP:20100927T100309Z
URL:https://college.lclark.edu/live/events/3325-prof-odell-lectures-at-mu
seum-of-contemporary
LAST-MODIFIED:20100927T170947Z
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:3325
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-SUMMARY:Imitation and forgery play an important role in Chine
se culture both in the past and the present. How can we understand shifti
ng values of "the antique"—particularly with ceramics?
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20101004T193000
DTEND;TZID=America/Los_Angeles:20101004T203000
LOCATION:PSU Campus (at the corner of SW Broadway &\; Hall on the PSU
campus) Shattuck Hall Annex\, 1914 SW Park Ave\, Room 198
SUMMARY:2010-2011 Portland State University MFA Lecture Series
DESCRIPTION:See the complete schedule for 2010-May 16\, 2011 http://www.p
dx.edu/art/mfa-lecture-series (http://www.pdx.edu/art/mfa-lecture-series)
X-ALT-DESC;FMTTYPE=text/html:
UID:20101005T023000Z-3426@college.lclark.edu
DTSTAMP:20100930T134112Z
URL:https://college.lclark.edu/live/events/3426-2010-2011-portland-state-
university-mfa-lecture
LAST-MODIFIED:20100930T204251Z
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:3426
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-SUMMARY:PSU's Art Dept. offers free public Art lectures almos
t every Monday night of the school year. Local\, national and internation
al interdisciplinary artists visit Portland to speak about their work.
60\; The last scheduled lecture is May 16\, 2011.
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20101014T140000
DTEND;TZID=America/Los_Angeles:20101014T150000
LOCATION:Miller 105
SUMMARY:Janet Faust\, Visiting Artist & Scholar Lecture Series
DESCRIPTION:Janet Faust is a German filmmaker and photographer whose work
examines the relationship between word and image - showing how spoken la
nguage can both reveal and supplant what lies outside a frame. \; A s
tudent at the College of Fine Arts in Hamburg during the 1990s\, Faust wo
rks within a strong tradition of contemporary German visual artists. 
\; Two of her films are being shown October 12th and 13th at 7:30 pm thr
ough Cinema Project at the Clinton Street Theater on the corner of SE Cli
nton St. and 26th Ave. \; Suggested donation is $7.
X-ALT-DESC;FMTTYPE=text/html:
Janet Faust is a German filmmaker and p
hotographer whose work examines the relationship between word and image -
showing how spoken language can both reveal and supplant what lies outsi
de a frame. \; A student at the College of Fine Arts in Hamburg durin
g the 1990s\, Faust works within a strong tradition of contemporary Germa
n visual artists. \;
Two of her films are being shown Oc
tober 12th and 13th at 7:30 pm through Cinema Project at the Clinton Stre
et Theater on the corner of SE Clinton St. and 26th Ave. \; Suggested
donation is $7.
UID:20101014T210000Z-3465@college.lclark.edu
DTSTAMP:20101011T140357Z
URL:https://college.lclark.edu/live/events/3465-janet-faust-visiting-arti
st-scholar-lecture
LAST-MODIFIED:20101011T210639Z
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:3465
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-SUMMARY:Janet Faust is a German filmmaker and photographer wh
ose work examines the relationship between word and image.
X-LIVEWHALE-TAGS:arts|lecture|open to the public
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20101021T140000
DTEND;TZID=America/Los_Angeles:20101021T150000
LOCATION:Miller 105
SUMMARY:Ken Allan\, Visiting Artist & Scholar Lecture Series
DESCRIPTION: \;Ken Allan\, Assistant Professor of Art History\, Seatt
le University\, is speaking about the photo books of Ed Ruscha.
X-ALT-DESC;FMTTYPE=text/html:
\;Ken Allan\, Assistant Professor
of Art History\, Seattle University\, is speaking about the photo books o
f Ed Ruscha.
UID:20101021T210000Z-3286@college.lclark.edu
DTSTAMP:20100922T132737Z
URL:https://college.lclark.edu/live/events/3286-ken-allan-visiting-artist
-scholar-lecture
LAST-MODIFIED:20101011T204557Z
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:3286
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-SUMMARY: \;Ken Allan\, Assistant Professor of Art History
\, Seattle University\, is speaking about the photo books of Ed Ruscha.
X-LIVEWHALE-TAGS:arts|lecture|open to the public
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20101101T150000
DTEND;TZID=America/Los_Angeles:20101101T160000
LOCATION:Fields Art Building\, room 207
SUMMARY:Victor Maldondo\, Artist/Critic
DESCRIPTION:Victor Maldonado explores the Mexican migrant experience in A
merica. Working with traditional art forms while exploring more contempor
ary practices\, Maldonado creates images that delicately balance humor wi
th pointed cultural commentary. His paintings\, prints and videos mix the
iconography of consumer advertising\, agriculture and industrial manufac
turing to create visual symbols of our shared environments. \; Repres
ented by Froelick Gallery\, Portland (OR)\, Maldonado's work has most rec
ently been included in Resplendence\, EAST/WEST Project\, Berlin\, German
y\, Building Tradition: Contemporary Art from Tacoma Art Museum at the Wh
atcom Museum (WA) and Contemporary Baroque at the School of the Art Insti
tute of Chicago (IL). His work is in the permanent collections of Perkins
Coie LLP\, the Tacoma Art Museum (WA) and the Museum of Fine Arts\, Hous
ton (TX). Currently Victor is the Academic Center for Excellence Liaison\
, General Fine Arts Special Adviser\, teaching Professional Practices and
Art Ethics &\; Transgression at the Pacific Northwest College of Art\
, Portland (OR). Formerly a freelance art reporter for PDX Magazine\, now
a frequent contributor to PNCA's online magazine UNTITLED\, this year he
became a regular contributor and visual arts critic for Ultrapdx.com.
X-ALT-DESC;FMTTYPE=text/html:
Victor Maldonado explores the Mexican m
igrant experience in America. Working with traditional art forms while ex
ploring more contemporary practices\, Maldonado creates images that delic
ately balance humor with pointed cultural commentary. His paintings\, pri
nts and videos mix the iconography of consumer advertising\, agriculture
and industrial manufacturing to create visual symbols of our shared envir
onments. \; Represented by Froelick Gallery\, Portland (OR)\, Maldona
do's work has most recently been included in Resplendence\, EAST/WEST Pro
ject\, Berlin\, Germany\, Building Tradition: Contemporary Art from Tacom
a Art Museum at the Whatcom Museum (WA) and Contemporary Baroque at the S
chool of the Art Institute of Chicago (IL). His work is in the permanent
collections of Perkins Coie LLP\, the Tacoma Art Museum (WA) and the Muse
um of Fine Arts\, Houston (TX). Currently Victor is the Academic Center f
or Excellence Liaison\, General Fine Arts Special Adviser\, teaching Prof
essional Practices and Art Ethics &\; Transgression at the Pacific Nor
thwest College of Art\, Portland (OR). Formerly a freelance art reporter
for PDX Magazine\, now a frequent contributor to PNCA's online magazine U
NTITLED\, this year he became a regular contributor and visual arts criti
c for Ultrapdx.com.
UID:20101101T220000Z-3525@college.lclark.edu
DTSTAMP:20101019T111533Z
URL:https://college.lclark.edu/live/events/3525-victor-maldondo-artistcri
tic
LAST-MODIFIED:20101028T154914Z
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:3525
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-SUMMARY:Victor Maldonado explores the Mexican migrant experie
nce in America.
X-LIVEWHALE-TAGS:art|lecture
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20101104T140000
DTEND;TZID=America/Los_Angeles:20101104T150000
LOCATION:Miller 105
SUMMARY:Tannaz Farsi\, Visiting Artist & Scholar Lecture Series
DESCRIPTION:Tannaz Farsi is a multidisciplinary artist whose practice oft
en draws references to her Iranian heritage and the sculptural traditions
of late modernism and minimalism. She has exhibited nationally with upco
ming solo shows at The Baron and Ellin Gordon Galleries\, Norfolk\, VA an
d Delaware Center for Contemporary Art\, Wilmington\, DE. Her work has be
en acknowledged with such awards as research grants for travel in China a
nd Japan\, as well as a residency at the Bemis Center for Contemporary Ar
t in Nebraska.
X-ALT-DESC;FMTTYPE=text/html:
Tannaz Farsi is a multidisciplinary artist whose practi
ce often draws references to her Iranian heritage and the sculptural trad
itions of late modernism and minimalism. She has exhibited nationally wit
h upcoming solo shows at The Baron and Ellin Gordon Galleries\, Norfolk\,
VA and Delaware Center for Contemporary Art\, Wilmington\, DE. Her work
has been acknowledged with such awards as research grants for travel in C
hina and Japan\, as well as a residency at the Bemis Center for Contempor
ary Art in Nebraska.
UID:20101104T210000Z-3289@college.lclark.edu
DTSTAMP:20100922T133349Z
URL:https://college.lclark.edu/live/events/3289-tannaz-farsi-visiting-art
ist-scholar-lecture
LAST-MODIFIED:20101027T193926Z
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:3289
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-SUMMARY:Tannaz Farsi\, artist &\; Assistant Professor of S
culpture\, University of Oregon\, multidisciplinary practice often drawin
g references to Iranian heritage and sculptural traditions of late modern
ism and minimalism. \; The lecture is in room 105 in Miller Center fo
r the Humanities.
X-LIVEWHALE-TAGS:art|lecture|open to the public
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20101111T140000
DTEND;TZID=America/Los_Angeles:20101111T150000
LOCATION:Miller 105
SUMMARY:John Urang\, Visiting Artist & Scholar Lecture Series
DESCRIPTION:As an Assistant Professor of German at Reed College\, John Ur
ang focuses his teaching on 19th and 20th century European literature\, G
erman Democratic Republic cultural history\, film\, popular culture\, cri
tical theory\, psychoanalysis and the love story. Professor Urang receive
d his PhD in 2005 at the University of Chicago\, and his lecture will b
lend his many interests by focusing on the love stories found in post-war
German cinema.
X-ALT-DESC;FMTTYPE=text/html:
As an Assistant Professor of German at Reed College\, J
ohn Urang focuses his teaching on 19th and 20th century European literatu
re\, German Democratic Republic cultural history\, film\, popular culture
\, critical theory\, psychoanalysis and the love story. Professor Urang r
eceived his PhD in 2005 at the University of Chicago\, and his lecture
will blend his many interests by focusing on the love stories found in po
st-war German cinema.
UID:20101111T220000Z-3290@college.lclark.edu
DTSTAMP:20100922T133634Z
URL:https://college.lclark.edu/live/events/3290-john-urang-visiting-artis
t-scholar-lecture
LAST-MODIFIED:20101025T160240Z
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:3290
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-SUMMARY: \;John Urang\, Assistant Professor of German\, R
eed College\, for talk will focus on post-war love stories in cinema.
X-LIVEWHALE-TAGS:art|lecture|open to the public
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20101118T140000
DTEND;TZID=America/Los_Angeles:20101118T150000
LOCATION:Miller 105
SUMMARY:Whiting Tennis\, Visiting Artist & Scholar Lecture Series
DESCRIPTION:Whiting Tennis' paintings\, sculptures and drawings are guide
d by the fundamental aspects of building. His work fuses basic forms of s
helter\, habitat\, or furniture with other figurative or invented shapes
to create compelling hybrids. Whiting Tennis lives and works in Seattle\,
Washington and has been included in numerous solo and group exhibitions
throughout the United States. Tennis is the recipient of numerous awards\
, including the Neddy Artist Fellowship\, a Pollock Krasner grant\, and C
ontemporary Northwest Art Award at the Portland Art Museum .
X-ALT-DESC;FMTTYPE=text/html:
Whiting Tennis' paintings\, sculptures and drawings are
guided by the fundamental aspects of building. His work fuses basic form
s of shelter\, habitat\, or furniture with other figurative or invented s
hapes to create compelling hybrids. Whiting Tennis lives and works in Sea
ttle\, Washington and has been included in numerous solo and group exhibi
tions throughout the United States. Tennis is the recipient of numerous a
wards\, including the Neddy Artist Fellowship\, a Pollock Krasner grant\,
and Contemporary Northwest Art Award at the Portland Art Museum .
UID:20101118T220000Z-3560@college.lclark.edu
DTSTAMP:20101025T085545Z
URL:https://college.lclark.edu/live/events/3560-whiting-tennis-visiting-a
rtist-scholar-lecture
LAST-MODIFIED:20101025T160208Z
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:3560
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-SUMMARY:Whiting Tennis' work fuses basic forms of shelter\, h
abitat\, or furniture with other figurative or invented shapes to create
compelling hybrids.
X-LIVEWHALE-TAGS:art|lecture|open to the public
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20101123T140000
DTEND;TZID=America/Los_Angeles:20101123T150000
LOCATION:Miller 105
SUMMARY:Stewart Luckman\, Visiting Artist & Scholar Lecture Series
DESCRIPTION:Stewart Luckman focuses on large scale sculptural works predo
minantly in stone and metal with qualities of both geometric and organic
abstraction. He is also known as the founder of the sculpture program at
Bethel University in St. Paul\, Minnesota. \; Bethel University's scu
lpture program created a national reputation through its sculpture gradua
tes under Luckman's leadership\, and continues to prepare students who pr
oduce significant work throughout the United States. Luckman teaches in V
isiting Artist Programs in the Midwest and on the West Coast\, and has ex
hibited his work extensively for over 30 years. \; He has received a
number of prestigious awards\, including fellowships from the Jerome Foun
dation\, Sculpture Space\, and Minnesota State Arts Board.
X-ALT-DESC;FMTTYPE=text/html:
Stewart Luckman focuses on large scale sculptural works
predominantly in stone and metal with qualities of both geometric and or
ganic abstraction. He is also known as the founder of the sculpture progr
am at Bethel University in St. Paul\, Minnesota. \; Bethel University
's sculpture program created a national reputation through its sculpture
graduates under Luckman's leadership\, and continues to prepare students
who produce significant work throughout the United States. Luckman teache
s in Visiting Artist Programs in the Midwest and on the West Coast\, and
has exhibited his work extensively for over 30 years. \; He has recei
ved a number of prestigious awards\, including fellowships from the Jerom
e Foundation\, Sculpture Space\, and Minnesota State Arts Board.
p>
UID:20101123T220000Z-3291@college.lclark.edu
DTSTAMP:20100922T133818Z
URL:https://college.lclark.edu/live/events/3291-stewart-luckman-visiting-
artist-scholar
LAST-MODIFIED:20101025T160314Z
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:3291
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-SUMMARY:Stewart Luckman's work focuses on large scale sculptu
ral works predominantly in stone and metal with qualities of both geometr
ic and organic abstraction.
X-LIVEWHALE-TAGS:art|lecture|open to the public
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20110314T190000
DTEND;TZID=America/Los_Angeles:20110314T210000
LOCATION:Vollum College Center\, Reed College
SUMMARY:Art History Lecture at Reed
DESCRIPTION:Born in Pittsburgh\, Pennsylvania\, and raised there and in V
ienna\, Joseph Leo Koerner studied at Yale University (BA 1980)\, Cambr
idge University (MA 1982)\, University of Heidelberg (1982-3)\, and Uni
versity of California at Berkeley (MA 1985\, PhD 1988). After three y
ears at the Society of Fellows\, Harvard University (1986-9)\, he joined
the Harvard faculty\, where he was Professor of History of Art and Archit
ecture until 1999. 1999-2000 he was Professor of Modern Art History at th
e University of Frankfurt\; in 2000 he moved to London\, where he was Pro
fessor first at University College London (until 2004)\, then at the Cour
tauld Institute of Art (until 2007). Koerner organized teaching exhibiti
ons at Harvard on Early Netherlandish Painting (1990)\, German Renaissanc
e Art (1993)\, Pieter Bruegel (1995) and Netherlandish prints 1550-1675 (
1999). At the Austrian National Gallery in 1997\, he curated a retrospect
ive of the work of his father\, the painter Henry Koerner. In 2002\, he c
ollaborated with Bruno Latour and others on the exhibition Iconoclash: Be
yond the Image Wars at the Center for Art and Media in Karlsruhe. His bo
oks include Die Suche nach dem Labyrinth–Der Mythos von Daedalus und Ik
arus (1983)\, Caspar David Friedrich and the Subject of Landscape (1990)\
, The Moment of Self-Portraiture in German Renaissance Art (1993)\, and T
he Reformation of the Image (2004). Koerner wrote and presented the three
-part series Northern Renaissance for BBC Television\, as well as the fea
ture-length documentary Vienna: City of Dreams\, premiered on the BBC in
December 2007. Koerner was awarded the Jan Mitchell Prize for the Histor
y of Art in 1992. He is a member of the American Academy of Arts and Scie
nces (since 1995) and the American Philosophical Society (since 2008) and
a Senior Fellow (since 2008) at Harvard's Society of Fellows. He receive
d the 2009 Andrew W. Mellon Distinguished Achievement Award\, which will
fund projects during the years 2010-2014. \; Organized by William
J. Diebold\, Jane Neuberger Goodsell Professor of Art History and Humanit
ies\, Reed College Read an interview with Joseph Leo Koerner. \;
STEPHEN E. OSTROW DISTINGUISHED VISITORS IN THE ARTS Joseph Koerner come
s to Reed as a Stephen E. Ostrow Distinguished Visitor in the Arts. This
program was established by a generous 1988 gift to Reed from longtime fri
ends of the college Edward and Sue Cooley and John and Betty Gray\, in su
pport of art history and its place in the humanities. The mission of the
program is to bring to campus creative people who are distinguished in co
nnection with the visual arts and who provide "a forum for conceptual exp
loration\, challenge\, and discovery."
X-ALT-DESC;FMTTYPE=text/html:
Born in Pittsburgh\, Pennsylvania\, and
raised there and in Vienna\, Joseph Leo Koerner studied at Yale Universi
ty (BA 1980)\, Cambridge University (MA 1982)\, University of Heidelb
erg (1982-3)\, and University of California at Berkeley (MA 1985\, PhD
. 1988). After three years at the Society of Fellows\, Harvard University
(1986-9)\, he joined the Harvard faculty\, where he was Professor of His
tory of Art and Architecture until 1999. 1999-2000 he was Professor of Mo
dern Art History at the University of Frankfurt\; in 2000 he moved to Lon
don\, where he was Professor first at University College London (until 20
04)\, then at the Courtauld Institute of Art (until 2007).
K
oerner organized teaching exhibitions at Harvard on Early Netherlandish P
ainting (1990)\, German Renaissance Art (1993)\, Pieter Bruegel (1995) an
d Netherlandish prints 1550-1675 (1999). At the Austrian National Gallery
in 1997\, he curated a retrospective of the work of his father\, the pai
nter Henry Koerner. In 2002\, he collaborated with Bruno Latour and other
s on the exhibition Iconoclash: Beyond the Image Wars at the Center for A
rt and Media in Karlsruhe.
His books include Die Suche nach
dem Labyrinth–Der Mythos von Daedalus und Ikarus (1983)\, Caspar David
Friedrich and the Subject of Landscape (1990)\, The Moment of Self-Portra
iture in German Renaissance Art (1993)\, and The Reformation of the Image
(2004). Koerner wrote and presented the three-part series Northern Renai
ssance for BBC Television\, as well as the feature-length documentary Vie
nna: City of Dreams\, premiered on the BBC in December 2007.
Koerner was awarded the Jan Mitchell Prize for the History of Art in 199
2. He is a member of the American Academy of Arts and Sciences (since 199
5) and the American Philosophical Society (since 2008) and a Senior Fello
w (since 2008) at Harvard's Society of Fellows. He received the 2009 Andr
ew W. Mellon Distinguished Achievement Award\, which will fund projects d
uring the years 2010-2014. \; Organized by William J.
Diebold\, Jane Neuberger Goodsell Professor of Art History and Humanities
\, Reed College
Read an interview with Joseph Leo Koerner. \; STEPHEN E. OSTROW DISTINGUISHED VISITORS IN THE ARTS
Joseph Koerner comes to Reed as a Stephen E. Ostrow Distinguished
Visitor in the Arts. This program was established by a generous 1988 gif
t to Reed from longtime friends of the college Edward and Sue Cooley and
John and Betty Gray\, in support of art history and its place in the huma
nities. The mission of the program is to bring to campus creative people
who are distinguished in connection with the visual arts and who provide
"a forum for conceptual exploration\, challenge\, and discovery."
UID:20110315T020000Z-5158@college.lclark.edu
DTSTAMP:20110221T105421Z
URL:https://college.lclark.edu/live/events/5158-art-history-lecture-at-reed
LAST-MODIFIED:20110221T201643Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/17802_jpeg.jpeg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:5158
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/17802_jpeg.jpeg
X-LIVEWHALE-SUMMARY:Reed College announces the Stephen E. Ostrow Dist
inguished Visitors Program in the Visual Arts recipient Joseph Leo K
oerner\, the Victor S. Thomas Professor of the History of Art and Archite
cture\, Harvard University. \; His lecture\, open to the public\, is&
#160\; "Hieronymus Bosh: Enemy Painting" on Monday\, March 14\, 2011 at 7
:00 pm in the Vollman College Center Lecture Hall\, Eliot Circle. \;&
#160\;
X-LIVEWHALE-TAGS:art|visual arts
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20110401T110000
DTEND;TZID=America/Los_Angeles:20110401T160000
LOCATION:Ronna and Eric Hoffman Gallery of Contemporary Art
SUMMARY:2011 Senior Art Exhibition
UID:20110401T180000Z-5651@college.lclark.edu
DTSTAMP:20110324T162448Z
URL:https://college.lclark.edu/live/events/5483-2011-senior-art-exhibition
LAST-MODIFIED:20110324T232448Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/18359_seniorex.rev.1373935549.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:5651
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/18359_seniorex.rev.1373935549.jpg
X-LIVEWHALE-SUMMARY:The 2011 Senior Art Exhibition features the work of 1
3 graduating seniors in the art department. April 1 to May 8
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20110402T110000
DTEND;TZID=America/Los_Angeles:20110402T160000
LOCATION:Ronna and Eric Hoffman Gallery of Contemporary Art
SUMMARY:2011 Senior Art Exhibition
UID:20110402T180000Z-5657@college.lclark.edu
DTSTAMP:20110324T162458Z
URL:https://college.lclark.edu/live/events/5504-2011-senior-art-exhibition
LAST-MODIFIED:20110324T232458Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/18359_seniorex.rev.1373935549.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:5657
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/18359_seniorex.rev.1373935549.jpg
X-LIVEWHALE-SUMMARY:The 2011 Senior Art Exhibition features the work of 1
3 graduating seniors in the art department. April 1 to May 8
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20110403T110000
DTEND;TZID=America/Los_Angeles:20110403T160000
LOCATION:Ronna and Eric Hoffman Gallery of Contemporary Art
SUMMARY:2011 Senior Art Exhibition
UID:20110403T180000Z-5668@college.lclark.edu
DTSTAMP:20110324T162515Z
URL:https://college.lclark.edu/live/events/5527-2011-senior-art-exhibition
LAST-MODIFIED:20110324T232515Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/18359_seniorex.rev.1373935549.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:5668
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/18359_seniorex.rev.1373935549.jpg
X-LIVEWHALE-SUMMARY:The 2011 Senior Art Exhibition features the work of 1
3 graduating seniors in the art department. April 1 to May 8
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20110405T110000
DTEND;TZID=America/Los_Angeles:20110405T160000
LOCATION:Ronna and Eric Hoffman Gallery of Contemporary Art
SUMMARY:2011 Senior Art Exhibition
UID:20110405T180000Z-5669@college.lclark.edu
DTSTAMP:20110324T162516Z
URL:https://college.lclark.edu/live/events/5533-2011-senior-art-exhibition
LAST-MODIFIED:20110324T232516Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/18359_seniorex.rev.1373935549.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:5669
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/18359_seniorex.rev.1373935549.jpg
X-LIVEWHALE-SUMMARY:The 2011 Senior Art Exhibition features the work of 1
3 graduating seniors in the art department. April 1 to May 8
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20110406T110000
DTEND;TZID=America/Los_Angeles:20110406T160000
LOCATION:Ronna and Eric Hoffman Gallery of Contemporary Art
SUMMARY:2011 Senior Art Exhibition
UID:20110406T180000Z-5674@college.lclark.edu
DTSTAMP:20110324T162522Z
URL:https://college.lclark.edu/live/events/5538-2011-senior-art-exhibition
LAST-MODIFIED:20110324T232522Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/18359_seniorex.rev.1373935549.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:5674
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/18359_seniorex.rev.1373935549.jpg
X-LIVEWHALE-SUMMARY:The 2011 Senior Art Exhibition features the work of 1
3 graduating seniors in the art department. April 1 to May 8
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20110407T110000
DTEND;TZID=America/Los_Angeles:20110407T160000
LOCATION:Ronna and Eric Hoffman Gallery of Contemporary Art
SUMMARY:2011 Senior Art Exhibition
UID:20110407T180000Z-5679@college.lclark.edu
DTSTAMP:20110324T162527Z
URL:https://college.lclark.edu/live/events/5543-2011-senior-art-exhibition
LAST-MODIFIED:20110324T232527Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/18359_seniorex.rev.1373935549.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:5679
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/18359_seniorex.rev.1373935549.jpg
X-LIVEWHALE-SUMMARY:The 2011 Senior Art Exhibition features the work of 1
3 graduating seniors in the art department. April 1 to May 8
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20110408T110000
DTEND;TZID=America/Los_Angeles:20110408T160000
LOCATION:Ronna and Eric Hoffman Gallery of Contemporary Art
SUMMARY:2011 Senior Art Exhibition
UID:20110408T180000Z-5652@college.lclark.edu
DTSTAMP:20110324T162450Z
URL:https://college.lclark.edu/live/events/5484-2011-senior-art-exhibition
LAST-MODIFIED:20110324T232450Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/18359_seniorex.rev.1373935549.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:5652
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/18359_seniorex.rev.1373935549.jpg
X-LIVEWHALE-SUMMARY:The 2011 Senior Art Exhibition features the work of 1
3 graduating seniors in the art department. April 1 to May 8
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20110409T110000
DTEND;TZID=America/Los_Angeles:20110409T160000
LOCATION:Ronna and Eric Hoffman Gallery of Contemporary Art
SUMMARY:2011 Senior Art Exhibition
UID:20110409T180000Z-5658@college.lclark.edu
DTSTAMP:20110324T162459Z
URL:https://college.lclark.edu/live/events/5505-2011-senior-art-exhibition
LAST-MODIFIED:20110324T232459Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/18359_seniorex.rev.1373935549.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:5658
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/18359_seniorex.rev.1373935549.jpg
X-LIVEWHALE-SUMMARY:The 2011 Senior Art Exhibition features the work of 1
3 graduating seniors in the art department. April 1 to May 8
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20110410T110000
DTEND;TZID=America/Los_Angeles:20110410T160000
LOCATION:Ronna and Eric Hoffman Gallery of Contemporary Art
SUMMARY:2011 Senior Art Exhibition
UID:20110410T180000Z-5663@college.lclark.edu
DTSTAMP:20110324T162508Z
URL:https://college.lclark.edu/live/events/5528-2011-senior-art-exhibition
LAST-MODIFIED:20110324T232508Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/18359_seniorex.rev.1373935549.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:5663
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/18359_seniorex.rev.1373935549.jpg
X-LIVEWHALE-SUMMARY:The 2011 Senior Art Exhibition features the work of 1
3 graduating seniors in the art department. April 1 to May 8
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20110412T110000
DTEND;TZID=America/Los_Angeles:20110412T160000
LOCATION:Ronna and Eric Hoffman Gallery of Contemporary Art
SUMMARY:2011 Senior Art Exhibition
UID:20110412T180000Z-5670@college.lclark.edu
DTSTAMP:20110324T162517Z
URL:https://college.lclark.edu/live/events/5534-2011-senior-art-exhibition
LAST-MODIFIED:20110324T232517Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/18359_seniorex.rev.1373935549.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:5670
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/18359_seniorex.rev.1373935549.jpg
X-LIVEWHALE-SUMMARY:The 2011 Senior Art Exhibition features the work of 1
3 graduating seniors in the art department. April 1 to May 8
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20110413T110000
DTEND;TZID=America/Los_Angeles:20110413T160000
LOCATION:Ronna and Eric Hoffman Gallery of Contemporary Art
SUMMARY:2011 Senior Art Exhibition
UID:20110413T180000Z-5675@college.lclark.edu
DTSTAMP:20110324T162523Z
URL:https://college.lclark.edu/live/events/5539-2011-senior-art-exhibition
LAST-MODIFIED:20110324T232523Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/18359_seniorex.rev.1373935549.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:5675
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/18359_seniorex.rev.1373935549.jpg
X-LIVEWHALE-SUMMARY:The 2011 Senior Art Exhibition features the work of 1
3 graduating seniors in the art department. April 1 to May 8
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20110414T110000
DTEND;TZID=America/Los_Angeles:20110414T160000
LOCATION:Ronna and Eric Hoffman Gallery of Contemporary Art
SUMMARY:2011 Senior Art Exhibition
UID:20110414T180000Z-5680@college.lclark.edu
DTSTAMP:20110324T162528Z
URL:https://college.lclark.edu/live/events/5544-2011-senior-art-exhibition
LAST-MODIFIED:20110324T232528Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/18359_seniorex.rev.1373935549.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:5680
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/18359_seniorex.rev.1373935549.jpg
X-LIVEWHALE-SUMMARY:The 2011 Senior Art Exhibition features the work of 1
3 graduating seniors in the art department. April 1 to May 8
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20110415T110000
DTEND;TZID=America/Los_Angeles:20110415T160000
LOCATION:Ronna and Eric Hoffman Gallery of Contemporary Art
SUMMARY:2011 Senior Art Exhibition
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DTSTAMP:20110324T162452Z
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DTSTART;VALUE=DATE:20110513
DTEND;VALUE=DATE:20110514
LOCATION:Portland State University
SUMMARY:Design Conference at PSU
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rent information visit \;http://openengagement.info/ \;or conta
ct \;openengagement2011@gmail.com . Directed by Jen Delos Reyes and
planned in conjunction with Harrell Fletcher and the Art and Social Prac
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artists Julie Ault\, Fritz Haeg\, and Pablo Helguera. The work by these a
rtists' touch on subjects including democracy\, group work\, \; the b
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for Open Culture\, the Bruce High Quality Foundation University\, and a s
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MFA programs focusing on public and social art\, including OTIS College
of Art and Design\, the University of California Santa Cruz\, and the Cal
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etcher and the Art and Social Practice students\, this year's conference
features internationally renowned artists Julie Ault\, Fritz Haeg\, and P
ablo Helguera. The work by these artists' touch on subjects including dem
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and life\, education\, and transdisciplinarity. In addition\, Open Engage
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features students and faculty from MFA programs focusing on public and so
cial art\, including OTIS College of Art and Design\, the University of C
alifornia Santa Cruz\, and the California College of the Arts.
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X-LIVEWHALE-SUMMARY:The 'Open Engagement' conference (Ma
y 13 -15\, 2011) \;sets out to discuss various perspectives on art an
d social practice. \;For current information visit \;http://ope
nengagement.info/ \;or email openengagement2011@gmail.com .
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20110908T170000
DTEND;TZID=America/Los_Angeles:20110908T183000
LOCATION:Miller 105
GEO:45.450858;-122.668265
SUMMARY:Visiting Artist- Helen Lessick
UID:20110909T000000Z-6536@college.lclark.edu
DTSTAMP:20110823T115508Z
URL:https://college.lclark.edu/departments/art/visiting_artists/
LAST-MODIFIED:20110831T163159Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/22688_lessick_aux.rev.1373936667.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:6536
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/22688_lessick_aux.rev.1373936667.jpg
X-LIVEWHALE-SUMMARY:The Art Department's Visiting Artist Program presents
Helen Lessick
X-LIVEWHALE-TAGS:art|hoffman gallery|lecture|open to the public
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20110913T170000
DTEND;TZID=America/Los_Angeles:20110913T183000
LOCATION:Miller 105
GEO:45.450858;-122.668265
SUMMARY:Visiting Artist Stewart Luckman
UID:20110914T000000Z-6538@college.lclark.edu
DTSTAMP:20110823T115857Z
URL:https://college.lclark.edu/departments/art/visiting_artists/
LAST-MODIFIED:20110831T163233Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/22689_rokker5.rev.1373936667.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:6538
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/22689_rokker5.rev.1373936667.jpg
X-LIVEWHALE-SUMMARY:The Art Department's Visiting Artist Program presents
Stewart Luckman
X-LIVEWHALE-TAGS:art|lecture|open to the public
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20110920T170000
DTEND;TZID=America/Los_Angeles:20110920T183000
LOCATION:Miller 105
GEO:45.450858;-122.668265
SUMMARY:Visiting Artist- Wei Hsueh
UID:20110921T000000Z-6539@college.lclark.edu
DTSTAMP:20110823T120051Z
URL:https://college.lclark.edu/departments/art/visiting_artists/
LAST-MODIFIED:20110919T190834Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/22690_hsueh-wei-_47.rev.1373936667.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:6539
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/22690_hsueh-wei-_47.rev.1373936667.jpg
X-LIVEWHALE-SUMMARY:The Art Department's Visiting Artist Program presents
Wei Hsueh \n \nROOM HAS BEEN CHANGED TO JRHH 102
X-LIVEWHALE-TAGS:art|lecture|open to the public
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20110927T170000
DTEND;TZID=America/Los_Angeles:20110927T183000
LOCATION:Miller 105
GEO:45.450858;-122.668265
SUMMARY:Visiting Artist- Nan Curtis
UID:20110928T000000Z-6541@college.lclark.edu
DTSTAMP:20110823T120329Z
URL:https://college.lclark.edu/departments/art/visiting_artists/
LAST-MODIFIED:20110927T172657Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/22691_ag-2010-curtis-mom-rocket.rev.1373936667.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:6541
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/22691_ag-2010-curtis-mom-rocket.rev.1373936667.jpg
X-LIVEWHALE-SUMMARY:The Art Department's Visiting Artist Program presents
Nan Curtis
X-LIVEWHALE-TAGS:art|hoffman gallery|lecture|open to the public
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20110929T080000
DTEND;TZID=America/Los_Angeles:20110929T180000
LOCATION:Reflecting Pool
GEO:45.450083;-122.668673
SUMMARY:[OUTER]space Gallery "Out of Place"Exhibit
DESCRIPTION:Inaugural show: Out of PlaceOUT OF PLACE: \;Student Art S
how in \;[OUTER]Space Gallery\, Lewis & Clark Colleges first and on
ly portable gallery. \;Under the Reflecting Pool/ (RAIN ALTERNATE) Ol
in Lounge. \; 8 AM-6 PM Bon Catered Opening from 3:30-4:30 PM Brou
ght to you by the [OUTER]Space Committee and Student Arts and Activities
Board It recontextualizes the "white box" form of a gallery by allowing
the walls from which art is displayed to exist outside of a structure. Se
ven portable walls are installed indoors or out of doors\, in unconventio
nal environments. This allows for greater accesibility and viewership of
emerging artists works.
X-ALT-DESC;FMTTYPE=text/html:
Inaugural show: Out of Place
OUT OF PLACE: \;Student Art Show in \;[OUTER]Sp
ace Gallery\, Lewis & Clark Colleges first and only portable g
allery. \;Under the Reflecting Pool/ (RAIN ALTERNATE) Olin Lounge.
60\;
8 AM-6 PM Bon Catered Opening from 3:30-4:30 PM<
br /> Brought to you by the [OUTER]Space Committee and Student Arts and
Activities Board
It recontextualizes the "white box" form of
a gallery by allowing the walls from which art is displayed to exist out
side of a structure. Seven portable walls are installed indoors or out of
doors\, in unconventional environments. This allows for greater accesibi
lity and viewership of emerging artists works.
UID:20110929T150000Z-7678@college.lclark.edu
DTSTAMP:20110923T125802Z
URL:https://college.lclark.edu/live/events/7678-outerspace-gallery-out-of
-placeexhibit
LAST-MODIFIED:20110923T205936Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/24371_tumblr_lru3jj0y5l1r36mkvo1_500.rev.1373936667.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:7678
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/24371_tumblr_lru3jj0y5l1r36mkvo1_500.rev.1373936667.jpg
X-LIVEWHALE-SUMMARY:INAUGURAL SHOW: OUT OF PLACE \n[O U T E R] S
P A C E Gallery is a project to free art from the bounds of a traditiona
l gallery space. \nOUT OF PLACE: \;Student Art Show in&
#160\;[OUTER]Space Gallery\, Lewis & Clark Colleges fi
rst and only portable gallery. \;Under the Reflecting Pool/ (RAIN ALT
ERNATE) Olin Lounge. \n
X-LIVEWHALE-TAGS:art|arts|exhibition|student event|visual arts
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20111004T170000
DTEND;TZID=America/Los_Angeles:20111004T183000
LOCATION:Miller 105
GEO:45.450858;-122.668265
SUMMARY:Visiting Artist- Susie J. Lee
UID:20111005T000000Z-6542@college.lclark.edu
DTSTAMP:20110823T120600Z
URL:https://college.lclark.edu/departments/art/visiting_artists/
LAST-MODIFIED:20110927T172811Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/22692_penelope.rev.1373936667.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:6542
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/22692_penelope.rev.1373936667.jpg
X-LIVEWHALE-SUMMARY:The Art Department's Visiting Artist Program presents
Susie J. Lee
X-LIVEWHALE-TAGS:art|lecture|open to the public
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20111011T170000
DTEND;TZID=America/Los_Angeles:20111011T183000
LOCATION:Miller 105
GEO:45.450858;-122.668265
SUMMARY:Visiting Artist- Kristan Kennedy
UID:20111012T000000Z-6546@college.lclark.edu
DTSTAMP:20110823T121155Z
URL:https://college.lclark.edu/departments/art/visiting_artists/
LAST-MODIFIED:20111010T220218Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/22693_kk_2010.rev.1373936667.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:6546
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/22693_kk_2010.rev.1373936667.jpg
X-LIVEWHALE-SUMMARY:The Art Department's Visiting Artist Program presents
Kristan Kennedy
X-LIVEWHALE-TAGS:art|lecture|open to the public
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20111018T153000
DTEND;TZID=America/Los_Angeles:20111018T183000
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Visiting Artist- David Eckard
UID:20111018T223000Z-6547@college.lclark.edu
DTSTAMP:20110823T121548Z
URL:https://college.lclark.edu/departments/art/visiting_artists/
LAST-MODIFIED:20111017T175331Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/22696_david-eckard.rev.1373936667.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:6547
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/22696_david-eckard.rev.1373936667.jpg
X-LIVEWHALE-SUMMARY:The Art Department's Visiting Artist Program presents
David Eckard
X-LIVEWHALE-TAGS:art|hoffman gallery|lecture|open to the public
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20111027T170000
DTEND;TZID=America/Los_Angeles:20111027T180000
GEO:45.450858;-122.668265
SUMMARY:Visiting Artist- James M. Harrison
DESCRIPTION:Building Incorrectly with James M. Harrison James M Harrison
has made a career of taking the craft practices of one genre and incorre
ctly breeding them with the craft practices of a different genre. \;
He builds large strange things for a living\, and uses sculpture as a way
to study the world. \;
X-ALT-DESC;FMTTYPE=text/html:
Building Incorrectly with James M. Harr
ison
James M Harrison has made a career of taking the craft pra
ctices of one genre and incorrectly breeding them with the craft practice
s of a different genre. \;He builds large strange things for a livin
g\, and uses sculpture as a way to study the world.
\;
UID:20111028T000000Z-7982@college.lclark.edu
DTSTAMP:20111013T124137Z
URL:https://college.lclark.edu/live/events/7982-visiting-artist-james-m-h
arrison
LAST-MODIFIED:20111013T194239Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/24802_imgp4520.jpeg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:7982
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/24802_imgp4520.jpeg
X-LIVEWHALE-SUMMARY:Building Incorrectly with James M Harrison
X-LIVEWHALE-TAGS:art|arts|open to the public|send-to-undergraduate|visual
arts
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20111101T170000
DTEND;TZID=America/Los_Angeles:20111101T183000
LOCATION:Miller 105
GEO:45.450858;-122.668265
SUMMARY:Visiting Artist- Anna Gray and Ryan P. Wilson
UID:20111102T000000Z-6550@college.lclark.edu
DTSTAMP:20110823T122350Z
URL:https://college.lclark.edu/departments/art/visiting_artists/
LAST-MODIFIED:20111010T223103Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/22699_color_wheel_.rev.1373936667.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:6550
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/22699_color_wheel_.rev.1373936667.jpg
X-LIVEWHALE-SUMMARY:The Art Department's Visiting Artist Program presents
Anna Gray and Ryan P. Wilson
X-LIVEWHALE-TAGS:art|lecture|open to the public
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111107
DTEND;VALUE=DATE:20111108
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Monroe Isenberg
UID:20111107T080000Z-8219@college.lclark.edu
DTSTAMP:20111025T131242Z
URL:https://college.lclark.edu/live/events/8122-student-art-exhibit-monro
e-isenberg
LAST-MODIFIED:20111108T232103Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25043_monroeisenberg.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:8219
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/417/width/80/
height/80/crop/1/25043_monroeisenberg.rev.1373936487.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Check out this totemic sculpture by Monroe Isenberg (
LC\, 2013)\, which will be on display until December 1 in Watzek's Readin
g Room.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111108
DTEND;VALUE=DATE:20111109
LOCATION:Watzek Library\, 3rd floor
SUMMARY:Student Art Exhibit: Elizabeth Strong
UID:20111108T080000Z-8586@college.lclark.edu
DTSTAMP:20111108T151945Z
URL:https://college.lclark.edu/live/events/8564-student-art-exhibit-eliza
beth-strong
LAST-MODIFIED:20111108T232129Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25635_elizabethstrong.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:8586
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/417/width/80/
height/80/crop/1/25635_elizabethstrong.rev.1373936487.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Visit the North side of Watzek's 3rd floor to see Eli
zabeth Strong's (LC\, 2014) sculpture\, You're Nothing But a Pack of
Cards!\, on display through November 27. Strong's sculpture is a thr
ee dimensional translation of Sir John Tenniel's drawings for Alice in Wonderland \;and is cleverly constructed\, almost exclu
sively\, with playing cards.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111108
DTEND;VALUE=DATE:20111109
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Laura Nash
UID:20111108T080000Z-8543@college.lclark.edu
DTSTAMP:20111108T151725Z
URL:https://college.lclark.edu/live/events/8520-student-art-exhibit-laura
-nash
LAST-MODIFIED:20111108T232122Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25634_lauranash.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:8543
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/417/width/80/
height/80/crop/1/25634_lauranash.rev.1373936487.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Laura Nash's (LC\, 2013) Twilight Forest
0\;will be on view in Watzek's Reading Room through Saturday\, November 2
6. Nash describes her installation as a three-dimensional reinterpretatio
n of an illustration from Clive Barker's Abarat: Days of Magic\, Nights of W
ar. The cardboard and wooden arch stands 93 inches tall\, and is embe
llished with yarn\, wire and paint.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111108
DTEND;VALUE=DATE:20111109
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Monroe Isenberg
UID:20111108T080000Z-8220@college.lclark.edu
DTSTAMP:20111025T131244Z
URL:https://college.lclark.edu/live/events/8123-student-art-exhibit-monro
e-isenberg
LAST-MODIFIED:20111108T232114Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25043_monroeisenberg.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:8220
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/417/width/80/
height/80/crop/1/25043_monroeisenberg.rev.1373936487.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Check out this totemic sculpture by Monroe Isenberg (
LC\, 2013)\, which will be on display until December 1 in Watzek's Readin
g Room.
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20111108T170000
DTEND;TZID=America/Los_Angeles:20111108T183000
LOCATION:Miller 105
GEO:45.450858;-122.668265
SUMMARY:Visiting Artist- Dan Attoe
UID:20111109T010000Z-6553@college.lclark.edu
DTSTAMP:20110823T122512Z
URL:https://college.lclark.edu/departments/art/visiting_artists/
LAST-MODIFIED:20111010T223133Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/22700_attoe.rev.1373936667.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:6553
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/22700_attoe.rev.1373936667.jpg
X-LIVEWHALE-SUMMARY:The Art Department's Visiting Artist Program presents
Dan Attoe
X-LIVEWHALE-TAGS:art|lecture|open to the public
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111109
DTEND;VALUE=DATE:20111110
LOCATION:Watzek Library\, 3rd floor
SUMMARY:Student Art Exhibit: Elizabeth Strong
UID:20111109T080000Z-8587@college.lclark.edu
DTSTAMP:20111108T151947Z
URL:https://college.lclark.edu/live/events/8565-student-art-exhibit-eliza
beth-strong
LAST-MODIFIED:20111108T232214Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25635_elizabethstrong.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:8587
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/417/width/80/
height/80/crop/1/25635_elizabethstrong.rev.1373936487.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Visit the North side of Watzek's 3rd floor to see Eli
zabeth Strong's (LC\, 2014) sculpture\, You're Nothing But a Pack of
Cards!\, on display through November 27. Strong's sculpture is a thr
ee dimensional translation of Sir John Tenniel's drawings for Alice in Wonderland \;and is cleverly constructed\, almost exclu
sively\, with playing cards.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111109
DTEND;VALUE=DATE:20111110
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Laura Nash
UID:20111109T080000Z-8544@college.lclark.edu
DTSTAMP:20111108T151726Z
URL:https://college.lclark.edu/live/events/8521-student-art-exhibit-laura
-nash
LAST-MODIFIED:20111108T232209Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25634_lauranash.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:8544
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/417/width/80/
height/80/crop/1/25634_lauranash.rev.1373936487.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Laura Nash's (LC\, 2013) Twilight Forest
0\;will be on view in Watzek's Reading Room through Saturday\, November 2
6. Nash describes her installation as a three-dimensional reinterpretatio
n of an illustration from Clive Barker's Abarat: Days of Magic\, Nights of W
ar. The cardboard and wooden arch stands 93 inches tall\, and is embe
llished with yarn\, wire and paint.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111109
DTEND;VALUE=DATE:20111110
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Monroe Isenberg
UID:20111109T080000Z-8221@college.lclark.edu
DTSTAMP:20111025T131246Z
URL:https://college.lclark.edu/live/events/8124-student-art-exhibit-monro
e-isenberg
LAST-MODIFIED:20111108T232203Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25043_monroeisenberg.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:8221
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/417/width/80/
height/80/crop/1/25043_monroeisenberg.rev.1373936487.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Check out this totemic sculpture by Monroe Isenberg (
LC\, 2013)\, which will be on display until December 1 in Watzek's Readin
g Room.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111110
DTEND;VALUE=DATE:20111111
LOCATION:Watzek Library\, 3rd floor
SUMMARY:Student Art Exhibit: Elizabeth Strong
UID:20111110T080000Z-8588@college.lclark.edu
DTSTAMP:20111108T151949Z
URL:https://college.lclark.edu/live/events/8566-student-art-exhibit-eliza
beth-strong
LAST-MODIFIED:20111108T232234Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25635_elizabethstrong.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:8588
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/417/width/80/
height/80/crop/1/25635_elizabethstrong.rev.1373936487.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Visit the North side of Watzek's 3rd floor to see Eli
zabeth Strong's (LC\, 2014) sculpture\, You're Nothing But a Pack of
Cards!\, on display through November 27. Strong's sculpture is a thr
ee dimensional translation of Sir John Tenniel's drawings for Alice in Wonderland \;and is cleverly constructed\, almost exclu
sively\, with playing cards.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111110
DTEND;VALUE=DATE:20111111
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Laura Nash
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DTSTAMP:20111108T151735Z
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6. Nash describes her installation as a three-dimensional reinterpretatio
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ar. The cardboard and wooden arch stands 93 inches tall\, and is embe
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111110
DTEND;VALUE=DATE:20111111
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Monroe Isenberg
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DTSTAMP:20111025T131247Z
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111111
DTEND;VALUE=DATE:20111112
LOCATION:Watzek Library\, 3rd floor
SUMMARY:Student Art Exhibit: Elizabeth Strong
UID:20111111T080000Z-8590@college.lclark.edu
DTSTAMP:20111108T152025Z
URL:https://college.lclark.edu/live/events/8567-student-art-exhibit-eliza
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ee dimensional translation of Sir John Tenniel's drawings for Alice in Wonderland \;and is cleverly constructed\, almost exclu
sively\, with playing cards.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111111
DTEND;VALUE=DATE:20111112
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Laura Nash
UID:20111111T080000Z-8545@college.lclark.edu
DTSTAMP:20111108T151728Z
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6. Nash describes her installation as a three-dimensional reinterpretatio
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ar. The cardboard and wooden arch stands 93 inches tall\, and is embe
llished with yarn\, wire and paint.
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20111111
DTEND;VALUE=DATE:20111112
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Monroe Isenberg
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DTSTAMP:20111025T131249Z
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20111112
DTEND;VALUE=DATE:20111113
LOCATION:Watzek Library\, 3rd floor
SUMMARY:Student Art Exhibit: Elizabeth Strong
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DTSTAMP:20111108T152027Z
URL:https://college.lclark.edu/live/events/8568-student-art-exhibit-eliza
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ee dimensional translation of Sir John Tenniel's drawings for Alice in Wonderland \;and is cleverly constructed\, almost exclu
sively\, with playing cards.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111112
DTEND;VALUE=DATE:20111113
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Laura Nash
UID:20111112T080000Z-8547@college.lclark.edu
DTSTAMP:20111108T151737Z
URL:https://college.lclark.edu/live/events/8524-student-art-exhibit-laura
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X-LIVEWHALE-TYPE:events
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6. Nash describes her installation as a three-dimensional reinterpretatio
n of an illustration from Clive Barker's Abarat: Days of Magic\, Nights of W
ar. The cardboard and wooden arch stands 93 inches tall\, and is embe
llished with yarn\, wire and paint.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111112
DTEND;VALUE=DATE:20111113
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Monroe Isenberg
UID:20111112T080000Z-8224@college.lclark.edu
DTSTAMP:20111025T131250Z
URL:https://college.lclark.edu/live/events/8127-student-art-exhibit-monro
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LAST-MODIFIED:20111108T232313Z
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20111113
DTEND;VALUE=DATE:20111114
LOCATION:Watzek Library\, 3rd floor
SUMMARY:Student Art Exhibit: Elizabeth Strong
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DTSTAMP:20111108T152029Z
URL:https://college.lclark.edu/live/events/8569-student-art-exhibit-eliza
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sively\, with playing cards.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111113
DTEND;VALUE=DATE:20111114
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Laura Nash
UID:20111113T080000Z-8548@college.lclark.edu
DTSTAMP:20111108T151739Z
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6. Nash describes her installation as a three-dimensional reinterpretatio
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ar. The cardboard and wooden arch stands 93 inches tall\, and is embe
llished with yarn\, wire and paint.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111113
DTEND;VALUE=DATE:20111114
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Monroe Isenberg
UID:20111113T080000Z-8258@college.lclark.edu
DTSTAMP:20111026T095206Z
URL:https://college.lclark.edu/live/events/8128-student-art-exhibit-monro
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20111114
DTEND;VALUE=DATE:20111115
LOCATION:Watzek Library\, 3rd floor
SUMMARY:Student Art Exhibit: Elizabeth Strong
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DTSTAMP:20111108T152032Z
URL:https://college.lclark.edu/live/events/8570-student-art-exhibit-eliza
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sively\, with playing cards.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111114
DTEND;VALUE=DATE:20111115
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Laura Nash
UID:20111114T080000Z-8549@college.lclark.edu
DTSTAMP:20111108T151740Z
URL:https://college.lclark.edu/live/events/8526-student-art-exhibit-laura
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X-LIVEWHALE-ALL-DAY:1
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6. Nash describes her installation as a three-dimensional reinterpretatio
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ar. The cardboard and wooden arch stands 93 inches tall\, and is embe
llished with yarn\, wire and paint.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111114
DTEND;VALUE=DATE:20111115
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Monroe Isenberg
UID:20111114T080000Z-8259@college.lclark.edu
DTSTAMP:20111026T095207Z
URL:https://college.lclark.edu/live/events/8129-student-art-exhibit-monro
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X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Check out this totemic sculpture by Monroe Isenberg (
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111115
DTEND;VALUE=DATE:20111116
LOCATION:Watzek Library\, 3rd floor
SUMMARY:Student Art Exhibit: Elizabeth Strong
UID:20111115T080000Z-8594@college.lclark.edu
DTSTAMP:20111108T152034Z
URL:https://college.lclark.edu/live/events/8571-student-art-exhibit-eliza
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rop/1/25635_elizabethstrong.rev.1373936487.jpg
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X-LIVEWHALE-ALL-DAY:1
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ee dimensional translation of Sir John Tenniel's drawings for Alice in Wonderland \;and is cleverly constructed\, almost exclu
sively\, with playing cards.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111115
DTEND;VALUE=DATE:20111116
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Laura Nash
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DTSTAMP:20111108T151741Z
URL:https://college.lclark.edu/live/events/8527-student-art-exhibit-laura
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LAST-MODIFIED:20111109T192405Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25634_lauranash.rev.1373936487.jpg
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X-LIVEWHALE-ALL-DAY:1
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6. Nash describes her installation as a three-dimensional reinterpretatio
n of an illustration from Clive Barker's Abarat: Days of Magic\, Nights of W
ar. The cardboard and wooden arch stands 93 inches tall\, and is embe
llished with yarn\, wire and paint.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111115
DTEND;VALUE=DATE:20111116
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Monroe Isenberg
UID:20111115T080000Z-8260@college.lclark.edu
DTSTAMP:20111026T095208Z
URL:https://college.lclark.edu/live/events/8130-student-art-exhibit-monro
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LAST-MODIFIED:20111108T232429Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25043_monroeisenberg.rev.1373936487.jpg
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X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Check out this totemic sculpture by Monroe Isenberg (
LC\, 2013)\, which will be on display until December 1 in Watzek's Readin
g Room.
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20111115T170000
DTEND;TZID=America/Los_Angeles:20111115T183000
LOCATION:Miller 105
GEO:45.450858;-122.668265
SUMMARY:Visiting Artist- Chris Cohen
UID:20111116T010000Z-6554@college.lclark.edu
DTSTAMP:20110823T122724Z
URL:https://college.lclark.edu/departments/art/visiting_artists/
LAST-MODIFIED:20111010T223143Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
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X-LIVEWHALE-IMAGE-CAPTION:Photo credit: Felix Gonzalez-Torres: Traveling\
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courtesy of The Renaissance Society at The University of Chicago
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X-LIVEWHALE-TAGS:art|lecture|open to the public
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20111115T183000
DTEND;TZID=America/Los_Angeles:20111115T193000
LOCATION:Arnold Gallery
GEO:45.4505875022249;-122.667824986725
SUMMARY:You Probably Wouldn't Understand
DESCRIPTION:Student Art Show featuring works by" Maozhu Zhao John Tolle
s Hannah Berry Lynsey Lacher Katelyn Mundal \;Complimentary food
and drink
X-ALT-DESC;FMTTYPE=text/html:
Student Art Show featuring works by"
Maozhu Zhao
John Tolles
Hannah Berry
Lynsey
Lacher
Katelyn Mundal
\;
Complimentary fo
od and drink
UID:20111116T023000Z-8672@college.lclark.edu
DTSTAMP:20111114T130129Z
URL:https://college.lclark.edu/live/events/8672-you-probably-wouldnt-unde
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LAST-MODIFIED:20111114T214450Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
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X-LIVEWHALE-TYPE:events
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X-LIVEWHALE-SUMMARY:Student Art Show
X-LIVEWHALE-TAGS:art|arts|send-to-undergraduate|student artwork|student e
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111116
DTEND;VALUE=DATE:20111117
LOCATION:Watzek Library\, 3rd floor
SUMMARY:Student Art Exhibit: Elizabeth Strong
UID:20111116T080000Z-8595@college.lclark.edu
DTSTAMP:20111108T152035Z
URL:https://college.lclark.edu/live/events/8572-student-art-exhibit-eliza
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X-LIVEWHALE-SUMMARY:Visit the North side of Watzek's 3rd floor to see Eli
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Cards!\, on display through November 27. Strong's sculpture is a thr
ee dimensional translation of Sir John Tenniel's drawings for Alice in Wonderland \;and is cleverly constructed\, almost exclu
sively\, with playing cards.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111116
DTEND;VALUE=DATE:20111117
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Laura Nash
UID:20111116T080000Z-8551@college.lclark.edu
DTSTAMP:20111108T151743Z
URL:https://college.lclark.edu/live/events/8528-student-art-exhibit-laura
-nash
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X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Laura Nash's (LC\, 2013) Twilight Forest
0\;will be on view in Watzek's Reading Room through Saturday\, November 2
6. Nash describes her installation as a three-dimensional reinterpretatio
n of an illustration from Clive Barker's Abarat: Days of Magic\, Nights of W
ar. The cardboard and wooden arch stands 93 inches tall\, and is embe
llished with yarn\, wire and paint.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111116
DTEND;VALUE=DATE:20111117
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Monroe Isenberg
UID:20111116T080000Z-8261@college.lclark.edu
DTSTAMP:20111026T095208Z
URL:https://college.lclark.edu/live/events/8131-student-art-exhibit-monro
e-isenberg
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X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Check out this totemic sculpture by Monroe Isenberg (
LC\, 2013)\, which will be on display until December 1 in Watzek's Readin
g Room.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111117
DTEND;VALUE=DATE:20111118
LOCATION:Watzek Library\, 3rd floor
SUMMARY:Student Art Exhibit: Elizabeth Strong
UID:20111117T080000Z-8596@college.lclark.edu
DTSTAMP:20111108T152037Z
URL:https://college.lclark.edu/live/events/8573-student-art-exhibit-eliza
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X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Visit the North side of Watzek's 3rd floor to see Eli
zabeth Strong's (LC\, 2014) sculpture\, You're Nothing But a Pack of
Cards!\, on display through November 27. Strong's sculpture is a thr
ee dimensional translation of Sir John Tenniel's drawings for Alice in Wonderland and is cleverly constructed\, almost exclusively
\, with playing cards.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111117
DTEND;VALUE=DATE:20111118
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Laura Nash
UID:20111117T080000Z-8552@college.lclark.edu
DTSTAMP:20111108T151744Z
URL:https://college.lclark.edu/live/events/8529-student-art-exhibit-laura
-nash
LAST-MODIFIED:20111114T214512Z
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X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Laura Nash's (LC\, 2013) Twilight Forest
0\;will be on view in Watzek's Reading Room through Saturday\, November 2
6. Nash describes her installation as a three-dimensional reinterpretatio
n of an illustration from Clive Barker's Abarat: Days of Magic\, Nights of W
ar. The cardboard and wooden arch stands 93 inches tall\, and is embe
llished with yarn\, wire and paint.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111117
DTEND;VALUE=DATE:20111118
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Monroe Isenberg
UID:20111117T080000Z-8262@college.lclark.edu
DTSTAMP:20111026T095209Z
URL:https://college.lclark.edu/live/events/8132-student-art-exhibit-monro
e-isenberg
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rop/1/25043_monroeisenberg.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
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X-LIVEWHALE-TIMEZONE:America/Los_Angeles
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X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Check out this totemic sculpture by Monroe Isenberg (
LC\, 2013)\, which will be on display until December 1 in Watzek's Readin
g Room.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111118
DTEND;VALUE=DATE:20111119
LOCATION:Watzek Library\, 3rd floor
SUMMARY:Student Art Exhibit: Elizabeth Strong
UID:20111118T080000Z-8597@college.lclark.edu
DTSTAMP:20111108T152038Z
URL:https://college.lclark.edu/live/events/8574-student-art-exhibit-eliza
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X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Visit the North side of Watzek's 3rd floor to see Eli
zabeth Strong's (LC\, 2014) sculpture\, You're Nothing But a Pack of
Cards!\, on display through November 27. Strong's sculpture is a thr
ee dimensional translation of Sir John Tenniel's drawings for Alice in Wonderland and is cleverly constructed\, almost exclusively
\, with playing cards.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111118
DTEND;VALUE=DATE:20111119
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Laura Nash
UID:20111118T080000Z-8553@college.lclark.edu
DTSTAMP:20111108T151745Z
URL:https://college.lclark.edu/live/events/8530-student-art-exhibit-laura
-nash
LAST-MODIFIED:20111108T231745Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25634_lauranash.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:8553
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
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height/80/crop/1/25634_lauranash.rev.1373936487.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Laura Nash's (LC\, 2013) Twilight Forest wil
l be on view in Watzek's Reading Room through Saturday\, November 26. Nas
h describes her installation as a three-dimensional reinterpretation of a
n illustration from Clive Barker's Abarat: Days of Magic\, Nights of War
. The cardboard and wooden arch stands 93 inches tall\, and is embellishe
d with yarn\, wire and paint.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111118
DTEND;VALUE=DATE:20111119
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Monroe Isenberg
UID:20111118T080000Z-8263@college.lclark.edu
DTSTAMP:20111026T095211Z
URL:https://college.lclark.edu/live/events/8133-student-art-exhibit-monro
e-isenberg
LAST-MODIFIED:20111026T165211Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25043_monroeisenberg.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:8263
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
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X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Check out this totemic sculpture by Monroe Isenberg (
LC\, 2013)\, which will be on display until December 1 in Watzek's Readin
g Room.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111119
DTEND;VALUE=DATE:20111120
LOCATION:Watzek Library\, 3rd floor
SUMMARY:Student Art Exhibit: Elizabeth Strong
UID:20111119T080000Z-8598@college.lclark.edu
DTSTAMP:20111108T152039Z
URL:https://college.lclark.edu/live/events/8575-student-art-exhibit-eliza
beth-strong
LAST-MODIFIED:20111108T232039Z
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rop/1/25635_elizabethstrong.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
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X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Visit the North side of Watzek's 3rd floor to see Eli
zabeth Strong's (LC\, 2014) sculpture\, You're Nothing But a Pack of
Cards!\, on display through November 27. Strong's sculpture is a thr
ee dimensional translation of Sir John Tenniel's drawings for Alice in Wonderland and is cleverly constructed\, almost exclusively
\, with playing cards.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111119
DTEND;VALUE=DATE:20111120
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Laura Nash
UID:20111119T080000Z-8554@college.lclark.edu
DTSTAMP:20111108T151746Z
URL:https://college.lclark.edu/live/events/8531-student-art-exhibit-laura
-nash
LAST-MODIFIED:20111108T231746Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25634_lauranash.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:8554
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
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X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Laura Nash's (LC\, 2013) Twilight Forest wil
l be on view in Watzek's Reading Room through Saturday\, November 26. Nas
h describes her installation as a three-dimensional reinterpretation of a
n illustration from Clive Barker's Abarat: Days of Magic\, Nights of War
. The cardboard and wooden arch stands 93 inches tall\, and is embellishe
d with yarn\, wire and paint.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111119
DTEND;VALUE=DATE:20111120
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Monroe Isenberg
UID:20111119T080000Z-8264@college.lclark.edu
DTSTAMP:20111026T095213Z
URL:https://college.lclark.edu/live/events/8134-student-art-exhibit-monro
e-isenberg
LAST-MODIFIED:20111026T165213Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25043_monroeisenberg.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
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X-LIVEWHALE-TIMEZONE:America/Los_Angeles
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X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Check out this totemic sculpture by Monroe Isenberg (
LC\, 2013)\, which will be on display until December 1 in Watzek's Readin
g Room.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111120
DTEND;VALUE=DATE:20111121
LOCATION:Watzek Library\, 3rd floor
SUMMARY:Student Art Exhibit: Elizabeth Strong
UID:20111120T080000Z-8599@college.lclark.edu
DTSTAMP:20111108T152041Z
URL:https://college.lclark.edu/live/events/8576-student-art-exhibit-eliza
beth-strong
LAST-MODIFIED:20111108T232041Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25635_elizabethstrong.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
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X-LIVEWHALE-TIMEZONE:America/Los_Angeles
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height/80/crop/1/25635_elizabethstrong.rev.1373936487.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Visit the North side of Watzek's 3rd floor to see Eli
zabeth Strong's (LC\, 2014) sculpture\, You're Nothing But a Pack of
Cards!\, on display through November 27. Strong's sculpture is a thr
ee dimensional translation of Sir John Tenniel's drawings for Alice in Wonderland and is cleverly constructed\, almost exclusively
\, with playing cards.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111120
DTEND;VALUE=DATE:20111121
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Laura Nash
UID:20111120T080000Z-8555@college.lclark.edu
DTSTAMP:20111108T151747Z
URL:https://college.lclark.edu/live/events/8532-student-art-exhibit-laura
-nash
LAST-MODIFIED:20111108T231747Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25634_lauranash.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:8555
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
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height/80/crop/1/25634_lauranash.rev.1373936487.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Laura Nash's (LC\, 2013) Twilight Forest wil
l be on view in Watzek's Reading Room through Saturday\, November 26. Nas
h describes her installation as a three-dimensional reinterpretation of a
n illustration from Clive Barker's Abarat: Days of Magic\, Nights of War
. The cardboard and wooden arch stands 93 inches tall\, and is embellishe
d with yarn\, wire and paint.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111120
DTEND;VALUE=DATE:20111121
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Monroe Isenberg
UID:20111120T080000Z-8265@college.lclark.edu
DTSTAMP:20111026T095215Z
URL:https://college.lclark.edu/live/events/8135-student-art-exhibit-monro
e-isenberg
LAST-MODIFIED:20111026T165215Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25043_monroeisenberg.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
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X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Check out this totemic sculpture by Monroe Isenberg (
LC\, 2013)\, which will be on display until December 1 in Watzek's Readin
g Room.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111121
DTEND;VALUE=DATE:20111122
LOCATION:Watzek Library\, 3rd floor
SUMMARY:Student Art Exhibit: Elizabeth Strong
UID:20111121T080000Z-8600@college.lclark.edu
DTSTAMP:20111108T152043Z
URL:https://college.lclark.edu/live/events/8577-student-art-exhibit-eliza
beth-strong
LAST-MODIFIED:20111108T232043Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25635_elizabethstrong.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
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X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Visit the North side of Watzek's 3rd floor to see Eli
zabeth Strong's (LC\, 2014) sculpture\, You're Nothing But a Pack of
Cards!\, on display through November 27. Strong's sculpture is a thr
ee dimensional translation of Sir John Tenniel's drawings for Alice in Wonderland and is cleverly constructed\, almost exclusively
\, with playing cards.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111121
DTEND;VALUE=DATE:20111122
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Laura Nash
UID:20111121T080000Z-8556@college.lclark.edu
DTSTAMP:20111108T151748Z
URL:https://college.lclark.edu/live/events/8533-student-art-exhibit-laura
-nash
LAST-MODIFIED:20111108T231748Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25634_lauranash.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:8556
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
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height/80/crop/1/25634_lauranash.rev.1373936487.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Laura Nash's (LC\, 2013) Twilight Forest wil
l be on view in Watzek's Reading Room through Saturday\, November 26. Nas
h describes her installation as a three-dimensional reinterpretation of a
n illustration from Clive Barker's Abarat: Days of Magic\, Nights of War
. The cardboard and wooden arch stands 93 inches tall\, and is embellishe
d with yarn\, wire and paint.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111121
DTEND;VALUE=DATE:20111122
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Monroe Isenberg
UID:20111121T080000Z-8266@college.lclark.edu
DTSTAMP:20111026T095216Z
URL:https://college.lclark.edu/live/events/8136-student-art-exhibit-monro
e-isenberg
LAST-MODIFIED:20111026T165216Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25043_monroeisenberg.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
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height/80/crop/1/25043_monroeisenberg.rev.1373936487.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Check out this totemic sculpture by Monroe Isenberg (
LC\, 2013)\, which will be on display until December 1 in Watzek's Readin
g Room.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111122
DTEND;VALUE=DATE:20111123
LOCATION:Watzek Library\, 3rd floor
SUMMARY:Student Art Exhibit: Elizabeth Strong
UID:20111122T080000Z-8601@college.lclark.edu
DTSTAMP:20111108T152044Z
URL:https://college.lclark.edu/live/events/8578-student-art-exhibit-eliza
beth-strong
LAST-MODIFIED:20111108T232044Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25635_elizabethstrong.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
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height/80/crop/1/25635_elizabethstrong.rev.1373936487.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Visit the North side of Watzek's 3rd floor to see Eli
zabeth Strong's (LC\, 2014) sculpture\, You're Nothing But a Pack of
Cards!\, on display through November 27. Strong's sculpture is a thr
ee dimensional translation of Sir John Tenniel's drawings for Alice in Wonderland and is cleverly constructed\, almost exclusively
\, with playing cards.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111122
DTEND;VALUE=DATE:20111123
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Laura Nash
UID:20111122T080000Z-8557@college.lclark.edu
DTSTAMP:20111108T151749Z
URL:https://college.lclark.edu/live/events/8534-student-art-exhibit-laura
-nash
LAST-MODIFIED:20111108T231749Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25634_lauranash.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
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X-LIVEWHALE-TIMEZONE:America/Los_Angeles
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height/80/crop/1/25634_lauranash.rev.1373936487.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Laura Nash's (LC\, 2013) Twilight Forest wil
l be on view in Watzek's Reading Room through Saturday\, November 26. Nas
h describes her installation as a three-dimensional reinterpretation of a
n illustration from Clive Barker's Abarat: Days of Magic\, Nights of War
. The cardboard and wooden arch stands 93 inches tall\, and is embellishe
d with yarn\, wire and paint.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111122
DTEND;VALUE=DATE:20111123
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Monroe Isenberg
UID:20111122T080000Z-8267@college.lclark.edu
DTSTAMP:20111026T095217Z
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LAST-MODIFIED:20111026T165217Z
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rop/1/25043_monroeisenberg.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:8267
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/417/width/80/
height/80/crop/1/25043_monroeisenberg.rev.1373936487.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Check out this totemic sculpture by Monroe Isenberg (
LC\, 2013)\, which will be on display until December 1 in Watzek's Readin
g Room.
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20111122T170000
DTEND;TZID=America/Los_Angeles:20111122T183000
LOCATION:Miller 105
SUMMARY:Visiting Artist- Gerri Ondrizek
UID:20111123T010000Z-6549@college.lclark.edu
DTSTAMP:20110823T122011Z
URL:http://The Art Department's Visiting Artist Program presents Helen Le
ssick
LAST-MODIFIED:20111026T165248Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/22698_sound_of_cells_dividing_photo_by_geraldine_ondrizek_310139.rev
.1373936667.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:6549
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/22698_sound_of_cells_dividing_photo_by_geraldine_ondrizek
_310139.rev.1373936667.jpg
X-LIVEWHALE-SUMMARY:The Art Department's Visiting Artist Program presents
Gerri Ondrizek
X-LIVEWHALE-TAGS:art|lecture|open to the public
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111123
DTEND;VALUE=DATE:20111124
LOCATION:Watzek Library\, 3rd floor
SUMMARY:Student Art Exhibit: Elizabeth Strong
UID:20111123T080000Z-8602@college.lclark.edu
DTSTAMP:20111108T152046Z
URL:https://college.lclark.edu/live/events/8579-student-art-exhibit-eliza
beth-strong
LAST-MODIFIED:20111108T232046Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25635_elizabethstrong.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:8602
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/417/width/80/
height/80/crop/1/25635_elizabethstrong.rev.1373936487.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Visit the North side of Watzek's 3rd floor to see Eli
zabeth Strong's (LC\, 2014) sculpture\, You're Nothing But a Pack of
Cards!\, on display through November 27. Strong's sculpture is a thr
ee dimensional translation of Sir John Tenniel's drawings for Alice in Wonderland and is cleverly constructed\, almost exclusively
\, with playing cards.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111123
DTEND;VALUE=DATE:20111124
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Laura Nash
UID:20111123T080000Z-8558@college.lclark.edu
DTSTAMP:20111108T151751Z
URL:https://college.lclark.edu/live/events/8535-student-art-exhibit-laura
-nash
LAST-MODIFIED:20111108T231751Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25634_lauranash.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:8558
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/417/width/80/
height/80/crop/1/25634_lauranash.rev.1373936487.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Laura Nash's (LC\, 2013) Twilight Forest wil
l be on view in Watzek's Reading Room through Saturday\, November 26. Nas
h describes her installation as a three-dimensional reinterpretation of a
n illustration from Clive Barker's Abarat: Days of Magic\, Nights of War
. The cardboard and wooden arch stands 93 inches tall\, and is embellishe
d with yarn\, wire and paint.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111123
DTEND;VALUE=DATE:20111124
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Monroe Isenberg
UID:20111123T080000Z-8268@college.lclark.edu
DTSTAMP:20111026T095219Z
URL:https://college.lclark.edu/live/events/8138-student-art-exhibit-monro
e-isenberg
LAST-MODIFIED:20111026T165219Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25043_monroeisenberg.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:8268
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/417/width/80/
height/80/crop/1/25043_monroeisenberg.rev.1373936487.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Check out this totemic sculpture by Monroe Isenberg (
LC\, 2013)\, which will be on display until December 1 in Watzek's Readin
g Room.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111124
DTEND;VALUE=DATE:20111125
LOCATION:Watzek Library\, 3rd floor
SUMMARY:Student Art Exhibit: Elizabeth Strong
UID:20111124T080000Z-8603@college.lclark.edu
DTSTAMP:20111108T152047Z
URL:https://college.lclark.edu/live/events/8580-student-art-exhibit-eliza
beth-strong
LAST-MODIFIED:20111108T232047Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25635_elizabethstrong.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:8603
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/417/width/80/
height/80/crop/1/25635_elizabethstrong.rev.1373936487.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Visit the North side of Watzek's 3rd floor to see Eli
zabeth Strong's (LC\, 2014) sculpture\, You're Nothing But a Pack of
Cards!\, on display through November 27. Strong's sculpture is a thr
ee dimensional translation of Sir John Tenniel's drawings for Alice in Wonderland and is cleverly constructed\, almost exclusively
\, with playing cards.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111124
DTEND;VALUE=DATE:20111125
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Laura Nash
UID:20111124T080000Z-8559@college.lclark.edu
DTSTAMP:20111108T151752Z
URL:https://college.lclark.edu/live/events/8536-student-art-exhibit-laura
-nash
LAST-MODIFIED:20111108T231752Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25634_lauranash.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:8559
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/417/width/80/
height/80/crop/1/25634_lauranash.rev.1373936487.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Laura Nash's (LC\, 2013) Twilight Forest wil
l be on view in Watzek's Reading Room through Saturday\, November 26. Nas
h describes her installation as a three-dimensional reinterpretation of a
n illustration from Clive Barker's Abarat: Days of Magic\, Nights of War
. The cardboard and wooden arch stands 93 inches tall\, and is embellishe
d with yarn\, wire and paint.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111124
DTEND;VALUE=DATE:20111125
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Monroe Isenberg
UID:20111124T080000Z-8269@college.lclark.edu
DTSTAMP:20111026T095220Z
URL:https://college.lclark.edu/live/events/8139-student-art-exhibit-monro
e-isenberg
LAST-MODIFIED:20111026T165220Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25043_monroeisenberg.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:8269
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/417/width/80/
height/80/crop/1/25043_monroeisenberg.rev.1373936487.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Check out this totemic sculpture by Monroe Isenberg (
LC\, 2013)\, which will be on display until December 1 in Watzek's Readin
g Room.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111125
DTEND;VALUE=DATE:20111126
LOCATION:Watzek Library\, 3rd floor
SUMMARY:Student Art Exhibit: Elizabeth Strong
UID:20111125T080000Z-8604@college.lclark.edu
DTSTAMP:20111108T152048Z
URL:https://college.lclark.edu/live/events/8581-student-art-exhibit-eliza
beth-strong
LAST-MODIFIED:20111108T232048Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25635_elizabethstrong.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:8604
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/417/width/80/
height/80/crop/1/25635_elizabethstrong.rev.1373936487.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Visit the North side of Watzek's 3rd floor to see Eli
zabeth Strong's (LC\, 2014) sculpture\, You're Nothing But a Pack of
Cards!\, on display through November 27. Strong's sculpture is a thr
ee dimensional translation of Sir John Tenniel's drawings for Alice in Wonderland and is cleverly constructed\, almost exclusively
\, with playing cards.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111125
DTEND;VALUE=DATE:20111126
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Laura Nash
UID:20111125T080000Z-8560@college.lclark.edu
DTSTAMP:20111108T151753Z
URL:https://college.lclark.edu/live/events/8537-student-art-exhibit-laura
-nash
LAST-MODIFIED:20111108T231753Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25634_lauranash.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:8560
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/417/width/80/
height/80/crop/1/25634_lauranash.rev.1373936487.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Laura Nash's (LC\, 2013) Twilight Forest wil
l be on view in Watzek's Reading Room through Saturday\, November 26. Nas
h describes her installation as a three-dimensional reinterpretation of a
n illustration from Clive Barker's Abarat: Days of Magic\, Nights of War
. The cardboard and wooden arch stands 93 inches tall\, and is embellishe
d with yarn\, wire and paint.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111125
DTEND;VALUE=DATE:20111126
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Monroe Isenberg
UID:20111125T080000Z-8270@college.lclark.edu
DTSTAMP:20111026T095221Z
URL:https://college.lclark.edu/live/events/8140-student-art-exhibit-monro
e-isenberg
LAST-MODIFIED:20111026T165221Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25043_monroeisenberg.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:8270
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/417/width/80/
height/80/crop/1/25043_monroeisenberg.rev.1373936487.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Check out this totemic sculpture by Monroe Isenberg (
LC\, 2013)\, which will be on display until December 1 in Watzek's Readin
g Room.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111126
DTEND;VALUE=DATE:20111127
LOCATION:Watzek Library\, 3rd floor
SUMMARY:Student Art Exhibit: Elizabeth Strong
UID:20111126T080000Z-8605@college.lclark.edu
DTSTAMP:20111108T152050Z
URL:https://college.lclark.edu/live/events/8582-student-art-exhibit-eliza
beth-strong
LAST-MODIFIED:20111108T232050Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25635_elizabethstrong.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:8605
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/417/width/80/
height/80/crop/1/25635_elizabethstrong.rev.1373936487.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Visit the North side of Watzek's 3rd floor to see Eli
zabeth Strong's (LC\, 2014) sculpture\, You're Nothing But a Pack of
Cards!\, on display through November 27. Strong's sculpture is a thr
ee dimensional translation of Sir John Tenniel's drawings for Alice in Wonderland and is cleverly constructed\, almost exclusively
\, with playing cards.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111126
DTEND;VALUE=DATE:20111127
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Laura Nash
UID:20111126T080000Z-8561@college.lclark.edu
DTSTAMP:20111108T151754Z
URL:https://college.lclark.edu/live/events/8538-student-art-exhibit-laura
-nash
LAST-MODIFIED:20111108T231754Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25634_lauranash.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:8561
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/417/width/80/
height/80/crop/1/25634_lauranash.rev.1373936487.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Laura Nash's (LC\, 2013) Twilight Forest wil
l be on view in Watzek's Reading Room through Saturday\, November 26. Nas
h describes her installation as a three-dimensional reinterpretation of a
n illustration from Clive Barker's Abarat: Days of Magic\, Nights of War
. The cardboard and wooden arch stands 93 inches tall\, and is embellishe
d with yarn\, wire and paint.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111126
DTEND;VALUE=DATE:20111127
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Monroe Isenberg
UID:20111126T080000Z-8271@college.lclark.edu
DTSTAMP:20111026T095222Z
URL:https://college.lclark.edu/live/events/8141-student-art-exhibit-monro
e-isenberg
LAST-MODIFIED:20111026T165222Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25043_monroeisenberg.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:8271
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/417/width/80/
height/80/crop/1/25043_monroeisenberg.rev.1373936487.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Check out this totemic sculpture by Monroe Isenberg (
LC\, 2013)\, which will be on display until December 1 in Watzek's Readin
g Room.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111127
DTEND;VALUE=DATE:20111128
LOCATION:Watzek Library\, 3rd floor
SUMMARY:Student Art Exhibit: Elizabeth Strong
UID:20111127T080000Z-8606@college.lclark.edu
DTSTAMP:20111108T152052Z
URL:https://college.lclark.edu/live/events/8583-student-art-exhibit-eliza
beth-strong
LAST-MODIFIED:20111108T232052Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25635_elizabethstrong.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:8606
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/417/width/80/
height/80/crop/1/25635_elizabethstrong.rev.1373936487.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Visit the North side of Watzek's 3rd floor to see Eli
zabeth Strong's (LC\, 2014) sculpture\, You're Nothing But a Pack of
Cards!\, on display through November 27. Strong's sculpture is a thr
ee dimensional translation of Sir John Tenniel's drawings for Alice in Wonderland and is cleverly constructed\, almost exclusively
\, with playing cards.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111127
DTEND;VALUE=DATE:20111128
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Monroe Isenberg
UID:20111127T080000Z-8272@college.lclark.edu
DTSTAMP:20111026T095223Z
URL:https://college.lclark.edu/live/events/8142-student-art-exhibit-monro
e-isenberg
LAST-MODIFIED:20111026T165223Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25043_monroeisenberg.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:8272
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/417/width/80/
height/80/crop/1/25043_monroeisenberg.rev.1373936487.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Check out this totemic sculpture by Monroe Isenberg (
LC\, 2013)\, which will be on display until December 1 in Watzek's Readin
g Room.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111128
DTEND;VALUE=DATE:20111129
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Monroe Isenberg
UID:20111128T080000Z-8273@college.lclark.edu
DTSTAMP:20111026T095224Z
URL:https://college.lclark.edu/live/events/8143-student-art-exhibit-monro
e-isenberg
LAST-MODIFIED:20111026T165224Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25043_monroeisenberg.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:8273
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/417/width/80/
height/80/crop/1/25043_monroeisenberg.rev.1373936487.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Check out this totemic sculpture by Monroe Isenberg (
LC\, 2013)\, which will be on display until December 1 in Watzek's Readin
g Room.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111129
DTEND;VALUE=DATE:20111130
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Monroe Isenberg
UID:20111129T080000Z-8274@college.lclark.edu
DTSTAMP:20111026T095225Z
URL:https://college.lclark.edu/live/events/8144-student-art-exhibit-monro
e-isenberg
LAST-MODIFIED:20111026T165225Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25043_monroeisenberg.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:8274
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/417/width/80/
height/80/crop/1/25043_monroeisenberg.rev.1373936487.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Check out this totemic sculpture by Monroe Isenberg (
LC\, 2013)\, which will be on display until December 1 in Watzek's Readin
g Room.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111130
DTEND;VALUE=DATE:20111201
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Monroe Isenberg
UID:20111130T080000Z-8275@college.lclark.edu
DTSTAMP:20111026T095226Z
URL:https://college.lclark.edu/live/events/8145-student-art-exhibit-monro
e-isenberg
LAST-MODIFIED:20111026T165226Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25043_monroeisenberg.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:8275
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/417/width/80/
height/80/crop/1/25043_monroeisenberg.rev.1373936487.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Check out this totemic sculpture by Monroe Isenberg (
LC\, 2013)\, which will be on display until December 1 in Watzek's Readin
g Room.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111201
DTEND;VALUE=DATE:20111202
LOCATION:Watzek Library Reading Room
SUMMARY:Student Art Exhibit: Monroe Isenberg
UID:20111201T080000Z-8276@college.lclark.edu
DTSTAMP:20111026T095227Z
URL:https://college.lclark.edu/live/events/8146-student-art-exhibit-monro
e-isenberg
LAST-MODIFIED:20111026T165227Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/25043_monroeisenberg.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:8276
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/417/width/80/
height/80/crop/1/25043_monroeisenberg.rev.1373936487.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Check out this totemic sculpture by Monroe Isenberg (
LC\, 2013)\, which will be on display until December 1 in Watzek's Readin
g Room.
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20111206T183000
DTEND;TZID=America/Los_Angeles:20111206T193000
LOCATION:Watzek Library Classroom
GEO:45.450919;-122.669177
SUMMARY:Alternative Distribution Reception
UID:20111207T023000Z-8845@college.lclark.edu
DTSTAMP:20111201T095701Z
URL:https://college.lclark.edu/live/events/8837-alternative-distribution-
reception
LAST-MODIFIED:20111201T175746Z
ATTACH:https://college.lclark.edu/live/image/gid/417/width/80/height/80/c
rop/1/26613_alternative_distribution.rev.1373936487.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:8845
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/417/width/80/
height/80/crop/1/26613_alternative_distribution.rev.1373936487.jpg
X-LIVEWHALE-SUMMARY:On Dec 6 at 6:30 pm\, join students from Garrick Imat
ani's studio art class\, Alternative Distribution\, as they showcase the
work that culminated their book\, Semiotics of Babespace. \
n \nThe students produced this book during the course of the fall 20
11 semester\, then collaborated with Publication Studio and the Lewis &am
p\; Clark College bookstore to publish and distribute copies. Throughout
the semester\, Imatani's students explored alternative means of exhibitin
g and distributing artworks\, outside the context of gallery spaces. In a
ddition to publishing a book of their artworks\, the class collaborated w
ith Watze
k Library Digital Initiatives \;to develop a web site\, Alternative
Distribution\, which displays the students' visual maps of Portland\,
OR. \n \nPlease join us in the Library Classroom for snacks\,
coffee\, and a celebration of the semester's work in performance art\, di
gital imaging\, video\, book arts\, and public sculpture.
X-LIVEWHALE-TAGS:art|arts|send-to-undergraduate
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20120407T100000
DTEND;TZID=America/Los_Angeles:20120407T170000
LOCATION:Evans Hall
GEO:45.452273;-122.669241
SUMMARY:Biannual Meeting of the Nature Photographers of the Pacific North
west
UID:20120407T170000Z-10307@college.lclark.edu
DTSTAMP:20120308T093425Z
URL:https://college.lclark.edu/live/events/10298-biannual-meeting-of-the-
nature-photographers-of
LAST-MODIFIED:20120308T173453Z
ATTACH:https://college.lclark.edu/live/image/gid/61/width/80/height/80/cr
op/1/28186_6814272518_3a419f2249_o.rev.1373936689.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:10307
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/61/width/80/h
eight/80/crop/1/28186_6814272518_3a419f2249_o.rev.1373936689.jpg
X-LIVEWHALE-IMAGE-CAPTION:Egret
X-LIVEWHALE-SUMMARY:Guest Speaker: George Lepp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20120409T150000
DTEND;TZID=America/Los_Angeles:20120409T160000
LOCATION:Miller Hall
SUMMARY:Transitioning to the 'Real World'
DESCRIPTION:Professional practice for artist workshop by visiting art cri
tic\, Patrick J. Rock. Equal parts quirky\, cuddly and dangerous\, Patri
ck Rock is best known locally as the director of Rocksbox \;Contempor
ary Art\, the cutting-edge North Portland gallery known for its outrageou
s programming. \;Nationally and internationally\, he is known as a pe
rformer in the gonzo post-punk band Piss. Once every \;few years\, he
makes gigantic\, vaguely obscene inflatable jump rooms. Back in 2009\, h
e created a 30-foot \;forced-air hot dog called Simulacra/Hermaphrodi
te for Jeff Jahn's show Fresh Trouble\, and invited the public to climb
into the phallus-shaped sausage's vulva-shaped entry portal and jump arou
nd to its heart's \;content. For this year's TBA\, Rock brings us a t
ribute to the great aesthete Oscar Wilde. Oscar's Delirium \;Tremens
is an upside-down toppled pink elephant that you climb into via a slit th
at may or may not be an \;anus\, perineum or vulva. Metaphorically\,
it represents the Wildean dance with decadence that so many \;artists
undertake\, not always to their everlasting triumph. Viscerally\, it's j
ust plain fun to jump around in an \;overgrown dead elephant. -Richa
rd Speer\, Wilamette Week \;
X-ALT-DESC;FMTTYPE=text/html:
Professional practice for artist workshop by visitin
g art critic\, Patrick J. Rock.
Equal parts quirky\, cuddly and d
angerous\, Patrick Rock is best known locally as the director of Rocksbox
\;Contemporary Art\, the cutting-edge North Portland gallery known f
or its outrageous programming. \;Nationally and internationally\, he
is known as a performer in the gonzo post-punk band Piss. Once every 
\;few years\, he makes gigantic\, vaguely obscene inflatable jump rooms.
Back in 2009\, he created a 30-foot \;forced-air hot dog called Simul
acra/Hermaphrodite for Jeff Jahn's show Fresh Trouble\, and invited the public to climb into the phallus-shaped sausage's vulva-shaped entr
y portal and jump around to its heart's \;content. For this year's TB
A\, Rock brings us a tribute to the great aesthete Oscar Wilde. Oscar's D
elirium \;Tremens is an upside-down toppled pink elephant that you cl
imb into via a slit that may or may not be an \;anus\, perineum or vu
lva. Metaphorically\, it represents the Wildean dance with decadence that
so many \;artists undertake\, not always to their everlasting triump
h. Viscerally\, it's just plain fun to jump around in an \;overgrown
dead elephant.
-Richard Speer\, Wilamette Week
\;
UID:20120409T220000Z-10565@college.lclark.edu
DTSTAMP:20120404T122103Z
URL:https://college.lclark.edu/live/events/10565-transitioning-to-the-rea
l-world
CATEGORIES:Open to the Public
LAST-MODIFIED:20120406T174930Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/28692_patrick_j.rev.1373936677.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:10565
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/28692_patrick_j.rev.1373936677.jpg
X-LIVEWHALE-SUMMARY:Professional practice for artist workshop by visiting
art critic\, Patrick J. Rock.
X-LIVEWHALE-TAGS:art|arts|open to the public|send-to-undergraduate
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20120424T160000
DTEND;TZID=America/Los_Angeles:20120424T170000
LOCATION:Albany
GEO:45.451415;-122.668211
SUMMARY:Art\, Food and Community!
DESCRIPTION:Come celebrate the semester-long collaboration between Lewis
&\; Clark students and the community members of Village Gardens in Nor
th Portland You get a home cooked meal plus a handcrafted bowl and cup f
or just $15.00. All proceeds go to Village Gardens so please remember to
bring cash or checks! \;
X-ALT-DESC;FMTTYPE=text/html:
Come celebrate the semester-long collaboration between Lewis &\; Cl
ark students and the community members of Village Gardens in North Portla
nd
You get a home cooke
d meal plus a handcrafted bowl and cup for just $15.00. All proc
eeds go to Village Gardens so please remember to bring cash or checks!
\;
UID:20120424T230000Z-10780@college.lclark.edu
DTSTAMP:20120419T112854Z
URL:https://college.lclark.edu/live/events/10780-art-food-and-community
CATEGORIES:Open to the Public
LAST-MODIFIED:20120419T184344Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/29316_dsc_0634.rev.1373936677.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:10780
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/29316_dsc_0634.rev.1373936677.jpg
X-LIVEWHALE-SUMMARY:Come enjoy a homegrown meal and handcrafted art with
the Civic Ware class and Village Gardens.
X-LIVEWHALE-TAGS:art|arts|civic engagement|open to the public|send-to-gra
duate|student artwork|student event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20120917T170000
DTEND;TZID=America/Los_Angeles:20120917T180000
LOCATION:Miller Hall
GEO:45.450858;-122.668265
SUMMARY:"Historical Memory in Contemporary Cuban Art"- Reynier Leyva Novo
DESCRIPTION:Reynier Leyva Novo- Hailing from Havana\, Cuba. Leyva Novo Gr
aduated from the San Alejandro School of Fine Arts in 2003\, studied at t
he Higher Art Institute from 2004 to 2008\, served as chair of the Behavi
or Art program directed by Tania Brugera in 2007. Among his solo exhibiti
ons areNational Sport\, Salle Zero\, Alliance Française\; \;50th An
niversary Collection\, Center for the Development of Visual Arts: and\,&#
160\;By an Endless Trail\, Museum of Colonial Art\, all in Havana. He has
participated in significant group exhibitions at the Liverpool Biennial
Arte 10: 31st Pontevedra Biennial. Galicia\, spain: and\, National Hispan
ic Center Art Museum\, Alburquerque\, New Mexico. In 2011\, Novo was the
sole Cuban artist chosen for the 54th Venice Biennial. \;This lecture
is co-sponsored by History\, Latin American Studies\, Hispanic Studies\,
Ethnic Studies and Memory Studies. The Visiting Artist program invites
a variety of practicing artists\, critics and curators to share their exp
ertise and experiences with the Art Department and College community. 
60\;The Department often coordinates this diverse selection of artists wi
th the \;Hoffman Gallery (http://www.lclark.edu/hoffman_gallery/)\, o
ther departments and local galleries. \;
X-ALT-DESC;FMTTYPE=text/html:
Reynier Leyva Novo- Hail
ing from Havana\, Cuba. Leyva Novo Graduated from the San Alejandro Schoo
l of Fine Arts in 2003\, studied at the Higher Art Institute from 2004 to
2008\, served as chair of the Behavior Art program directed by Tania Bru
gera in 2007. Among his solo exhibitions areNational Sport\, Sal
le Zero\, Alliance Française\; \;50th Anniversary Collection\, Center for the Development of Visual Arts: and\, \;By an End
less Trail\, Museum of Colonial Art\, all in Havana. He has particip
ated in significant group exhibitions at the Liverpool Biennial Arte 10:
31st Pontevedra Biennial. Galicia\, spain: and\, National Hispanic Center
Art Museum\, Alburquerque\, New Mexico. In 2011\, Novo was the sole Cuba
n artist chosen for the 54th Venice Biennial. \;This lecture is c
o-sponsored by History\, Latin American Studies\, Hispanic Studies\, Ethn
ic Studies and Memory Studies.
The Visiting Artist prog
ram invites a variety of practicing artists\, critics and curators to sha
re their expertise and experiences with the Art Department and College co
mmunity. \;The Department often coordinates this diverse selection o
f artists with the \;Hoffman Gallery\, other departments and local galleries. \;
UID:20120918T000000Z-12969@college.lclark.edu
DTSTAMP:20120912T132815Z
URL:https://college.lclark.edu/live/events/12969-historical-memory-in-con
temporary-cuban-art-
LAST-MODIFIED:20120912T204311Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/31855_novo_hablara_lc_ad.rev.1373936680.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:12969
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/31855_novo_hablara_lc_ad.rev.1373936680.jpg
X-LIVEWHALE-SUMMARY:Reynier Leyva Novo is the first artist as part of the
Art Department's Visiting Artist and Critic Lecture Series.
X-LIVEWHALE-TAGS:art|arts|multicultural|send-to-undergraduate|visual arts
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20120920T180000
DTEND;TZID=America/Los_Angeles:20120920T190000
LOCATION:"The Best Art Gallery in Portland\," at 1468 NE Alberta St
SUMMARY:Novo Anniversary Collection exhibit opening
DESCRIPTION:Reynier Leyva Novo\, the only Cuban artist chosen to exhibit
at the Latin American pavilion of the prestigious 54th Venice Biennial\,
is coming to Portland. \; His exhibit of the Novo Anniversary Collect
ion\, a series of silkscreen posters and t-shirts that reflects on politi
cal propaganda in the context of the 50th anniversary of the Cuban Revolu
tion will open this Thursday at "The Best Art Gallery in Portland" on Alb
erta street. In April\, two Portland residents\, Napoleon Landaeta and E
lliott Young\, were in Havana to work with artists in advance of the Hava
na Biennial. \; Young\, who teaches Latin American history at Lewis &
amp\; Clark College\, led a group of art students to Havana on a project
they designed called "Sobre el Muro." The students were interested encour
aging artistic collaboration between the two countries by working with ar
tists on the "Detrás del Muro" (Behind the Wall) exhibit that was being
organized as part of the 11th Havana Biennial. Landaeta and Young met Nov
o who complained about the difficulty of producing t-shirts and posters i
n Cuba\, and especially about the difficulty of reaching a US audience gi
ven the economic embargo. \; They agreed to produce the Novo Annivers
ary Collection in Portland. \; Thus was born Novo Designs (novo-desig
ns.com). \;As Young put it\, "This is Cuban art made in Portland. It'
s the best of globalization and also buying local." \; Proceeds from
the art go to the artist. \; Novo explained why he decided to work on
this project. \; "This arrangement opens up a whole new audience for
my work\, and Portland has just the right kind of young\, hip\, and cosm
opolitan who can really appreciate my work." \; One of the most popu
lar designs shows a series of hawks flying\, and the word "silencio" belo
w. \; Although Portlanders may interpret this as just another "put a
bird on it" gimmick\, in Cuba it has political meaning. \; Novo expla
ined that young people in Cuba are tired of hearing about the embargo\, a
bout imperialism\, and about the sacrifices they must make for socialism.
\; "They gave us wings\," Novo said\, "but they didn't allow us to f
ly. \; We want fewer political speeches and more silence." \; Th
e Novo Anniversary Collection will open on Thursday\, September 20th at 6
pm in "The Best Art Gallery in Portland\," at 1468 NE Alberta St. \;
Artist talk will be followed by a reception. Novo will also be talking
at Lewis &\; Clark and Reed colleges on Monday (9/17) and Tuesday (9/1
8). \; FOR MORE INFORMATION AND TO SET UP INTERVIEWS WITH REYNIER
LEYVA NOVO (9/15-9/22) CONTACT ELLIOTT YOUNG AT CHINO@NOVO-DESIGNS.COM (m
ailto:CHINO@NOVO-DESIGNS.COM)\, OR 971-506-0963. \;
X-ALT-DESC;FMTTYPE=text/html:
Reynier Leyva Novo\, the only Cuban art
ist chosen to exhibit at the Latin American pavilion of the prestigious 5
4th Venice Biennial\, is coming to Portland. \; His exhibit of the No
vo Anniversary Collection\, a series of silkscreen posters and t-shirts t
hat reflects on political propaganda in the context of the 50th anniversary of the Cuban Revolution will open this Thursday at "The Bes
t Art Gallery in Portland" on Alberta street.
In April\, two Port
land residents\, Napoleon Landaeta and Elliott Young\, were in Havana to
work with artists in advance of the Havana Biennial. \; Young\, who t
eaches Latin American history at Lewis &\; Clark College\, led a group
of art students to Havana on a project they designed called "Sobre el Mu
ro." The students were interested encouraging artistic collaboration betw
een the two countries by working with artists on the "Detrás del Muro" (
Behind the Wall) exhibit that was being organized as part of the 11t
h Havana Biennial. Landaeta and Young met Novo who complained about
the difficulty of producing t-shirts and posters in Cuba\, and especiall
y about the difficulty of reaching a US audience given the economic embar
go. \; They agreed to produce the Novo Anniversary Collection in Port
land. \; Thus was born Novo Designs (novo-designs.com). \;
As Young put it\, "This is Cuban art
made in Portland. It's the best of globalization and also buying local."
\; Proceeds from the art go to the artist. \; Novo explained why
he decided to work on this project. \; "This arrangement opens up a
whole new audience for my work\, and Portland has just the right kind of
young\, hip\, and cosmopolitan who can really appreciate my work." \;
One of the mo
st popular designs shows a series of hawks flying\, and the word "silenci
o" below. \; Although Portlanders may interpret this as just another
"put a bird on it" gimmick\, in Cuba it has political meaning. \; Nov
o explained that young people in Cuba are tired of hearing about the emba
rgo\, about imperialism\, and about the sacrifices they must make for soc
ialism. \; "They gave us wings\," Novo said\, "but they didn't allow
us to fly. \; We want fewer political speeches and more silence."
0\;
The Novo Anniversary Collection will open on Thursday\, Septe
mber 20th at 6 pm in "The Best Art Gallery in Portland\," at 1
468 NE Alberta St. \; Artist talk will be followed by a reception.
Novo will also be talking at Lewis &\; Clark and Reed colleges o
n Monday (9/17) and Tuesday (9/18).
\;
FOR MORE INFO
RMATION AND TO SET UP INTERVIEWS WITH REYNIER LEYVA NOVO (9/15-9/22) CONT
ACT ELLIOTT YOUNG AT CHINO@NOVO-D
ESIGNS.COM\, OR 971-506-0963.
\;
UID:20120921T010000Z-12880@college.lclark.edu
DTSTAMP:20120910T140958Z
URL:https://college.lclark.edu/live/events/12880-novo-anniversary-collect
ion-exhibit-opening
LAST-MODIFIED:20120912T203911Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/31799_silencio_ad.rev.1373936678.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:12880
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/31799_silencio_ad.rev.1373936678.jpg
X-LIVEWHALE-CONTACT-INFO:CONTACT ELLIOTT YOUNG AT CHINO@NOVO-DESIGNS.COM\
, OR 971-506-0963.
X-LIVEWHALE-SUMMARY:Reynier Leyva Novo\, the only Cuban artist chosen to
exhibit at the Latin American pavilion of the prestigious 54th Venice Bie
nnial\, is coming to Portland. \; \;
X-LIVEWHALE-TAGS:arts|civic engagement|exhibition|multicultural|open to t
he public|send-to-undergraduate|visual arts
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120924
DTEND;VALUE=DATE:20120925
LOCATION:Fields Hall\, Arnold Gallery
GEO:45.4505875022249;-122.667824986725
SUMMARY:Art Faculty "mini-show" in Arnold Gallery
DESCRIPTION:The Department of Art \; \;invites you to\, \;A f
aculty "mini-show" Debra BeersJoel Wellington FisherGrant HottleGabriel
ParqueMike RathbunCrystal SchenkCara TomlinsonTed Vogel \; Arnold
Gallery\, Fields Center for the Visual Arts open Monday-Friday 8:30am-4:
00pm \; Through October 5\, 2012
X-ALT-DESC;FMTTYPE=text/html:
The Department of Art \; 
\;invites you to\, \;
A faculty "mini-show"
Debra Beers Joel Wellington Fisher Grant Hottle Gabriel P
arque Mike Rathbun Crystal Schenk Cara Tomlinson Ted Vogel
\;
Arnold Gallery\, Fields Center for the Visual Arts
open Monday-Friday 8:30am-4:00pm
\;
Through October 5\, 2012
UID:20120924T160000Z-13324@college.lclark.edu
DTSTAMP:20120924T145647Z
URL:https://college.lclark.edu/live/events/13324-art-faculty-mini-show-in
-arnold-gallery
LAST-MODIFIED:20120924T220128Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/32126_photo_1.rev.1373936680.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:13324
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/32126_photo_1.rev.1373936680.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Faculty in the Art department are exhibiting some of
their work in the Arnold Gallery
X-LIVEWHALE-TAGS:art|arts|exhibition|faculty event|open to the public|sen
d-to-undergraduate
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20120924T170000
DTEND;TZID=America/Los_Angeles:20120924T180000
LOCATION:Room 102
GEO:45.450858;-122.668265
SUMMARY:Namita Gupta Wiggers\, Visiting Artist & Critic Lecture Series
DESCRIPTION:Namita Gupta \;Wiggers \;is Director and Chief Curato
r\, Museum of Contemporary Craft in partnership with Pacific Northwest Co
llege of Art. Through curatorial practice\, Wiggers considers how craft a
nd design function as subjects and verbs\, simultaneously distinct and in
tersecting practices\, and how the exhibition operates as a site and spac
e for curatorial inquiry. Wiggers pursued doctoral studies in art history
at the University of Chicago\, where she earned her MA. She holds a BA i
n art history and English\, Rice University. She is co-founder of Critica
l Craft Forum\, and serves on the Board of Trustees for the American Craf
t Council.
X-ALT-DESC;FMTTYPE=text/html:
Namita Gupta \;Wiggers
\;is Director and Chief Curator\, Museum of Conte
mporary Craft in partnership with Pacific Northwest College of Art. Throu
gh curatorial practice\, Wiggers considers how craft and design function
as subjects and verbs\, simultaneously distinct and intersecting practice
s\, and how the exhibition operates as a site and space for curatorial in
quiry. Wiggers pursued doctoral studies in art history at the University
of Chicago\, where she earned her MA. She holds a BA in art history and E
nglish\, Rice University. She is co-founder of Critical Craft Forum\, and
serves on the Board of Trustees for the American Craft Council.
UID:20120925T000000Z-13177@college.lclark.edu
DTSTAMP:20120919T141908Z
URL:https://college.lclark.edu/live/events/13177-namita-gupta-wiggers-vis
iting-artist-critic
LAST-MODIFIED:20120924T183713Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/31840_dsc_37893.rev.1373936678.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:13177
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/31840_dsc_37893.rev.1373936678.jpg
X-LIVEWHALE-CONTACT-INFO:Alison Walcott \nAdministrative Coordinator
\nawalcott@lclark.edu \;
X-LIVEWHALE-SUMMARY:Namita Gupta Wiggers\, \;Director and Chief Curat
or\, Museum of Contemporary Craft in partnership with Pacific Northwest C
ollege of Art\, is one of the guest lectures of the Art Department's Visi
ting Artist &\; Critic Lecture Series. \;
X-LIVEWHALE-TAGS:art history|art|arts|open to the public|send-to-undergra
duate
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120925
DTEND;VALUE=DATE:20120926
LOCATION:Fields Hall\, Arnold Gallery
GEO:45.4505875022249;-122.667824986725
SUMMARY:Art Faculty "mini-show" in Arnold Gallery
DESCRIPTION:The Department of Art \; \;invites you to\, \;A f
aculty "mini-show" Debra BeersJoel Wellington FisherGrant HottleGabriel
ParqueMike RathbunCrystal SchenkCara TomlinsonTed Vogel \; Arnold
Gallery\, Fields Center for the Visual Arts open Monday-Friday 8:30am-4:
00pm \; Through October 5\, 2012
X-ALT-DESC;FMTTYPE=text/html:
The Department of Art \; 
\;invites you to\, \;
A faculty "mini-show"
Debra Beers Joel Wellington Fisher Grant Hottle Gabriel P
arque Mike Rathbun Crystal Schenk Cara Tomlinson Ted Vogel
\;
Arnold Gallery\, Fields Center for the Visual Arts
open Monday-Friday 8:30am-4:00pm
\;
Through October 5\, 2012
UID:20120925T070000Z-13324@college.lclark.edu
DTSTAMP:20120924T145647Z
URL:https://college.lclark.edu/live/events/13324-art-faculty-mini-show-in
-arnold-gallery
LAST-MODIFIED:20120924T220128Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/32126_photo_1.rev.1373936680.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:13324
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/32126_photo_1.rev.1373936680.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Faculty in the Art department are exhibiting some of
their work in the Arnold Gallery
X-LIVEWHALE-TAGS:art|arts|exhibition|faculty event|open to the public|sen
d-to-undergraduate
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120926
DTEND;VALUE=DATE:20120927
LOCATION:Fields Hall\, Arnold Gallery
GEO:45.4505875022249;-122.667824986725
SUMMARY:Art Faculty "mini-show" in Arnold Gallery
DESCRIPTION:The Department of Art \; \;invites you to\, \;A f
aculty "mini-show" Debra BeersJoel Wellington FisherGrant HottleGabriel
ParqueMike RathbunCrystal SchenkCara TomlinsonTed Vogel \; Arnold
Gallery\, Fields Center for the Visual Arts open Monday-Friday 8:30am-4:
00pm \; Through October 5\, 2012
X-ALT-DESC;FMTTYPE=text/html:
The Department of Art \; 
\;invites you to\, \;
A faculty "mini-show"
Debra Beers Joel Wellington Fisher Grant Hottle Gabriel P
arque Mike Rathbun Crystal Schenk Cara Tomlinson Ted Vogel
\;
Arnold Gallery\, Fields Center for the Visual Arts
open Monday-Friday 8:30am-4:00pm
\;
Through October 5\, 2012
UID:20120926T070000Z-13324@college.lclark.edu
DTSTAMP:20120924T145647Z
URL:https://college.lclark.edu/live/events/13324-art-faculty-mini-show-in
-arnold-gallery
LAST-MODIFIED:20120924T220128Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/32126_photo_1.rev.1373936680.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:13324
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/32126_photo_1.rev.1373936680.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Faculty in the Art department are exhibiting some of
their work in the Arnold Gallery
X-LIVEWHALE-TAGS:art|arts|exhibition|faculty event|open to the public|sen
d-to-undergraduate
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120927
DTEND;VALUE=DATE:20120928
LOCATION:Fields Hall\, Arnold Gallery
GEO:45.4505875022249;-122.667824986725
SUMMARY:Art Faculty "mini-show" in Arnold Gallery
DESCRIPTION:The Department of Art \; \;invites you to\, \;A f
aculty "mini-show" Debra BeersJoel Wellington FisherGrant HottleGabriel
ParqueMike RathbunCrystal SchenkCara TomlinsonTed Vogel \; Arnold
Gallery\, Fields Center for the Visual Arts open Monday-Friday 8:30am-4:
00pm \; Through October 5\, 2012
X-ALT-DESC;FMTTYPE=text/html:
The Department of Art \; 
\;invites you to\, \;
A faculty "mini-show"
Debra Beers Joel Wellington Fisher Grant Hottle Gabriel P
arque Mike Rathbun Crystal Schenk Cara Tomlinson Ted Vogel
\;
Arnold Gallery\, Fields Center for the Visual Arts
open Monday-Friday 8:30am-4:00pm
\;
Through October 5\, 2012
UID:20120927T070000Z-13324@college.lclark.edu
DTSTAMP:20120924T145647Z
URL:https://college.lclark.edu/live/events/13324-art-faculty-mini-show-in
-arnold-gallery
LAST-MODIFIED:20120924T220128Z
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DTSTART;VALUE=DATE:20120928
DTEND;VALUE=DATE:20120929
LOCATION:Fields Hall\, Arnold Gallery
GEO:45.4505875022249;-122.667824986725
SUMMARY:Art Faculty "mini-show" in Arnold Gallery
DESCRIPTION:The Department of Art \; \;invites you to\, \;A f
aculty "mini-show" Debra BeersJoel Wellington FisherGrant HottleGabriel
ParqueMike RathbunCrystal SchenkCara TomlinsonTed Vogel \; Arnold
Gallery\, Fields Center for the Visual Arts open Monday-Friday 8:30am-4:
00pm \; Through October 5\, 2012
X-ALT-DESC;FMTTYPE=text/html:
The Department of Art \; 
\;invites you to\, \;
A faculty "mini-show"
Debra Beers Joel Wellington Fisher Grant Hottle Gabriel P
arque Mike Rathbun Crystal Schenk Cara Tomlinson Ted Vogel
\;
Arnold Gallery\, Fields Center for the Visual Arts
open Monday-Friday 8:30am-4:00pm
\;
Through October 5\, 2012
UID:20120928T070000Z-13324@college.lclark.edu
DTSTAMP:20120924T145647Z
URL:https://college.lclark.edu/live/events/13324-art-faculty-mini-show-in
-arnold-gallery
LAST-MODIFIED:20120924T220128Z
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DTSTART;VALUE=DATE:20120929
DTEND;VALUE=DATE:20120930
LOCATION:Fields Hall\, Arnold Gallery
GEO:45.4505875022249;-122.667824986725
SUMMARY:Art Faculty "mini-show" in Arnold Gallery
DESCRIPTION:The Department of Art \; \;invites you to\, \;A f
aculty "mini-show" Debra BeersJoel Wellington FisherGrant HottleGabriel
ParqueMike RathbunCrystal SchenkCara TomlinsonTed Vogel \; Arnold
Gallery\, Fields Center for the Visual Arts open Monday-Friday 8:30am-4:
00pm \; Through October 5\, 2012
X-ALT-DESC;FMTTYPE=text/html:
The Department of Art \; 
\;invites you to\, \;
A faculty "mini-show"
Debra Beers Joel Wellington Fisher Grant Hottle Gabriel P
arque Mike Rathbun Crystal Schenk Cara Tomlinson Ted Vogel
\;
Arnold Gallery\, Fields Center for the Visual Arts
open Monday-Friday 8:30am-4:00pm
\;
Through October 5\, 2012
UID:20120929T070000Z-13324@college.lclark.edu
DTSTAMP:20120924T145647Z
URL:https://college.lclark.edu/live/events/13324-art-faculty-mini-show-in
-arnold-gallery
LAST-MODIFIED:20120924T220128Z
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DTSTART;VALUE=DATE:20120930
DTEND;VALUE=DATE:20121001
LOCATION:Fields Hall\, Arnold Gallery
GEO:45.4505875022249;-122.667824986725
SUMMARY:Art Faculty "mini-show" in Arnold Gallery
DESCRIPTION:The Department of Art \; \;invites you to\, \;A f
aculty "mini-show" Debra BeersJoel Wellington FisherGrant HottleGabriel
ParqueMike RathbunCrystal SchenkCara TomlinsonTed Vogel \; Arnold
Gallery\, Fields Center for the Visual Arts open Monday-Friday 8:30am-4:
00pm \; Through October 5\, 2012
X-ALT-DESC;FMTTYPE=text/html:
The Department of Art \; 
\;invites you to\, \;
A faculty "mini-show"
Debra Beers Joel Wellington Fisher Grant Hottle Gabriel P
arque Mike Rathbun Crystal Schenk Cara Tomlinson Ted Vogel
\;
Arnold Gallery\, Fields Center for the Visual Arts
open Monday-Friday 8:30am-4:00pm
\;
Through October 5\, 2012
UID:20120930T070000Z-13324@college.lclark.edu
DTSTAMP:20120924T145647Z
URL:https://college.lclark.edu/live/events/13324-art-faculty-mini-show-in
-arnold-gallery
LAST-MODIFIED:20120924T220128Z
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DTSTART;VALUE=DATE:20121001
DTEND;VALUE=DATE:20121002
LOCATION:Fields Hall\, Arnold Gallery
GEO:45.4505875022249;-122.667824986725
SUMMARY:Art Faculty "mini-show" in Arnold Gallery
DESCRIPTION:The Department of Art \; \;invites you to\, \;A f
aculty "mini-show" Debra BeersJoel Wellington FisherGrant HottleGabriel
ParqueMike RathbunCrystal SchenkCara TomlinsonTed Vogel \; Arnold
Gallery\, Fields Center for the Visual Arts open Monday-Friday 8:30am-4:
00pm \; Through October 5\, 2012
X-ALT-DESC;FMTTYPE=text/html:
The Department of Art \; 
\;invites you to\, \;
A faculty "mini-show"
Debra Beers Joel Wellington Fisher Grant Hottle Gabriel P
arque Mike Rathbun Crystal Schenk Cara Tomlinson Ted Vogel
\;
Arnold Gallery\, Fields Center for the Visual Arts
open Monday-Friday 8:30am-4:00pm
\;
Through October 5\, 2012
UID:20121001T070000Z-13324@college.lclark.edu
DTSTAMP:20120924T145647Z
URL:https://college.lclark.edu/live/events/13324-art-faculty-mini-show-in
-arnold-gallery
LAST-MODIFIED:20120924T220128Z
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DTSTART;TZID=America/Los_Angeles:20121001T170000
DTEND;TZID=America/Los_Angeles:20121001T180000
LOCATION:Room 102
GEO:45.450858;-122.668265
SUMMARY:Anna Fidler\, Visiting Artist & Critic Lecture Series
DESCRIPTION:Anna Fidler is an artist living in Portland\, Oregon. She ear
ned a Bachelor of Fine Arts degree in painting from Western Michigan Univ
ersity\, Kalamazoo\, in 1995 and a Master of Fine Arts degree is studio a
rt from Portland State University in 2005. Fidler has had solo exhibition
s at Wieden &\; Kennedy\, Portland\, Oregon\; Disjecta\, Portland\, Or
egon\; Johansson Projects in Oakland\, California\; and is represented by
Charles A. Hartman Fine Art in Portland. Her work has been positively re
views in Art in America\, Art Ltd\, The San Francisco Chronicle\, and the
Oregonian. \;
X-ALT-DESC;FMTTYPE=text/html:
Anna Fidler is an artist living in Port
land\, Oregon. She earned a Bachelor of Fine Arts degree in painting from
Western Michigan University\, Kalamazoo\, in 1995 and a Master of Fine A
rts degree is studio art from Portland State University in 2005. Fidler h
as had solo exhibitions at Wieden &\; Kennedy\, Portland\, Oregon\; Di
sjecta\, Portland\, Oregon\; Johansson Projects in Oakland\, California\;
and is represented by Charles A. Hartman Fine Art in Portland. Her work
has been positively reviews in Art in America\, Art Ltd\, The San Francis
co Chronicle\, and the Oregonian. \;
UID:20121002T000000Z-13178@college.lclark.edu
DTSTAMP:20120919T142340Z
URL:https://college.lclark.edu/live/events/13178-anna-fidler-visiting-art
ist-critic-lecture
LAST-MODIFIED:20120924T183725Z
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X-LIVEWHALE-CONTACT-INFO:Alison Walcott \nAdminstrative Coordinator<
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20121002
DTEND;VALUE=DATE:20121003
LOCATION:Fields Hall\, Arnold Gallery
GEO:45.4505875022249;-122.667824986725
SUMMARY:Art Faculty "mini-show" in Arnold Gallery
DESCRIPTION:The Department of Art \; \;invites you to\, \;A f
aculty "mini-show" Debra BeersJoel Wellington FisherGrant HottleGabriel
ParqueMike RathbunCrystal SchenkCara TomlinsonTed Vogel \; Arnold
Gallery\, Fields Center for the Visual Arts open Monday-Friday 8:30am-4:
00pm \; Through October 5\, 2012
X-ALT-DESC;FMTTYPE=text/html:
The Department of Art \; 
\;invites you to\, \;
A faculty "mini-show"
Debra Beers Joel Wellington Fisher Grant Hottle Gabriel P
arque Mike Rathbun Crystal Schenk Cara Tomlinson Ted Vogel
\;
Arnold Gallery\, Fields Center for the Visual Arts
open Monday-Friday 8:30am-4:00pm
\;
Through October 5\, 2012
UID:20121002T070000Z-13324@college.lclark.edu
DTSTAMP:20120924T145647Z
URL:https://college.lclark.edu/live/events/13324-art-faculty-mini-show-in
-arnold-gallery
LAST-MODIFIED:20120924T220128Z
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20121003
DTEND;VALUE=DATE:20121004
LOCATION:Fields Hall\, Arnold Gallery
GEO:45.4505875022249;-122.667824986725
SUMMARY:Art Faculty "mini-show" in Arnold Gallery
DESCRIPTION:The Department of Art \; \;invites you to\, \;A f
aculty "mini-show" Debra BeersJoel Wellington FisherGrant HottleGabriel
ParqueMike RathbunCrystal SchenkCara TomlinsonTed Vogel \; Arnold
Gallery\, Fields Center for the Visual Arts open Monday-Friday 8:30am-4:
00pm \; Through October 5\, 2012
X-ALT-DESC;FMTTYPE=text/html:
The Department of Art \; 
\;invites you to\, \;
A faculty "mini-show"
Debra Beers Joel Wellington Fisher Grant Hottle Gabriel P
arque Mike Rathbun Crystal Schenk Cara Tomlinson Ted Vogel
\;
Arnold Gallery\, Fields Center for the Visual Arts
open Monday-Friday 8:30am-4:00pm
\;
Through October 5\, 2012
UID:20121003T070000Z-13324@college.lclark.edu
DTSTAMP:20120924T145647Z
URL:https://college.lclark.edu/live/events/13324-art-faculty-mini-show-in
-arnold-gallery
LAST-MODIFIED:20120924T220128Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20121004
DTEND;VALUE=DATE:20121005
LOCATION:Fields Hall\, Arnold Gallery
GEO:45.4505875022249;-122.667824986725
SUMMARY:Art Faculty "mini-show" in Arnold Gallery
DESCRIPTION:The Department of Art \; \;invites you to\, \;A f
aculty "mini-show" Debra BeersJoel Wellington FisherGrant HottleGabriel
ParqueMike RathbunCrystal SchenkCara TomlinsonTed Vogel \; Arnold
Gallery\, Fields Center for the Visual Arts open Monday-Friday 8:30am-4:
00pm \; Through October 5\, 2012
X-ALT-DESC;FMTTYPE=text/html:
The Department of Art \; 
\;invites you to\, \;
A faculty "mini-show"
Debra Beers Joel Wellington Fisher Grant Hottle Gabriel P
arque Mike Rathbun Crystal Schenk Cara Tomlinson Ted Vogel
\;
Arnold Gallery\, Fields Center for the Visual Arts
open Monday-Friday 8:30am-4:00pm
\;
Through October 5\, 2012
UID:20121004T070000Z-13324@college.lclark.edu
DTSTAMP:20120924T145647Z
URL:https://college.lclark.edu/live/events/13324-art-faculty-mini-show-in
-arnold-gallery
LAST-MODIFIED:20120924T220128Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
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DTSTART;TZID=America/Los_Angeles:20121005T000000
DTEND;TZID=America/Los_Angeles:20121005T010000
LOCATION:Fields Hall\, Arnold Gallery
GEO:45.4505875022249;-122.667824986725
SUMMARY:Art Faculty "mini-show" in Arnold Gallery
DESCRIPTION:The Department of Art \; \;invites you to\, \;A f
aculty "mini-show" Debra BeersJoel Wellington FisherGrant HottleGabriel
ParqueMike RathbunCrystal SchenkCara TomlinsonTed Vogel \; Arnold
Gallery\, Fields Center for the Visual Arts open Monday-Friday 8:30am-4:
00pm \; Through October 5\, 2012
X-ALT-DESC;FMTTYPE=text/html:
The Department of Art \; 
\;invites you to\, \;
A faculty "mini-show"
Debra Beers Joel Wellington Fisher Grant Hottle Gabriel P
arque Mike Rathbun Crystal Schenk Cara Tomlinson Ted Vogel
\;
Arnold Gallery\, Fields Center for the Visual Arts
open Monday-Friday 8:30am-4:00pm
\;
Through October 5\, 2012
UID:20121005T070000Z-13324@college.lclark.edu
DTSTAMP:20120924T145647Z
URL:https://college.lclark.edu/live/events/13324-art-faculty-mini-show-in
-arnold-gallery
LAST-MODIFIED:20120924T220128Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
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DTSTART;TZID=America/Los_Angeles:20121008T170000
DTEND;TZID=America/Los_Angeles:20121008T180000
LOCATION:Room 102
GEO:45.450858;-122.668265
SUMMARY:Naomi Hume\, Visiting Artist & Critic Lecture Series
DESCRIPTION:Naomi Hume \;is Associate Professor of Art History at Sea
ttle University where she teaches courses on modern art. She received her
PhD from the University of Chicago and her research focuses on how Cent
ral and Eastern European artists adapted international avant-garde art la
nguages to address contemporary political\, cultural\, local and national
issues. She has presented her work at national and international confere
nces in the US\, Belgium\, Britain\, the Czech Republic and Sweden. Recen
t publications include: "Avant-Garde Anachronisms: Prague's Group of Fine
Artists and Viennese Art Theory\," (Slavic Review\, Fall 2012) and "The
Nature of Print Photography in the 1850's\," (History of Photography\, Fe
b. 2011)
X-ALT-DESC;FMTTYPE=text/html:
Naomi Hume \;is Asso
ciate Professor of Art History at Seattle University where she teaches co
urses on modern art. She received her PhD from the University of Chicago
and her research focuses on how Central and Eastern European artists ada
pted international avant-garde art languages to address contemporary poli
tical\, cultural\, local and national issues. She has presented her work
at national and international conferences in the US\, Belgium\, Britain\,
the Czech Republic and Sweden. Recent publications include: "Avant-Garde
Anachronisms: Prague's Group of Fine Artists and Viennese Art Theory\,"
(Slavic Review\, Fall 2012) and "The Nature of Print Photography in the 1
850's\," (History of Photography\, Feb. 2011)
UID:20121009T000000Z-13179@college.lclark.edu
DTSTAMP:20120919T144526Z
URL:https://college.lclark.edu/live/events/13179-naomi-hume-visiting-arti
st-critic-lecture
LAST-MODIFIED:20120924T183739Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20121022T170000
DTEND;TZID=America/Los_Angeles:20121022T180000
LOCATION:Miller Hall 102
GEO:45.450858;-122.668265
SUMMARY:Museum of Commerce\, Visiting Artist & Critic Lecture Series
DESCRIPTION:The Museum of Commerce \;was founded by Brooklyn artist G
eorge Raggett in 2005. Before 2005 Ragget had exhibited widely including
White Columns\, New York City\; The Happy Lion\, Los Angeles\; and the Ha
mmer Museum\, Los Angeles. While exploring different was of reaching the
public\, the Museum has been recently included in exhibitions at Scripps
Institute\, San Diego\; LAXART\, Los Angeles\; The Lab\, Boston\; Inciden
t\, Hudson\; and Art in General\, New York City.
X-ALT-DESC;FMTTYPE=text/html:
The Museum of Commerce
\;was founded by Brooklyn artist George Raggett in 2005. Before 2005
Ragget had exhibited widely including White Columns\, New York City\; Th
e Happy Lion\, Los Angeles\; and the Hammer Museum\, Los Angeles. While e
xploring different was of reaching the public\, the Museum has been recen
tly included in exhibitions at Scripps Institute\, San Diego\; LAXART\, L
os Angeles\; The Lab\, Boston\; Incident\, Hudson\; and Art in General\,
New York City.
UID:20121023T000000Z-13182@college.lclark.edu
DTSTAMP:20120919T145242Z
URL:https://college.lclark.edu/live/events/13182-museum-of-commerce-visit
ing-artist-critic
LAST-MODIFIED:20121022T201840Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
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X-LIVEWHALE-IMAGE-CAPTION:SONY DSC
X-LIVEWHALE-SUMMARY:The Museum of Commerce\, founded by Brooklyn artist G
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X-LIVEWHALE-TAGS:art criticism|art|exhibition|open to the public|send-to-
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20121023T184500
DTEND;TZID=America/Los_Angeles:20121023T194500
LOCATION:304
SUMMARY:Meet Your Major
DESCRIPTION:
X-ALT-DESC;FMTTYPE=text/html:
UID:20121024T014500Z-13673@college.lclark.edu
DTSTAMP:20121017T091647Z
URL:https://college.lclark.edu/live/events/13673-meet-your-major
LAST-MODIFIED:20121017T162839Z
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X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-SUMMARY:Meet Your Major \nStudio Art &\; Art History
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20121029T170000
DTEND;TZID=America/Los_Angeles:20121029T180000
LOCATION:Room 102
GEO:45.450858;-122.668265
SUMMARY:Ariana Jacob\, Visiting Artist & Critic Lecture Series
DESCRIPTION:Ariana Jacob \;is an artist based in Portland\, Oregon wh
ose work focuses on conversation. She holds an MFA from the Art &\; So
cial Practice Concentration at Portland State University. This year she h
as been included in the NW Biennial at the Tacoma Art Museum\, Disjecta's
Portland Biennial and the Discourse and Discord Symposium at the Walker
Art Center.
X-ALT-DESC;FMTTYPE=text/html:
Ariana Jacob \;is an artist based i
n Portland\, Oregon whose work focuses on conversation. She holds an MFA
from the Art &\; Social Practice Concentration at Portland State Unive
rsity. This year she has been included in the NW Biennial at the Tacoma A
rt Museum\, Disjecta's Portland Biennial and the Discourse and Discord Sy
mposium at the Walker Art Center.
UID:20121030T000000Z-13184@college.lclark.edu
DTSTAMP:20120919T150156Z
URL:https://college.lclark.edu/live/events/13184-ariana-jacob-visiting-ar
tist-critic-lecture
LAST-MODIFIED:20121029T172048Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/31845_jacob.rev.1373936679.jpg
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X-LIVEWHALE-SUMMARY:Portland based artist\, Ariana Jacobs is one of the f
eatured guest of the Art Department's annual Visiting Artist &\; Criti
c Lecture Series
X-LIVEWHALE-TAGS:art|arts|open to the public|send-to-undergraduate|visual
arts
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20121105T170000
DTEND;TZID=America/Los_Angeles:20121105T180000
LOCATION:Room 102
GEO:45.450858;-122.668265
SUMMARY:Erik Geschke\, Visiting Artist & Critic Lecture Series
DESCRIPTION:Erik Geschke \;is a mixed-media artist who has exhibited
his work both nationally and internationally. Venues include the UCLA Ham
mer Museum of Art in Los Angeles\, ZieherSmith Gallery in New York City a
nd the FIAC Contemporary Art Fair in Paris\, France. He is a recipient of
a 2012 Oregon Arts Commission Individual Artist Fellowship and was inclu
ded in Disjecta Contemporary Art Center's recent exhibition\, "Portland20
12: A Biennial of Contemporary Art". \;He is an Assistant Professor o
f Art at Portland State University.
X-ALT-DESC;FMTTYPE=text/html:
Erik Geschke \;is a
mixed-media artist who has exhibited his work both nationally and interna
tionally. Venues include the UCLA Hammer Museum of Art in Los Angeles\, Z
ieherSmith Gallery in New York City and the FIAC Contemporary Art Fair in
Paris\, France. He is a recipient of a 2012 Oregon Arts Commission Indiv
idual Artist Fellowship and was included in Disjecta Contemporary Art Cen
ter's recent exhibition\, "Portland2012: A Biennial of Contemporary Art".
\;He is an Assistant Professor of Art at Portland State University.<
/p>
UID:20121106T010000Z-13187@college.lclark.edu
DTSTAMP:20120919T150545Z
URL:https://college.lclark.edu/live/events/13187-erik-geschke-visiting-ar
tist-critic-lecture
LAST-MODIFIED:20121029T172553Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/31849_rnwekjvcegazdkrf.jpeg
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X-LIVEWHALE-SUMMARY:Erik Geschke\, Assistant Professor of Art at Portland
State University is one of the guests of the Art Department's annual Vis
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X-LIVEWHALE-TAGS:art|arts|send-to-undergraduate|visual arts
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20121112T170000
DTEND;TZID=America/Los_Angeles:20121112T180000
LOCATION:102
GEO:45.450858;-122.668265
SUMMARY:Evan La Londe\, Visiting Artist & Critic Lecture Series
DESCRIPTION:Evan La Londe \;is an artist\, teacher\, and writer livin
g in Portland\, Oregon. He holds a BFA from Maryland Institute College of
Art\, and received an MFA from Portland State University. His work his h
as been exhibited at Los Angeles Contemporary Exhibitions\; Los Angeles\,
Swell Gallery\, San Francisco\; Place Gallery\, Portland\; The Universit
y of Ulsan\, South Korea\; School 33\, Baltimore\; and Palazzo Casali Gal
lery\, Cortona\, among others.
X-ALT-DESC;FMTTYPE=text/html:
Evan La Londe \;is a
n artist\, teacher\, and writer living in Portland\, Oregon. He holds a B
FA from Maryland Institute College of Art\, and received an MFA from Port
land State University. His work his has been exhibited at Los Angeles Con
temporary Exhibitions\; Los Angeles\, Swell Gallery\, San Francisco\; Pla
ce Gallery\, Portland\; The University of Ulsan\, South Korea\; School 33
\, Baltimore\; and Palazzo Casali Gallery\, Cortona\, among others.
UID:20121113T010000Z-14376@college.lclark.edu
DTSTAMP:20121107T084342Z
URL:https://college.lclark.edu/live/events/14376-evan-la-londe-visiting-a
rtist-critic-lecture
LAST-MODIFIED:20121107T164419Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
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X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:14376
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
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X-LIVEWHALE-SUMMARY:Art Department's Visiting Scholar and Lecture Series
X-LIVEWHALE-TAGS:art|arts|open to the public|send-to-undergraduate
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20121119T170000
DTEND;TZID=America/Los_Angeles:20121119T180000
LOCATION:Miller Hall 102
GEO:45.450858;-122.668265
SUMMARY:Amelia Winger-Bearskin\, Visiting Artist & Critic Series
DESCRIPTION:Amelia Winger-Bearskin \;is an Assistant Professor of Art
and Film at Vanderbilt University in the area of Time Based Media Arts a
nd Performance. She works with modeling (as defined by agent based comput
er programming) as a conceptual prompt in her performance work\, has deve
loped a concept of Open Source Performance Art (OSPA)\, and has spoken ab
out OSPA at various academic conferences and performance festival since 2
010. Select performance venues include the 10th Annual OPEN ART Performan
ce Art festival in Beijing\, China. The Performance Art Network PANAsia '
09 in Seoul\, South Korea\, and the TAMA TUPADA 2010 Media and Performanc
e festival in the Phillipines.
X-ALT-DESC;FMTTYPE=text/html:
Amelia Winger-Bearskin&#
160\;is an Assistant Professor of Art and Film at Vanderbilt University i
n the area of Time Based Media Arts and Performance. She works with model
ing (as defined by agent based computer programming) as a conceptual prom
pt in her performance work\, has developed a concept of Open Source Perfo
rmance Art (OSPA)\, and has spoken about OSPA at various academic confere
nces and performance festival since 2010. Select performance venues inclu
de the 10th Annual OPEN ART Performance Art festival in Beijing\, China.
The Performance Art Network PANAsia '09 in Seoul\, South Korea\, and the
TAMA TUPADA 2010 Media and Performance festival in the Phillipines.
UID:20121120T010000Z-14377@college.lclark.edu
DTSTAMP:20121107T090037Z
URL:https://college.lclark.edu/live/events/14377-amelia-winger-bearskin-v
isiting-artist-critic
LAST-MODIFIED:20121107T170037Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/31850_awbearskin.rev.1373936679.jpg
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X-LIVEWHALE-SUMMARY:Art Department Visiting Artist &\; Critic Lecture
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X-LIVEWHALE-TAGS:art criticism|art|arts|open to the public|send-to-underg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20121126T170000
DTEND;TZID=America/Los_Angeles:20121126T180000
LOCATION:Miller Hall 102
GEO:45.450858;-122.668265
SUMMARY:Becca Albee\, Visiting Artist and Critic Lecture Series
DESCRIPTION:Becca Albee \;employs photography\, appropriation\, video
\, sculpture\, performance\, sound\, collaboration and found objects. She
has been a Artist-in-Residence at the MacDowell Colony\, Yaddo\, Skowheg
an School of Painting and Sculpture\, the Lower Manhattan Cultural Counci
l and New York University. Albee curently lives and works in New York Cit
y and is an Associate Professor of Photography at The City College of New
York- CUNY.
X-ALT-DESC;FMTTYPE=text/html:
Becca Albee \;employ
s photography\, appropriation\, video\, sculpture\, performance\, sound\,
collaboration and found objects. She has been a Artist-in-Residence at t
he MacDowell Colony\, Yaddo\, Skowhegan School of Painting and Sculpture\
, the Lower Manhattan Cultural Council and New York University. Albee cur
ently lives and works in New York City and is an Associate Professor of P
hotography at The City College of New York- CUNY.
UID:20121127T010000Z-14378@college.lclark.edu
DTSTAMP:20121107T091414Z
URL:https://college.lclark.edu/live/events/14378-becca-albee-visiting-art
ist-and-critic-lecture
LAST-MODIFIED:20121107T171414Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/31851_becca_albee.rev.1373936679.jpg
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X-LIVEWHALE-SUMMARY:Art Department's Visiting Artist and Critic Lecture S
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X-LIVEWHALE-TAGS:art history|art|arts|open to the public|send-to-undergra
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20121203T170000
DTEND;TZID=America/Los_Angeles:20121203T180000
LOCATION:Miller Hall 102
GEO:45.450858;-122.668265
SUMMARY:Deborah Horrell\, Visiting Artist & Critic Lecture Series
DESCRIPTION:Deborah Horrell-After teaching at the Ohio State University f
or ten years\, Deborah Horrell chose full-time studio practice and moved
to Portland\, Oregon. Horrell made a shift to using glass as a primary sc
ulptural medium after working with ceramic and wood. An artist-in-residen
ce position at the Pilchuck Glass School and a residency at the Bullseye
Factory change the trajectory of her work after introducing her to glass
as an alternated sculptural medium. She has shown her work in museums and
galleries and has completed public and private commissions. Horrell is r
epresented locally by the Elizabeth Leach Gallery.
X-ALT-DESC;FMTTYPE=text/html:
Deborah Horrell-After te
aching at the Ohio State University for ten years\, Deborah Horrell chose
full-time studio practice and moved to Portland\, Oregon. Horrell made a
shift to using glass as a primary sculptural medium after working with c
eramic and wood. An artist-in-residence position at the Pilchuck Glass Sc
hool and a residency at the Bullseye Factory change the trajectory of her
work after introducing her to glass as an alternated sculptural medium.
She has shown her work in museums and galleries and has completed public
and private commissions. Horrell is represented locally by the Elizabeth
Leach Gallery.
UID:20121204T010000Z-14379@college.lclark.edu
DTSTAMP:20121107T091613Z
URL:https://college.lclark.edu/live/events/14379-deborah-horrell-visiting
-artist-critic-lecture
LAST-MODIFIED:20121107T171613Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/31852_joans_cloak_in_progress.rev.1373936680.jpg
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X-LIVEWHALE-SUMMARY:Art Department's Visiting Artist &\; Critic Lectur
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X-LIVEWHALE-TAGS:art history|art|arts|open to the public|send-to-undergra
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20130125T163000
DTEND;TZID=America/Los_Angeles:20130125T173000
LOCATION:Miller Hall 102
GEO:45.450858;-122.668265
SUMMARY:Tim Cheek Lecture
DESCRIPTION:"Literature and Politics in Mao's China: \;Insubordinate
Savants and Self-Regarding Servants" Tim Cheek is the \;Louis Cha Ch
air in Chinese Research at the Institute of Asian Research\, \;The Un
iversity of British Columbia Sponsored by the East Asian Studies program
and the departments of History\, International Affairs\, Sociology and A
nthropology\, Foreign Languages\, and Art \;
X-ALT-DESC;FMTTYPE=text/html:
"Literature and Politics in Mao's China
: \;Insubordinate Savants and Self-Regarding Servants" Tim Che
ek is the \;Louis Cha Chair in Chinese Research at the Institute of A
sian Research\, \;The University of British Columbia
Spo
nsored by the East Asian Studies program and the departments of History\,
International Affairs\, Sociology and Anthropology\, Foreign Languages\,
and Art \;
UID:20130126T003000Z-15390@college.lclark.edu
DTSTAMP:20130117T102320Z
URL:https://college.lclark.edu/live/events/15390-tim-cheek-lecture
LAST-MODIFIED:20130122T182721Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/34759_slide1.rev.1373936682.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:15390
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/34759_slide1.rev.1373936682.jpg
X-LIVEWHALE-SUMMARY:"Literature and Politics in Mao's China: \;Insubo
rdinate Savants and Self-Regarding Servants" \nTim Cheek is the \;Louis Cha Chair i
n Chinese Research at the Institute of Asian Research\, \;The
University of British Columbia \n \nSponsored by the East Asian
Studies program and the departments of History\, International Affairs\,
Sociology and Anthropology\, Foreign Languages\, and Art
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20130228T180000
DTEND;TZID=America/Los_Angeles:20130228T190000
LOCATION:Miller Hall 102
GEO:45.450858;-122.668265
SUMMARY:Visiting Artist- Avantiki Bawa
DESCRIPTION:Avantika Bawa is an artist\, curator\, and academic. She has
an MFA in Painting from the School of the Art Institute of Chicago (1998)
and a BFA in the same from the Maharaja Sayajirao University of Baroda\,
India (1995). She was a participant at the Skowhegan School of Painting
and Sculpture (2008)\, Vermont Studio Center\, VT\, Milepost 5\, Portland
\, OR\, Jentel Artist Residency Program\, WY and most recently the MacDow
ell Colony\, NH. Note worthy exhibits include\; solos at Suyama Space\, S
eattle\, WA\, The Columbus Museum\, Columbus GA\; Saltworks Gallery and t
he Atlanta Contemporary Arts Center\, Atlanta\, GA\; Lalit Kala Academy a
nd Nature Morte Gallery\, New Delhi\, India\; Gallery Maskara\, Mumbai\,
India\; Disjecta and Portland State University\, Portland\, OR. She was p
art of the South by East Biennial in Boca Raton\, FL\; and juried group s
hows at the Museum of Contemporary Art\, GA\, The Drawing Center and Smac
k Mellon\, NY and SAVAC\, Canada. Her work has been reviewed in internati
onal publications such as The New York Times\, The Guardian\, Art Papers\
, Art Lies\, Art India\, Art Asia Pacific\, The Oregonian\, and The Times
of India amongst others. Bawa's curatorial work began with a hotel room
show during the Art in Chicago fair (98') and has grown through her studi
o and gallery\, aquaspace – a laboratory for new and multi media art. I
n April 2004 she was part of a team that launched Drain - Journal for Con
temporary Art and Culture (www.drainmag.com (http://www.drainmag.com)). S
he is currently Assistant Professor of Fine Arts at Washington State Univ
ersity\, Vancouver\, WA.
X-ALT-DESC;FMTTYPE=text/html:
Avantika Bawa is an arti
st\, curator\, and academic. She has an MFA in Painting from the School o
f the Art Institute of Chicago (1998) and a BFA in the same from the Maha
raja Sayajirao University of Baroda\, India (1995). She was a participant
at the Skowhegan School of Painting and Sculpture (2008)\, Vermont Studi
o Center\, VT\, Milepost 5\, Portland\, OR\, Jentel Artist Residency Prog
ram\, WY and most recently the MacDowell Colony\, NH. Note worthy exhibit
s include\; solos at Suyama Space\, Seattle\, WA\, The Columbus Museum\,
Columbus GA\; Saltworks Gallery and the Atlanta Contemporary Arts Center\
, Atlanta\, GA\; Lalit Kala Academy and Nature Morte Gallery\, New Delhi\
, India\; Gallery Maskara\, Mumbai\, India\; Disjecta and Portland State
University\, Portland\, OR. She was part of the South by East Biennial in
Boca Raton\, FL\; and juried group shows at the Museum of Contemporary A
rt\, GA\, The Drawing Center and Smack Mellon\, NY and SAVAC\, Canada. He
r work has been reviewed in international publications such as The New Yo
rk Times\, The Guardian\, Art Papers\, Art Lies\, Art India\, Art Asia Pa
cific\, The Oregonian\, and The Times of India amongst others. Bawa's cur
atorial work began with a hotel room show during the Art in Chicago fair
(98') and has grown through her studio and gallery\, aquaspace – a laboratory for new and multi media art. In April 2004 she was part o
f a team that launched Drain - Journal for Contemporary Art and
Culture (www.drainmag.com). She is
currently Assistant Professor of Fine Arts at Washington State University
\, Vancouver\, WA.
UID:20130301T020000Z-16879@college.lclark.edu
DTSTAMP:20130227T102743Z
URL:https://college.lclark.edu/live/events/16879-visiting-artist-avantiki
-bawa
CATEGORIES:Open to the Public
LAST-MODIFIED:20130227T182743Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/35943_bawa.rev.1373936682.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:16879
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/35943_bawa.rev.1373936682.jpg
X-LIVEWHALE-SUMMARY:The Art Department Invites you to a lecture by visiti
ng artist\, Avantiki Bawa.
X-LIVEWHALE-TAGS:art|arts|open to the public|send-to-undergraduate
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20130307T180000
DTEND;TZID=America/Los_Angeles:20130307T190000
LOCATION:Miller Hall 102
GEO:45.450858;-122.668265
SUMMARY:Visiting Artist- David Eckard
DESCRIPTION:David Eckard is a sculptor\, performer\, and artist who works
on paper. \; Through his performances\, costumes\, interventions and
inventions\, he investigates conditions of masculinity\, identity\, endu
rance\, authority\, and absurdity. \; He shows his work nationally an
d internationally. He was the subject of a mid-career survey exhibition a
t The Art Gym in 2012 and was in the 2006 Oregon Biennial at the Portland
Art Museum. \; His work has been reviewed in The New York Times\, Fl
ash Art\, Art in America\, Artnews\, and Sculpture. \;
X-ALT-DESC;FMTTYPE=text/html:
David Eckard is a sculpt
or\, performer\, and artist who works on paper. \; Through his perfor
mances\, costumes\, interventions and inventions\, he investigates condit
ions of masculinity\, identity\, endurance\, authority\, and absurdity.&#
160\; He shows his work nationally and internationally. He was the subjec
t of a mid-career survey exhibition at The Art Gym in 2012 and was in the
2006 Oregon Biennial at the Portland Art Museum. \; His work has bee
n reviewed in The New York Times\, Flash Art\, Art
in America\, Artnews\, and Sculpture. \;
UID:20130308T020000Z-16889@college.lclark.edu
DTSTAMP:20130228T100418Z
URL:https://college.lclark.edu/live/events/16889-visiting-artist-david-ec
kard
CATEGORIES:Open to the Public
LAST-MODIFIED:20130306T210546Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/36036_artgym_eckard_handflowers2.rev.1373936682.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:16889
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/36036_artgym_eckard_handflowers2.rev.1373936682.jpg
X-LIVEWHALE-SUMMARY:The Art Department Invites you to a lecture by visiti
ng artist\, David Eckard
X-LIVEWHALE-TAGS:art|arts|open to the public|send-to-undergraduate|visual
arts
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20130312T190000
DTEND;TZID=America/Los_Angeles:20130312T200000
LOCATION:Miller Hall room 102
GEO:45.450858;-122.668265
SUMMARY:Screening of Strange Culture
DESCRIPTION:Strange Culture \;is a 2007 \;documentary film (http:
//en.wikipedia.org/wiki/Documentary_film) \;directed by \;Lynn He
rshman Leeson (http://en.wikipedia.org/wiki/Lynn_Hershman_Leeson). It sta
rs \;Tilda Swinton (http://en.wikipedia.org/wiki/Tilda_Swinton) \
;and \;Thomas Jay Ryan (http://en.wikipedia.org/wiki/Thomas_Jay_Ryan)
. The film examines the case of artist and professor \;Steve Kurtz (
http://en.wikipedia.org/wiki/Steve_Kurtz)\, a member of the \;Critica
l Art Ensemble (http://en.wikipedia.org/wiki/Critical_Art_Ensemble) \
;(CAE). The work of Kurtz and other CAE members dealt with \;genetica
lly modified food (http://en.wikipedia.org/wiki/Genetically_modified_food
) \;and other issues of science and public policy. After his wife\, H
ope\, died of heart failure\, paramedics arrived and became suspicious wh
en they noticed \;petri dishes (http://en.wikipedia.org/wiki/Petri_di
shes) \;and other scientific equipment related to Kurtz's art in his
home. They summoned the \;FBI (http://en.wikipedia.org/wiki/FBI)\, wh
o detained Kurtz within hours on suspicion of \;bioterrorism (http://
en.wikipedia.org/wiki/Bioterrorism). As Kurtz could not legally talk abo
ut the case\, the film uses actors to interpret the story\, as well as in
terviews with Kurtz and other figures involved in the case. Through a com
bination of dramatic reenactment\, news footage\, animation\, and testimo
nials\, the film scrutinizes post-9/11 (http://en.wikipedia.org/wiki/Sept
ember_11\,_2001_attacks) \;paranoia and suggests that Kurtz was targe
ted because his work questions government \;policies (http://en.wikip
edia.org/wiki/Policies). At the film's close\, Kurtz and his long-time co
llaborator Dr. Robert Ferrell\, former chair of the Genetics Department a
t the \;University of Pittsburgh (http://en.wikipedia.org/wiki/Univer
sity_of_Pittsburgh) \;Graduate School of \;Public Health (http://
en.wikipedia.org/wiki/Public_Health)\, await a trial date.
X-ALT-DESC;FMTTYPE=text/html:
The film examines the ca
se of artist and professor \;Steve Kurtz\, a member
of the \;Critical Art Ensemble
\;(CAE). The work of Kurtz and other CAE members dealt with \;genetically modified food
0\;and other issues of science and public policy. After his wife\, Hope\,
died of heart failure\, paramedics arrived and became suspicious when th
ey noticed \;petri dishes \;and other scienti
fic equipment related to Kurtz's art in his home. They summoned the \
;F
BI\, who detained Kurtz within hours on suspicion of \;bioterrorism.
As Kurtz could not legally talk about the
case\, the film uses actors to interpret the story\, as well as intervie
ws with Kurtz and other figures involved in the case. Through a combinati
on of dramatic reenactment\, news footage\, animation\, and testimonials\
, the film scrutinizes post-9/11 \;paranoia and suggests that Kurtz was targeted because his
work questions government \;policies. At the film's clos
e\, Kurtz and his long-time collaborator Dr. Robert Ferrell\, former chai
r of the Genetics Department at the \;University of Pittsburgh \;Graduate School of \;Public Health\, await a trial date.
(CAE) is a collective of five tactical
media practitioners of various specializations including computer graphic
s and web design\, film/video\, photography\, text art\, book art\, and p
erformance.
The
collective has written 6 books\, and its writings have been translated in
to 18 languages. Its book projects include: \;The Electronic Dist
urbance \;(1994)\, \;Electronic Civil Disobedience &\
; Other Unpopular Ideas \;(1996)\,Flesh Machine: Cyborgs\, D
esigner Babies\, Eugenic Consciousness \;(1998)\, \
;Digital Resistance: Explorations in Tactical Media \;(2001)
\, \;Molecular Invasion \;(2002)\, and \;Marchin
g Plague \;(2006).
Co-sponsored by the PSU MFA C
ontemporary Art Studio program\, Lewis &\; Clark College\, Pacific Nor
thwest College Art &\; the PNCA Feldman Gallery
UID:20130315T020000Z-16926@college.lclark.edu
DTSTAMP:20130304T124545Z
URL:https://college.lclark.edu/live/events/16926-critical-art-ensemble-pr
esentation
CATEGORIES:Open to the Public
LAST-MODIFIED:20130306T210605Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/36091_slide1.rev.1373936682.jpg
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X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
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X-LIVEWHALE-SUMMARY:A Conversation on Art\, Politics and Free Speech
X-LIVEWHALE-TAGS:art criticism|art history|art|civic engagement|exhibitio
n|off campus|open to the public|send-to-undergraduate
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20130411T193000
DTEND;TZID=America/Los_Angeles:20130411T203000
LOCATION:Miller Hall 102
SUMMARY:Visiting Artist- Sylvan Lionni
DESCRIPTION:Sylvan Lionni received his B.F.A. from the School of Visual A
rts and MFA from the Milton Avery Graduate School of the Arts\, Bard C
ollege. He is represented by Kansas gallery in New York City and Stene Pr
ojects in Stockholm\, Sweden. Lionni's work has been exhibited in museums
and galleries in the United States and Europe\, including MoMA P.S. 1 in
New York and the The Museum of Modern Art in Vienna\, Austria. Lionni ha
s shown his work in numerous other allergies and museums and his work is
held in many private and public collections\, including the Daimler Colle
ctions\, Berlin\, Germany\; General Dynamics\, Falls Church\, Virginia: a
nd the Johns Hopkins Children's Center\, Baltimore\, Maryland. He is curr
ently Visiting Professor of Drawing and Painting at the University of Ore
gon in Eugene.
X-ALT-DESC;FMTTYPE=text/html:
Sylvan Lionni received his B.F.A. from
the School of Visual Arts and MFA from the Milton Avery Graduate Schoo
l of the Arts\, Bard College. He is represented by Kansas gallery in New
York City and Stene Projects in Stockholm\, Sweden. Lionni's work has bee
n exhibited in museums and galleries in the United States and Europe\, in
cluding MoMA P.S. 1 in New York and the The Museum of Modern Art in Vienn
a\, Austria. Lionni has shown his work in numerous other allergies and mu
seums and his work is held in many private and public collections\, inclu
ding the Daimler Collections\, Berlin\, Germany\; General Dynamics\, Fall
s Church\, Virginia: and the Johns Hopkins Children's Center\, Baltimore\
, Maryland. He is currently Visiting Professor of Drawing and Painting at
the University of Oregon in Eugene.
UID:20130412T023000Z-17565@college.lclark.edu
DTSTAMP:20130409T160328Z
URL:https://college.lclark.edu/live/events/17565-visiting-artist-sylvan-l
ionni
CATEGORIES:Open to the Public
LAST-MODIFIED:20130409T230328Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/37245_sylvan_lionni2_copy.rev.1373936682.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:17565
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
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X-LIVEWHALE-SUMMARY:Visiting Artist- Sylvan Lionni
X-LIVEWHALE-TAGS:art|open to the public|send-to-undergraduate|visual arts
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20130917T180000
DTEND;TZID=America/Los_Angeles:20130917T190000
LOCATION:Miller Hall Room 105
GEO:45.450858;-122.668265
SUMMARY:Visiting Artist Lecture- Stephen Hayes
DESCRIPTION:Stephen Hayes \; (http://www.elizabethleach.com/Artist-De
tail.cfm?ArtistsID=81)- This talk with artist Stephen Hayes is co-sponsor
ed by the Hoffman Gallery in conjunction with his show. For more informat
ion about the show\, visit the Hoffman Gallery \;website (https://www
.lclark.edu/hoffman_gallery/).
X-ALT-DESC;FMTTYPE=text/html:
Stephen Hayes \;- This talk with ar
tist Stephen Hayes is co-sponsored by the Hoffman Gallery in conjunction
with his show. For more information about the show\, visit the Hoffman Ga
llery \;website
.
UID:20130918T010000Z-20286@college.lclark.edu
DTSTAMP:20130911T140354Z
URL:https://college.lclark.edu/live/events/20286-visiting-artist-lecture-
stephen-hayes
CATEGORIES:Open to the Public
LAST-MODIFIED:20130915T204237Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/40532_stephen_hayes_dreaming_rooms_2012_oil_on_canvas_60x90.rev.1378
921376.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:20286
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
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X-LIVEWHALE-SUMMARY:Lecture with artist Stephen Hayes in conjunction with
his current show in the Hoffman Gallery.
X-LIVEWHALE-TAGS:Art History Faculty|Art Studio Faculty|art|arts|hoffman
gallery|open to the public|visual arts
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131008T193000
DTEND;TZID=America/Los_Angeles:20131008T203000
LOCATION:Miller Hall Room 102
GEO:45.450858;-122.668265
SUMMARY:Visiting Artist Lecture- Stephen Slapp
DESCRIPTION:Stephen Slapp (http://www.stephenslappe.com/)- is an artist b
ased in Portland\, Oregon. Slappe's work has \;exhibited and screened
internationally in venues such as Centre Pompidou-Metz (France)\, \;
Portland Institute for Contemporary Art's TBA Festival\, The Horse Hospit
al (London)\, The \;Sarai Media Lab (New Delhi)\, Consolidated Works
(Seattle)\, Centre for Contemporary Art \;(Glasgow)\, and Artists' Te
levision Access (San Francisco). His projects have been funded by \;m
ultiple grants from the Regional Arts and Culture Council of Portland and
an Individual Artist \;Fellowship from the Oregon Arts Commission.&#
160\;Slappe is an Assistant Professor and Chair of Video &\; Sound at
Pacific Northwest College of \;Art. He is an active curator and organ
izer of video and film exhibitions including New Mutants at \;Worksou
nd Gallery (Portland) and Out of the Great Northwest at The Horse Hospita
l (London). \;Slappe is an amateur film archivist and has presented t
hree programs of archival 16mm \;films entitled Rolling Deep: Skatebo
arding Films 1965-1980\, Static Age: The Culture of Early \;Televisio
n\, and Drugs\, Disease\, Disaster
X-ALT-DESC;FMTTYPE=text/html:
S
tephen Slapp- is an artist based in Portland\, Oregon. Slappe's work
has \;exhibited and screened internationally in venues such as Centre
Pompidou-Metz (France)\, \;Portland Institute for Contemporary Art's
TBA Festival\, The Horse Hospital (London)\, The \;Sarai Media Lab (
New Delhi)\, Consolidated Works (Seattle)\, Centre for Contemporary Art&#
160\;(Glasgow)\, and Artists' Television Access (San Francisco). His proj
ects have been funded by \;multiple grants from the Regional Arts and
Culture Council of Portland and an Individual Artist \;Fellowship fr
om the Oregon Arts Commission. \;Slappe is an Assistant Professor and
Chair of Video &\; Sound at Pacific Northwest College of \;Art. H
e is an active curator and organizer of video and film exhibitions includ
ing New Mutants at \;Worksound Gallery (Portland) and Out of the Grea
t Northwest at The Horse Hospital (London). \;Slappe is an amateur fi
lm archivist and has presented three programs of archival 16mm \;film
s entitled Rolling Deep: Skateboarding Films 1965-1980\, Static Age: The
Culture of Early \;Television\, and Drugs\, Disease\, Disaster
UID:20131009T023000Z-20287@college.lclark.edu
DTSTAMP:20130911T140547Z
URL:https://college.lclark.edu/live/events/20287-visiting-artist-lecture-
stephen-slapp
CATEGORIES:Open to the Public
LAST-MODIFIED:20131007T191025Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/40533_slappe-piutk-web.rev.1378921872.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:20287
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/40533_slappe-piutk-web.rev.1378921872.jpg
X-LIVEWHALE-SUMMARY:Lecture by Portland based artist\, Stephen Slapp.
X-LIVEWHALE-TAGS:art history|art|arts|lecture|send-to-undergraduate|visua
l arts
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131022T193000
DTEND;TZID=America/Los_Angeles:20131022T203000
SUMMARY:Visiting Artist Lecture- Julie Perini
DESCRIPTION:Julie Perini (http://julieperini.org/)- \;creates experim
ental and documentary videos/films\, installations\, and events. \; H
er interests include other people\, everyday life\, humor\, identity\, so
cial movements\, collaboration\, and all sorts of art that deals with tim
e and documentation. \; Her work often explores the areas between fac
t and fiction\, staged and improvised\, political and personal. \;Sh
e has exhibited work at a variety of national and international venues in
cluding Anthology Film Archives in New York City\, Echo Park Film Center
in Los Angeles\, Cornell Cinema in Ithaca\, NY\, Artists Television Acces
s in San Francisco\, the Northwest Film Festival in Portland\, Oregon\, a
nd Experiments in Cinema Film Festival in Albuquerque\, NM. \;Her wr
iting on art\, media\, politics\, and culture has been published by AK Pr
ess\, \;Afterimage\, and \;Incite: The Journal of Experimental Me
dia. \;She participates in several collaborative initiatives to prom
ote independent media\, community cultural production\, and progressive s
ocial change. \;Her media production skills are largely self-taught\
, although after spending several years in the 1990s editing VHS tapes us
ing two VCRs\, she learned analog video production at \;PEGASYS (http
://pegasys.webstarts.com/index.html)Public Access TV in Ithaca\, NY. 
\;She holds an MFA from the University at Buffalo's \;Department of M
edia Study (http://mediastudy.buffalo.edu/) \;and a BS from Cornell U
niversity. \;Perini is an Assistant Professor of Art at \;Portlan
d State University (http://pdx.edu/art/). \;
X-ALT-DESC;FMTTYPE=text/html:
Julie P
erini- \;creates experimental and documentary videos/films\, inst
allations\, and events. \; Her interests include other people\, every
day life\, humor\, identity\, social movements\, collaboration\, and all
sorts of art that deals with time and documentation. \; Her work ofte
n explores the areas between fact and fiction\, staged and improvised\, p
olitical and personal. \;She has exhibited work at a variety of nati
onal and international venues including Anthology Film Archives in New Yo
rk City\, Echo Park Film Center in Los Angeles\, Cornell Cinema in Ithaca
\, NY\, Artists Television Access in San Francisco\, the Northwest Film F
estival in Portland\, Oregon\, and Experiments in Cinema Film Festival in
Albuquerque\, NM. \;Her writing on art\, media\, politics\, and cul
ture has been published by AK Press\, \;Afterimage\, and \;Incite
: The Journal of Experimental Media. \;She participates in several c
ollaborative initiatives to promote independent media\, community cultura
l production\, and progressive social change. \;Her media production
skills are largely self-taught\, although after spending several years i
n the 1990s editing VHS tapes using two VCRs\, she learned analog video p
roduction at \;PEGASYSPublic Access TV in Ithaca\, NY. \;She holds a
n MFA from the University at Buffalo's \;Department of Media Study \;and a BS
from Cornell University. \;Perini is an Assistant Professor of Art a
t \;Portland State Univ
ersity. \;
UID:20131023T023000Z-20289@college.lclark.edu
DTSTAMP:20130911T140826Z
URL:https://college.lclark.edu/live/events/20289-visiting-artist-lecture-
julie-perini
CATEGORIES:Open to the Public
LAST-MODIFIED:20131007T191034Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/40534_julie_perini_still_from_white_lady_diaries_5_min_sd_video_2013
.rev.1378922128.jpg
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X-LIVEWHALE-ID:20289
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
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X-LIVEWHALE-SUMMARY:Lecture by artist Julie Perini.
X-LIVEWHALE-TAGS:art|arts|open to the public|send-to-undergraduate|visual
arts
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131024T150000
DTEND;TZID=America/Los_Angeles:20131024T160000
LOCATION:Miller Hall room 102
GEO:45.450858;-122.668265
SUMMARY:Conservation\, Conservation Science\, and Conservation Ethics
DESCRIPTION:Dr. Bill Wei is the Senior Conservation Scientist at the Cult
ural Heritage Agency of the Netherlands\, Amsterdam.
X-ALT-DESC;FMTTYPE=text/html:
Dr. Bill Wei is the Senior Conservation
Scientist at the Cultural Heritage Agency of the Netherlands\, Amsterdam
.
UID:20131024T220000Z-21106@college.lclark.edu
DTSTAMP:20131015T130220Z
URL:https://college.lclark.edu/live/events/21106-conservation-conservatio
n-science-and-conservation
CATEGORIES:Open to the Public
LAST-MODIFIED:20131015T200220Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/41661_slide1.rev.1381867061.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:21106
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/41661_slide1.rev.1381867061.jpg
X-LIVEWHALE-SUMMARY:A talk by Dr. Bill Wei
X-LIVEWHALE-TAGS:art history|art|open to the public|send-to-law|send-to-u
ndergraduate
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131029T193000
DTEND;TZID=America/Los_Angeles:20131029T203000
LOCATION:Miller Hall Room 102
GEO:45.450858;-122.668265
SUMMARY:Visiting Artist Lecture- Dylan Beck
DESCRIPTION:Dylan Beck (http://www.dylanjbeck.com/)- \;My artwork exp
lores the interaction of built space with the natural environment and the
idea that manmade landscapes express a society's material and political
priorities. Within this domain\, my interests range from concepts of land
use and automobile-centered planning to the psychological effects of liv
ing in the "non-places" of a hypermodern world. Hypermodernity has create
d places that have no relation to the natural environment in which they r
eside. These places include airports\, shopping malls\, and various housi
ng developments\, among others. \; \; \; \;Many decis
ions regarding spatial relationships within our built environment depend
on the flow of goods and consumers from place to place. Unmanaged growth\
, known as sprawl\, has been the cause and/or effect of problems with tra
nsportation\, the environment\, and the economy. At the same time\, this
growth has created new housing and employment opportunities. I situate my
work between criticism and veneration. Likewise\, there is a dichotomy i
n my aesthetic attraction to images of built landscapes and my feelings t
oward the issues they illustrate. \; \; \; \;I use se
veral tactics to illustrate this dialectic. My sculptures are constructed
with materials that are found in the retail and domestic setting along w
ith those used in home construction. Through the examination of the world
around me\, aerial photography and satellite imagery I select ubiquitous
forms and imagery. I then use the same spatial relationships that are in
herent in our built environment in my work.
X-ALT-DESC;FMTTYPE=text/html:
Dyla
n Beck- \;My artwork explores the interaction of built space with
the natural environment and the idea that manmade landscapes express a s
ociety's material and political priorities. Within this domain\, my inter
ests range from concepts of land use and automobile-centered planning to
the psychological effects of living in the "non-places" of a hypermodern
world. Hypermodernity has created places that have no relation to the nat
ural environment in which they reside. These places include airports\, sh
opping malls\, and various housing developments\, among others. \; \; \; \;Many decisions regarding spatial relationship
s within our built environment depend on the flow of goods and consumers
from place to place. Unmanaged growth\, known as sprawl\, has been the ca
use and/or effect of problems with transportation\, the environment\, and
the economy. At the same time\, this growth has created new housing and
employment opportunities. I situate my work between criticism and venerat
ion. Likewise\, there is a dichotomy in my aesthetic attraction to images
of built landscapes and my feelings toward the issues they illustrate.&#
160\; \; \; \;I use several tactics to illustrate t
his dialectic. My sculptures are constructed with materials that are foun
d in the retail and domestic setting along with those used in home constr
uction. Through the examination of the world around me\, aerial photograp
hy and satellite imagery I select ubiquitous forms and imagery. I then us
e the same spatial relationships that are inherent in our built environme
nt in my work.
UID:20131030T023000Z-20291@college.lclark.edu
DTSTAMP:20130911T141000Z
URL:https://college.lclark.edu/live/events/20291-visiting-artist-lecture-
dylan-beck
CATEGORIES:Open to the Public
LAST-MODIFIED:20130912T175711Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/40535_dylan_beck_supermodern_landscape_no1_vinyl_nylon_rope_36x60_20
13.rev.1378922342.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:20291
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
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X-LIVEWHALE-SUMMARY:Lecture by visiting artist Dylan Beck
X-LIVEWHALE-TAGS:art|arts|open to the public|send-to-undergraduate|visual
arts
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131112T193000
DTEND;TZID=America/Los_Angeles:20131112T203000
LOCATION:Miller Hall Room 102
GEO:45.450858;-122.668265
SUMMARY:Visiting Artist Lecture- Alicia Jo Rabins
DESCRIPTION:Alicia Jo Rabins (http://www.aliciajo.com/) \;- \;is
a poet\, composer\, performer and Torah scholar based in Portland\, OR an
d Brooklyn\, NY. Her poems appear in American Poetry Review\, Boston Revi
ew\, Ploughshares\, 6x6\, Court Green\, anthologies from NYU Press and Kn
opf\, and a chapbook from Artscape Press (selected by Mary Oliver). A cla
ssically trained violinist since the age of three\, Alicia recently premi
ered her original piece "A Kaddish for Bernie Madoff\," a chamber rock op
era about the spiritual implications of the financial collapse\, at Joe's
Pub in New York City. She is currently at work editing her first collect
ion of poems. \; \; \; \;Alicia is the songwriter and
bandleader of Girls in Trouble\, an art-pop song cycle about the complic
ated lives of women in Torah\, which has performed across the US\, Canada
and Europe\, released two albums\, and garnered critical praise from Huf
fington Post\, the New Yorker\, and LA Weekly. For eight years she was th
e fiddle player in pioneering klezmer-punk band Golem\, and she has recei
ved grants and scholarships from Lower Manhattan Cultural Council\, Bread
Loaf Writers Conference\, the Six Points Fellowship\, and the LABA Fello
wship at the 14th St Y. She has also served as a cultural ambassador for
the US State Department\, performing American fiddle music in Central Ame
rica and Kuwait. \; \; \; \;An experienced and dedica
ted Jewish educator\, in 2010 Alicia founded Personal Torah\, offering cr
eative\, meaningful bar/bat mitzvah preparation and adult Torah study in
person or online. She has presented at the New School\, Northwest Vista C
ollege\, Hebrew Union College\, and numerous conferences. Rabins holds an
MFA in poetry from Warren Wilson College and an MA in Jewish Gender and
Women's Studies from the Jewish Theological Seminary.
X-ALT-DESC;FMTTYPE=text/html:
Alicia
Jo Rabins \;- \;is a poet\, composer\, performer and Torah s
cholar based in Portland\, OR and Brooklyn\, NY. Her poems appear in Amer
ican Poetry Review\, Boston Review\, Ploughshares\, 6x6\, Court Green\, a
nthologies from NYU Press and Knopf\, and a chapbook from Artscape Press
(selected by Mary Oliver). A classically trained violinist since the age
of three\, Alicia recently premiered her original piece "A Kaddish for Be
rnie Madoff\," a chamber rock opera about the spiritual implications of t
he financial collapse\, at Joe's Pub in New York City. She is currently a
t work editing her first collection of poems. \; \;  
\; \;Alicia is the songwriter and bandleader of Girls in Trouble\, a
n art-pop song cycle about the complicated lives of women in Torah\, whic
h has performed across the US\, Canada and Europe\, released two albums\,
and garnered critical praise from Huffington Post\, the New Yorker\, and
LA Weekly. For eight years she was the fiddle player in pioneering klezm
er-punk band Golem\, and she has received grants and scholarships from Lo
wer Manhattan Cultural Council\, Bread Loaf Writers Conference\, the Six
Points Fellowship\, and the LABA Fellowship at the 14th St Y. She has als
o served as a cultural ambassador for the US State Department\, performin
g American fiddle music in Central America and Kuwait. \; 
0\; \; \;An experienced and dedicated Jewish educator\, in 2010
Alicia founded Personal Torah\, offering creative\, meaningful bar/bat m
itzvah preparation and adult Torah study in person or online. She has pre
sented at the New School\, Northwest Vista College\, Hebrew Union College
\, and numerous conferences. Rabins holds an MFA in poetry from Warren Wi
lson College and an MA in Jewish Gender and Women's Studies from the Jewi
sh Theological Seminary.
UID:20131113T033000Z-20292@college.lclark.edu
DTSTAMP:20130911T141127Z
URL:https://college.lclark.edu/live/events/20292-visiting-artist-lecture-
alicia-jo-rabins
CATEGORIES:Open to the Public
LAST-MODIFIED:20131111T165927Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/40536_alicia_jo_rabins_performance.rev.1378922684.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:20292
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
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X-LIVEWHALE-SUMMARY:Lecture by visiting artist Alicia Jo Rabins
X-LIVEWHALE-TAGS:art|arts|open to the public|send-to-undergraduate|visual
arts
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131119T193000
DTEND;TZID=America/Los_Angeles:20131119T203000
LOCATION:Miller Hall room 102
GEO:45.450858;-122.668265
SUMMARY:Visiting Artist Didier Williams
DESCRIPTION:Didier Williams (http://didierwilliam.com/home.html)- \;h
olds an MFA in painting from Yale University\, and a BFA in painting from
the Maryland Institute College of Art (MICA). His paintings examine a fi
ctional narrative that dismantles fixed notions of home\, place and time.
William currently lives and works in Brooklyn\, New York. He was a 2009
recipient of the Toby Devan Lewis Fellowship in painting as well as the 2
006 recipient of the Morris Lewis Award for painting. He has exhibited pa
intings in group shows at Kravets Wehby gallery in New York\, Deitch Proj
ects in Long Island City\, Swann Galeries in New York City\, Gallerie Sch
uster in Berlin\, as well as traveling exhibitions in Baltimore\, Kansas
City\, Philadelphia\, and Greece. He will be a 2012/13 Artist in Residenc
e at the Marie Walsh Sharpe Art Foundation's Space Program in Brooklyn NY
. He is currently on faculty in the Art/Art History Department at Vassar
College as well as Adjunct Foundation Faculty in the School of Art and De
sign at Purchase College in NY.
X-ALT-DESC;FMTTYPE=text/html:
Didier Williams- \;holds an MFA in painting from Yale Univers
ity\, and a BFA in painting from the Maryland Institute College of Art (M
ICA). His paintings examine a fictional narrative that dismantles fixed n
otions of home\, place and time. William currently lives and works in Bro
oklyn\, New York. He was a 2009 recipient of the Toby Devan Lewis Fellows
hip in painting as well as the 2006 recipient of the Morris Lewis Award f
or painting. He has exhibited paintings in group shows at Kravets Wehby g
allery in New York\, Deitch Projects in Long Island City\, Swann Galeries
in New York City\, Gallerie Schuster in Berlin\, as well as traveling ex
hibitions in Baltimore\, Kansas City\, Philadelphia\, and Greece. He will
be a 2012/13 Artist in Residence at the Marie Walsh Sharpe Art Foundatio
n's Space Program in Brooklyn NY. He is currently on faculty in the Art/A
rt History Department at Vassar College as well as Adjunct Foundation Fac
ulty in the School of Art and Design at Purchase College in NY.
UID:20131120T033000Z-20293@college.lclark.edu
DTSTAMP:20130911T141249Z
URL:https://college.lclark.edu/live/events/20293-visiting-artist-didier-w
illiams
CATEGORIES:Open to the Public
LAST-MODIFIED:20131108T164525Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/40538_didier_william_we_i_cantwontwill_never_be_able_to_go_back_2013
.rev.1378923092.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:20293
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
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o_back_2013.rev.1378923092.jpg
X-LIVEWHALE-SUMMARY:Lecture by visiting artist Didier Williams\, who hold
s an MFA in painting from Yale University\, and a BFA in painting from th
e Maryland Institute College of Art (MICA). His paintings examine a ficti
onal narrative that dismantles fixed notions of home\, place and time.
X-LIVEWHALE-TAGS:art|arts|open to the public|send-to-undergraduate|visual
arts
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131122T150000
DTEND;TZID=America/Los_Angeles:20131122T160000
LOCATION:Miller Hall Room 102
GEO:45.450858;-122.668265
SUMMARY:Identity and Indonesian History
DESCRIPTION:Over the summer\, the Dean's office generously provided fundi
ng for Lily Waldman and Anya Walker to collaborate on a research project
with Professor Dawn Odell covering the period of Dutch colonialism in Ind
onesia. Lily and Anya took their research in two different directions\, b
oth with a focus on architecture as it relates to issues of identity. Any
a looked into adaptations and identity of the Dutch colonizers in Batavia
\, while Lily investigated issues surrounding Chinese identity and cultur
e in Indonesia. This project gave Lily the opportunity to travel to Indon
esia to visit historical buildings and conduct interviews\, in an attempt
to broaden her research and come closer to answering questions about her
own experiences with identity growing up in Indonesia.
X-ALT-DESC;FMTTYPE=text/html:
Over the summer\, the Dean's office gen
erously provided funding for Lily Waldman and Anya Walker to collaborate
on a research project with Professor Dawn Odell covering the period of Du
tch colonialism in Indonesia. Lily and Anya took their research in two di
fferent directions\, both with a focus on architecture as it relates to i
ssues of identity. Anya looked into adaptations and identity of the Dutch
colonizers in Batavia\, while Lily investigated issues surrounding Chine
se identity and culture in Indonesia. This project gave Lily the opportun
ity to travel to Indonesia to visit historical buildings and conduct inte
rviews\, in an attempt to broaden her research and come closer to answeri
ng questions about her own experiences with identity growing up in Indone
sia.
UID:20131122T230000Z-22389@college.lclark.edu
DTSTAMP:20131120T111959Z
URL:https://college.lclark.edu/live/events/22389-identity-and-indonesian-
history
CATEGORIES:Open to the Public
LAST-MODIFIED:20131120T192016Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/42543_slide1.rev.1384975193.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:22389
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/42543_slide1.rev.1384975193.jpg
X-LIVEWHALE-SUMMARY:Research Presentations by Anya Walker and Lily Waldman
X-LIVEWHALE-TAGS:art|open to the public|presentation|research|send-to-und
ergraduate|student
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131210T193000
DTEND;TZID=America/Los_Angeles:20131210T203000
LOCATION:Miller Hall room 102
GEO:45.450858;-122.668265
SUMMARY:Visiting Artist Lindsey White (and/on Will Brown Collective)
DESCRIPTION:Lindsey White (and/on Will Brown Collective) (http://www.artl
og.com/2012/239-who-is-will-brown-meet-the-team-behind-an-experimental-ga
llery-illegitimate-business-and-comedy-drawing-school#.UjC0oGTF2SN)- 
\;Will Brown (http://wearewillbrown.com/) \;is something of an anomal
y in the art world. The brainchild of artists \;Lindsey White\, (http
://www.eliridgway.com/index.php/white-works/white-photography) \;Jord
an Stein (http://jordanstein.com/)\, and \;David Kazprzak\, (http://d
avidkprojects.com/) \;Will Brown is difficult to define\, which is on
e of the things that makes the collaborative project so appealing. The en
igmatic space opened in January with an inaugural exhibition on \;ill
egitimacy in art (http://wearewillbrown.com/projects/illegitimate-busines
s/) \;and has since continued to serve up nonpareil shows and events
that are not easily classified under the usual rubric of exhibition\, gal
lery show\, performance\, action\, or installation. A combination of thes
e might best capture what Will Brown is all about\, though it would be im
possible to really pigeonhole this collective. The ongoing project curren
tly takes the form of an experimental exhibition space in San Francisco's
Mission District\, and its \;twitter feed (https://twitter.com/#!/we
arewillbrown) \;has a life of its own. I talked shop with Will Brown
on micro-institution curatorial practices\, obsolete art collectives\, il
legitimate inventories\, and \;comedy drawing schools. (http://wearew
illbrown.com/project/comedy-drawing-school/) \;
X-ALT-DESC;FMTTYPE=text/html:
Lindsey White (and/on
Will Brown Collective)- \;Wi
ll Brown \;is something of an anomaly in the art world. The brain
child of artists \;Lindsey White\, \;Jordan Stein\, and \;David Kazprzak\, \;Will Brown is difficult to define\, whic
h is one of the things that makes the collaborative project so appealing.
The enigmatic space opened in January with an inaugural exhibition on
60\;i
llegitimacy in art \;and has since continued to serve up nonparei
l shows and events that are not easily classified under the usual rubric
of exhibition\, gallery show\, performance\, action\, or installation. A
combination of these might best capture what Will Brown is all about\, th
ough it would be impossible to really pigeonhole this collective. The ong
oing project currently takes the form of an experimental exhibition space
in San Francisco's Mission District\, and its \;twitter feed \;has a life of its own.
I talked shop with Will Brown on micro-institution curatorial practices\
, obsolete art collectives\, illegitimate inventories\, and \;comedy drawin
g schools.
\;
UID:20131211T033000Z-20294@college.lclark.edu
DTSTAMP:20130911T141438Z
URL:https://college.lclark.edu/live/events/20294-visiting-artist-lindsey-
white-andon-will-brown
CATEGORIES:Open to the Public
LAST-MODIFIED:20131119T221756Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/40539_lindsey_white_from_will_brown_collabrotive.rev.1378923598.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:20294
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/40539_lindsey_white_from_will_brown_collabrotive.rev.1378
923598.jpg
X-LIVEWHALE-SUMMARY:Lecture by visiting artist Lindsey White (and/on Will
Brown Collective)
X-LIVEWHALE-TAGS:art|arts|open to the public|send-to-undergraduate|visual
arts
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140226T170000
DTEND;TZID=America/Los_Angeles:20140226T190000
LOCATION:Cascade Gallery\, Terrell Hall 102\, Portland Community College\
, Cascade Campus
GEO:45.563148;-122.673537
SUMMARY:Tammy Jo Wilson: Perspective
DESCRIPTION:Opening ReceptionWednesday\, February 26th\, 5-7pm Exhibit D
ates: February 26 – April 3\, 2014 Gallery Hours: 9am-5pm\, Monday-Fri
day Cascade Gallery presents Tammy Jo Wilson's new and recent work explo
ring identity and race. Using a variety of media and processes including
photography\, video\, and fabric. Wilson questions our assumptions around
race and identity. Her content pushes us to think again\; literally and
figuratively\, to step back to gain perspective\; and to accept an unclea
r answer. Tammy Jo Wilson has exhibited up and down the West Coast and a
cross the US. In 2012 her work was purchased by Multnomah County for the
Portable Works Collection. In 2013 she was the recipient of an Oregon Art
s Commission Grant for her work with the Women's Caucus for Art. Wilson h
olds a BFA from Pacific Northwest College of Art in Portland and an MFA f
rom San Jose State University in California. \;
X-ALT-DESC;FMTTYPE=text/html:
Wednesday\, Februar
y 26th\, 5-7pm
Exhibit Dates: February 26 – April 3\,
2014 Gallery Hours: 9am-5pm\, Monday-Friday
Cascade Galle
ry presents Tammy Jo Wilson's new and recent work exploring identity and
race. Using a variety of media and processes including photography\, vide
o\, and fabric. Wilson questions our assumptions around race and identity
. Her content pushes us to think again\; literally and figuratively\, to
step back to gain perspective\; and to accept an unclear answer.
Tammy Jo Wilson has exhibited up and down the West Coast and across the U
S. In 2012 her work was purchased by Multnomah County for the Portable Wo
rks Collection. In 2013 she was the recipient of an Oregon Arts Commissio
n Grant for her work with the Women's Caucus for Art. Wilson holds a BFA
from Pacific Northwest College of Art in Portland and an MFA from San Jos
e State University in California.
\;
UID:20140227T010000Z-24793@college.lclark.edu
DTSTAMP:20140218T144612Z
URL:https://college.lclark.edu/live/events/24793-tammy-jo-wilson-perspect
ive
CATEGORIES:Open to the Public
LAST-MODIFIED:20140219T183703Z
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:24793
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-SUMMARY:Cascade Gallery \nPortland Community College\, T
errell Hall 102 \n705 N. Killingsworth\, Portland\, OR 97217 \n
Dates: February 26 – April 3\, 2014 \nGallery Hours: 9 am to 5 pm\
, Monday-Friday
X-LIVEWHALE-TAGS:art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140930T183000
DTEND;TZID=America/Los_Angeles:20140930T193000
LOCATION:Miller Hall 105
SUMMARY:Artist Talk with Dana Lynn Louis
DESCRIPTION:Dana Lynn Louis \; \;For two decades Louis has mainta
ined a rigorous studio practice that engages architectural space\, glass\
, light and shadow among numerous other materials. The results fluctuate
between intimate domestic-scaled pieces\, to interdisciplinary performanc
e collaborations\, and large-scale public works that energize and alter o
nes experience of their environment. Louis is conceptually inspired by th
e timeless and fascinating systems of the body\, the natural and construc
ted worlds\, and their interconnectedness. In the last ten years Louis'
work has also been profoundly affected by her experiences traveling throu
gh West Africa and helping to create Ko-falen\, a cultural center in Bama
ko\, Mali. Louis' work is also influenced by her practice and study of yo
ga. Her work explores the connective layers in all of these experiences.L
ouis' work has been exhibited and collected Internationally.
X-ALT-DESC;FMTTYPE=text/html:
Dana Lynn Louis \; \;
For two decades Louis has maintained a rigorous studio prac
tice that engages architectural space\, glass\, light and shadow among nu
merous other materials. The results fluctuate between intimate domestic-s
caled pieces\, to interdisciplinary performance collaborations\, and larg
e-scale public works that energize and alter ones experience of their env
ironment. Louis is conceptually inspired by the timeless and fascinating
systems of the body\, the natural and constructed worlds\, and their inte
rconnectedness. In the last ten years Louis' work has also been pr
ofoundly affected by her experiences traveling through West Africa and he
lping to create Ko-falen\, a cultural center in Bamako\, Mali. Louis' wor
k is also influenced by her practice and study of yoga. Her work explores
the connective layers in all of these experiences.Louis' work has been e
xhibited and collected Internationally.
UID:20141001T013000Z-30651@college.lclark.edu
DTSTAMP:20140929T110156Z
URL:https://college.lclark.edu/live/events/30651-artist-talk-with-dana-ly
nn-louis
CATEGORIES:Open to the Public
LAST-MODIFIED:20140929T180156Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/49284_dana_lynn_louis_draw_at_russo_gallery.rev.1412011777.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:30651
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/49284_dana_lynn_louis_draw_at_russo_gallery.rev.141201177
7.jpg
X-LIVEWHALE-SUMMARY:Artist Talk by Dana Lynn Louis
X-LIVEWHALE-TAGS:art|arts|hoffman gallery
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20141021T183000
DTEND;TZID=America/Los_Angeles:20141021T193000
LOCATION:Miller Hall 102
GEO:45.450858;-122.668265
SUMMARY:Visiting Artist Lecture- Grant Hottle
DESCRIPTION:Grant Hottle \;was born in Oklahoma City. He studied at U
trecht School of the Arts in the Netherlands\, and earned degrees in pain
ting and drawing from the University of Oklahoma and the University of Or
egon. He shows nationally\, with recent exhibits in Oakland at Swarm Gall
ery\, in Portland at Laura Russo Gallery and at Disjecta's \;Portland
2012 Biennial\; in Seattle at the Seattle Art Museum Gallery and at the
Kirkland Arts Center\; in Minneapolis at Altered Esthetics\; and in Bosto
n at SamsØn. Hottle teaches drawing and painting at Clark College in Van
couver\, WA. Art Instructor\, Area Head of Painting and Foundations\, Cla
rk College\, Vancouver\, WA. He lives and works in Portland.
X-ALT-DESC;FMTTYPE=text/html:
Grant Hottle \;was b
orn in Oklahoma City. He studied at Utrecht School of the Arts in the Net
herlands\, and earned degrees in painting and drawing from the University
of Oklahoma and the University of Oregon. He shows nationally\, with rec
ent exhibits in Oakland at Swarm Gallery\, in Portland at Laura Russo Gal
lery and at Disjecta's \;Portland 2012 Biennial\; in Seattle at the S
eattle Art Museum Gallery and at the Kirkland Arts Center\; in Minneapoli
s at Altered Esthetics\; and in Boston at SamsØn. Hottle teaches drawing
and painting at Clark College in Vancouver\, WA. Art Instructor\, Area H
ead of Painting and Foundations\, Clark College\, Vancouver\, WA. He live
s and works in Portland.
UID:20141022T013000Z-30652@college.lclark.edu
DTSTAMP:20140929T110739Z
URL:https://college.lclark.edu/live/events/30652-visiting-artist-lecture-
grant-hottle
CATEGORIES:Open to the Public
LAST-MODIFIED:20140929T181101Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/49285_grant_hottle_another_daring_escape_2014_oil_and_spray_on_canva
s_48x36.rev.1412011945.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:30652
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/49285_grant_hottle_another_daring_escape_2014_oil_and_spr
ay_on_canvas_48x36.rev.1412011945.jpg
X-LIVEWHALE-SUMMARY:As part of the 2014 Visiting Artist Lecture Series\,
the Art Department is excited to host Grant Hottle. \;
X-LIVEWHALE-TAGS:art criticism|Art History Faculty|art history|Art Studio
Faculty|art|arts|open to the public
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20141028T183000
DTEND;TZID=America/Los_Angeles:20141028T193000
LOCATION:Miller Hall 102
GEO:45.450858;-122.668265
SUMMARY:Visiting Artist Lecture- Amanda Wojick
DESCRIPTION:Amanda Wojick \;is an artist and educator based in Eugene
\, Oregon. \; \;She locates her ongoing creative work at intersec
tions of abstract sculpture and drawing\, the hand and the machine\, and
material and visual culture. \; \;Using everyday materials such a
s paper\, glue and tape\, Wojick creates brightly colored dimensional fie
lds of irregular lines\, circles\, and rectangles. Her projects have enga
ged subjects including landscape\, routine\, history\, and trauma. \;
Wojick's work has been supported by awards and grants from the Portland
Art Museum\, the Oregon Arts Commission and Ford Family Foundation\, the
Ucross Foundation\, Sculpture Space\, the Ragdale Foundation\, the Unive
rsity of Oregon School of Architecture and Allied Arts\, and the Universi
ty of Oregon Humanities Center. Solo and group exhibitions of her work ha
ve occurred across the country in museums\, galleries\, as well as variou
s commissioned venues. Her work is included in the permanent collections
of the Portland Art Museum and the Tacoma Art Museum\, and she is represe
nted by the Elizabeth Leach Gallery in Portland\, Oregon. Wojick holds t
wo MFA degrees from the Milton Avery School of the Arts\, Bard College\,
and the New York State College of Ceramics at Alfred University. \;&#
160\;Her BA in Art and Art History is from Colgate University. In 2001 sh
e moved from New York State to take a position in the Art Department at t
he University of Oregon where she is currently an Associate Professor and
co-chair of the Sculpture Program. \;
X-ALT-DESC;FMTTYPE=text/html:
Amanda Wojick \;is a
n artist and educator based in Eugene\, Oregon. \; \;She locates
her ongoing creative work at intersections of abstract sculpture and draw
ing\, the hand and the machine\, and material and visual culture. \;&
#160\;Using everyday materials such as paper\, glue and tape\, Wojick cre
ates brightly colored dimensional fields of irregular lines\, circles\, a
nd rectangles. Her projects have engaged subjects including landscape\, r
outine\, history\, and trauma. \; Wojick's work has been suppo
rted by awards and grants from the Portland Art Museum\, the Oregon Arts
Commission and Ford Family Foundation\, the Ucross Foundation\, Sculpture
Space\, the Ragdale Foundation\, the University of Oregon School of Arch
itecture and Allied Arts\, and the University of Oregon Humanities Center
. Solo and group exhibitions of her work have occurred across the country
in museums\, galleries\, as well as various commissioned venues. Her wor
k is included in the permanent collections of the Portland Art Museum and
the Tacoma Art Museum\, and she is represented by the Elizabeth Leach Ga
llery in Portland\, Oregon. Wojick holds two MFA degrees from the
Milton Avery School of the Arts\, Bard College\, and the New York State C
ollege of Ceramics at Alfred University. \; \;Her BA in Art and A
rt History is from Colgate University. In 2001 she moved from New York St
ate to take a position in the Art Department at the University of Oregon
where she is currently an Associate Professor and co-chair of the Sculptu
re Program. \;
UID:20141029T013000Z-30653@college.lclark.edu
DTSTAMP:20140929T111313Z
URL:https://college.lclark.edu/live/events/30653-visiting-artist-lecture-
amanda-wojick
LAST-MODIFIED:20141027T183154Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/49286_amanda_wojick_389a0104.rev.1412012030.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:30653
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/49286_amanda_wojick_389a0104.rev.1412012030.jpg
X-LIVEWHALE-SUMMARY:As part of the 2014 Visiting Artist Lecture series\,
the Art department is excited to host Amanda Wojick.
X-LIVEWHALE-TAGS:art criticism|Art History Faculty|art history|Art Studio
Faculty|art|arts
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20141106T180000
DTEND;TZID=America/Los_Angeles:20141106T210000
LOCATION:403 SW 10th Avenue\, Portland\, OR
GEO:45.521974;-122.681088
SUMMARY:Misc.Educated Senior Art Show
DESCRIPTION:Lewis &\; Clark College is pleased to announce that this y
ear's senior Studio Art majors will be showcasing their work at the "Firs
t Thursday in the Pearl" art event on November 6th\, 2014. The show will
feature works of various media from the 22 graduating seniors. The show\
,"MISC.EDUCATED"\, will run for one night only as part of Portland's Firs
t Thursday on November 6th from 6 to 9 pm at The Cleaners at Ace Hotel.
This single night showcase is the culmination of several weeks of prepara
tion and collaboration among these artists to put on one amazing group sh
owing. This event is not only a celebration of the artists' hard work but
will also mark the beginning of their careers within the greater Portlan
d community. \;This event is free and open to the public. The Clean
ers at Ace Hotel is located on 403 SW 10th avenue Portland\, OR 97205.
X-ALT-DESC;FMTTYPE=text/html:
Lewis &\; Clark Colle
ge is pleased to announce that this year's senior Studio Art majors will
be showcasing their work at the "First Thursday in the Pearl" art event o
n November 6th\, 2014. The show will feature works of various media from
the 22 graduating seniors.
The show\,"MISC
.EDUCATED"\, will run for one night only as part of Portland's F
irst Thursday on November 6th from 6 to 9 pm at The Cleaners at Ace Hotel.
This single night showcase is the culmination of seve
ral weeks of preparation and collaboration among these artists to put on
one amazing group showing. This event is not only a celebration of the ar
tists' hard work but will also mark the beginning of their careers within
the greater Portland community.
\;This event
is free and open to the public. The Cleaners at Ace Hotel is located on
403 SW 10th avenue Portland\, OR 97205.
UID:20141107T020000Z-31318@college.lclark.edu
DTSTAMP:20141030T124451Z
URL:https://college.lclark.edu/live/events/31318-misceducated-senior-art-
show
CATEGORIES:Open to the Public
LAST-MODIFIED:20141030T214330Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/50020_screen_shot_2014-10-30_at_124340_pm.rev.1414698166.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:31318
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/50020_screen_shot_2014-10-30_at_124340_pm.rev.1414698166.
jpg
X-LIVEWHALE-COST:Free
X-LIVEWHALE-CONTACT-INFO:Alison Walcott \nawalcott@lclark.edu \
n503-768-7390
X-LIVEWHALE-SUMMARY:Art show by current Studio Art seniors
X-LIVEWHALE-TAGS:art|arts|off campus|open to the public|Senior Art Exhibi
t|seniors|student artwork
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20141111T183000
DTEND;TZID=America/Los_Angeles:20141111T193000
LOCATION:Miller Hall 102
GEO:45.450858;-122.668265
SUMMARY:Visiting Artist Lecture- Vanessa Renwick
DESCRIPTION:Vanessa Renwick \; \;is an artist \; by \; na
ture\, not \; by \; stress \; of \; research. She puts sc
holars to rout by solving through Nature's teaching problems that have fr
etted their trained minds. \; Working in experimental and poetic doc
umentary forms\, her iconoclastic work reflects an interest in place\, re
lationships between bodies and landscapes\, and all sorts of borders. She
is a naturalist\, born\, not made : a true barefoot\, cinematic rabblero
user\, of grand physique\, calm pulse and a magnetism that demands the mo
st profound attention.
X-ALT-DESC;FMTTYPE=text/html:
Vanessa Renwick \;&#
160\;is an artist \; by \; nature\, not \; by \; stress&#
160\; of \; research. She puts scholars to rout by solving through Na
ture's teaching problems that have fretted their trained minds. \; Working in experimental and poetic documentary forms\, her iconoclas
tic work reflects an interest in place\, relationships between bodies and
landscapes\, and all sorts of borders. She is a naturalist\, born\, not
made : a true barefoot\, cinematic rabblerouser\, of grand physique\, cal
m pulse and a magnetism that demands the most profound attention.
UID:20141112T023000Z-30654@college.lclark.edu
DTSTAMP:20140929T111853Z
URL:https://college.lclark.edu/live/events/30654-visiting-artist-lecture-
vanessa-renwick
CATEGORIES:Open to the Public
LAST-MODIFIED:20140929T182125Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/49287_vanessa_renwick_from_portland_meadows.rev.1412012131.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:30654
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/49287_vanessa_renwick_from_portland_meadows.rev.141201213
1.jpg
X-LIVEWHALE-SUMMARY:As part of the 2014 Visiting Artist Lecture series\,
the Art department is excited to host Vanessa Renwick
X-LIVEWHALE-TAGS:art criticism|Art History Faculty|art history|Art Studio
Faculty|art|arts
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20141118T183000
DTEND;TZID=America/Los_Angeles:20141118T193000
LOCATION:Miller Hall 102
GEO:45.450858;-122.668265
SUMMARY:Visiting Artist Lecture- Lisa Radon
DESCRIPTION:Lisa Radon \;makes poems that may be publication\, object
\, essay\, installation\, website\, performance. Her books include \;
The Plumb and The Wave (2014)\, \;Prototyping Eutopias \
;(2013)\,An Attempt at Exhausting a Place \;(2013)\,The B
ook of Knots (c_L\, 2013)\, \;A Reading \;(Portland Inst
itute for Contemporary Art\, 2012) \;Sentences on Sentences on Par
agraphs on Paragraphs (Publication Studio\, 2011). Her work has been p
resented recently in solo exhibitions at Pied-Ã -terre\, Littmann Gallery
\, and White Box\, as well as in exhibitions at Portland Institute for Co
ntemporary Art\, Hedreen Gallery\, LxWxH\, and publications for MK Galler
y\, Disjecta\, and Appendix Project Space. Radon publishes the journal
60\;EIGHTS.
X-ALT-DESC;FMTTYPE=text/html:
Lisa Radon \;makes p
oems that may be publication\, object\, essay\, installation\, website\,
performance. Her books include \;The Plumb and The Waveï»
¿ (2014)\, \;Prototyping Eutopias \;(2013)\,ï»
¿An Attempt at Exhausting a Place \;(2013)\,The Book o
f Knots (c_L\, 2013)\, \;A Reading \;(Port
land Institute for Contemporary Art\, 2012) \;Sentences on Sen
tences on Paragraphs on Paragraphs (Publication Studio\, 2011). H
er work has been presented recently in solo exhibitions at Pied-Ã -terre\
, Littmann Gallery\, and White Box\, as well as in exhibitions at Portlan
d Institute for Contemporary Art\, Hedreen Gallery\, LxWxH\, and publicat
ions for MK Gallery\, Disjecta\, and Appendix Project Space. Radon publis
hes the journal \;EIGHTS.
UID:20141119T023000Z-30655@college.lclark.edu
DTSTAMP:20140929T112231Z
URL:https://college.lclark.edu/live/events/30655-visiting-artist-lecture-
lisa-radon
CATEGORIES:Open to the Public
LAST-MODIFIED:20140929T182335Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/49288_lisa_radon.rev.1412012250.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:30655
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/49288_lisa_radon.rev.1412012250.jpg
X-LIVEWHALE-SUMMARY:As part of the 2014 Visiting Artist Lecture series\,
the Art department is excited to host Lisa Radon
X-LIVEWHALE-TAGS:academic leadership|art criticism|Art History Faculty|ar
t history|Art Studio Faculty|art|arts|lecturer
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150220T163000
DTEND;TZID=America/Los_Angeles:20150220T173000
LOCATION:Miller Hall Room 102
GEO:45.450858;-122.668265
SUMMARY:"Genealogies of Chinese Export Art and the Origins of the Copy"
DESCRIPTION:The East Asian Studies Program and the Art Department are co-
sponsoring a lecture with Winnie Wong. Dr. Wong's research is concerned w
ith the history and present of artistic authorship\, with a focus on inte
ractions between China and the West. Her theoretical interests revolve ar
ound the critical distinctions of high and low\, true and fake\, art and
commodity\, originality and imitation\, and\, conceptual and manual labor
\, and thus my work focuses on objects and practices at the boundary of t
hese categories. I have written on product placement in the Hollywood fil
m industry\, popular culture and public space in postcolonial Hong Kong\,
performance art and consumer rights activism in 1990s Beijing\, and Amer
ican trademark law and experience design. More recently\, my work has foc
used on image-making practices at the heart of modern and contemporary en
counters between China and the West. \;
X-ALT-DESC;FMTTYPE=text/html:
The East Asian Studies Program and the
Art Department are co-sponsoring a lecture with Winnie Wong. Dr. Wong's r
esearch is concerned with the history and present of artistic authorship\
, with a focus on interactions between China and the West. Her theoretica
l interests revolve around the critical distinctions of high and low\, tr
ue and fake\, art and commodity\, originality and imitation\, and\, conce
ptual and manual labor\, and thus my work focuses on objects and practice
s at the boundary of these categories. I have written on product placemen
t in the Hollywood film industry\, popular culture and public space in po
stcolonial Hong Kong\, performance art and consumer rights activism in 19
90s Beijing\, and American trademark law and experience design. More rece
ntly\, my work has focused on image-making practices at the heart of mode
rn and contemporary encounters between China and the West. \;
UID:20150221T003000Z-33671@college.lclark.edu
DTSTAMP:20150129T100101Z
URL:https://college.lclark.edu/live/events/33669-genealogies-of-chinese-e
xport-art-and-the-origins
CATEGORIES:Open to the Public
LAST-MODIFIED:20150129T180101Z
ATTACH:https://college.lclark.edu/live/image/gid/66/width/80/height/80/cr
op/1/51315_van_gogh.rev.1422554379.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:33671
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/66/width/80/h
eight/80/crop/1/51315_van_gogh.rev.1422554379.jpg
X-LIVEWHALE-IMAGE-CAPTION:Photo by Yu Haibo
X-LIVEWHALE-SUMMARY:Lecture by Winnie Wong\, Assistant Professor of Rheto
ric. University of California\, Berkeley
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150224T183000
DTEND;TZID=America/Los_Angeles:20150224T193000
LOCATION:Lewis &\; Clark College\, Miller room 105
SUMMARY:Blake Stimson
DESCRIPTION:Blake Stimson\, Professor of Art History at the University of
Illinois at Chicago\, is an internationally recognized specialist in con
temporary art\, critical theory\, and the history of photography. Stimson
has written for Art Journal\, Art Bulletin\, Artforum\, October\, Texte
zur Kunst\, Oxford Art Journal\, Third Text\, New Left Review\, Tate Pape
rs\, Etudes Photographiques\, Philosophy and Photography\, and Nka: Journ
al of Contemporary African Art\, among many others. He is author of The P
ivot of the World: Photography and Its Nation (MIT\, 2006) and Citizen Wa
rhol (Reaktion\, 2013)\, and co-editor of five volumes: Conceptual Art: A
Critical Anthology (with Alexander Alberro\, MIT\, 1999)\, Visual Worlds
(with John R. Hall and Lisa Tamaris Becker\, Routledge\, 2006)\, Collect
ivism after Modernism: The Art of Social Imagination after 1945 (with Gre
gory Sholette\, Minnesota\, 2007)\, The Meaning of Photography (with Robi
n Kelsey\, Clark Art Institute and Yale\, 2008)\, and Institutional Criti
que: An Anthology of Artists' Writings (with Alexander Alberro\, MIT\, 20
09). \;
X-ALT-DESC;FMTTYPE=text/html:
Blake Stimson\, Professor of
Art History at the University of Illinois at Chicago\, is an internationa
lly recognized specialist in contemporary art\, critical theory\, and the
history of photography. Stimson has written for Art Journal\, Art Bullet
in\, Artforum\, October\, Texte zur Kunst\, Oxford Art Journal\, Third Te
xt\, New Left Review\, Tate Papers\, Etudes Photographiques\, Philosophy
and Photography\, and Nka: Journal of Contemporary African Art\, among ma
ny others. He is author of The Pivot of the World: Photography and Its Na
tion (MIT\, 2006) and Citizen Warhol (Reaktion\, 2013)\, and co-editor of
five volumes: Conceptual Art: A Critical Anthology (with Alexander Alber
ro\, MIT\, 1999)\, Visual Worlds (with John R. Hall and Lisa Tamaris Beck
er\, Routledge\, 2006)\, Collectivism after Modernism: The Art of Social
Imagination after 1945 (with Gregory Sholette\, Minnesota\, 2007)\, The M
eaning of Photography (with Robin Kelsey\, Clark Art Institute and Yale\,
2008)\, and Institutional Critique: An Anthology of Artists' Writings (w
ith Alexander Alberro\, MIT\, 2009).
\n PLEASE JOIN THE ART DEPARTMENT FOR A
LECTURE BY \;VISITING ART HISTORIAN\n
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150225T190000
DTEND;TZID=America/Los_Angeles:20150225T200000
LOCATION:PSU Academic &\; Recreation Center room 001 1800 SW 6th Ave
GEO:45.511298;-122.68214
SUMMARY:Garrick Imatani & Kaia Sand Artist Talk & Performance
DESCRIPTION:Artist Garrick Imatani &\; poet Kaia Sand will discuss how
they researched police surveillance files of activists from the 1960s\,
70s\, &\; 80s to create art and poetry. Imatani &\; Sand will be a
lso joined by City Assistant Archivist Mary Hansen &\; sound artist Jo
nathan Raissi for a brief performance. \; Imatani &\; Sand have b
een artists-in-residence at the City of Portland Archives and Records Cen
ter (fifth floor of this building) since 2013. The artists' residency is
a City of Portland Percent for Art Project administered by the Regional A
rts &\; Culture Council. \;
X-ALT-DESC;FMTTYPE=text/html:
Artist Garrick Imatani &\
; poet Kaia Sand will discuss how they researched police surveillance fil
es of activists from the 1960s\, 70s\, &\; 80s to create art and poetr
y.
Imatani &\; Sand will be also joined by City Ass
istant Archivist Mary Hansen &\; sound artist Jonathan Raissi for a br
ief performance. \;
Imatani &\; Sand have been
artists-in-residence at the City of Portland Archives and Records Center
(fifth floor of this building) since 2013. The artists' residency is a Ci
ty of Portland Percent for Art Project administered by the Regional Arts
&\; Culture Council. \;
UID:20150226T030000Z-34465@college.lclark.edu
DTSTAMP:20150224T103047Z
URL:https://college.lclark.edu/live/events/34465-garrick-imatani-kaia-san
d-artist-talk-amp
CATEGORIES:Open to the Public
LAST-MODIFIED:20150224T183253Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/51932_watcher-lifting-cities400_0.rev.1424802348.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:34465
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/51932_watcher-lifting-cities400_0.rev.1424802348.jpg
X-LIVEWHALE-SUMMARY:Garrick Imatani &\; Kaia Sand \nPassing it On
\nNew work from The Watcher Files
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150929T193000
DTEND;TZID=America/Los_Angeles:20150929T203000
LOCATION:Miller Hall room 105
GEO:45.450858;-122.668265
SUMMARY:Artist Talk: Eric Stotik
DESCRIPTION:Ronna and Eric Hoffman GalleryEric Stotik: Fugue Showing fro
m September 8 - December 13Opening reception Tuesday\, September 8\, 5-7
pm. For his latest exhibition\, Eric Stotik has spent two years creating
a continuous painting that is 5 feet high and 45 feet long. The painting
consists of 11 panels that connect to one another almost seamlessly and
present a vast array of imagery both beautiful and terrifying. If brought
together\, end-to-end\, the piece would have no starting or stopping poi
nt\, functioning as an unending\, dreamlike narrative. Incorporating huma
n and animal figures in natural and manmade settings that compel further
investigation\, Stotik's work probes a darker side of the human psyche\,
aiming for\, as the artist says\, "insight with a gasp." \;
X-ALT-DESC;FMTTYPE=text/html:
Ronna and Eric Hoffman Gallery
strong>
Eric Stotik: Fugue
Showing fro
m September 8 - December 13
Opening reception Tuesday\, Se
ptember 8\, 5-7 pm.
For his latest exhibition\, Eric Sto
tik has spent two years creating a continuous painting that is 5 feet hig
h and 45 feet long. The painting consists of 11 panels that connect to on
e another almost seamlessly and present a vast array of imagery both beau
tiful and terrifying. If brought together\, end-to-end\, the piece would
have no starting or stopping point\, functioning as an unending\, dreamli
ke narrative. Incorporating human and animal figures in natural and manma
de settings that compel further investigation\, Stotik's work probes a da
rker side of the human psyche\, aiming for\, as the artist says\, "insigh
t with a gasp."
\;
UID:20150930T023000Z-88031@college.lclark.edu
DTSTAMP:20150928T122355Z
URL:https://college.lclark.edu/live/events/88031-artist-talk-eric-stotik
LAST-MODIFIED:20150928T192706Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/55403_eric_stotik.rev.1443468171.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:88031
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/55403_eric_stotik.rev.1443468171.jpg
X-LIVEWHALE-IMAGE-CAPTION:Eric Stotik: Fugue
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20151102T180000
DTEND;TZID=America/Los_Angeles:20151102T190000
LOCATION:Fields Art Building
SUMMARY:Make Art
DESCRIPTION: \; \;
X-ALT-DESC;FMTTYPE=text/html:

0\;
\;<
/p>
UID:20151103T020000Z-97645@college.lclark.edu
DTSTAMP:20151030T103747Z
URL:https://college.lclark.edu/live/events/97645-make-art
CATEGORIES:Open to the Public
LAST-MODIFIED:20151030T180014Z
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:97645
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-SUMMARY:A traveling exhibition of instructions from senior ar
t majors at Lewis &\; Clark College\, Pepperdine University\, and Whit
man College.
X-LIVEWHALE-TAGS:Art Studio Faculty|art|open to the public|send-to-underg
raduate|Senior Art Collection|Senior Art Exhibit|visual arts
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20151103T193000
DTEND;TZID=America/Los_Angeles:20151103T203000
LOCATION:Fields Art Building Room 207
SUMMARY:Visiting Artist\, Chelsea Heffner
DESCRIPTION:Chelsea Heffner is a multi-disciplinary artist and teacher re
siding in White Salmon\, WA and Portland\, OR. Early years were occupied
with painting and printmaking\, developing into current practice tangled
in the world of textiles\, teaching\, business and creative consulting. R
egardless of medium or objective\, the work will always be a product fo b
asic observation. Nature's patterns of light &\; weather\, cycles of d
eath and rebirth share equal inspiration \;with fundamental questions
about female identity\, habits of dress and objects of personal represen
tation. Heffner's images\, objects and products\, often exalt\, sometimes
question\, and frequently become seamlessly integrated as pieces of ever
yday life. \;
X-ALT-DESC;FMTTYPE=text/html:
Chelsea Heffner is a multi-disciplinary
artist and teacher residing in White Salmon\, WA and Portland\, OR. Earl
y years were occupied with painting and printmaking\, developing into cur
rent practice tangled in the world of textiles\, teaching\, business and
creative consulting. Regardless of medium or objective\, the work will al
ways be a product fo basic observation. Nature's patterns of light &\;
weather\, cycles of death and rebirth share equal inspiration \;with
fundamental questions about female identity\, habits of dress and object
s of personal representation. Heffner's images\, objects and products\, o
ften exalt\, sometimes question\, and frequently become seamlessly integr
ated as pieces of everyday life. \;
UID:20151104T033000Z-97660@college.lclark.edu
DTSTAMP:20151030T111837Z
URL:https://college.lclark.edu/live/events/97660-visiting-artist-chelsea-
heffner
CATEGORIES:Open to the Public
LAST-MODIFIED:20151030T184138Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/56269_chelsea-bio-pic.rev.1446230494.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:97660
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/56269_chelsea-bio-pic.rev.1446230494.jpg
X-LIVEWHALE-SUMMARY:Artist Chelsea Heffner will be speaking as part of th
e Visiting Artist Lecture Series
X-LIVEWHALE-TAGS:Art History Faculty|Art Studio Faculty|art|send-to-under
graduate
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160128
DTEND;VALUE=DATE:20160129
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160128T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
URL:https://college.lclark.edu/live/events/108407-intersecciones-havanapo
rtland
CATEGORIES:Open to the Public
LAST-MODIFIED:20160112T185306Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/55952_screen_shot_2015-10-22_at_43700_pm_copy.rev.1445557057.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:123279
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/55952_screen_shot_2015-10-22_at_43700_pm_copy.rev.144555
7057.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Havana-Portland is an exhibition featuring six young
Cuban artists.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160129
DTEND;VALUE=DATE:20160130
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160129T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
URL:https://college.lclark.edu/live/events/108407-intersecciones-havanapo
rtland
CATEGORIES:Open to the Public
LAST-MODIFIED:20160112T185306Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/55952_screen_shot_2015-10-22_at_43700_pm_copy.rev.1445557057.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:123279
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/55952_screen_shot_2015-10-22_at_43700_pm_copy.rev.144555
7057.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Havana-Portland is an exhibition featuring six young
Cuban artists.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160130
DTEND;VALUE=DATE:20160131
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160130T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
URL:https://college.lclark.edu/live/events/108407-intersecciones-havanapo
rtland
CATEGORIES:Open to the Public
LAST-MODIFIED:20160112T185306Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/55952_screen_shot_2015-10-22_at_43700_pm_copy.rev.1445557057.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:123279
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/55952_screen_shot_2015-10-22_at_43700_pm_copy.rev.144555
7057.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Havana-Portland is an exhibition featuring six young
Cuban artists.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160131
DTEND;VALUE=DATE:20160201
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160131T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
URL:https://college.lclark.edu/live/events/108407-intersecciones-havanapo
rtland
CATEGORIES:Open to the Public
LAST-MODIFIED:20160112T185306Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/55952_screen_shot_2015-10-22_at_43700_pm_copy.rev.1445557057.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:123279
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/55952_screen_shot_2015-10-22_at_43700_pm_copy.rev.144555
7057.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Havana-Portland is an exhibition featuring six young
Cuban artists.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160201
DTEND;VALUE=DATE:20160202
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160201T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
URL:https://college.lclark.edu/live/events/108407-intersecciones-havanapo
rtland
CATEGORIES:Open to the Public
LAST-MODIFIED:20160112T185306Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/55952_screen_shot_2015-10-22_at_43700_pm_copy.rev.1445557057.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:123279
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/55952_screen_shot_2015-10-22_at_43700_pm_copy.rev.144555
7057.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Havana-Portland is an exhibition featuring six young
Cuban artists.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160202
DTEND;VALUE=DATE:20160203
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160202T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
URL:https://college.lclark.edu/live/events/108407-intersecciones-havanapo
rtland
CATEGORIES:Open to the Public
LAST-MODIFIED:20160112T185306Z
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DTEND;VALUE=DATE:20160204
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160203T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
URL:https://college.lclark.edu/live/events/108407-intersecciones-havanapo
rtland
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LAST-MODIFIED:20160112T185306Z
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DTEND;VALUE=DATE:20160205
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SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
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e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160204T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
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rtland
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LAST-MODIFIED:20160112T185306Z
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LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160205T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
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rtland
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LAST-MODIFIED:20160112T185306Z
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LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160206T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
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GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160207T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
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rtland
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DTEND;VALUE=DATE:20160209
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160208T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
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rtland
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LAST-MODIFIED:20160112T185306Z
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DTEND;VALUE=DATE:20160210
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160209T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
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rtland
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DTEND;VALUE=DATE:20160211
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160210T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
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rtland
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DTEND;VALUE=DATE:20160212
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
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Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160211T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
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rtland
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DTSTART;VALUE=DATE:20160212
DTEND;VALUE=DATE:20160213
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
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Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160212T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
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rtland
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DTSTART;VALUE=DATE:20160213
DTEND;VALUE=DATE:20160214
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
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e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160213T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
URL:https://college.lclark.edu/live/events/108407-intersecciones-havanapo
rtland
CATEGORIES:Open to the Public
LAST-MODIFIED:20160112T185306Z
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DTEND;VALUE=DATE:20160215
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
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e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160214T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
URL:https://college.lclark.edu/live/events/108407-intersecciones-havanapo
rtland
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LAST-MODIFIED:20160112T185306Z
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DTEND;VALUE=DATE:20160216
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160215T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
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LAST-MODIFIED:20160112T185306Z
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DTEND;VALUE=DATE:20160217
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160216T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
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LAST-MODIFIED:20160112T185306Z
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LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160217T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
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GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
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Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160218T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
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DTEND;VALUE=DATE:20160220
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GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160219T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
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rtland
CATEGORIES:Open to the Public
LAST-MODIFIED:20160112T185306Z
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DTEND;VALUE=DATE:20160221
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160220T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
URL:https://college.lclark.edu/live/events/108407-intersecciones-havanapo
rtland
CATEGORIES:Open to the Public
LAST-MODIFIED:20160112T185306Z
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DTEND;VALUE=DATE:20160222
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160221T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
URL:https://college.lclark.edu/live/events/108407-intersecciones-havanapo
rtland
CATEGORIES:Open to the Public
LAST-MODIFIED:20160112T185306Z
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DTEND;VALUE=DATE:20160223
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160222T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
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rtland
CATEGORIES:Open to the Public
LAST-MODIFIED:20160112T185306Z
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DTSTART;VALUE=DATE:20160223
DTEND;VALUE=DATE:20160224
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160223T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
URL:https://college.lclark.edu/live/events/108407-intersecciones-havanapo
rtland
CATEGORIES:Open to the Public
LAST-MODIFIED:20160112T185306Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20160224
DTEND;VALUE=DATE:20160225
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160224T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
URL:https://college.lclark.edu/live/events/108407-intersecciones-havanapo
rtland
CATEGORIES:Open to the Public
LAST-MODIFIED:20160112T185306Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
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DTSTART;VALUE=DATE:20160225
DTEND;VALUE=DATE:20160226
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160225T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
URL:https://college.lclark.edu/live/events/108407-intersecciones-havanapo
rtland
CATEGORIES:Open to the Public
LAST-MODIFIED:20160112T185306Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20160226
DTEND;VALUE=DATE:20160227
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160226T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
URL:https://college.lclark.edu/live/events/108407-intersecciones-havanapo
rtland
CATEGORIES:Open to the Public
LAST-MODIFIED:20160112T185306Z
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DTSTART;TZID=America/Los_Angeles:20160226T160000
DTEND;TZID=America/Los_Angeles:20160226T170000
LOCATION:Fields Art Building\, room 207
SUMMARY:Art History majors social gathering
DESCRIPTION:Eager to meet students who share your major and interests? Wa
nt to hang out with our wonderful Art History professors and have \;s
nacks? (you know you do) This next Friday\, the \;26th of February\,
there will be an informal gathering for anyone interested in the above.
There will be snacks and drinks\, and lovely company. \; Meet in
0\;Fields 207 \;(classroom at the end of the first floor hallway) at&
#160\;4pm! \; No need to RSVP\, but please come by if you are around
! If you can't make it\, no worries\; we will be planning more gatherings
for the future.
X-ALT-DESC;FMTTYPE=text/html:
Eager to meet students who share your
major and interests? Want to hang out with our wonderful Art History pro
fessors and have \;snacks? (you know you do)
This next Friday\, the \;26th of February\, the
re will be an informal gathering for anyone interested in the above. Ther
e will be snacks and drinks\, and lovely company. \;
Meet
in \;Fields 207 \;(classroom at the end of the
first floor hallway) at \;4pm! \;
No
need to RSVP\, but please come by if you are around! If you can't make i
t\, no worries\; we will be planning more gatherings for the future.
UID:20160227T000000Z-133965@college.lclark.edu
DTSTAMP:20160218T094820Z
URL:https://college.lclark.edu/live/events/133965-art-history-majors-soci
al-gathering
LAST-MODIFIED:20160218T175138Z
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20160227
DTEND;VALUE=DATE:20160228
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160227T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
URL:https://college.lclark.edu/live/events/108407-intersecciones-havanapo
rtland
CATEGORIES:Open to the Public
LAST-MODIFIED:20160112T185306Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20160228
DTEND;VALUE=DATE:20160229
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160228T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
URL:https://college.lclark.edu/live/events/108407-intersecciones-havanapo
rtland
CATEGORIES:Open to the Public
LAST-MODIFIED:20160112T185306Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20160229
DTEND;VALUE=DATE:20160301
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160229T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
URL:https://college.lclark.edu/live/events/108407-intersecciones-havanapo
rtland
CATEGORIES:Open to the Public
LAST-MODIFIED:20160112T185306Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20160301
DTEND;VALUE=DATE:20160302
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160301T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
URL:https://college.lclark.edu/live/events/108407-intersecciones-havanapo
rtland
CATEGORIES:Open to the Public
LAST-MODIFIED:20160112T185306Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160302
DTEND;VALUE=DATE:20160303
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160302T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
URL:https://college.lclark.edu/live/events/108407-intersecciones-havanapo
rtland
CATEGORIES:Open to the Public
LAST-MODIFIED:20160112T185306Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/55952_screen_shot_2015-10-22_at_43700_pm_copy.rev.1445557057.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160303
DTEND;VALUE=DATE:20160304
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160303T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
URL:https://college.lclark.edu/live/events/108407-intersecciones-havanapo
rtland
CATEGORIES:Open to the Public
LAST-MODIFIED:20160112T185306Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160304
DTEND;VALUE=DATE:20160305
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160304T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
URL:https://college.lclark.edu/live/events/108407-intersecciones-havanapo
rtland
CATEGORIES:Open to the Public
LAST-MODIFIED:20160112T185306Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/55952_screen_shot_2015-10-22_at_43700_pm_copy.rev.1445557057.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160305
DTEND;VALUE=DATE:20160306
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160305T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
URL:https://college.lclark.edu/live/events/108407-intersecciones-havanapo
rtland
CATEGORIES:Open to the Public
LAST-MODIFIED:20160112T185306Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/55952_screen_shot_2015-10-22_at_43700_pm_copy.rev.1445557057.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20160306
DTEND;VALUE=DATE:20160307
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160306T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
URL:https://college.lclark.edu/live/events/108407-intersecciones-havanapo
rtland
CATEGORIES:Open to the Public
LAST-MODIFIED:20160112T185306Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20160307
DTEND;VALUE=DATE:20160308
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160307T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
URL:https://college.lclark.edu/live/events/108407-intersecciones-havanapo
rtland
CATEGORIES:Open to the Public
LAST-MODIFIED:20160112T185306Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/55952_screen_shot_2015-10-22_at_43700_pm_copy.rev.1445557057.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20160308
DTEND;VALUE=DATE:20160309
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160308T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
URL:https://college.lclark.edu/live/events/108407-intersecciones-havanapo
rtland
CATEGORIES:Open to the Public
LAST-MODIFIED:20160112T185306Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20160309
DTEND;VALUE=DATE:20160310
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160309T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
URL:https://college.lclark.edu/live/events/108407-intersecciones-havanapo
rtland
CATEGORIES:Open to the Public
LAST-MODIFIED:20160112T185306Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/55952_screen_shot_2015-10-22_at_43700_pm_copy.rev.1445557057.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160310
DTEND;VALUE=DATE:20160311
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160310T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
URL:https://college.lclark.edu/live/events/108407-intersecciones-havanapo
rtland
CATEGORIES:Open to the Public
LAST-MODIFIED:20160112T185306Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/55952_screen_shot_2015-10-22_at_43700_pm_copy.rev.1445557057.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160311
DTEND;VALUE=DATE:20160312
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160311T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
URL:https://college.lclark.edu/live/events/108407-intersecciones-havanapo
rtland
CATEGORIES:Open to the Public
LAST-MODIFIED:20160112T185306Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/55952_screen_shot_2015-10-22_at_43700_pm_copy.rev.1445557057.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160312
DTEND;VALUE=DATE:20160313
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160312T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
URL:https://college.lclark.edu/live/events/108407-intersecciones-havanapo
rtland
CATEGORIES:Open to the Public
LAST-MODIFIED:20160112T185306Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/55952_screen_shot_2015-10-22_at_43700_pm_copy.rev.1445557057.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160313T000000
DTEND;TZID=America/Los_Angeles:20160313T010000
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Intersecciones: Havana/Portland
DESCRIPTION:Showcasing six young Cuban artists\, this show is a conversat
ion between two crossroads of the Americas. Each artist has considered th
e particular history of Portland in their unique work for this exhibition
. \;Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For
detailed information about performances during the opening\, please chec
k Exhibition and all events are free. \;Gallery hours Tuesday thr
ough Sunday\, 11 a.m. to 4 p.m. Parking on campus is free on weekends.
For information call 503-768-7687 or visit www.lclark.edu/dept/gallery (h
ttp://www.lclark.edu/dept/gallery)
X-ALT-DESC;FMTTYPE=text/html:
Showcasing six young Cuban artists\, th
is show is a conversation between two crossroads of the Americas. Each ar
tist has considered the particular history of Portland in their unique wo
rk for this exhibition.
\;
Opening ReceptionThursday\, January 28\, 2016 5 to 7 p.m. For d
etailed information about performances during the opening\, please check<
br /> Exhibition and all events are free.
\;
Gallery hours Tuesday through Sunday\, 11 a.m. to 4 p.m.<
br /> Parking on campus is free on weekends. For information call
503-768-7687 or visit www.l
clark.edu/dept/gallery
UID:20160313T080000Z-123279@college.lclark.edu
DTSTAMP:20160112T105306Z
URL:https://college.lclark.edu/live/events/108407-intersecciones-havanapo
rtland
CATEGORIES:Open to the Public
LAST-MODIFIED:20160112T185306Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160315T190000
DTEND;TZID=America/Los_Angeles:20160315T200000
LOCATION:Fields Center for the Arts Room 207
SUMMARY:Visiting Artist\, Derek Franklin
DESCRIPTION:The Art Department invite you to a lecture with Derek Frankli
n. Derek is a local artist and curator. He received his PFA in printmakin
g from the Pacific Northwest College of Art. His work has been exhibited
in many galleries domestically and internationally. Franklin is currently
teaching in the Art Department at Marylhurst College. The lecture is pa
rt of the 2016 Visiting Artist Lecture Series.
X-ALT-DESC;FMTTYPE=text/html:
The Art Department invite you to a lect
ure with Derek Franklin. Derek is a local artist and curator. He received
his PFA in printmaking from the Pacific Northwest College of Art. His wo
rk has been exhibited in many galleries domestically and internationally.
Franklin is currently teaching in the Art Department at Marylhurst Colle
ge.
The lecture is part of the 2016 Visiting Artist Lecture Serie
s.
UID:20160316T020000Z-137621@college.lclark.edu
DTSTAMP:20160302T125431Z
URL:https://college.lclark.edu/live/events/137621-visiting-artist-derek-f
ranklin
CATEGORIES:Open to the Public
LAST-MODIFIED:20160304T212655Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/58974_32_installationshot3.rev.1456952347.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160412T190000
DTEND;TZID=America/Los_Angeles:20160412T200000
LOCATION:Fields Center for the Arts Room 207
SUMMARY:Visiting Artist\, Jodie Cavalier
DESCRIPTION:The Art Department invite you to a lecture with Jodie Cavalie
r. Jodie is the Co-chair\, Low-residency MFA in Visual Studies at PNCA. S
he is an interdisciplinary artist working primarily in video\, sculpture\
, research\, collaboration\, and curation. Her work engages site and obje
cts to decontextualize images typically seen within the everyday and to d
raw attention to experiences both in and out of the gallery.
X-ALT-DESC;FMTTYPE=text/html:
The Art Department invite you to a lect
ure with Jodie Cavalier. Jodie is the Co-chair\, Low-residency MFA in Vis
ual Studies at PNCA. She is an interdisciplinary artist working primarily
in video\, sculpture\, research\, collaboration\, and curation. Her work
engages site and objects to decontextualize images typically seen within
the everyday and to draw attention to experiences both in and out of the
gallery.
UID:20160413T020000Z-138208@college.lclark.edu
DTSTAMP:20160304T135637Z
URL:https://college.lclark.edu/live/events/138208-visiting-artist-jodie-c
avalier
CATEGORIES:Open to the Public
LAST-MODIFIED:20160304T215637Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/59174_jodie_cavalier.rev.1457128578.jpg
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X-LIVEWHALE-SUMMARY:Lecture by Visiting Artist\, Jodie Cavalier
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160419T190000
DTEND;TZID=America/Los_Angeles:20160419T200000
LOCATION:Fields Center for the Arts\, Room 207
SUMMARY:Visiting Artist\, Eva Kwong
DESCRIPTION:The Art Department invite you to a lecture with Eva Kwong. Ev
a is known for her sensuous\, colorful\, large and small scale ceramic sc
ulptures\, vessels and installations inspired by her longtime interest in
the organic forms she sees in nature. Her thrown and hand built stonewar
e pieces are often provocative\, exploring the concept of opposites. She
is an internationally renowned ceramic artist and beloved professor.
X-ALT-DESC;FMTTYPE=text/html:
The Art Department invite you to a lect
ure with Eva Kwong. Eva is known for her sensuous\, colorful\, large and
small scale ceramic sculptures\, vessels and installations inspired by he
r longtime interest in the organic forms she sees in nature. Her thrown a
nd hand built stoneware pieces are often provocative\, exploring the conc
ept of opposites. She is an internationally renowned ceramic artist and b
eloved professor.
UID:20160420T020000Z-138209@college.lclark.edu
DTSTAMP:20160304T140404Z
URL:https://college.lclark.edu/live/events/138209-visiting-artist-eva-kwong
CATEGORIES:Open to the Public
LAST-MODIFIED:20160304T220545Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/59175_eva_kwong.rev.1457129131.jpg
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X-LIVEWHALE-SUMMARY:Lecture by Visiting Artist\, Eva Kwong
X-LIVEWHALE-TAGS:Art History Faculty|Art Studio Faculty|art|arts|humaniti
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160913T190000
DTEND;TZID=America/Los_Angeles:20160913T200000
LOCATION:Miller Hall\, Room 102
GEO:45.450858;-122.668265
SUMMARY:Sacha Yanow\, Visiting Artist and Critics Series
DESCRIPTION:Sacha Yanow \;is a NYC based artist and actor. Her solo p
erformance works include: Dad Band\, New Museum\, NYC (2015)\; Silent Fil
m (In development)\, The Lab\, San Francisco\, Pieter\, Los Angeles\, and
MAPP/Greenwood Cemetery\, Brooklyn\, NY (2015)\, Dixon Place\, NYC (2014
)\, and Movement Research Festival\, NYC (2013)\; and The Prince\, Dixon
Place\, NYC (2013). Her residencies and awards include: LMCC Process Spac
e (2016)\; SOMA\, Mexico City (2015)\; Dixon Place\, NYC (2014)\; Yaddo\,
Saratoga Springs\, NY (2012)\; and The Field\, NYC (2011). \; Yanow
has performed in theater\, film and dance works by artists including Kare
n Finley\, Sarah Michelson\, Laura Parnes\, Katy Pyle\, Elisabeth Subrin\
, Theater of a Two-Headed Calf\, and Julie Tolentino. She was creative co
nsultant for Elisabeth Subrin's feature film A Woman A Part (2016)\, and
co-director and dramaturge for Dynasty Handbag's \;performance piece
Soggy Glasses (The Broad/REDCAT 2016\, Brooklyn Academy of Music 2014). Y
anow currently serves as Director of Art Matters Foundation and previousl
y worked at The Kitchen as Director of Operations. \; She received a
BA from Sarah Lawrence College and is a graduate of the William Esper Stu
dio Actor Training Program. \;Sacha Yanow comes to Portland through
the Cooley Gallery\, Reed College\, where her exhibition CHERIE DRE is o
n view from September 9 – October 9\, 2016. \;Opening public recept
ion: September 9\, 4:30–6:30 p.m. at the Cooley Gallery. In addition\,
Yanow will perform her solo work DAD BAND on September 15\, 7:00 pm\, at
Reed's Black Box Theatre\, as part of PICA's 2016 TBA Festival. The perfo
rmance is free with reservations atPICA.ORG
X-ALT-DESC;FMTTYPE=text/html:
Sacha Yanow \;is a N
YC based artist and actor. Her solo performance works include: Dad Band\,
New Museum\, NYC (2015)\; Silent Film (In development)\, The Lab\, San F
rancisco\, Pieter\, Los Angeles\, and MAPP/Greenwood Cemetery\, Brooklyn\
, NY (2015)\, Dixon Place\, NYC (2014)\, and Movement Research Festival\,
NYC (2013)\; and The Prince\, Dixon Place\, NYC (2013). Her residencies
and awards include: LMCC Process Space (2016)\; SOMA\, Mexico City (2015)
\; Dixon Place\, NYC (2014)\; Yaddo\, Saratoga Springs\, NY (2012)\; and
The Field\, NYC (2011). \; Yanow has performed in theater\, film and
dance works by artists including Karen Finley\, Sarah Michelson\, Laura P
arnes\, Katy Pyle\, Elisabeth Subrin\, Theater of a Two-Headed Calf\, and
Julie Tolentino. She was creative consultant for Elisabeth Subrin's feat
ure film A Woman A Part (2016)\, and co-director and dramaturge for Dynas
ty Handbag's \;performance piece Soggy Glasses (The Broad/REDCAT 2016
\, Brooklyn Academy of Music 2014). Yanow currently serves as Director of
Art Matters Foundation and previously worked at The Kitchen as Director
of Operations. \; She received a BA from Sarah Lawrence College and i
s a graduate of the William Esper Studio Actor Training Program.
\;Sacha Yanow comes to Portland through the Cooley Gallery\, Reed Co
llege\, where her exhibition CHERIE DRE is on view from September 9 – O
ctober 9\, 2016. \;Opening public reception: September 9\, 4:30–6:3
0 p.m. at the Cooley Gallery. In addition\, Yanow will perform her so
lo work DAD BAND on September 15\, 7:00 pm\, at Reed's Black Box Theatre\
, as part of PICA's 2016 TBA Festival. The performance is free with reser
vations atPICA.ORG
UID:20160914T020000Z-184368@college.lclark.edu
DTSTAMP:20160822T142124Z
URL:https://college.lclark.edu/live/events/184368-sacha-yanow-visiting-ar
tist-and-critics-series
CATEGORIES:Open to the Public
LAST-MODIFIED:20160906T183816Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/61482_yanow.rev.1471900411.jpg
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X-LIVEWHALE-SUMMARY:Art Department Visiting Artist and Lecture Series. Fa
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X-LIVEWHALE-TAGS:Art History Faculty|art history|art|arts|open to the pub
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160927T190000
DTEND;TZID=America/Los_Angeles:20160927T200000
LOCATION:Miller Hall Room 102
GEO:45.450858;-122.668265
SUMMARY:Christine Bourdette- Visiting Artist and Critics Series
DESCRIPTION:Christine Bourdette is a Portland\, Oregon-based visual artis
t—her studio practice includes sculpture\, drawing\, and installation.
She earned her BA in Art from Lewis & Clark College\, Portland. \;
She has received a Bonnie Bronson Fellowship (first recipient)\, a Visual
Artist Fellowship from the Regional Arts &\; Culture Council\, and a
Golden Spot award from The Ford Family Foundation. \; She has been aw
arded residencies at Caldera (2007 and 2012)\, and at Jentel and Ucross i
n Wyoming. \; She has exhibited her work nationally\, including solo
exhibitions at The Art Gym at Marylhurst University (Portland\, OR)\, The
Tyler Museum of Art (Tyler\, TX)\, Kittredge Gallery\, University of Pug
et Sound (Tacoma\, WA)\, Klein Gallery (Chicago\, IL)\, and The Alexandri
a Museum\, (Alexandria\, LA)\, and is in many collections nationwide.
0\; Her work has been featured in Sculpture magazine and reviewed in Art
in America\, Artweek\, and Visions Quarterly. \; Bourdette also maint
ains a practice in public art and has completed commissions in Oregon\, W
ashington\, Arizona\, and Florida. \; She frequently collaborates on
visual design for performance\, dance and film (including the animated sh
ort film\, Bunnyheads\, with Jim Blashfield). \; The Elizabeth Leach
Gallery represents her in Portland.
X-ALT-DESC;FMTTYPE=text/html:
Christine Bourdette is a Portland\, Ore
gon-based visual artist—her studio practice includes sculpture\, drawin
g\, and installation. She earned her BA in Art from Lewis and Clark Colle
ge\, Portland. \; She has received a Bonnie Bronson Fellowship (first
recipient)\, a Visual Artist Fellowship from the Regional Arts &\; Cu
lture Council\, and a Golden Spot award from The Ford Family Foundation.&
#160\; She has been awarded residencies at Caldera (2007 and 2012)\, and
at Jentel and Ucross in Wyoming. \; She has exhibited her work nation
ally\, including solo exhibitions at The Art Gym at Marylhurst University
(Portland\, OR)\, The Tyler Museum of Art (Tyler\, TX)\, Kittredge Galle
ry\, University of Puget Sound (Tacoma\, WA)\, Klein Gallery (Chicago\, I
L)\, and The Alexandria Museum\, (Alexandria\, LA)\, and is in many colle
ctions nationwide. \; Her work has been featured in Sculpture magazine and reviewed in Art in America\, Artweek\, a
nd Visions Quarterly. \; Bourdette also maintains a practice
in public art and has completed commissions in Oregon\, Washington\, Ari
zona\, and Florida. \; She frequently collaborates on visual design f
or performance\, dance and film (including the animated short film\,
Bunnyheads\, with Jim Blashfield). \; The Elizabeth Leach Galler
y represents her in Portland.
UID:20160928T020000Z-188842@college.lclark.edu
DTSTAMP:20160906T113443Z
URL:https://college.lclark.edu/live/events/188842-christine-bourdette-vis
iting-artist-and-critics
CATEGORIES:Open to the Public
LAST-MODIFIED:20160906T183443Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/61899_bourdette.rev.1473186855.jpg
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X-LIVEWHALE-TIMEZONE:America/Los_Angeles
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20161004T190000
DTEND;TZID=America/Los_Angeles:20161004T200000
LOCATION:Miller Hall Room 102
GEO:45.450858;-122.668265
SUMMARY:Jack Ryan- Visiting Artist and Critic Series
DESCRIPTION:Christine Bourdette is a Portland\, Oregon-based visual artis
t—her studio practice includes sculpture\, drawing\, and installation.
She earned her BA in Art from Lewis & Clark College\, Portland. \;
She has received a Bonnie Bronson Fellowship (first recipient)\, a Visual
Artist Fellowship from the Regional Arts &\; Culture Council\, and a
Golden Spot award from The Ford Family Foundation. \; She has been aw
arded residencies at Caldera (2007 and 2012)\, and at Jentel and Ucross i
n Wyoming. \; She has exhibited her work nationally\, including solo
exhibitions at The Art Gym at Marylhurst University (Portland\, OR)\, The
Tyler Museum of Art (Tyler\, TX)\, Kittredge Gallery\, University of Pug
et Sound (Tacoma\, WA)\, Klein Gallery (Chicago\, IL)\, and The Alexandri
a Museum\, (Alexandria\, LA)\, and is in many collections nationwide.
0\; Her work has been featured in Sculpture magazine and reviewed in Art
in America\, Artweek\, and Visions Quarterly. \; Bourdette also maint
ains a practice in public art and has completed commissions in Oregon\, W
ashington\, Arizona\, and Florida. \; She frequently collaborates on
visual design for performance\, dance and film (including the animated sh
ort film\, Bunnyheads\, with Jim Blashfield). \; The Elizabeth Leach
Gallery represents her in Portland.
X-ALT-DESC;FMTTYPE=text/html:
Christine Bourdette is a Portland\, Ore
gon-based visual artist—her studio practice includes sculpture\, drawin
g\, and installation. She earned her BA in Art from Lewis and Clark Colle
ge\, Portland. \; She has received a Bonnie Bronson Fellowship (first
recipient)\, a Visual Artist Fellowship from the Regional Arts &\; Cu
lture Council\, and a Golden Spot award from The Ford Family Foundation.&
#160\; She has been awarded residencies at Caldera (2007 and 2012)\, and
at Jentel and Ucross in Wyoming. \; She has exhibited her work nation
ally\, including solo exhibitions at The Art Gym at Marylhurst University
(Portland\, OR)\, The Tyler Museum of Art (Tyler\, TX)\, Kittredge Galle
ry\, University of Puget Sound (Tacoma\, WA)\, Klein Gallery (Chicago\, I
L)\, and The Alexandria Museum\, (Alexandria\, LA)\, and is in many colle
ctions nationwide. \; Her work has been featured in Sculpture magazine and reviewed in Art in America\, Artweek\, a
nd Visions Quarterly. \; Bourdette also maintains a practice
in public art and has completed commissions in Oregon\, Washington\, Ari
zona\, and Florida. \; She frequently collaborates on visual design f
or performance\, dance and film (including the animated short film\,
Bunnyheads\, with Jim Blashfield). \; The Elizabeth Leach Galler
y represents her in Portland.
UID:20161005T020000Z-188843@college.lclark.edu
DTSTAMP:20160906T113743Z
URL:https://college.lclark.edu/live/events/188843-jack-ryan-visiting-arti
st-and-critic-series
CATEGORIES:Open to the Public
LAST-MODIFIED:20160906T183803Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/61900_ryan.rev.1473187059.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:188843
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
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X-LIVEWHALE-IMAGE-CAPTION:Honeyman Kiosk\, Wood and electronic media\, sc
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X-LIVEWHALE-SUMMARY:Art Department Visiting Artist and Critic Series
X-LIVEWHALE-TAGS:art criticism|Art History Faculty|art history|Art Studio
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20161011T190000
DTEND;TZID=America/Los_Angeles:20161011T200000
LOCATION:Miller Hall Room 102
SUMMARY:Ralph Pugay- Visiting Artist and Critic Series
DESCRIPTION:Ralph Pugay (b. 1983 in Cavite\, Philippines) is an artist wo
rking primarily in painting. He holds an MFA in Contemporary Art Practice
from Portland State University and is a residency graduate of the Skowhe
gan School of Painting and Sculpture in Maine. Pugay's honors include a B
etty Bowen Award from the Seattle Art Museum\, an Oregon Arts Commission
Fellowship and a Joan Mitchell Foundation Painters and Sculptors Award. N
otable solo exhibitions were held at the Seattle Art Museum (Seattle\, WA
)\, Upfor (Portland\, OR)\, Vox Populi (Philadelphia\, PA) and FAB Galler
y (Richmond\, VA)\, among others. Group exhibitions featuring Pugay's wor
k include the 2015 Untitled. Miami Beach art fair\; the Portland2014 Bien
nial\, produced by Disjecta Contemporary Art Center\; and the 2012 CoCA e
xhibition in Seattle\, Washington. Formerly a visiting faculty member at
Virginia Commonwealth University\, he was recently appointed the James De
Priest Visiting Professor of Art at Portland State University and is an i
nstructor at the Conceptual Oregon Performance School.
X-ALT-DESC;FMTTYPE=text/html:
Ralph Pugay (b. 1983 in Cavite\, Philip
pines) is an artist working primarily in painting. He holds an MFA in Con
temporary Art Practice from Portland State University and is a residency
graduate of the Skowhegan School of Painting and Sculpture in Maine. Puga
y's honors include a Betty Bowen Award from the Seattle Art Museum\, an O
regon Arts Commission Fellowship and a Joan Mitchell Foundation Painters
and Sculptors Award. Notable solo exhibitions were held at the Seattle Ar
t Museum (Seattle\, WA)\, Upfor (Portland\, OR)\, Vox Populi (Philadelphi
a\, PA) and FAB Gallery (Richmond\, VA)\, among others. Group exhibitions
featuring Pugay's work include the 2015 Untitled. Miami Beach art fair\;
the Portland2014 Biennial\, produced by Disjecta Contemporary Art Center
\; and the 2012 CoCA exhibition in Seattle\, Washington. Formerly a visit
ing faculty member at Virginia Commonwealth University\, he was recently
appointed the James DePriest Visiting Professor of Art at Portland State
University and is an instructor at the Conceptual Oregon Performance Scho
ol.
UID:20161012T020000Z-188844@college.lclark.edu
DTSTAMP:20160906T114110Z
URL:https://college.lclark.edu/live/events/188844-ralph-pugay-visiting-ar
tist-and-critic-series
CATEGORIES:Open to the Public
LAST-MODIFIED:20160906T184110Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/61901_pugay.rev.1473187267.jpg
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X-LIVEWHALE-IMAGE-CAPTION:Ouroboros (Poop or Food?) 2015 acrylic on panel
X-LIVEWHALE-SUMMARY:Art Department Visiting Artist and Critic Series
X-LIVEWHALE-TAGS:art criticism|Art History Faculty|art history|Art Studio
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20161026
DTEND;VALUE=DATE:20161027
LOCATION:Watzek Library
GEO:45.450919;-122.669177
SUMMARY:Useful Art Circulation Project
DESCRIPTION:The Useful Art Circulation Project is now up and running. 
60\;Art227: Useful Art \;is pleased to present various works that are
in circulation from now until \;Wednesday\, November 23rd\, 2016. &#
160\;Check out the art in Watzek Library. \; Literally! \;
The 14 \;artworks now on loan come from this semester's special topic
s class\, a course which is focused on examining histories and possibilit
ies for "Useful Art". \; The current Circulation Project comes out of
extensive class conversations about context\, audience\, and purpose.
60\; For this project the students responded to the prompt: make somethin
g that is of service to the Lewis &\; Clark community that can be chec
ked out of Watzek Library.
X-ALT-DESC;FMTTYPE=text/html:
The Useful Art Circulation Project is n
ow up and running. \;
Art227: Useful Art \
;is pleased to present various works that are in circulation from now unt
il \;Wednesday\, November 23rd\, 2016. \;Check out the art in Wa
tzek Library. \; Literally! \;
The 14 \;artw
orks now on loan come from this semester's special topics class\, a cours
e which is focused on examining histories and possibilities for "Useful A
rt". \; The current Circulation Project comes out of extensive class
conversations about context\, audience\, and purpose. \; For this pro
ject the students responded to the prompt: make something that is of serv
ice to the Lewis &\; Clark community that can be checked out of Watzek
Library.
UID:20161026T070000Z-204508@college.lclark.edu
DTSTAMP:20161028T111646Z
URL:https://college.lclark.edu/live/events/204508-useful-art-circulation-
project
CATEGORIES:Open to the Public
LAST-MODIFIED:20161028T181703Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/63331_pa264146_1.rev.1477678587.jpg
X-LIVEWHALE-TYPE:events
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X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
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X-LIVEWHALE-TAGS:Art Studio Faculty|art|arts|open to the public|send-to-u
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20161027
DTEND;VALUE=DATE:20161028
LOCATION:Watzek Library
GEO:45.450919;-122.669177
SUMMARY:Useful Art Circulation Project
DESCRIPTION:The Useful Art Circulation Project is now up and running. 
60\;Art227: Useful Art \;is pleased to present various works that are
in circulation from now until \;Wednesday\, November 23rd\, 2016. &#
160\;Check out the art in Watzek Library. \; Literally! \;
The 14 \;artworks now on loan come from this semester's special topic
s class\, a course which is focused on examining histories and possibilit
ies for "Useful Art". \; The current Circulation Project comes out of
extensive class conversations about context\, audience\, and purpose.
60\; For this project the students responded to the prompt: make somethin
g that is of service to the Lewis &\; Clark community that can be chec
ked out of Watzek Library.
X-ALT-DESC;FMTTYPE=text/html:
The Useful Art Circulation Project is n
ow up and running. \;
Art227: Useful Art \
;is pleased to present various works that are in circulation from now unt
il \;Wednesday\, November 23rd\, 2016. \;Check out the art in Wa
tzek Library. \; Literally! \;
The 14 \;artw
orks now on loan come from this semester's special topics class\, a cours
e which is focused on examining histories and possibilities for "Useful A
rt". \; The current Circulation Project comes out of extensive class
conversations about context\, audience\, and purpose. \; For this pro
ject the students responded to the prompt: make something that is of serv
ice to the Lewis &\; Clark community that can be checked out of Watzek
Library.
UID:20161027T070000Z-204508@college.lclark.edu
DTSTAMP:20161028T111646Z
URL:https://college.lclark.edu/live/events/204508-useful-art-circulation-
project
CATEGORIES:Open to the Public
LAST-MODIFIED:20161028T181703Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/63331_pa264146_1.rev.1477678587.jpg
X-LIVEWHALE-TYPE:events
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X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
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X-LIVEWHALE-TAGS:Art Studio Faculty|art|arts|open to the public|send-to-u
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20161028
DTEND;VALUE=DATE:20161029
LOCATION:Watzek Library
GEO:45.450919;-122.669177
SUMMARY:Useful Art Circulation Project
DESCRIPTION:The Useful Art Circulation Project is now up and running. 
60\;Art227: Useful Art \;is pleased to present various works that are
in circulation from now until \;Wednesday\, November 23rd\, 2016. &#
160\;Check out the art in Watzek Library. \; Literally! \;
The 14 \;artworks now on loan come from this semester's special topic
s class\, a course which is focused on examining histories and possibilit
ies for "Useful Art". \; The current Circulation Project comes out of
extensive class conversations about context\, audience\, and purpose.
60\; For this project the students responded to the prompt: make somethin
g that is of service to the Lewis &\; Clark community that can be chec
ked out of Watzek Library.
X-ALT-DESC;FMTTYPE=text/html:
The Useful Art Circulation Project is n
ow up and running. \;
Art227: Useful Art \
;is pleased to present various works that are in circulation from now unt
il \;Wednesday\, November 23rd\, 2016. \;Check out the art in Wa
tzek Library. \; Literally! \;
The 14 \;artw
orks now on loan come from this semester's special topics class\, a cours
e which is focused on examining histories and possibilities for "Useful A
rt". \; The current Circulation Project comes out of extensive class
conversations about context\, audience\, and purpose. \; For this pro
ject the students responded to the prompt: make something that is of serv
ice to the Lewis &\; Clark community that can be checked out of Watzek
Library.
UID:20161028T070000Z-204508@college.lclark.edu
DTSTAMP:20161028T111646Z
URL:https://college.lclark.edu/live/events/204508-useful-art-circulation-
project
CATEGORIES:Open to the Public
LAST-MODIFIED:20161028T181703Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/63331_pa264146_1.rev.1477678587.jpg
X-LIVEWHALE-TYPE:events
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DTEND;VALUE=DATE:20161030
LOCATION:Watzek Library
GEO:45.450919;-122.669177
SUMMARY:Useful Art Circulation Project
DESCRIPTION:The Useful Art Circulation Project is now up and running. 
60\;Art227: Useful Art \;is pleased to present various works that are
in circulation from now until \;Wednesday\, November 23rd\, 2016. &#
160\;Check out the art in Watzek Library. \; Literally! \;
The 14 \;artworks now on loan come from this semester's special topic
s class\, a course which is focused on examining histories and possibilit
ies for "Useful Art". \; The current Circulation Project comes out of
extensive class conversations about context\, audience\, and purpose.
60\; For this project the students responded to the prompt: make somethin
g that is of service to the Lewis &\; Clark community that can be chec
ked out of Watzek Library.
X-ALT-DESC;FMTTYPE=text/html:
The Useful Art Circulation Project is n
ow up and running. \;
Art227: Useful Art \
;is pleased to present various works that are in circulation from now unt
il \;Wednesday\, November 23rd\, 2016. \;Check out the art in Wa
tzek Library. \; Literally! \;
The 14 \;artw
orks now on loan come from this semester's special topics class\, a cours
e which is focused on examining histories and possibilities for "Useful A
rt". \; The current Circulation Project comes out of extensive class
conversations about context\, audience\, and purpose. \; For this pro
ject the students responded to the prompt: make something that is of serv
ice to the Lewis &\; Clark community that can be checked out of Watzek
Library.
UID:20161029T070000Z-204508@college.lclark.edu
DTSTAMP:20161028T111646Z
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LAST-MODIFIED:20161028T181703Z
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DTSTART;VALUE=DATE:20161030
DTEND;VALUE=DATE:20161031
LOCATION:Watzek Library
GEO:45.450919;-122.669177
SUMMARY:Useful Art Circulation Project
DESCRIPTION:The Useful Art Circulation Project is now up and running. 
60\;Art227: Useful Art \;is pleased to present various works that are
in circulation from now until \;Wednesday\, November 23rd\, 2016. &#
160\;Check out the art in Watzek Library. \; Literally! \;
The 14 \;artworks now on loan come from this semester's special topic
s class\, a course which is focused on examining histories and possibilit
ies for "Useful Art". \; The current Circulation Project comes out of
extensive class conversations about context\, audience\, and purpose.
60\; For this project the students responded to the prompt: make somethin
g that is of service to the Lewis &\; Clark community that can be chec
ked out of Watzek Library.
X-ALT-DESC;FMTTYPE=text/html:
The Useful Art Circulation Project is n
ow up and running. \;
Art227: Useful Art \
;is pleased to present various works that are in circulation from now unt
il \;Wednesday\, November 23rd\, 2016. \;Check out the art in Wa
tzek Library. \; Literally! \;
The 14 \;artw
orks now on loan come from this semester's special topics class\, a cours
e which is focused on examining histories and possibilities for "Useful A
rt". \; The current Circulation Project comes out of extensive class
conversations about context\, audience\, and purpose. \; For this pro
ject the students responded to the prompt: make something that is of serv
ice to the Lewis &\; Clark community that can be checked out of Watzek
Library.
UID:20161030T070000Z-204508@college.lclark.edu
DTSTAMP:20161028T111646Z
URL:https://college.lclark.edu/live/events/204508-useful-art-circulation-
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CATEGORIES:Open to the Public
LAST-MODIFIED:20161028T181703Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
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DTSTART;VALUE=DATE:20161031
DTEND;VALUE=DATE:20161101
LOCATION:Watzek Library
GEO:45.450919;-122.669177
SUMMARY:Useful Art Circulation Project
DESCRIPTION:The Useful Art Circulation Project is now up and running. 
60\;Art227: Useful Art \;is pleased to present various works that are
in circulation from now until \;Wednesday\, November 23rd\, 2016. &#
160\;Check out the art in Watzek Library. \; Literally! \;
The 14 \;artworks now on loan come from this semester's special topic
s class\, a course which is focused on examining histories and possibilit
ies for "Useful Art". \; The current Circulation Project comes out of
extensive class conversations about context\, audience\, and purpose.
60\; For this project the students responded to the prompt: make somethin
g that is of service to the Lewis &\; Clark community that can be chec
ked out of Watzek Library.
X-ALT-DESC;FMTTYPE=text/html:
The Useful Art Circulation Project is n
ow up and running. \;
Art227: Useful Art \
;is pleased to present various works that are in circulation from now unt
il \;Wednesday\, November 23rd\, 2016. \;Check out the art in Wa
tzek Library. \; Literally! \;
The 14 \;artw
orks now on loan come from this semester's special topics class\, a cours
e which is focused on examining histories and possibilities for "Useful A
rt". \; The current Circulation Project comes out of extensive class
conversations about context\, audience\, and purpose. \; For this pro
ject the students responded to the prompt: make something that is of serv
ice to the Lewis &\; Clark community that can be checked out of Watzek
Library.
UID:20161031T070000Z-204508@college.lclark.edu
DTSTAMP:20161028T111646Z
URL:https://college.lclark.edu/live/events/204508-useful-art-circulation-
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LAST-MODIFIED:20161028T181703Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
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DTSTART;VALUE=DATE:20161101
DTEND;VALUE=DATE:20161102
LOCATION:Watzek Library
GEO:45.450919;-122.669177
SUMMARY:Useful Art Circulation Project
DESCRIPTION:The Useful Art Circulation Project is now up and running. 
60\;Art227: Useful Art \;is pleased to present various works that are
in circulation from now until \;Wednesday\, November 23rd\, 2016. &#
160\;Check out the art in Watzek Library. \; Literally! \;
The 14 \;artworks now on loan come from this semester's special topic
s class\, a course which is focused on examining histories and possibilit
ies for "Useful Art". \; The current Circulation Project comes out of
extensive class conversations about context\, audience\, and purpose.
60\; For this project the students responded to the prompt: make somethin
g that is of service to the Lewis &\; Clark community that can be chec
ked out of Watzek Library.
X-ALT-DESC;FMTTYPE=text/html:
The Useful Art Circulation Project is n
ow up and running. \;
Art227: Useful Art \
;is pleased to present various works that are in circulation from now unt
il \;Wednesday\, November 23rd\, 2016. \;Check out the art in Wa
tzek Library. \; Literally! \;
The 14 \;artw
orks now on loan come from this semester's special topics class\, a cours
e which is focused on examining histories and possibilities for "Useful A
rt". \; The current Circulation Project comes out of extensive class
conversations about context\, audience\, and purpose. \; For this pro
ject the students responded to the prompt: make something that is of serv
ice to the Lewis &\; Clark community that can be checked out of Watzek
Library.
UID:20161101T070000Z-204508@college.lclark.edu
DTSTAMP:20161028T111646Z
URL:https://college.lclark.edu/live/events/204508-useful-art-circulation-
project
CATEGORIES:Open to the Public
LAST-MODIFIED:20161028T181703Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
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DTSTART;VALUE=DATE:20161102
DTEND;VALUE=DATE:20161103
LOCATION:Watzek Library
GEO:45.450919;-122.669177
SUMMARY:Useful Art Circulation Project
DESCRIPTION:The Useful Art Circulation Project is now up and running. 
60\;Art227: Useful Art \;is pleased to present various works that are
in circulation from now until \;Wednesday\, November 23rd\, 2016. &#
160\;Check out the art in Watzek Library. \; Literally! \;
The 14 \;artworks now on loan come from this semester's special topic
s class\, a course which is focused on examining histories and possibilit
ies for "Useful Art". \; The current Circulation Project comes out of
extensive class conversations about context\, audience\, and purpose.
60\; For this project the students responded to the prompt: make somethin
g that is of service to the Lewis &\; Clark community that can be chec
ked out of Watzek Library.
X-ALT-DESC;FMTTYPE=text/html:
The Useful Art Circulation Project is n
ow up and running. \;
Art227: Useful Art \
;is pleased to present various works that are in circulation from now unt
il \;Wednesday\, November 23rd\, 2016. \;Check out the art in Wa
tzek Library. \; Literally! \;
The 14 \;artw
orks now on loan come from this semester's special topics class\, a cours
e which is focused on examining histories and possibilities for "Useful A
rt". \; The current Circulation Project comes out of extensive class
conversations about context\, audience\, and purpose. \; For this pro
ject the students responded to the prompt: make something that is of serv
ice to the Lewis &\; Clark community that can be checked out of Watzek
Library.
UID:20161102T070000Z-204508@college.lclark.edu
DTSTAMP:20161028T111646Z
URL:https://college.lclark.edu/live/events/204508-useful-art-circulation-
project
CATEGORIES:Open to the Public
LAST-MODIFIED:20161028T181703Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20161103
DTEND;VALUE=DATE:20161104
LOCATION:Watzek Library
GEO:45.450919;-122.669177
SUMMARY:Useful Art Circulation Project
DESCRIPTION:The Useful Art Circulation Project is now up and running. 
60\;Art227: Useful Art \;is pleased to present various works that are
in circulation from now until \;Wednesday\, November 23rd\, 2016. &#
160\;Check out the art in Watzek Library. \; Literally! \;
The 14 \;artworks now on loan come from this semester's special topic
s class\, a course which is focused on examining histories and possibilit
ies for "Useful Art". \; The current Circulation Project comes out of
extensive class conversations about context\, audience\, and purpose.
60\; For this project the students responded to the prompt: make somethin
g that is of service to the Lewis &\; Clark community that can be chec
ked out of Watzek Library.
X-ALT-DESC;FMTTYPE=text/html:
The Useful Art Circulation Project is n
ow up and running. \;
Art227: Useful Art \
;is pleased to present various works that are in circulation from now unt
il \;Wednesday\, November 23rd\, 2016. \;Check out the art in Wa
tzek Library. \; Literally! \;
The 14 \;artw
orks now on loan come from this semester's special topics class\, a cours
e which is focused on examining histories and possibilities for "Useful A
rt". \; The current Circulation Project comes out of extensive class
conversations about context\, audience\, and purpose. \; For this pro
ject the students responded to the prompt: make something that is of serv
ice to the Lewis &\; Clark community that can be checked out of Watzek
Library.
UID:20161103T070000Z-204508@college.lclark.edu
DTSTAMP:20161028T111646Z
URL:https://college.lclark.edu/live/events/204508-useful-art-circulation-
project
CATEGORIES:Open to the Public
LAST-MODIFIED:20161028T181703Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20161104
DTEND;VALUE=DATE:20161105
LOCATION:Watzek Library
GEO:45.450919;-122.669177
SUMMARY:Useful Art Circulation Project
DESCRIPTION:The Useful Art Circulation Project is now up and running. 
60\;Art227: Useful Art \;is pleased to present various works that are
in circulation from now until \;Wednesday\, November 23rd\, 2016. &#
160\;Check out the art in Watzek Library. \; Literally! \;
The 14 \;artworks now on loan come from this semester's special topic
s class\, a course which is focused on examining histories and possibilit
ies for "Useful Art". \; The current Circulation Project comes out of
extensive class conversations about context\, audience\, and purpose.
60\; For this project the students responded to the prompt: make somethin
g that is of service to the Lewis &\; Clark community that can be chec
ked out of Watzek Library.
X-ALT-DESC;FMTTYPE=text/html:
The Useful Art Circulation Project is n
ow up and running. \;
Art227: Useful Art \
;is pleased to present various works that are in circulation from now unt
il \;Wednesday\, November 23rd\, 2016. \;Check out the art in Wa
tzek Library. \; Literally! \;
The 14 \;artw
orks now on loan come from this semester's special topics class\, a cours
e which is focused on examining histories and possibilities for "Useful A
rt". \; The current Circulation Project comes out of extensive class
conversations about context\, audience\, and purpose. \; For this pro
ject the students responded to the prompt: make something that is of serv
ice to the Lewis &\; Clark community that can be checked out of Watzek
Library.
UID:20161104T070000Z-204508@college.lclark.edu
DTSTAMP:20161028T111646Z
URL:https://college.lclark.edu/live/events/204508-useful-art-circulation-
project
CATEGORIES:Open to the Public
LAST-MODIFIED:20161028T181703Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/63331_pa264146_1.rev.1477678587.jpg
X-LIVEWHALE-TYPE:events
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20161105
DTEND;VALUE=DATE:20161106
LOCATION:Watzek Library
GEO:45.450919;-122.669177
SUMMARY:Useful Art Circulation Project
DESCRIPTION:The Useful Art Circulation Project is now up and running. 
60\;Art227: Useful Art \;is pleased to present various works that are
in circulation from now until \;Wednesday\, November 23rd\, 2016. &#
160\;Check out the art in Watzek Library. \; Literally! \;
The 14 \;artworks now on loan come from this semester's special topic
s class\, a course which is focused on examining histories and possibilit
ies for "Useful Art". \; The current Circulation Project comes out of
extensive class conversations about context\, audience\, and purpose.
60\; For this project the students responded to the prompt: make somethin
g that is of service to the Lewis &\; Clark community that can be chec
ked out of Watzek Library.
X-ALT-DESC;FMTTYPE=text/html:
The Useful Art Circulation Project is n
ow up and running. \;
Art227: Useful Art \
;is pleased to present various works that are in circulation from now unt
il \;Wednesday\, November 23rd\, 2016. \;Check out the art in Wa
tzek Library. \; Literally! \;
The 14 \;artw
orks now on loan come from this semester's special topics class\, a cours
e which is focused on examining histories and possibilities for "Useful A
rt". \; The current Circulation Project comes out of extensive class
conversations about context\, audience\, and purpose. \; For this pro
ject the students responded to the prompt: make something that is of serv
ice to the Lewis &\; Clark community that can be checked out of Watzek
Library.
UID:20161105T070000Z-204508@college.lclark.edu
DTSTAMP:20161028T111646Z
URL:https://college.lclark.edu/live/events/204508-useful-art-circulation-
project
CATEGORIES:Open to the Public
LAST-MODIFIED:20161028T181703Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/63331_pa264146_1.rev.1477678587.jpg
X-LIVEWHALE-TYPE:events
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X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
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X-LIVEWHALE-IMAGE-CAPTION:OLYMPUS DIGITAL CAMERA
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X-LIVEWHALE-TAGS:Art Studio Faculty|art|arts|open to the public|send-to-u
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20161106
DTEND;VALUE=DATE:20161107
LOCATION:Watzek Library
GEO:45.450919;-122.669177
SUMMARY:Useful Art Circulation Project
DESCRIPTION:The Useful Art Circulation Project is now up and running. 
60\;Art227: Useful Art \;is pleased to present various works that are
in circulation from now until \;Wednesday\, November 23rd\, 2016. &#
160\;Check out the art in Watzek Library. \; Literally! \;
The 14 \;artworks now on loan come from this semester's special topic
s class\, a course which is focused on examining histories and possibilit
ies for "Useful Art". \; The current Circulation Project comes out of
extensive class conversations about context\, audience\, and purpose.
60\; For this project the students responded to the prompt: make somethin
g that is of service to the Lewis &\; Clark community that can be chec
ked out of Watzek Library.
X-ALT-DESC;FMTTYPE=text/html:
The Useful Art Circulation Project is n
ow up and running. \;
Art227: Useful Art \
;is pleased to present various works that are in circulation from now unt
il \;Wednesday\, November 23rd\, 2016. \;Check out the art in Wa
tzek Library. \; Literally! \;
The 14 \;artw
orks now on loan come from this semester's special topics class\, a cours
e which is focused on examining histories and possibilities for "Useful A
rt". \; The current Circulation Project comes out of extensive class
conversations about context\, audience\, and purpose. \; For this pro
ject the students responded to the prompt: make something that is of serv
ice to the Lewis &\; Clark community that can be checked out of Watzek
Library.
UID:20161106T070000Z-204508@college.lclark.edu
DTSTAMP:20161028T111646Z
URL:https://college.lclark.edu/live/events/204508-useful-art-circulation-
project
CATEGORIES:Open to the Public
LAST-MODIFIED:20161028T181703Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/63331_pa264146_1.rev.1477678587.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20161107
DTEND;VALUE=DATE:20161108
LOCATION:Watzek Library
GEO:45.450919;-122.669177
SUMMARY:Useful Art Circulation Project
DESCRIPTION:The Useful Art Circulation Project is now up and running. 
60\;Art227: Useful Art \;is pleased to present various works that are
in circulation from now until \;Wednesday\, November 23rd\, 2016. &#
160\;Check out the art in Watzek Library. \; Literally! \;
The 14 \;artworks now on loan come from this semester's special topic
s class\, a course which is focused on examining histories and possibilit
ies for "Useful Art". \; The current Circulation Project comes out of
extensive class conversations about context\, audience\, and purpose.
60\; For this project the students responded to the prompt: make somethin
g that is of service to the Lewis &\; Clark community that can be chec
ked out of Watzek Library.
X-ALT-DESC;FMTTYPE=text/html:
The Useful Art Circulation Project is n
ow up and running. \;
Art227: Useful Art \
;is pleased to present various works that are in circulation from now unt
il \;Wednesday\, November 23rd\, 2016. \;Check out the art in Wa
tzek Library. \; Literally! \;
The 14 \;artw
orks now on loan come from this semester's special topics class\, a cours
e which is focused on examining histories and possibilities for "Useful A
rt". \; The current Circulation Project comes out of extensive class
conversations about context\, audience\, and purpose. \; For this pro
ject the students responded to the prompt: make something that is of serv
ice to the Lewis &\; Clark community that can be checked out of Watzek
Library.
UID:20161107T080000Z-204508@college.lclark.edu
DTSTAMP:20161028T111646Z
URL:https://college.lclark.edu/live/events/204508-useful-art-circulation-
project
CATEGORIES:Open to the Public
LAST-MODIFIED:20161028T181703Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/63331_pa264146_1.rev.1477678587.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20161108
DTEND;VALUE=DATE:20161109
LOCATION:Watzek Library
GEO:45.450919;-122.669177
SUMMARY:Useful Art Circulation Project
DESCRIPTION:The Useful Art Circulation Project is now up and running. 
60\;Art227: Useful Art \;is pleased to present various works that are
in circulation from now until \;Wednesday\, November 23rd\, 2016. &#
160\;Check out the art in Watzek Library. \; Literally! \;
The 14 \;artworks now on loan come from this semester's special topic
s class\, a course which is focused on examining histories and possibilit
ies for "Useful Art". \; The current Circulation Project comes out of
extensive class conversations about context\, audience\, and purpose.
60\; For this project the students responded to the prompt: make somethin
g that is of service to the Lewis &\; Clark community that can be chec
ked out of Watzek Library.
X-ALT-DESC;FMTTYPE=text/html:
The Useful Art Circulation Project is n
ow up and running. \;
Art227: Useful Art \
;is pleased to present various works that are in circulation from now unt
il \;Wednesday\, November 23rd\, 2016. \;Check out the art in Wa
tzek Library. \; Literally! \;
The 14 \;artw
orks now on loan come from this semester's special topics class\, a cours
e which is focused on examining histories and possibilities for "Useful A
rt". \; The current Circulation Project comes out of extensive class
conversations about context\, audience\, and purpose. \; For this pro
ject the students responded to the prompt: make something that is of serv
ice to the Lewis &\; Clark community that can be checked out of Watzek
Library.
UID:20161108T080000Z-204508@college.lclark.edu
DTSTAMP:20161028T111646Z
URL:https://college.lclark.edu/live/events/204508-useful-art-circulation-
project
CATEGORIES:Open to the Public
LAST-MODIFIED:20161028T181703Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/63331_pa264146_1.rev.1477678587.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20161109
DTEND;VALUE=DATE:20161110
LOCATION:Watzek Library
GEO:45.450919;-122.669177
SUMMARY:Useful Art Circulation Project
DESCRIPTION:The Useful Art Circulation Project is now up and running. 
60\;Art227: Useful Art \;is pleased to present various works that are
in circulation from now until \;Wednesday\, November 23rd\, 2016. &#
160\;Check out the art in Watzek Library. \; Literally! \;
The 14 \;artworks now on loan come from this semester's special topic
s class\, a course which is focused on examining histories and possibilit
ies for "Useful Art". \; The current Circulation Project comes out of
extensive class conversations about context\, audience\, and purpose.
60\; For this project the students responded to the prompt: make somethin
g that is of service to the Lewis &\; Clark community that can be chec
ked out of Watzek Library.
X-ALT-DESC;FMTTYPE=text/html:
The Useful Art Circulation Project is n
ow up and running. \;
Art227: Useful Art \
;is pleased to present various works that are in circulation from now unt
il \;Wednesday\, November 23rd\, 2016. \;Check out the art in Wa
tzek Library. \; Literally! \;
The 14 \;artw
orks now on loan come from this semester's special topics class\, a cours
e which is focused on examining histories and possibilities for "Useful A
rt". \; The current Circulation Project comes out of extensive class
conversations about context\, audience\, and purpose. \; For this pro
ject the students responded to the prompt: make something that is of serv
ice to the Lewis &\; Clark community that can be checked out of Watzek
Library.
UID:20161109T080000Z-204508@college.lclark.edu
DTSTAMP:20161028T111646Z
URL:https://college.lclark.edu/live/events/204508-useful-art-circulation-
project
CATEGORIES:Open to the Public
LAST-MODIFIED:20161028T181703Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/63331_pa264146_1.rev.1477678587.jpg
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DTSTART;VALUE=DATE:20161110
DTEND;VALUE=DATE:20161111
LOCATION:Watzek Library
GEO:45.450919;-122.669177
SUMMARY:Useful Art Circulation Project
DESCRIPTION:The Useful Art Circulation Project is now up and running. 
60\;Art227: Useful Art \;is pleased to present various works that are
in circulation from now until \;Wednesday\, November 23rd\, 2016. &#
160\;Check out the art in Watzek Library. \; Literally! \;
The 14 \;artworks now on loan come from this semester's special topic
s class\, a course which is focused on examining histories and possibilit
ies for "Useful Art". \; The current Circulation Project comes out of
extensive class conversations about context\, audience\, and purpose.
60\; For this project the students responded to the prompt: make somethin
g that is of service to the Lewis &\; Clark community that can be chec
ked out of Watzek Library.
X-ALT-DESC;FMTTYPE=text/html:
The Useful Art Circulation Project is n
ow up and running. \;
Art227: Useful Art \
;is pleased to present various works that are in circulation from now unt
il \;Wednesday\, November 23rd\, 2016. \;Check out the art in Wa
tzek Library. \; Literally! \;
The 14 \;artw
orks now on loan come from this semester's special topics class\, a cours
e which is focused on examining histories and possibilities for "Useful A
rt". \; The current Circulation Project comes out of extensive class
conversations about context\, audience\, and purpose. \; For this pro
ject the students responded to the prompt: make something that is of serv
ice to the Lewis &\; Clark community that can be checked out of Watzek
Library.
UID:20161110T080000Z-204508@college.lclark.edu
DTSTAMP:20161028T111646Z
URL:https://college.lclark.edu/live/events/204508-useful-art-circulation-
project
CATEGORIES:Open to the Public
LAST-MODIFIED:20161028T181703Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
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DTSTART;VALUE=DATE:20161111
DTEND;VALUE=DATE:20161112
LOCATION:Watzek Library
GEO:45.450919;-122.669177
SUMMARY:Useful Art Circulation Project
DESCRIPTION:The Useful Art Circulation Project is now up and running. 
60\;Art227: Useful Art \;is pleased to present various works that are
in circulation from now until \;Wednesday\, November 23rd\, 2016. &#
160\;Check out the art in Watzek Library. \; Literally! \;
The 14 \;artworks now on loan come from this semester's special topic
s class\, a course which is focused on examining histories and possibilit
ies for "Useful Art". \; The current Circulation Project comes out of
extensive class conversations about context\, audience\, and purpose.
60\; For this project the students responded to the prompt: make somethin
g that is of service to the Lewis &\; Clark community that can be chec
ked out of Watzek Library.
X-ALT-DESC;FMTTYPE=text/html:
The Useful Art Circulation Project is n
ow up and running. \;
Art227: Useful Art \
;is pleased to present various works that are in circulation from now unt
il \;Wednesday\, November 23rd\, 2016. \;Check out the art in Wa
tzek Library. \; Literally! \;
The 14 \;artw
orks now on loan come from this semester's special topics class\, a cours
e which is focused on examining histories and possibilities for "Useful A
rt". \; The current Circulation Project comes out of extensive class
conversations about context\, audience\, and purpose. \; For this pro
ject the students responded to the prompt: make something that is of serv
ice to the Lewis &\; Clark community that can be checked out of Watzek
Library.
UID:20161111T080000Z-204508@college.lclark.edu
DTSTAMP:20161028T111646Z
URL:https://college.lclark.edu/live/events/204508-useful-art-circulation-
project
CATEGORIES:Open to the Public
LAST-MODIFIED:20161028T181703Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/63331_pa264146_1.rev.1477678587.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20161112
DTEND;VALUE=DATE:20161113
LOCATION:Watzek Library
GEO:45.450919;-122.669177
SUMMARY:Useful Art Circulation Project
DESCRIPTION:The Useful Art Circulation Project is now up and running. 
60\;Art227: Useful Art \;is pleased to present various works that are
in circulation from now until \;Wednesday\, November 23rd\, 2016. &#
160\;Check out the art in Watzek Library. \; Literally! \;
The 14 \;artworks now on loan come from this semester's special topic
s class\, a course which is focused on examining histories and possibilit
ies for "Useful Art". \; The current Circulation Project comes out of
extensive class conversations about context\, audience\, and purpose.
60\; For this project the students responded to the prompt: make somethin
g that is of service to the Lewis &\; Clark community that can be chec
ked out of Watzek Library.
X-ALT-DESC;FMTTYPE=text/html:
The Useful Art Circulation Project is n
ow up and running. \;
Art227: Useful Art \
;is pleased to present various works that are in circulation from now unt
il \;Wednesday\, November 23rd\, 2016. \;Check out the art in Wa
tzek Library. \; Literally! \;
The 14 \;artw
orks now on loan come from this semester's special topics class\, a cours
e which is focused on examining histories and possibilities for "Useful A
rt". \; The current Circulation Project comes out of extensive class
conversations about context\, audience\, and purpose. \; For this pro
ject the students responded to the prompt: make something that is of serv
ice to the Lewis &\; Clark community that can be checked out of Watzek
Library.
UID:20161112T080000Z-204508@college.lclark.edu
DTSTAMP:20161028T111646Z
URL:https://college.lclark.edu/live/events/204508-useful-art-circulation-
project
CATEGORIES:Open to the Public
LAST-MODIFIED:20161028T181703Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20161113
DTEND;VALUE=DATE:20161114
LOCATION:Watzek Library
GEO:45.450919;-122.669177
SUMMARY:Useful Art Circulation Project
DESCRIPTION:The Useful Art Circulation Project is now up and running. 
60\;Art227: Useful Art \;is pleased to present various works that are
in circulation from now until \;Wednesday\, November 23rd\, 2016. &#
160\;Check out the art in Watzek Library. \; Literally! \;
The 14 \;artworks now on loan come from this semester's special topic
s class\, a course which is focused on examining histories and possibilit
ies for "Useful Art". \; The current Circulation Project comes out of
extensive class conversations about context\, audience\, and purpose.
60\; For this project the students responded to the prompt: make somethin
g that is of service to the Lewis &\; Clark community that can be chec
ked out of Watzek Library.
X-ALT-DESC;FMTTYPE=text/html:
The Useful Art Circulation Project is n
ow up and running. \;
Art227: Useful Art \
;is pleased to present various works that are in circulation from now unt
il \;Wednesday\, November 23rd\, 2016. \;Check out the art in Wa
tzek Library. \; Literally! \;
The 14 \;artw
orks now on loan come from this semester's special topics class\, a cours
e which is focused on examining histories and possibilities for "Useful A
rt". \; The current Circulation Project comes out of extensive class
conversations about context\, audience\, and purpose. \; For this pro
ject the students responded to the prompt: make something that is of serv
ice to the Lewis &\; Clark community that can be checked out of Watzek
Library.
UID:20161113T080000Z-204508@college.lclark.edu
DTSTAMP:20161028T111646Z
URL:https://college.lclark.edu/live/events/204508-useful-art-circulation-
project
CATEGORIES:Open to the Public
LAST-MODIFIED:20161028T181703Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/63331_pa264146_1.rev.1477678587.jpg
X-LIVEWHALE-TYPE:events
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ndergraduate
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20161114
DTEND;VALUE=DATE:20161115
LOCATION:Watzek Library
GEO:45.450919;-122.669177
SUMMARY:Useful Art Circulation Project
DESCRIPTION:The Useful Art Circulation Project is now up and running. 
60\;Art227: Useful Art \;is pleased to present various works that are
in circulation from now until \;Wednesday\, November 23rd\, 2016. &#
160\;Check out the art in Watzek Library. \; Literally! \;
The 14 \;artworks now on loan come from this semester's special topic
s class\, a course which is focused on examining histories and possibilit
ies for "Useful Art". \; The current Circulation Project comes out of
extensive class conversations about context\, audience\, and purpose.
60\; For this project the students responded to the prompt: make somethin
g that is of service to the Lewis &\; Clark community that can be chec
ked out of Watzek Library.
X-ALT-DESC;FMTTYPE=text/html:
The Useful Art Circulation Project is n
ow up and running. \;
Art227: Useful Art \
;is pleased to present various works that are in circulation from now unt
il \;Wednesday\, November 23rd\, 2016. \;Check out the art in Wa
tzek Library. \; Literally! \;
The 14 \;artw
orks now on loan come from this semester's special topics class\, a cours
e which is focused on examining histories and possibilities for "Useful A
rt". \; The current Circulation Project comes out of extensive class
conversations about context\, audience\, and purpose. \; For this pro
ject the students responded to the prompt: make something that is of serv
ice to the Lewis &\; Clark community that can be checked out of Watzek
Library.
UID:20161114T080000Z-204508@college.lclark.edu
DTSTAMP:20161028T111646Z
URL:https://college.lclark.edu/live/events/204508-useful-art-circulation-
project
CATEGORIES:Open to the Public
LAST-MODIFIED:20161028T181703Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/63331_pa264146_1.rev.1477678587.jpg
X-LIVEWHALE-TYPE:events
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20161115
DTEND;VALUE=DATE:20161116
LOCATION:Watzek Library
GEO:45.450919;-122.669177
SUMMARY:Useful Art Circulation Project
DESCRIPTION:The Useful Art Circulation Project is now up and running. 
60\;Art227: Useful Art \;is pleased to present various works that are
in circulation from now until \;Wednesday\, November 23rd\, 2016. &#
160\;Check out the art in Watzek Library. \; Literally! \;
The 14 \;artworks now on loan come from this semester's special topic
s class\, a course which is focused on examining histories and possibilit
ies for "Useful Art". \; The current Circulation Project comes out of
extensive class conversations about context\, audience\, and purpose.
60\; For this project the students responded to the prompt: make somethin
g that is of service to the Lewis &\; Clark community that can be chec
ked out of Watzek Library.
X-ALT-DESC;FMTTYPE=text/html:
The Useful Art Circulation Project is n
ow up and running. \;
Art227: Useful Art \
;is pleased to present various works that are in circulation from now unt
il \;Wednesday\, November 23rd\, 2016. \;Check out the art in Wa
tzek Library. \; Literally! \;
The 14 \;artw
orks now on loan come from this semester's special topics class\, a cours
e which is focused on examining histories and possibilities for "Useful A
rt". \; The current Circulation Project comes out of extensive class
conversations about context\, audience\, and purpose. \; For this pro
ject the students responded to the prompt: make something that is of serv
ice to the Lewis &\; Clark community that can be checked out of Watzek
Library.
UID:20161115T080000Z-204508@college.lclark.edu
DTSTAMP:20161028T111646Z
URL:https://college.lclark.edu/live/events/204508-useful-art-circulation-
project
CATEGORIES:Open to the Public
LAST-MODIFIED:20161028T181703Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/63331_pa264146_1.rev.1477678587.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:204508
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/63331_pa264146_1.rev.1477678587.jpg
X-LIVEWHALE-IMAGE-CAPTION:OLYMPUS DIGITAL CAMERA
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X-LIVEWHALE-SUMMARY:Art 227 Useful Art Circulation Project
X-LIVEWHALE-TAGS:Art Studio Faculty|art|arts|open to the public|send-to-u
ndergraduate
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20161115T130000
DTEND;TZID=America/Los_Angeles:20161115T180000
LOCATION:Fields Art Building - Ceramics Studio
GEO:45.4505875022249;-122.667824986725
SUMMARY:Combat Paper Workshop
DESCRIPTION:The Art Department invites you to a workshop with Drew Camero
n and Combat Paper. \; Combat Paper transforms military uniforms i
nto handmade paper. We believe in this simple yet enduring premise that t
he plant fiber in rags can be transformed into paper. A uniform worn thro
ugh military service carries with it stories and experiences that are dee
ply imbued in the woven threads. Creating paper and artwork from these fi
bers carries these same qualities. We have found that all of us are conne
cted to the military in a myriad of ways. When these connections are disc
overed and shared it can open a deeper understanding between people and e
xpand our collective beliefs about military service and war. \; From
the outset we have hosted open and ongoing workshops that facilitate the
papermaking process and welcome use of personal material for papermaking
. The exchange between veterans and civilians is integral in our practice
. A forum with its foundations in a collaborative art making process\, we
know that accentuating individual and group perspectives strengthens the
workship and allows for direct participation and engagement. Open commun
ity involvement is an active element for us\, and working together is an
asset. By creating paper together we both develop our own language in the
art form and perpetuate an ancient craft. \; \; Students are
welcome to drop in at any time between noon and 6pm to participate. \
; Please RSVP at \;https://docs.google.com/a/lclark.edu/forms/d/e/1F
AIpQLSfhvJY56R6Ag1cYuQqVDQIMlu_bQTIjiTR7Ua2aaaheXJFCFQ/viewform (https://
docs.google.com/a/lclark.edu/forms/d/e/1FAIpQLSfhvJY56R6Ag1cYuQqVDQIMlu_b
QTIjiTR7Ua2aaaheXJFCFQ/viewform)
X-ALT-DESC;FMTTYPE=text/html:
The Art Department invites you to a wor
kshop with Drew Cameron and Combat Paper.
\;
Combat
Paper transforms military uniforms into handmade paper. We believe in thi
s simple yet enduring premise that the plant fiber in rags can be transfo
rmed into paper. A uniform worn through military service carries with it
stories and experiences that are deeply imbued in the woven threads. Crea
ting paper and artwork from these fibers carries these same qualities. We
have found that all of us are connected to the military in a myriad of w
ays. When these connections are discovered and shared it can open a deepe
r understanding between people and expand our collective beliefs about mi
litary service and war. \;
From the outset we have hosted ope
n and ongoing workshops that facilitate the papermaking process and welco
me use of personal material for papermaking. The exchange between veteran
s and civilians is integral in our practice. A forum with its foundations
in a collaborative art making process\, we know that accentuating indivi
dual and group perspectives strengthens the workship and allows for direc
t participation and engagement. Open community involvement is an active e
lement for us\, and working together is an asset. By creating paper toget
her we both develop our own language in the art form and perpetuate an an
cient craft. \;
\;
Students are welcome to drop
in at any time between noon and 6pm to participate. \;
UID:20161115T210000Z-206088@college.lclark.edu
DTSTAMP:20161102T141114Z
URL:https://college.lclark.edu/live/events/206088-combat-paper-workshop
LAST-MODIFIED:20161115T194535Z
RRULE:FREQ=DAILY;UNTIL=20161116T210000Z;INTERVAL=1
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/63439_screen_shot_2016-11-02_at_22830_pm.rev.1478122232.jpg
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pg
X-LIVEWHALE-SUMMARY:Workshop with Drew Cameron\, founder of Combat paper.
The community is invited to drop into either of these workshops to be pa
rt of the Combat paper mission to turn military uniforms into handmade pa
per.
X-LIVEWHALE-TAGS:art|open to the public|send-to-graduate|send-to-law|send
-to-undergraduate
X-LIVEWHALE-REPEATS-UNTIL:2016-11-16 21:00:00
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20161115T190000
DTEND;TZID=America/Los_Angeles:20161115T200000
LOCATION:Miller Hall\, Room 105
GEO:45.450858;-122.668265
SUMMARY:Combat Paper Lecture
DESCRIPTION:The Art Department invites you to a lecture with Drew Cameron
and Combat Paper. \; Combat Paper transforms military uniforms in
to handmade paper. We believe in this simple yet enduring premise that th
e plant fiber in rags can be transformed into paper. A uniform worn throu
gh military service carries with it stories and experiences that are deep
ly imbued in the woven threads. Creating paper and artwork from these fib
ers carries these same qualities. We have found that all of us are connec
ted to the military in a myriad of ways. When these connections are disco
vered and shared it can open a deeper understanding between people and ex
pand our collective beliefs about military service and war. \; From
the outset we have hosted open and ongoing workshops that facilitate the
papermaking process and welcome use of personal material for papermaking.
The exchange between veterans and civilians is integral in our practice.
A forum with its foundations in a collaborative art making process\, we
know that accentuating individual and group perspectives strengthens the
workship and allows for direct participation and engagement. Open communi
ty involvement is an active element for us\, and working together is an a
sset. By creating paper together we both develop our own language in the
art form and perpetuate an ancient craft. \; \;
X-ALT-DESC;FMTTYPE=text/html:
The Art Department invites you to a lec
ture with Drew Cameron and Combat Paper.
\;
Combat P
aper transforms military uniforms into handmade paper. We believe in this
simple yet enduring premise that the plant fiber in rags can be transfor
med into paper. A uniform worn through military service carries with it s
tories and experiences that are deeply imbued in the woven threads. Creat
ing paper and artwork from these fibers carries these same qualities. We
have found that all of us are connected to the military in a myriad of wa
ys. When these connections are discovered and shared it can open a deeper
understanding between people and expand our collective beliefs about mil
itary service and war. \;
From the outset we have hosted open
and ongoing workshops that facilitate the papermaking process and welcom
e use of personal material for papermaking. The exchange between veterans
and civilians is integral in our practice. A forum with its foundations
in a collaborative art making process\, we know that accentuating individ
ual and group perspectives strengthens the workship and allows for direct
participation and engagement. Open community involvement is an active el
ement for us\, and working together is an asset. By creating paper togeth
er we both develop our own language in the art form and perpetuate an anc
ient craft. \;
\;
UID:20161116T030000Z-208552@college.lclark.edu
DTSTAMP:20161111T121226Z
URL:https://college.lclark.edu/live/events/208552-combat-paper-lecture
LAST-MODIFIED:20161114T200320Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
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X-LIVEWHALE-SUMMARY:Lecture by Combat Paper founder\, Drew Cameron
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20161116
DTEND;VALUE=DATE:20161117
LOCATION:Watzek Library
GEO:45.450919;-122.669177
SUMMARY:Useful Art Circulation Project
DESCRIPTION:The Useful Art Circulation Project is now up and running. 
60\;Art227: Useful Art \;is pleased to present various works that are
in circulation from now until \;Wednesday\, November 23rd\, 2016. &#
160\;Check out the art in Watzek Library. \; Literally! \;
The 14 \;artworks now on loan come from this semester's special topic
s class\, a course which is focused on examining histories and possibilit
ies for "Useful Art". \; The current Circulation Project comes out of
extensive class conversations about context\, audience\, and purpose.
60\; For this project the students responded to the prompt: make somethin
g that is of service to the Lewis &\; Clark community that can be chec
ked out of Watzek Library.
X-ALT-DESC;FMTTYPE=text/html:
The Useful Art Circulation Project is n
ow up and running. \;
Art227: Useful Art \
;is pleased to present various works that are in circulation from now unt
il \;Wednesday\, November 23rd\, 2016. \;Check out the art in Wa
tzek Library. \; Literally! \;
The 14 \;artw
orks now on loan come from this semester's special topics class\, a cours
e which is focused on examining histories and possibilities for "Useful A
rt". \; The current Circulation Project comes out of extensive class
conversations about context\, audience\, and purpose. \; For this pro
ject the students responded to the prompt: make something that is of serv
ice to the Lewis &\; Clark community that can be checked out of Watzek
Library.
UID:20161116T080000Z-204508@college.lclark.edu
DTSTAMP:20161028T111646Z
URL:https://college.lclark.edu/live/events/204508-useful-art-circulation-
project
CATEGORIES:Open to the Public
LAST-MODIFIED:20161028T181703Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
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DTSTART;VALUE=DATE:20161117
DTEND;VALUE=DATE:20161118
LOCATION:Watzek Library
GEO:45.450919;-122.669177
SUMMARY:Useful Art Circulation Project
DESCRIPTION:The Useful Art Circulation Project is now up and running. 
60\;Art227: Useful Art \;is pleased to present various works that are
in circulation from now until \;Wednesday\, November 23rd\, 2016. &#
160\;Check out the art in Watzek Library. \; Literally! \;
The 14 \;artworks now on loan come from this semester's special topic
s class\, a course which is focused on examining histories and possibilit
ies for "Useful Art". \; The current Circulation Project comes out of
extensive class conversations about context\, audience\, and purpose.
60\; For this project the students responded to the prompt: make somethin
g that is of service to the Lewis &\; Clark community that can be chec
ked out of Watzek Library.
X-ALT-DESC;FMTTYPE=text/html:
The Useful Art Circulation Project is n
ow up and running. \;
Art227: Useful Art \
;is pleased to present various works that are in circulation from now unt
il \;Wednesday\, November 23rd\, 2016. \;Check out the art in Wa
tzek Library. \; Literally! \;
The 14 \;artw
orks now on loan come from this semester's special topics class\, a cours
e which is focused on examining histories and possibilities for "Useful A
rt". \; The current Circulation Project comes out of extensive class
conversations about context\, audience\, and purpose. \; For this pro
ject the students responded to the prompt: make something that is of serv
ice to the Lewis &\; Clark community that can be checked out of Watzek
Library.
UID:20161117T080000Z-204508@college.lclark.edu
DTSTAMP:20161028T111646Z
URL:https://college.lclark.edu/live/events/204508-useful-art-circulation-
project
CATEGORIES:Open to the Public
LAST-MODIFIED:20161028T181703Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
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DTSTART;VALUE=DATE:20161118
DTEND;VALUE=DATE:20161119
LOCATION:Watzek Library
GEO:45.450919;-122.669177
SUMMARY:Useful Art Circulation Project
DESCRIPTION:The Useful Art Circulation Project is now up and running. 
60\;Art227: Useful Art \;is pleased to present various works that are
in circulation from now until \;Wednesday\, November 23rd\, 2016. &#
160\;Check out the art in Watzek Library. \; Literally! \;
The 14 \;artworks now on loan come from this semester's special topic
s class\, a course which is focused on examining histories and possibilit
ies for "Useful Art". \; The current Circulation Project comes out of
extensive class conversations about context\, audience\, and purpose.
60\; For this project the students responded to the prompt: make somethin
g that is of service to the Lewis &\; Clark community that can be chec
ked out of Watzek Library.
X-ALT-DESC;FMTTYPE=text/html:
The Useful Art Circulation Project is n
ow up and running. \;
Art227: Useful Art \
;is pleased to present various works that are in circulation from now unt
il \;Wednesday\, November 23rd\, 2016. \;Check out the art in Wa
tzek Library. \; Literally! \;
The 14 \;artw
orks now on loan come from this semester's special topics class\, a cours
e which is focused on examining histories and possibilities for "Useful A
rt". \; The current Circulation Project comes out of extensive class
conversations about context\, audience\, and purpose. \; For this pro
ject the students responded to the prompt: make something that is of serv
ice to the Lewis &\; Clark community that can be checked out of Watzek
Library.
UID:20161118T080000Z-204508@college.lclark.edu
DTSTAMP:20161028T111646Z
URL:https://college.lclark.edu/live/events/204508-useful-art-circulation-
project
CATEGORIES:Open to the Public
LAST-MODIFIED:20161028T181703Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20161119
DTEND;VALUE=DATE:20161120
LOCATION:Watzek Library
GEO:45.450919;-122.669177
SUMMARY:Useful Art Circulation Project
DESCRIPTION:The Useful Art Circulation Project is now up and running. 
60\;Art227: Useful Art \;is pleased to present various works that are
in circulation from now until \;Wednesday\, November 23rd\, 2016. &#
160\;Check out the art in Watzek Library. \; Literally! \;
The 14 \;artworks now on loan come from this semester's special topic
s class\, a course which is focused on examining histories and possibilit
ies for "Useful Art". \; The current Circulation Project comes out of
extensive class conversations about context\, audience\, and purpose.
60\; For this project the students responded to the prompt: make somethin
g that is of service to the Lewis &\; Clark community that can be chec
ked out of Watzek Library.
X-ALT-DESC;FMTTYPE=text/html:
The Useful Art Circulation Project is n
ow up and running. \;
Art227: Useful Art \
;is pleased to present various works that are in circulation from now unt
il \;Wednesday\, November 23rd\, 2016. \;Check out the art in Wa
tzek Library. \; Literally! \;
The 14 \;artw
orks now on loan come from this semester's special topics class\, a cours
e which is focused on examining histories and possibilities for "Useful A
rt". \; The current Circulation Project comes out of extensive class
conversations about context\, audience\, and purpose. \; For this pro
ject the students responded to the prompt: make something that is of serv
ice to the Lewis &\; Clark community that can be checked out of Watzek
Library.
UID:20161119T080000Z-204508@college.lclark.edu
DTSTAMP:20161028T111646Z
URL:https://college.lclark.edu/live/events/204508-useful-art-circulation-
project
CATEGORIES:Open to the Public
LAST-MODIFIED:20161028T181703Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/63331_pa264146_1.rev.1477678587.jpg
X-LIVEWHALE-TYPE:events
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20161120
DTEND;VALUE=DATE:20161121
LOCATION:Watzek Library
GEO:45.450919;-122.669177
SUMMARY:Useful Art Circulation Project
DESCRIPTION:The Useful Art Circulation Project is now up and running. 
60\;Art227: Useful Art \;is pleased to present various works that are
in circulation from now until \;Wednesday\, November 23rd\, 2016. &#
160\;Check out the art in Watzek Library. \; Literally! \;
The 14 \;artworks now on loan come from this semester's special topic
s class\, a course which is focused on examining histories and possibilit
ies for "Useful Art". \; The current Circulation Project comes out of
extensive class conversations about context\, audience\, and purpose.
60\; For this project the students responded to the prompt: make somethin
g that is of service to the Lewis &\; Clark community that can be chec
ked out of Watzek Library.
X-ALT-DESC;FMTTYPE=text/html:
The Useful Art Circulation Project is n
ow up and running. \;
Art227: Useful Art \
;is pleased to present various works that are in circulation from now unt
il \;Wednesday\, November 23rd\, 2016. \;Check out the art in Wa
tzek Library. \; Literally! \;
The 14 \;artw
orks now on loan come from this semester's special topics class\, a cours
e which is focused on examining histories and possibilities for "Useful A
rt". \; The current Circulation Project comes out of extensive class
conversations about context\, audience\, and purpose. \; For this pro
ject the students responded to the prompt: make something that is of serv
ice to the Lewis &\; Clark community that can be checked out of Watzek
Library.
UID:20161120T080000Z-204508@college.lclark.edu
DTSTAMP:20161028T111646Z
URL:https://college.lclark.edu/live/events/204508-useful-art-circulation-
project
CATEGORIES:Open to the Public
LAST-MODIFIED:20161028T181703Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/63331_pa264146_1.rev.1477678587.jpg
X-LIVEWHALE-TYPE:events
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20161121
DTEND;VALUE=DATE:20161122
LOCATION:Watzek Library
GEO:45.450919;-122.669177
SUMMARY:Useful Art Circulation Project
DESCRIPTION:The Useful Art Circulation Project is now up and running. 
60\;Art227: Useful Art \;is pleased to present various works that are
in circulation from now until \;Wednesday\, November 23rd\, 2016. &#
160\;Check out the art in Watzek Library. \; Literally! \;
The 14 \;artworks now on loan come from this semester's special topic
s class\, a course which is focused on examining histories and possibilit
ies for "Useful Art". \; The current Circulation Project comes out of
extensive class conversations about context\, audience\, and purpose.
60\; For this project the students responded to the prompt: make somethin
g that is of service to the Lewis &\; Clark community that can be chec
ked out of Watzek Library.
X-ALT-DESC;FMTTYPE=text/html:
The Useful Art Circulation Project is n
ow up and running. \;
Art227: Useful Art \
;is pleased to present various works that are in circulation from now unt
il \;Wednesday\, November 23rd\, 2016. \;Check out the art in Wa
tzek Library. \; Literally! \;
The 14 \;artw
orks now on loan come from this semester's special topics class\, a cours
e which is focused on examining histories and possibilities for "Useful A
rt". \; The current Circulation Project comes out of extensive class
conversations about context\, audience\, and purpose. \; For this pro
ject the students responded to the prompt: make something that is of serv
ice to the Lewis &\; Clark community that can be checked out of Watzek
Library.
UID:20161121T080000Z-204508@college.lclark.edu
DTSTAMP:20161028T111646Z
URL:https://college.lclark.edu/live/events/204508-useful-art-circulation-
project
CATEGORIES:Open to the Public
LAST-MODIFIED:20161028T181703Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/63331_pa264146_1.rev.1477678587.jpg
X-LIVEWHALE-TYPE:events
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20161122
DTEND;VALUE=DATE:20161123
LOCATION:Watzek Library
GEO:45.450919;-122.669177
SUMMARY:Useful Art Circulation Project
DESCRIPTION:The Useful Art Circulation Project is now up and running. 
60\;Art227: Useful Art \;is pleased to present various works that are
in circulation from now until \;Wednesday\, November 23rd\, 2016. &#
160\;Check out the art in Watzek Library. \; Literally! \;
The 14 \;artworks now on loan come from this semester's special topic
s class\, a course which is focused on examining histories and possibilit
ies for "Useful Art". \; The current Circulation Project comes out of
extensive class conversations about context\, audience\, and purpose.
60\; For this project the students responded to the prompt: make somethin
g that is of service to the Lewis &\; Clark community that can be chec
ked out of Watzek Library.
X-ALT-DESC;FMTTYPE=text/html:
The Useful Art Circulation Project is n
ow up and running. \;
Art227: Useful Art \
;is pleased to present various works that are in circulation from now unt
il \;Wednesday\, November 23rd\, 2016. \;Check out the art in Wa
tzek Library. \; Literally! \;
The 14 \;artw
orks now on loan come from this semester's special topics class\, a cours
e which is focused on examining histories and possibilities for "Useful A
rt". \; The current Circulation Project comes out of extensive class
conversations about context\, audience\, and purpose. \; For this pro
ject the students responded to the prompt: make something that is of serv
ice to the Lewis &\; Clark community that can be checked out of Watzek
Library.
UID:20161122T080000Z-204508@college.lclark.edu
DTSTAMP:20161028T111646Z
URL:https://college.lclark.edu/live/events/204508-useful-art-circulation-
project
CATEGORIES:Open to the Public
LAST-MODIFIED:20161028T181703Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/63331_pa264146_1.rev.1477678587.jpg
X-LIVEWHALE-TYPE:events
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20161123T000000
DTEND;TZID=America/Los_Angeles:20161123T010000
LOCATION:Watzek Library
GEO:45.450919;-122.669177
SUMMARY:Useful Art Circulation Project
DESCRIPTION:The Useful Art Circulation Project is now up and running. 
60\;Art227: Useful Art \;is pleased to present various works that are
in circulation from now until \;Wednesday\, November 23rd\, 2016. &#
160\;Check out the art in Watzek Library. \; Literally! \;
The 14 \;artworks now on loan come from this semester's special topic
s class\, a course which is focused on examining histories and possibilit
ies for "Useful Art". \; The current Circulation Project comes out of
extensive class conversations about context\, audience\, and purpose.
60\; For this project the students responded to the prompt: make somethin
g that is of service to the Lewis &\; Clark community that can be chec
ked out of Watzek Library.
X-ALT-DESC;FMTTYPE=text/html:
The Useful Art Circulation Project is n
ow up and running. \;
Art227: Useful Art \
;is pleased to present various works that are in circulation from now unt
il \;Wednesday\, November 23rd\, 2016. \;Check out the art in Wa
tzek Library. \; Literally! \;
The 14 \;artw
orks now on loan come from this semester's special topics class\, a cours
e which is focused on examining histories and possibilities for "Useful A
rt". \; The current Circulation Project comes out of extensive class
conversations about context\, audience\, and purpose. \; For this pro
ject the students responded to the prompt: make something that is of serv
ice to the Lewis &\; Clark community that can be checked out of Watzek
Library.
UID:20161123T080000Z-204508@college.lclark.edu
DTSTAMP:20161028T111646Z
URL:https://college.lclark.edu/live/events/204508-useful-art-circulation-
project
CATEGORIES:Open to the Public
LAST-MODIFIED:20161028T181703Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/63331_pa264146_1.rev.1477678587.jpg
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X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170226T150000
DTEND;TZID=America/Los_Angeles:20170226T160000
LOCATION:Miller Hall 105
GEO:45.450858;-122.668265
SUMMARY:Responsibility and Relevance: The Role of the Artist in an Ever-C
hanging Contemporary World
DESCRIPTION:Panelists:Samiya Bashir\, poet and assistant professor of cre
ative writing\, Reed CollegeSamiya Bashir's \;books of poetry: \;
Field Theories \;(Spring 2017)\, \;Gospel\, \;and \;Where
the Apple Falls\, \;and anthologies\, including \;Role Call: A&#
160\;Generational Anthology of Social &\; Political Black Literature &
amp\; Art\, \;exist. \;Sometimes she makes poems of dirt. \;S
ometimes zeros and ones. \;Sometimes variously rendered text. \;S
ometimes light. \;She lives in Portland\, Ore\, with a magic cat who
shares her obsession with trees and blackbirds and occasionally crashes h
er classes and poetry salons at \;Reed College.Aaron Beck\, James
W. Rogers Professor of Music and director of musicology\, Lewis &\; Cl
ark CollegeEleonora (Nora) Beck has published widely on the subject of It
alian medieval and Renaissance music and art\, including her books Singin
g in the Garden: Music and Culture in the Tuscan Trecento and Giotto's Ha
rmony: Music and Art in Padua at the Crossroad of the Renaissance. \;
Beck also writes about contemporary music and art\, having published inte
rviews with Meredith Monk and Ned Rorem. \; She participated in the R
osemary Beck Exhibit at Portland State University in the winter of 2015 a
nd contributed a piece for the catalogue\, "The Greenest Meadow of a Minu
et: Music in the Art of Rosemary Beck." A writer of fiction\, Beck has wr
itten three novels published by EPAP in Italy.Jon Raymond\, novelist and
screenwriterJon Raymond is the author of the novels \;Freebird\, Rain
Dragon \;and \;The Half-Life\, a \;Publishers Weekly \;B
est Book of 2004\, and the short-story collection \;Livability\, a Ba
rnes and Noble Discover Great New Writers selection and winner of the Ore
gon Book Award. He is also the screenwriter of the film \;Meek's Cuto
ff \;and cowriter of the films \;Old Joy \;and \;Wendy an
d Lucy\, both based on his short fiction\, and the film \;Night Moves
. He also cowrote \;the HBO miniseries \;Mildred Pierce\, winner
of five Emmy Awards. Raymond's writing has appeared in \;Tin House\,
the \;Village Voice\, \;Bookforum\, \;Artforum\, and other pu
blications. He lives in Portland\, Oregon.Tad Savinar\, artistTad Savinar
has worked as a visual artist\, urban planner\, playwright\, and directo
r. Born in Portland\, OR\, Savinar has been an active member of the state
's cultural community for the past 40 years. For his studio work\, he has
been the recipient of many fellowships and awards including the National
Endowment for the Arts\, the Oregon Governor's Arts Award and has exhibi
ted in museums and galleries all across the country. Works are included i
n a number of public and private collections including The Museum of Mode
rn Art\, the Smithsonian Institute of American Art\, the Santa Barbara Mu
seum of Art\, The Portland Art Museum\, the Chase Manhattan Bank\, Philli
p Morris Corporation\, The Jordan Schnitzer Collection and others. Recent
ly his contributions in the field of urban design have been acknowledged
by awards from the American Institute of Architects\, American Society of
Landscape Architects and other national organizations. His works in var
ious media focus on the relationship between the individual and notions o
f officialdom\, be they governmental\, religious\, or parental. In Man\,
2006\, an internal and likely unspoken set of feelings about home life\,
work\, and driving are therapeutically announced. Graphic works including
Champ\, 1983\, and Characteristics of a Third World Country\, 2008\, off
er lessons in national pride\, economics\, and civics. For Savinar\, lang
uage often functions best as image\, where it can slip from spoken to see
n\, toying with the senses and complicating the everyday. His work has fe
atured in dozens of one person and group exhibitions over the years and i
s included in numerous public and private collections.Luan Schooler (http
s://www.artistsrep.org/explore/table-room-stage/director-of-new-play-deve
lopment/)\, director of new play development and dramaturgy\, Artists Rep
ertory TheatreLuan joins Artists Rep \;with extensive background as d
ramaturg\, literary manager\, writer\, and actor\, along with administrat
ive experience in marketing and development. \;Luan honed her skills
as a company member of Perseverance Theatre in Alaska\, working with then
-artistic director Molly Smith on new plays and devised works with wide r
anging artists including Paula Vogel\, John Murrell\, John Luther Adams a
nd Darrah Cloud. She also conducted annual company audition tours to town
s and remote villages throughout Alaska (where she enjoyed one of the mos
t thrilling theatre experiences ever\, a production of \;The Unsinkab
le Molly Brown \;by the community theatre in Nome). After leaving Ala
ska\, Schooler became the Literary Manager/Dramaturg for Berkeley Rep. Du
ring seven years there\, she worked with many luminary writers\, includin
g David Edgar\, Naomi Iizuka\, Salman Rushdie\, Dominique Serrand\, Rinde
Eckert\, Lillian Groag\, Bridget Carpenter\, Adam Rapp\, and Robert Fagl
es\, and astute directors Tony Taccone\, Mark Wing-Davey\, Stephen Wadswo
rth\, and Lisa Peterson\, among others. She has also worked on several de
vised pieces at Denver Center with artistic team Pavel Dobrusky and Per-O
lav Sørensen\, and worked as dramaturg at Oregon Shakespeare Festival\,
California Shakespeare Festival\, A Traveling Jewish Theatre\, And Shakin
g the Tree Theatre. \;Schooler took a several year hiatus from theatr
e to explore the dramaturgy of artisanal cheese\, opening a small cheese
shop\, Foster &\; Dobbs\, in Portland with her husband. Delicious thou
gh that experience was\, the hunger for stories of greater complexity and
variety prevailed and she returned to Alaska in 2011 to adapt her brothe
r's memoir \;The Blue Bear \;with Leon Ingulsrud (co-founder and
co-artistic director\, SITI Company) for Perseverance Theatre. She is cur
rently working with Ingulsrud and filmmaker Andrew McLean on a new projec
t for Perseverance about polar explorer Roald Amundsen.Moderator:Randy Gr
agg\, director of the John Yeon Center for Architectural Studies\, Univer
sity of Oregon \;
X-ALT-DESC;FMTTYPE=text/html:
Panelists:
Samiy
a Bashir\, poet and assistant professor of creative writing\, Reed Colleg
e Samiya Bashir's \;books of poetry: \;Field Theori
es \;(Spring 2017)\, \;Gospel\, \;and \;Where the Apple F
alls\, \;and anthologies\, including \;Role Call: A \;Generat
ional Anthology of Social &\; Political Black Literature &\; Art\,&
#160\;exist. \;Sometimes she makes poems of dirt. \;Sometimes zer
os and ones. \;Sometimes variously rendered text. \;Sometimes lig
ht. \;She lives in Portland\, Ore\, with a magic cat who shares her o
bsession with trees and blackbirds and occasionally crashes her classes a
nd poetry salons at \;Reed College.
Aaron Beck\, Jam
es W. Rogers Professor of Music and director of musicology\, Lewis &\;
Clark College Eleonora (Nora) Beck has published widely on
the subject of Italian medieval and Renaissance music and art\, includin
g her books Singing in the Garden: Music and Culture in the Tuscan Trecen
to and Giotto's Harmony: Music and Art in Padua at the Crossroad of the R
enaissance. \;Beck also writes about contemporary music and art\, hav
ing published interviews with Meredith Monk and Ned Rorem. \; She par
ticipated in the Rosemary Beck Exhibit at Portland State University in th
e winter of 2015 and contributed a piece for the catalogue\, "The Greenes
t Meadow of a Minuet: Music in the Art of Rosemary Beck." A writer of fic
tion\, Beck has written three novels published by EPAP in Italy.
Jon Raymond\, novelist and screenwriter
Jon Raymond i
s the author of the novels \;Freebird\, Rain Dragon \;an
d \;The Half-Life\, a \;Publishers Weekly \
;Best Book of 2004\, and the short-story collection \;Livability<
/em>\, a Barnes and Noble Discover Great New Writers selection and winner
of the Oregon Book Award. He is also the screenwriter of the film \;
Meek's Cutoff \;and cowriter of the films \;Old Joy<
/em> \;and \;Wendy and Lucy\, both based on his short fi
ction\, and the film \;Night Moves. He also cowrote \;th
e HBO miniseries \;Mildred Pierce\, winner of five Emmy Awar
ds. Raymond's writing has appeared in \;Tin House\, the&
#160\;Village Voice\, \;Bookforum\, \;Artforum<
/em>\, and other publications. He lives in Portland\, Oregon.
Tad Savinar\, artist
Tad Savinar has worked as a visual
artist\, urban planner\, playwright\, and director. Born in Portland\, OR
\, Savinar has been an active member of the state's cultural community fo
r the past 40 years. For his studio work\, he has been the recipient of m
any fellowships and awards including the National Endowment for the Arts\
, the Oregon Governor's Arts Award and has exhibited in museums and galle
ries all across the country. Works are included in a number of public and
private collections including The Museum of Modern Art\, the Smithsonian
Institute of American Art\, the Santa Barbara Museum of Art\, The Portla
nd Art Museum\, the Chase Manhattan Bank\, Phillip Morris Corporation\, T
he Jordan Schnitzer Collection and others. Recently his contributions in
the field of urban design have been acknowledged by awards from the Ameri
can Institute of Architects\, American Society of Landscape Architects an
d other national organizations.
His works in various media focus
on the relationship between the individual and notions of officialdom\, b
e they governmental\, religious\, or parental. In Man\, 2006\, an interna
l and likely unspoken set of feelings about home life\, work\, and drivin
g are therapeutically announced. Graphic works including Champ\, 1983\, a
nd Characteristics of a Third World Country\, 2008\, offer lessons in nat
ional pride\, economics\, and civics. For Savinar\, language often functi
ons best as image\, where it can slip from spoken to seen\, toying with t
he senses and complicating the everyday. His work has featured in dozens
of one person and group exhibitions over the years and is included in num
erous public and private collections.
Luan Schooler\, director of new play development an
d dramaturgy\, Artists Repertory Theatre Luan joins Artists
Rep \;with extensive background as dramaturg\, literary manager\, wr
iter\, and actor\, along with administrative experience in marketing and
development. \;Luan honed her skills as a company member of Persevera
nce Theatre in Alaska\, working with then-artistic director Molly Smith o
n new plays and devised works with wide ranging artists including Paula V
ogel\, John Murrell\, John Luther Adams and Darrah Cloud. She also conduc
ted annual company audition tours to towns and remote villages throughout
Alaska (where she enjoyed one of the most thrilling theatre experiences
ever\, a production of \;The Unsinkable Molly Brown \;by
the community theatre in Nome). After leaving Alaska\, Schooler became t
he Literary Manager/Dramaturg for Berkeley Rep. During seven years there\
, she worked with many luminary writers\, including David Edgar\, Naomi I
izuka\, Salman Rushdie\, Dominique Serrand\, Rinde Eckert\, Lillian Groag
\, Bridget Carpenter\, Adam Rapp\, and Robert Fagles\, and astute directo
rs Tony Taccone\, Mark Wing-Davey\, Stephen Wadsworth\, and Lisa Peterson
\, among others. She has also worked on several devised pieces at Denver
Center with artistic team Pavel Dobrusky and Per-Olav Sørensen\, and wor
ked as dramaturg at Oregon Shakespeare Festival\, California Shakespeare
Festival\, A Traveling Jewish Theatre\, And Shaking the Tree Theatre.
0\;Schooler took a several year hiatus from theatre to explore the dramat
urgy of artisanal cheese\, opening a small cheese shop\, Foster &\; Do
bbs\, in Portland with her husband. Delicious though that experience was\
, the hunger for stories of greater complexity and variety prevailed and
she returned to Alaska in 2011 to adapt her brother's memoir \;Th
e Blue Bear \;with Leon Ingulsrud (co-founder and co-artistic di
rector\, SITI Company) for Perseverance Theatre. She is currently working
with Ingulsrud and filmmaker Andrew McLean on a new project for Persever
ance about polar explorer Roald Amundsen.
Moderator:
Randy Gragg\, director of the John Yeon
Center for Architectural Studies\, University of Oregon
<
strong> \;
UID:20170226T230000Z-224043@college.lclark.edu
DTSTAMP:20170221T095639Z
URL:https://college.lclark.edu/live/events/217412-responsibility-and-rele
vance-the-role-of-the
CATEGORIES:Open to the Public
LAST-MODIFIED:20170221T175639Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/63959_buckingham-for-post-card-.rev.1480463153.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:224043
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/63959_buckingham-for-post-card-.rev.1480463153.jpg
X-LIVEWHALE-IMAGE-CAPTION:2064: England's Master Architect Presents\,
to the House of Commons\, the Plan to Add Minarets to Buckingham Palace
i>
\n2014
\nDigital print on paper
\n22 x 33 inches
\nFrom the Jordan D.
Schnitzer Collection
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170303T100000
DTEND;TZID=America/Los_Angeles:20170303T170000
LOCATION:Fields Art Building-Ceramic Studio
GEO:45.450565;-122.667829
SUMMARY:BOWL-A-THON
DESCRIPTION:If you can throw a bowl\, please join us! Make bowls in Lewi
s &\; Clark's Ceramic Studio to benefit Neighborhood House's food pant
ry during their SW Hope: Feed the Hungry Campaign. \; The bowls will
be for sale at the Empty Bowls Fundraiser on Sunday\, April 2\, at the M
ultnomah Arts Center. \; Questions? Email brookealexander@lclark.ed
u (mailto:brookealexander@lclark.edu)
X-ALT-DESC;FMTTYPE=text/html:
If you can throw a bowl\, please join u
s!
Make bowls in Lewis &\; Clark's Ceramic Studio to benefit N
eighborhood House's food pantry during their SW Hope: Feed the Hungry Cam
paign. \;
The bowls will be for sale at the Empty Bowls Fundr
aiser on Sunday\, April 2\, at the Multnomah Arts Center. \;
UID:20170303T180000Z-224094@college.lclark.edu
DTSTAMP:20170223T101342Z
URL:https://college.lclark.edu/live/events/224094-bowl-a-thon
LAST-MODIFIED:20170223T182350Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/65322_screen_shot_2017-02-21_at_103419_am.rev.1487873597.jpg
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X-LIVEWHALE-ID:224094
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
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jpg
X-LIVEWHALE-SUMMARY:If you can throw a bowl\, please join us! All bowls w
ill benefit the SW Hope: Feed the Hungry Campaign.
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170307T113000
DTEND;TZID=America/Los_Angeles:20170307T123000
LOCATION:J.R. Howard\, Room 302
GEO:45.451619;-122.669391
SUMMARY:Lunch with a Leader: Marcus Harvey
DESCRIPTION:Click here to register! (https://goo.gl/forms/E539G18MDCyTeV4
i2) My passion is product. Since I was young I've been consumed with the
process and how things are designed and made. In starting @portland (htt
ps://www.instagram.com/portland/?hl=en) on Instagram\, with over 255\,000
followers\, I've developed a new social media based community around the
city I love. Using the @portland (https://www.instagram.com/portland/?hl
=en) Instagram page I've designed Portland Gear (https://portlandgear.com
/)\, an apparel brand to show and share my passion for the city. Utilizin
g the concept of Pop up shops and my experience in apparel design and bra
nding\, I've sold products to 20 countries and 50 states in the past year
. In March of 2016 I opened my first brick and mortar Portland Gear (http
s://portlandgear.com/) store in SW Portland next to Providence Park. 
\;Graduating in 2008 from Century High School in Hillsboro\, and The Univ
ersity of Oregon with a degree in Digital Arts and Business in 2012\, Por
tland is where I call home. \;Sponsored by the Center for Entrepren
eurship and the Career Center.
X-ALT-DESC;FMTTYPE=text/html:
My passion is product. Since I was young I've been consumed with th
e process and how things are designed and made. In starting @portland on I
nstagram\, with over 255\,000 followers\, I've developed a new social med
ia based community around the city I love. Using the @portland Instagram p
age I've designed Por
tland Gear\, an apparel brand to show and share my passion for the ci
ty. Utilizing the concept of Pop up shops and my experience in apparel de
sign and branding\, I've sold products to 20 countries and 50 states in t
he past year. In March of 2016 I opened my first brick and mortar Portland Gear store in S
W Portland next to Providence Park. \;Graduating in 2008 from Century
High School in Hillsboro\, and The University of Oregon with a degree in
Digital Arts and Business in 2012\, Portland is where I call home.
\;
Sponsored by the Center for Entrepreneurship and the
Career Center.
UID:20170307T193000Z-224091@college.lclark.edu
DTSTAMP:20170223T100901Z
URL:https://college.lclark.edu/live/events/222934-lunch-with-a-leader-mar
cus-harvey
LAST-MODIFIED:20170223T180901Z
ATTACH:https://college.lclark.edu/live/image/gid/416/width/80/height/80/c
rop/1/src_region/253,335,1061,1143/64499_marcus_harvey.rev.1484947645.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:224091
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/416/width/80/
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1484947645.jpg
X-LIVEWHALE-SUMMARY:At 26 years old\, Marcus Harvey has
combined social media savvy and great design to create Portland's favorit
e new brand \;Por
tland Gear. Learn how he did it and what is next.
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170309T135000
DTEND;TZID=America/Los_Angeles:20170309T145000
LOCATION:Miller 102
SUMMARY:Compassion as Moral Virtue: The Wise and Foolish Virgins in Gothi
c Sculpture
DESCRIPTION:In the middle of the thirteenth century\, the Wise and Foolis
h Virgins stepped from a marginal place into the physical and conceptual
center of some major ecclesiastical portal programs. This move\, which ga
ve a privileged place to fictive characters in a spoken parable rather th
an to holy heroes of sacred history\, was important not only iconographic
ally\; it also entailed a new valorization of emotional expressivity in t
he representation of bodies and faces\, and gave to beholders a new kind
of participatory power as they moved into sacred space. Focusing on the m
ajor programs at the cathedrals of Magdeburg and Strasbourg\, and drawing
on theological and dramatic literature from the time\, this paper explor
es the novel ways in which expressive features were mobilized in sculptur
e to prompt diverse kinds of responses in beholders. Whereas some program
s encouraged viewers to make clear moral judgments on the unprepared and
ill-behaved Foolish Virgins\, others placed them in an ambivalent positio
n\, withholding information about the Virgins' moral condition in favor o
f highlighting their emotional reactions to being excluded from heaven. B
y prompting feelings of compassion – vicarious participation in the suf
fering of others – the sculptures helped beholders replenish their own
reserves of spiritual oil so as to make a worthy entrance into the symbol
ic heaven of the church. \; \; Professor Jacqueline Jung special
izes in the art and architecture of the medieval West\, with an emphasis
on the figural sculpture of Gothic Germany and France. Her teaching encom
passes the history of medieval sculpture\, images of death and apocalypse
\, art and ritual in the Middle Ages\, Gothic cathedrals\, medieval image
-theory\, medieval memory practices\, monumental narrative arts\, the bod
y as medium in medieval art and sculpture\, and the interrelations betwee
n art and visionary experience. \; Funded with the generous support
of the International Center for Medieval Art\, Forsyth Lecture Fund as we
ll as additional support from Lewis &\; Clark Art Department \; &
#160\;
X-ALT-DESC;FMTTYPE=text/html:
In the middle of the thirteen
th century\, the Wise and Foolish Virgins stepped from a marginal place i
nto the physical and conceptual center of some major ecclesiastical porta
l programs. This move\, which gave a privileged place to fictive characte
rs in a spoken parable rather than to holy heroes of sacred history\, was
important not only iconographically\; it also entailed a new valorizatio
n of emotional expressivity in the representation of bodies and faces\, a
nd gave to beholders a new kind of participatory power as they moved into
sacred space. Focusing on the major programs at the cathedrals of Magdeb
urg and Strasbourg\, and drawing on theological and dramatic literature f
rom the time\, this paper explores the novel ways in which expressive fea
tures were mobilized in sculpture to prompt diverse kinds of responses in
beholders. Whereas some programs encouraged viewers to make clear moral
judgments on the unprepared and ill-behaved Foolish Virgins\, others plac
ed them in an ambivalent position\, withholding information about the Vir
gins' moral condition in favor of highlighting their emotional reactions
to being excluded from heaven. By prompting feelings of compassion – vi
carious participation in the suffering of others – the sculptures helpe
d beholders replenish their own reserves of spiritual oil so as to make a
worthy entrance into the symbolic heaven of the church. \; \;
Professor Jacqueline Jung sp
ecializes in the art and architecture of the medieval West\, with an emph
asis on the figural sculpture of Gothic Germany and France. Her teaching
encompasses the history of medieval sculpture\, images of death and apoca
lypse\, art and ritual in the Middle Ages\, Gothic cathedrals\, medieval
image-theory\, medieval memory practices\, monumental narrative arts\, th
e body as medium in medieval art and sculpture\, and the interrelations b
etween art and visionary experience. \;
Funded with
the generous support of the International Center for Medieval Art\, Fors
yth Lecture Fund as well as additional support from Lewis &\; Clark Ar
t Department \;
\;
UID:20170309T215000Z-224741@college.lclark.edu
DTSTAMP:20170303T093435Z
URL:https://college.lclark.edu/live/events/224741-compassion-as-moral-vir
tue-the-wise-and-foolish
CATEGORIES:Open to the Public
LAST-MODIFIED:20170303T173508Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/65473_screen_shot_2017-03-03_at_93458_am.rev.1488562471.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:224741
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/65473_screen_shot_2017-03-03_at_93458_am.rev.1488562471.j
pg
X-LIVEWHALE-SUMMARY:Lecture by Professor Jacqueline Jung\, Yale Universit
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170314T113000
DTEND;TZID=America/Los_Angeles:20170314T123000
LOCATION:J.R. Howard\, Room 302
SUMMARY:Lunch with a Leader: Brian Lindstrom
DESCRIPTION:Click here to register! (https://goo.gl/forms/HXYZLx9kl2Wv2ub
v2)Brian Lindstrom's award-winning films attempt to reduce stigma and rev
eal the humanity of people living on the margins.Alien Boy: The Life and
Death of James Chasse (https://www.youtube.com/watch?v=V_dF84EtBVI) explo
res police accountability in the brutal death of a non-violent man with s
chizophrenia.Finding Normal (https://vimeo.com/171407462) follows longtim
e heroin and crack addicts trying to rebuild their lives with the help of
recovery mentors. His latest film\, Mothering Inside (https://vimeo.com
/121860580)\, focuses on the Family Preservation Project at Coffee Creek
Correctional Facility in Wilsonville\, Oregon which helps inmate moms dev
elop and maintain loving relationships with their children. Midway thru f
ilming\, the Oregon Dept. of Corrections announced plans to de-fund the p
rogram despite its astonishing recidivism rate of zero. An earlier versio
n of the film helped mobilize public support. In response\, the Oregon le
gislature passed a bill funding the Family Preservation Project for two m
ore years. Lindstrom is currently making documentaries on the late singe
r/songwriter Judee Sill\, and a marathon at MacLaren Youth Correctional F
acility in Woodburn\, Oregon. He is also collaborating with his wife Cher
yl Strayed on a tv series for HBO. \;Sponsored by the Center for En
trepreneurship and the Career Center.
X-ALT-DESC;FMTTYPE=text/html:
Fin
ding Normal follows longtime heroin and crack addicts trying to
rebuild their lives with the help of recovery mentors.
His latest
film\, Motheri
ng Inside\, focuses on the Family Preservation Project at Coffee
Creek Correctional Facility in Wilsonville\, Oregon which helps inmate m
oms develop and maintain loving relationships with their children. Midway
thru filming\, the Oregon Dept. of Corrections announced plans to de-fun
d the program despite its astonishing recidivism rate of zero. An earlier
version of the film helped mobilize public support. In response\, the Or
egon legislature passed a bill funding the Family Preservation Project fo
r two more years.
Lindstrom is currently making documentaries on
the late singer/songwriter Judee Sill\, and a marathon at MacLaren Youth
Correctional Facility in Woodburn\, Oregon. He is also collaborating with
his wife Cheryl Strayed on a tv series for HBO.
\;
Sponsored by the Center for Entrepreneurship and the Career Center.
UID:20170314T183000Z-224041@college.lclark.edu
DTSTAMP:20170221T095554Z
URL:https://college.lclark.edu/live/events/222935-lunch-with-a-leader-bri
an-lindstrom
LAST-MODIFIED:20170221T175554Z
ATTACH:https://college.lclark.edu/live/image/gid/416/width/80/height/80/c
rop/1/src_region/59,0,216,157/64498_brian_lindstrom.jpeg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:224041
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/416/width/80/
height/80/crop/1/src_region/59\,0\,216\,157/64498_brian_lindstrom.jpeg
X-LIVEWHALE-SUMMARY:How do you go from Lewis &\; Clark to an award-win
ning documentarian and co-writing a pilot for HBO? Join alumnus <
a href="https://en.wikipedia.org/wiki/Brian_Lindstrom" target="_blank">Br
ian Lindstrom \;talk about his non-linear career path\,
his work\, and a professor who made a difference.
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170321T113000
DTEND;TZID=America/Los_Angeles:20170321T123000
LOCATION:J.R. Howard\, Room 302
SUMMARY:Lunch with a Leader: Kazi Huque
DESCRIPTION:Click here to register! (https://goo.gl/forms/5rUEKzbTjyOoyzQ
g1)Kazi Huque is the CEO of Grameen Intel Social Business Ltd (http://www
.grameen-intel.com/)\, on secondment from Intel Corporation. He has 16 ye
ars of experience with Intel in their Finance Division and has led many w
orldwide investment projects. Prior to Intel\, Kazi worked for a high tec
h startup company (acquired by Oxford Molecular) and worked as a technolo
gy consultant for EDS\, now a division of HP. Kazi Huque has a bachelors
in applied mathematics\, computer science and an MBA from the University
of Rochester. \;Sponsored by the Center for Entrepreneurship and the
Career Center.
X-ALT-DESC;FMTTYPE=text/html:
Kazi Huque is the CEO of Grameen Intel Social Business Ltd\, on s
econdment from Intel Corporation. He has 16 years of experience with Inte
l in their Finance Division and has led many worldwide investment project
s. Prior to Intel\, Kazi worked for a high tech startup company (acquired
by Oxford Molecular) and worked as a technology consultant for EDS\, now
a division of HP.
Kazi Huque has a bachelors in applied mathemat
ics\, computer science and an MBA from the University of Rochester.
\;
Sponsored by t
he Center for Entrepreneurship and the Career Center.
UID:20170321T183000Z-224090@college.lclark.edu
DTSTAMP:20170223T100859Z
URL:https://college.lclark.edu/live/events/223251-lunch-with-a-leader-kaz
i-huque
LAST-MODIFIED:20170223T180859Z
ATTACH:https://college.lclark.edu/live/image/gid/416/width/80/height/80/c
rop/1/src_region/0,1,250,251/64575_kazi_huque.rev.1485380499.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:224090
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/416/width/80/
height/80/crop/1/src_region/0\,1\,250\,251/64575_kazi_huque.rev.148538049
9.jpg
X-LIVEWHALE-SUMMARY:How do you go from the way things are to the way thin
gs ought to be? Join Kazi Huque of Grameen-Intel and learn how he use
s science and tech to execute entrepreneurial solutions to health\, agric
ultural\, and educational issues in developing countries.
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170407T170000
DTEND;TZID=America/Los_Angeles:20170407T190000
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Senior Art Exhibition Opening
DESCRIPTION:This year's Senior Art Exhibition showcases the work of 14 Le
wis &\; Clark art majors. An annual celebration of students' talents a
nd vision\, these exhibitions have been recognized by media including the
\;Wall Street Journal \;for their quality\, depth\, and breadth.
Senior Art Exhibition (https://www.lclark.edu/hoffman_gallery/)To Be Very
TenderApril 7 to May 7 Opening Reception: \;Friday\, April 7\, 5
to 7 p.m.
X-ALT-DESC;FMTTYPE=text/html:
This year's Senior Art Exhibition showc
ases the work of 14 Lewis &\; Clark art majors. An annual celebration
of students' talents and vision\, these exhibitions have been recognized
by media including the \;Wall Street Journal \;for their
quality\, depth\, and breadth.
To Be Very Tender April 7 to M
ay 7 Opening Reception: \;Friday\, April 7\, 5 to 7 p.
m.
UID:20170408T000000Z-230872@college.lclark.edu
DTSTAMP:20170403T134734Z
URL:https://college.lclark.edu/live/events/229796-senior-art-exhibition-o
pening
CATEGORIES:Open to the Public
LAST-MODIFIED:20170403T204734Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/65697_senior_art_exhibition_artwork_2017.rev.1489615476.jpg
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X-LIVEWHALE-IMAGE-CAPTION:Phase\, by Shay Myerson
X-LIVEWHALE-COST:Free
X-LIVEWHALE-SUMMARY:This year's Senior Art Exhibition showcases the work
of 14 Lewis &\; Clark art majors.
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170518T180000
DTEND;TZID=America/Los_Angeles:20170518T190000
LOCATION:Portland Art Museum
GEO:45.516299;-122.683582
SUMMARY:Artist Talk: Prof. Joel Fisher
DESCRIPTION:Joel received a Bachelor of Arts in English from the Universi
ty of New Hampshire and Master in Fine Arts from the Rhode Island School
of Design. He has worked and studied at the Hochschule für Grafik und Bu
chkunst in Leipzig\, Germany\, on a Fulbright Fellowship\, and his photog
raphs have shown nationally and internationally in both group and solo ex
hibitions. Most recently\, he participated in the Lower Manhattan Cultura
l Council's \;Workspace \;program. He is an Assistant Professor o
f Art and Studio Head of Photography at Lewis &\; Clark College. Pr
ogram begins at 6 p.m. $5 members\, $19.99 non-members\, $16.99 seniors.
Space is limited. Tickets available online or on site. \;Purchase tic
kets (http://11099a.blackbaudhosting.com/11099a/tickets?tab=2&\;txobji
d=d623f64a-7627-4fc5-adb4-f58300188af3)
X-ALT-DESC;FMTTYPE=text/html:
Joel received a Bachelor of Arts in English from t
he University of New Hampshire and Master in Fine Arts from the Rhode Isl
and School of Design. He has worked and studied at the Hochschule für Gr
afik und Buchkunst in Leipzig\, Germany\, on a Fulbright Fellowship\, and
his photographs have shown nationally and internationally in both group
and solo exhibitions. Most recently\, he participated in the Lower Manhat
tan Cultural Council's \;Workspace \;program. He is an A
ssistant Professor of Art and Studio Head of Photography at Lewis &\;
Clark College.
Program begins at 6 p.m. $5 members\, $19.99
non-members\, $16.99 seniors. Space is limited. Tickets available online
or on site.
UID:20170519T010000Z-237538@college.lclark.edu
DTSTAMP:20170511T112557Z
URL:https://college.lclark.edu/live/events/237538-artist-talk-prof-joel-f
isher
LAST-MODIFIED:20170511T182557Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/66735_joel-fisher-390x260.rev.1494526907.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:237538
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
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X-LIVEWHALE-SUMMARY:Joel Fisher\, \;Assistant Professor of Art and St
udio Head of Photography at Lewis &\; Clark College will give an artis
t talk at Portland Art Museum.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170910
DTEND;VALUE=DATE:20170911
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20170910T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
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height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170910T150000
DTEND;TZID=America/Los_Angeles:20170910T170000
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House Opening Reception
DESCRIPTION:Opening reception for \;Fun House \;featuring an arti
st talk with Bill Will and carnival-themed refreshments from The Bon!
0\; Portland artist Bill Will has used the Hoffman Gallery as a venue fo
r a site-specific interactive art experience he calls the \;Fun House
. He has conceived a menagerie of mechanical artworks that\, together\, f
orm a dramatic and cacophonous spectacle\, where all elements intersect a
nd overlap to create an experiential environment\, like a circus of artwo
rk and related contraptions. Sculptural objects\, both static and kinetic
\, are combined with composed sound recordings and the live sounds of whi
rring mechanisms\; theatrical lighting and ambient breezes (produced by l
arge fans) create a multi-sensory experience. \;Fun House \;requi
res participants to follow a circuitous marked course\; devices start and
stop suddenly\, objects suddenly become illuminated\, then fade away int
o the darkness. This is an art installation that crosses the boundary int
o theater\, where the visitor completes the experience.Fun House \;en
ds with a "gift shop" where Will and his partner\, LeBrie Rich\, have dev
ised an array of delightfully humorous souvenirs for sale. The exhibition
is accompanied by a fully-illustrated catalogue with an essay by Linda T
esner.
X-ALT-DESC;FMTTYPE=text/html:
Opening reception for \;F
un House \;featuring an artist talk with Bill Will and carnival-
themed refreshments from The Bon! \;
Portland artist
Bill Will has used the Hoffman Gallery as a venue for a site-specific in
teractive art experience he calls the \;Fun House. He has co
nceived a menagerie of mechanical artworks that\, together\, form a drama
tic and cacophonous spectacle\, where all elements intersect and overlap
to create an experiential environment\, like a circus of artwork and rela
ted contraptions. Sculptural objects\, both static and kinetic\, are comb
ined with composed sound recordings and the live sounds of whirring mecha
nisms\; theatrical lighting and ambient breezes (produced by large fans)
create a multi-sensory experience. \;Fun House \;require
s participants to follow a circuitous marked course\; devices start and s
top suddenly\, objects suddenly become illuminated\, then fade away into
the darkness. This is an art installation that crosses the boundary into
theater\, where the visitor completes the experience.
Fun House
\;ends with a "gift shop" where Will and his partner\, LeBrie R
ich\, have devised an array of delightfully humorous souvenirs for sale.
The exhibition is accompanied by a fully-illustrated catalogue with an es
say by Linda Tesner.
UID:20170910T220000Z-249586@college.lclark.edu
DTSTAMP:20170727T143156Z
URL:https://college.lclark.edu/live/events/249419-bill-will-fun-house-ope
ning-reception
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213156Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/67603_billwill_72017027_copy.rev.1501108568.jpg
X-LIVEWHALE-TYPE:events
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X-LIVEWHALE-SUMMARY:Opening reception for \;Fun House\, 
\;featuring an artist talk with Bill Will and carnival-themed refreshment
s from The Bon\, including hot dogs\, corn dogs\, cotton candy\, snow con
es\, lemonade\, etc.!
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170911
DTEND;VALUE=DATE:20170912
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20170911T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
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X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170912
DTEND;VALUE=DATE:20170913
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20170912T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170912T190000
DTEND;TZID=America/Los_Angeles:20170912T200000
LOCATION:Miller 102
SUMMARY:Artist Talk- Ryan Pierce
DESCRIPTION:Ryan Pierce's vivid\, large-scale paintings depict our world
recovering from human industry. He draws on influences from ecological th
eory\, literature\, and folk art to create scenes that portray the resili
ence of the natural world. He has exhibited internationally and his work
has been recognized by grants from the Joan Mitchell and San Francisco F
oundations\, and the Regional Arts and Culture Council\, as well as by re
views in Art in America\, Art Papers\, and The Oregonian. Pierce has been
an artist in residence at the Ucross Foundation\, Caldera\, and Lademoen
Kunstnerverksteder in Norway\, and a fellow at the Jordan Schnitzer Prin
tmaking Residency at Sitka Center for Art &\; Ecology. Pierce has taug
ht at colleges and universities throughout Oregon and lectured as a Visit
ing Artist at more than 30 institutions. In 2012\, he was the recipient o
f an Individual Artist Fellowship from the Oregon Arts Commission. He is
represented by Elizabeth Leach Gallery in Portland. Pierce is the co-fou
nder\, with activist Amy Harwood\, of Signal Fire\, a group that facilita
tes wilderness residencies and retreats for artists of all disciplines.
\;Ryan Pierce's talk is in Conjunction withArt 311: Studio Seminar O
n Contemporary Art Theory And PracticeVisiting Artist Lecture Series 
60\;
X-ALT-DESC;FMTTYPE=text/html:
Ryan Pierce's vivid\, large-scale paint
ings depict our world recovering from human industry. He draws on influen
ces from ecological theory\, literature\, and folk art to create scenes t
hat portray the resilience of the natural world.
He has exhibited
internationally and his work has been recognized by grants from the Joan
Mitchell and San Francisco Foundations\, and the Regional Arts and Cultu
re Council\, as well as by reviews in Art in America\, Art Papers\, and T
he Oregonian. Pierce has been an artist in residence at the Ucross Founda
tion\, Caldera\, and Lademoen Kunstnerverksteder in Norway\, and a fellow
at the Jordan Schnitzer Printmaking Residency at Sitka Center for Art &a
mp\; Ecology. Pierce has taught at colleges and universities throughout O
regon and lectured as a Visiting Artist at more than 30 institutions. In
2012\, he was the recipient of an Individual Artist Fellowship from the O
regon Arts Commission. He is represented by Elizabeth Leach Gallery in Po
rtland.
Pierce is the co-founder\, with activist Amy Harwood\, of
Signal Fire\, a group that facilitates wilderness residencies and retrea
ts for artists of all disciplines.
\;
<
strong>Ryan Pierce's talk is in Conjunction with
Art 311: Studio Seminar On Contemporary Art Theory And Prac
tice
Visiting Artist Lecture Series
\;
UID:20170913T020000Z-257739@college.lclark.edu
DTSTAMP:20170906T111112Z
URL:https://college.lclark.edu/live/events/257739-artist-talk-ryan-pierce
CATEGORIES:Open to the Public
LAST-MODIFIED:20170906T181139Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/67962_pierce.rev.1504721467.jpg
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X-LIVEWHALE-SUMMARY:Artist Talk by Visiting Faculty Member Ryan Pierce
X-LIVEWHALE-TAGS:art criticism|art history|Art Studio Faculty|art|arts|le
cture|lecturer|open to the public|send-to-undergraduate
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170913
DTEND;VALUE=DATE:20170914
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20170913T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170914
DTEND;VALUE=DATE:20170915
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20170914T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
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height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170915
DTEND;VALUE=DATE:20170916
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20170915T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170916
DTEND;VALUE=DATE:20170917
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20170916T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170917
DTEND;VALUE=DATE:20170918
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20170917T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
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height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170918
DTEND;VALUE=DATE:20170919
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20170918T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170919
DTEND;VALUE=DATE:20170920
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20170919T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170920
DTEND;VALUE=DATE:20170921
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20170920T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170921
DTEND;VALUE=DATE:20170922
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20170921T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170922
DTEND;VALUE=DATE:20170923
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20170922T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170923
DTEND;VALUE=DATE:20170924
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20170923T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170924
DTEND;VALUE=DATE:20170925
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20170924T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170925
DTEND;VALUE=DATE:20170926
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20170925T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170926
DTEND;VALUE=DATE:20170927
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20170926T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170927
DTEND;VALUE=DATE:20170928
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20170927T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170928
DTEND;VALUE=DATE:20170929
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20170928T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170929
DTEND;VALUE=DATE:20170930
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20170929T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170930
DTEND;VALUE=DATE:20171001
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20170930T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171001
DTEND;VALUE=DATE:20171002
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171001T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171002
DTEND;VALUE=DATE:20171003
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171002T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171003
DTEND;VALUE=DATE:20171004
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171003T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171003T170000
DTEND;TZID=America/Los_Angeles:20171003T180000
LOCATION:Miller Hall 105
GEO:45.450858;-122.668265
SUMMARY:Critical Hip Hop Studies: Hope\, Possibility\, and Resistance. Pr
esentation with Dr. Daymond Glenn
DESCRIPTION:Critical Hip Hop Studies: Hope\, Possibility\, and Resistance
A presentation with Dr. Daymond Glenn\, visiting assistant professor and
assistant director of Teaching for Excellence. \; This talk will dis
cuss how hip-hop culture can offer sites of hope\, possibility\, and resi
stance against the social and structural marginalization that Black males
face in urban America. Additionally\, this talk will discuss how mainstr
eam hip-hop culture (i.e.\, rap music) has been coopted\, commodified\, c
ommercialized\, and corrupted by corporate elites who sell Blackness back
to the consumer in a degrading\, dysfunctional\, and pathological form\,
which then becomes the baseline for how Black identity is formed\, negot
iated\, understood\, and reproduced in the larger public sphere. \;
TUESDAY\, OCTOBER 3 5:00 PM in MILLER 105 \; Co-sponsored by Et
hnic Studies\, IME (Office of Inclusion and Multicultural Engagement)\, a
nd SOAN. \; Contact: ethnics@lclark.edu \; \; \; &#
160\;Download the flyer here! (https://college.lclark.edu/live/files/2467
3-updatehiphopdaymondglennpdf) \;This talk is free and open to the
publicParking permits are required in all campus parking lots Monday thro
ugh Friday\, 7 am to 7 pm\, during the fall and spring semesters.Please g
o to the transportation and parking page for more information. (https://w
ww.lclark.edu/offices/transportation_and_parking/overview/) \; 
\;
X-ALT-DESC;FMTTYPE=text/html:
Critical Hip Hop Studies: Hope\, Possi
bility\, and Resistance
A presentation with Dr. Day
mond Glenn\, visiting assistant professor and assistant director of Teach
ing for Excellence.
\;
This
talk will discuss how hip-hop culture can offer sites of hope\, possibil
ity\, and resistance against the social and structural marginalization th
at Black males face in urban America. Additionally\, this talk will discu
ss how mainstream hip-hop culture (i.e.\, rap music) has been coopted\, c
ommodified\, commercialized\, and corrupted by corporate elites who sell
Blackness back to the consumer in a degrading\, dysfunctional\, and patho
logical form\, which then becomes the baseline for how Black identity is
formed\, negotiated\, understood\, and reproduced in the larger public sp
here.
\;
TUESDAY\, O
CTOBER 3
5:00 PM in MILLER 105
\;
Co-sponsored by Ethnic Studies\, IME (Office of Inclusion and Mult
icultural Engagement)\, and SOAN.
<
p style="text-align: left\;">Parking permits are required in all camp
us parking lots Monday through Friday\, 7 am to 7 pm\, during the fall an
d spring semesters.
UID:20171004T000000Z-262512@college.lclark.edu
DTSTAMP:20170928T123710Z
URL:https://college.lclark.edu/live/events/261983-critical-hip-hop-studie
s-hope-possibility-and
CATEGORIES:Open to the Public
LAST-MODIFIED:20170928T193710Z
ATTACH:https://college.lclark.edu/live/image/gid/68/width/80/height/80/cr
op/1/src_region/0,0,480,480/68486_updatethumbnailhiphop.rev.1506444551.jp
g
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:262512
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/68/width/80/h
eight/80/crop/1/src_region/0\,0\,480\,480/68486_updatethumbnailhiphop.rev
.1506444551.jpg
X-LIVEWHALE-SUMMARY:Critical Hip Hop Studies: Hope\, Possibility\, and Re
sistant. A Presentation with Dr. Daymond Glenn\, visiting assistant profe
ssor and assistant director of the Teaching Excellence program.
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171003T193000
DTEND;TZID=America/Los_Angeles:20171003T203000
SUMMARY:Artist Talk- Pat Boas
DESCRIPTION:Pat Boas' work has been shown at the Portland Art Museum\,
60\;Elizabeth Leach Gallery\, \;PDX Contemporary\, \;the Art Gym
and Disjecta Contemporary Art Center\, in Portland\, Oregon\; the Hallie
Ford Museum in Salem\, Oregon\; the Center for Contemporary Art in Santa
Fe\, New Mexico\; the Boise Art Museum\; the Salt Lake Art Center\; the N
icolaysen Museum in Casper\, Wyoming\; the Center on Contemporary Art in
Seattle and the Cleveland Museum of Art. She is a 2017 Hallie Ford Visual
Arts Fellow and the recipient of honors\, fellowships\, grants and resid
encies from the Bonnie Bronson Fund\, Caldera Arts Foundation\, \;the
Corporation of Yaddo\, \;the Ford Family Foundation\, Harold and Arl
ene Schnitzer CARE Foundation\, Jentel Foundation\, Oregon Arts Commissio
n\, Oregon College of Arts and Craft\, Pollock-Krasner Foundation\, Portl
and Art Museum\, and Oregon's Regional Arts and Culture Council and among
others. Reviews of Boas' work have appeared in \;Art in America 
\;and \;Art Papers. \;She is \;represented by Elizabeth Leach
Gallery in Portland\, Oregon and is an associate professor and director
of the School of Art + Design at Portland State University. \;Pat B
oas's talk is in Conjunction withArt 311: Studio Seminar On Contemporary
Art Theory And PracticeVisiting Artist Lecture Series
X-ALT-DESC;FMTTYPE=text/html:
Pat Boas' work has been shown at the Po
rtland Art Museum\, \;Elizabeth Leach Gallery\, \;PDX Contemporar
y\, \;the Art Gym and Disjecta Contemporary Art Center\, in Portland\
, Oregon\; the Hallie Ford Museum in Salem\, Oregon\; the Center for Cont
emporary Art in Santa Fe\, New Mexico\; the Boise Art Museum\; the Salt L
ake Art Center\; the Nicolaysen Museum in Casper\, Wyoming\; the Center o
n Contemporary Art in Seattle and the Cleveland Museum of Art. She is a 2
017 Hallie Ford Visual Arts Fellow and the recipient of honors\, fellowsh
ips\, grants and residencies from the Bonnie Bronson Fund\, Caldera Arts
Foundation\, \;the Corporation of Yaddo\, \;the Ford Family Found
ation\, Harold and Arlene Schnitzer CARE Foundation\, Jentel Foundation\,
Oregon Arts Commission\, Oregon College of Arts and Craft\, Pollock-Kras
ner Foundation\, Portland Art Museum\, and Oregon's Regional Arts and Cul
ture Council and among others. Reviews of Boas' work have appeared in
0\;Art in America \;and \;Art Papers. \;She is \;represen
ted by Elizabeth Leach Gallery in Portland\, Oregon and is an associate p
rofessor and director of the School of Art + Design at Portland State Uni
versity.
\;
Pat Boas's talk is
in Conjunction with
Art 311: Studio
Seminar On Contemporary Art Theory And Practice
Visiting Artist Lecture Series
UID:20171004T023000Z-262513@college.lclark.edu
DTSTAMP:20170928T124216Z
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LAST-MODIFIED:20170928T194216Z
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20171004
DTEND;VALUE=DATE:20171005
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171004T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
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X-LIVEWHALE-ALL-DAY:1
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\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
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al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20171005
DTEND;VALUE=DATE:20171006
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171005T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
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LAST-MODIFIED:20170727T213138Z
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DTSTART;VALUE=DATE:20171006
DTEND;VALUE=DATE:20171007
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171006T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
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where all elements intersect and overlap to create an experiential envir
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20171007
DTEND;VALUE=DATE:20171008
LOCATION:Hoffman Gallery
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SUMMARY:Bill Will: Fun House
UID:20171007T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
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where all elements intersect and overlap to create an experiential envir
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20171008
DTEND;VALUE=DATE:20171009
LOCATION:Hoffman Gallery
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SUMMARY:Bill Will: Fun House
UID:20171008T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
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X-LIVEWHALE-ALL-DAY:1
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\n Portland artist Bill Will has used the Hoffman
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where all elements intersect and overlap to create an experiential envir
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END:VEVENT
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DTSTART;VALUE=DATE:20171009
DTEND;VALUE=DATE:20171010
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171009T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
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LAST-MODIFIED:20170727T213138Z
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X-LIVEWHALE-ALL-DAY:1
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\n Portland artist Bill Will has used the Hoffman
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where all elements intersect and overlap to create an experiential envir
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171010
DTEND;VALUE=DATE:20171011
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171010T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
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LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
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X-LIVEWHALE-ALL-DAY:1
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\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171011
DTEND;VALUE=DATE:20171012
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171011T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
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X-LIVEWHALE-ALL-DAY:1
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\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171011
DTEND;VALUE=DATE:20171012
SUMMARY:CALL FOR PROPOSALS: Gender Studies Symposium
DESCRIPTION:
X-ALT-DESC;FMTTYPE=text/html:
UID:20171011T070000Z-264680@college.lclark.edu
DTSTAMP:20171009T135935Z
URL:https://college.lclark.edu/live/events/262266-call-for-proposals-gend
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X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:We are now accepting proposals for the 37th Annual Ge
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ore details!
X-LIVEWHALE-REPEATS-UNTIL:2017-11-03 07:00:00
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171012
DTEND;VALUE=DATE:20171013
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171012T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
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X-LIVEWHALE-ALL-DAY:1
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\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20171013
DTEND;VALUE=DATE:20171014
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171013T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
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X-LIVEWHALE-ALL-DAY:1
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\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171014
DTEND;VALUE=DATE:20171015
LOCATION:Hoffman Gallery
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SUMMARY:Bill Will: Fun House
UID:20171014T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
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LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
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X-LIVEWHALE-ALL-DAY:1
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Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171015
DTEND;VALUE=DATE:20171016
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171015T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
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LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
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X-LIVEWHALE-ALL-DAY:1
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where all elements intersect and overlap to create an experiential envir
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171016
DTEND;VALUE=DATE:20171017
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171016T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
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LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
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X-LIVEWHALE-ALL-DAY:1
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where all elements intersect and overlap to create an experiential envir
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171017
DTEND;VALUE=DATE:20171018
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171017T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
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X-LIVEWHALE-ALL-DAY:1
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\n Portland artist Bill Will has used the Hoffman
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ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171018
DTEND;VALUE=DATE:20171019
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171018T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
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X-LIVEWHALE-TYPE:events
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X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
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where all elements intersect and overlap to create an experiential envir
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171019
DTEND;VALUE=DATE:20171020
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171019T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
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X-LIVEWHALE-ALL-DAY:1
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where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171020
DTEND;VALUE=DATE:20171021
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171020T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
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X-LIVEWHALE-ALL-DAY:1
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where all elements intersect and overlap to create an experiential envir
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171021
DTEND;VALUE=DATE:20171022
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171021T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
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X-LIVEWHALE-ALL-DAY:1
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where all elements intersect and overlap to create an experiential envir
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171022
DTEND;VALUE=DATE:20171023
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171022T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
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X-LIVEWHALE-ALL-DAY:1
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Gallery as a venue for a site-specific interactive art experience he cal
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al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171023
DTEND;VALUE=DATE:20171024
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171023T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
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X-LIVEWHALE-ALL-DAY:1
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ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171024
DTEND;VALUE=DATE:20171025
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171024T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
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X-LIVEWHALE-ALL-DAY:1
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ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171024T153000
DTEND;TZID=America/Los_Angeles:20171024T163000
LOCATION:Fields Art Building
SUMMARY:Art Department Meet You Major
DESCRIPTION:The Art department invites you to a fall gathering to meet fa
culty\, staff and other students. Come celebrate the fall with pumpkin ca
rving and lots of seasonal foods!
X-ALT-DESC;FMTTYPE=text/html:
The Art department invites you to a fal
l gathering to meet faculty\, staff and other students. Come celebrate th
e fall with pumpkin carving and lots of seasonal foods!
UID:20171024T223000Z-266125@college.lclark.edu
DTSTAMP:20171017T101532Z
URL:https://college.lclark.edu/live/events/266125-art-department-meet-you
-major
CATEGORIES:Open to the Public
LAST-MODIFIED:20171017T171532Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/69002_meetyourmajor-2017.rev.1508260527.jpg
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X-LIVEWHALE-IMAGE-CAPTION:Leaves Autumn Fall Autumn Leaves Colourful
X-LIVEWHALE-SUMMARY:The Art department invites you to a fall gathering to
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X-LIVEWHALE-TAGS:Art History Faculty|art history|Art Studio Faculty|art|a
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171025
DTEND;VALUE=DATE:20171026
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171025T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
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X-LIVEWHALE-ALL-DAY:1
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\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171026
DTEND;VALUE=DATE:20171027
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171026T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
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X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
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X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171027
DTEND;VALUE=DATE:20171028
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171027T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
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height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
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\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171028
DTEND;VALUE=DATE:20171029
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171028T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
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X-LIVEWHALE-ALL-DAY:1
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\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171029
DTEND;VALUE=DATE:20171030
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171029T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
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X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171030
DTEND;VALUE=DATE:20171031
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171030T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171031
DTEND;VALUE=DATE:20171101
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171031T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171102
DTEND;VALUE=DATE:20171103
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171102T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171102
DTEND;VALUE=DATE:20171103
LOCATION:University of Puget Sound
SUMMARY:NW5 Painting Colloquium
DESCRIPTION:This two day inaugural conference serves as a platform to dis
cuss\, connect and engage with painting from a fresh perspective.There wi
ll be exhibits\, a keynote speaker\, and panel discussions. For more info
rmation about events\, please see the schedule below. While the conferen
ce is free\, registration is required.Roundtable Discussion: Painting and
the Liberal Arts\, Kittredge GalleryFriday November 3rd 5:00-6:30pmExhi
bition Reception at Kittredge Gallery \;Liberal: Recent Paintings fro
m the NW5 and Phenomenal \; 6:15-7:30pmArtists in the discussionCara
Tomlinson\, Lewis & Clark College Michael Knutson\, Reed College
Richard Martinez\, Whitman College Elise Richman\, University of Puge
t Sound James Thompson\, Willamette University 7:30-8:30pmKeyno
te Address\, Tahoma RoomLinda Besemer\, James Irvine Distinguished Profes
sor\, Art and Art History\, Occidental College \; Saturday\, N
ovember 4th 10:30-12:00pmPanel I: \;First Frame: Territory\, Pa
rtition\, Space in Contemporary PNW Painting\, Murray Board Room12:00-2:0
0pm \;Student Exhibition and Demos\, Thomas Hall2:00-3:00pmLecture
: James Thompson\, \;The Beauty\, Mystery\, and Terror of Color\,
0\;Murray Board Room 3:00-5:00pmPanel II: \;Phenomenal\, Kittredge
GalleryAll listed events are free and open to the public. \; &
#160\; \; \;
X-ALT-DESC;FMTTYPE=text/html:
This two day inaugural conference ser
ves as a platform to discuss\, connect and engage with painting from a fr
esh perspective.There will be exhibits\, a keynote speaker\, and panel di
scussions. For more information about events\, please see the schedule be
low.
While the conference is free\, registration is required. Roundtable Discussion: Painting and the Liberal Arts\,
Kittredge Gallery
Friday November 3rd
div>
5:00-6:30pm
Exhibition Reception at Kittredg
e Gallery \;Liberal: Recent Paintings from the NW5 and Phenomenal
\;
6:15-7:30pm
Artists in the discussion
Cara Tomlinson\, Lewis & Clark College
Michael K
nutson\, Reed College
Richard Martinez\, Whitman College <
/li>
Elise Richman\, University of Puget Sound
James Thomp
son\, Willamette University
7:30-8:30pm Keynote Address\, Tahoma Room
Linda Besemer\, James I
rvine Distinguished Professor\, Art and Art History\, Occidental College
\;
Saturday\, November 4th
<
p> 10:30-12:00pm Panel I: \;First Frame: Terri
tory\, Partition\, Space in Contemporary PNW Painting\, Murray Board
Room
12:00-2:00pm \; Student Exhibition and Demos\, Thomas Hall
2:00-3:00pm Lecture: James Thompson\, \;<
em>The Beauty\, Mystery\, and Terror of Color\, \;Murray Board R
oom
Al
l listed events are free and open to the public. \;
&#
160\;
\;
\;
UID:20171102T070000Z-265964@college.lclark.edu
DTSTAMP:20171016T135537Z
URL:https://college.lclark.edu/live/events/265964-nw5-painting-colloquium
LAST-MODIFIED:20171016T205537Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/68995_screen_shot_2017-10-16_at_113322_am.rev.1508178692.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:265964
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
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jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Exhibition and colloquium featuring faculty and stude
nts from Northwest 5 consortium. \;
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171103
DTEND;VALUE=DATE:20171104
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171103T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171103
DTEND;VALUE=DATE:20171104
LOCATION:University of Puget Sound
SUMMARY:NW5 Painting Colloquium
DESCRIPTION:This two day inaugural conference serves as a platform to dis
cuss\, connect and engage with painting from a fresh perspective.There wi
ll be exhibits\, a keynote speaker\, and panel discussions. For more info
rmation about events\, please see the schedule below. While the conferen
ce is free\, registration is required.Roundtable Discussion: Painting and
the Liberal Arts\, Kittredge GalleryFriday November 3rd 5:00-6:30pmExhi
bition Reception at Kittredge Gallery \;Liberal: Recent Paintings fro
m the NW5 and Phenomenal \; 6:15-7:30pmArtists in the discussionCara
Tomlinson\, Lewis & Clark College Michael Knutson\, Reed College
Richard Martinez\, Whitman College Elise Richman\, University of Puge
t Sound James Thompson\, Willamette University 7:30-8:30pmKeyno
te Address\, Tahoma RoomLinda Besemer\, James Irvine Distinguished Profes
sor\, Art and Art History\, Occidental College \; Saturday\, N
ovember 4th 10:30-12:00pmPanel I: \;First Frame: Territory\, Pa
rtition\, Space in Contemporary PNW Painting\, Murray Board Room12:00-2:0
0pm \;Student Exhibition and Demos\, Thomas Hall2:00-3:00pmLecture
: James Thompson\, \;The Beauty\, Mystery\, and Terror of Color\,
0\;Murray Board Room 3:00-5:00pmPanel II: \;Phenomenal\, Kittredge
GalleryAll listed events are free and open to the public. \; &
#160\; \; \;
X-ALT-DESC;FMTTYPE=text/html:
This two day inaugural conference ser
ves as a platform to discuss\, connect and engage with painting from a fr
esh perspective.There will be exhibits\, a keynote speaker\, and panel di
scussions. For more information about events\, please see the schedule be
low.
While the conference is free\, registration is required. Roundtable Discussion: Painting and the Liberal Arts\,
Kittredge Gallery
Friday November 3rd
div>
5:00-6:30pm
Exhibition Reception at Kittredg
e Gallery \;Liberal: Recent Paintings from the NW5 and Phenomenal
\;
6:15-7:30pm
Artists in the discussion
Cara Tomlinson\, Lewis & Clark College
Michael K
nutson\, Reed College
Richard Martinez\, Whitman College <
/li>
Elise Richman\, University of Puget Sound
James Thomp
son\, Willamette University
7:30-8:30pm Keynote Address\, Tahoma Room
Linda Besemer\, James I
rvine Distinguished Professor\, Art and Art History\, Occidental College
\;
Saturday\, November 4th
<
p> 10:30-12:00pm Panel I: \;First Frame: Terri
tory\, Partition\, Space in Contemporary PNW Painting\, Murray Board
Room
12:00-2:00pm \; Student Exhibition and Demos\, Thomas Hall
2:00-3:00pm Lecture: James Thompson\, \;<
em>The Beauty\, Mystery\, and Terror of Color\, \;Murray Board R
oom
Al
l listed events are free and open to the public. \;
&#
160\;
\;
\;
UID:20171103T070000Z-265964@college.lclark.edu
DTSTAMP:20171016T135537Z
URL:https://college.lclark.edu/live/events/265964-nw5-painting-colloquium
LAST-MODIFIED:20171016T205537Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/68995_screen_shot_2017-10-16_at_113322_am.rev.1508178692.jpg
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X-LIVEWHALE-TIMEZONE:America/Los_Angeles
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jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Exhibition and colloquium featuring faculty and stude
nts from Northwest 5 consortium. \;
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171104
DTEND;VALUE=DATE:20171105
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171104T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171104T000000
DTEND;TZID=America/Los_Angeles:20171104T010000
LOCATION:University of Puget Sound
SUMMARY:NW5 Painting Colloquium
DESCRIPTION:This two day inaugural conference serves as a platform to dis
cuss\, connect and engage with painting from a fresh perspective.There wi
ll be exhibits\, a keynote speaker\, and panel discussions. For more info
rmation about events\, please see the schedule below. While the conferen
ce is free\, registration is required.Roundtable Discussion: Painting and
the Liberal Arts\, Kittredge GalleryFriday November 3rd 5:00-6:30pmExhi
bition Reception at Kittredge Gallery \;Liberal: Recent Paintings fro
m the NW5 and Phenomenal \; 6:15-7:30pmArtists in the discussionCara
Tomlinson\, Lewis & Clark College Michael Knutson\, Reed College
Richard Martinez\, Whitman College Elise Richman\, University of Puge
t Sound James Thompson\, Willamette University 7:30-8:30pmKeyno
te Address\, Tahoma RoomLinda Besemer\, James Irvine Distinguished Profes
sor\, Art and Art History\, Occidental College \; Saturday\, N
ovember 4th 10:30-12:00pmPanel I: \;First Frame: Territory\, Pa
rtition\, Space in Contemporary PNW Painting\, Murray Board Room12:00-2:0
0pm \;Student Exhibition and Demos\, Thomas Hall2:00-3:00pmLecture
: James Thompson\, \;The Beauty\, Mystery\, and Terror of Color\,
0\;Murray Board Room 3:00-5:00pmPanel II: \;Phenomenal\, Kittredge
GalleryAll listed events are free and open to the public. \; &
#160\; \; \;
X-ALT-DESC;FMTTYPE=text/html:
This two day inaugural conference ser
ves as a platform to discuss\, connect and engage with painting from a fr
esh perspective.There will be exhibits\, a keynote speaker\, and panel di
scussions. For more information about events\, please see the schedule be
low.
While the conference is free\, registration is required. Roundtable Discussion: Painting and the Liberal Arts\,
Kittredge Gallery
Friday November 3rd
div>
5:00-6:30pm
Exhibition Reception at Kittredg
e Gallery \;Liberal: Recent Paintings from the NW5 and Phenomenal
\;
6:15-7:30pm
Artists in the discussion
Cara Tomlinson\, Lewis & Clark College
Michael K
nutson\, Reed College
Richard Martinez\, Whitman College <
/li>
Elise Richman\, University of Puget Sound
James Thomp
son\, Willamette University
7:30-8:30pm Keynote Address\, Tahoma Room
Linda Besemer\, James I
rvine Distinguished Professor\, Art and Art History\, Occidental College
\;
Saturday\, November 4th
<
p> 10:30-12:00pm Panel I: \;First Frame: Terri
tory\, Partition\, Space in Contemporary PNW Painting\, Murray Board
Room
12:00-2:00pm \; Student Exhibition and Demos\, Thomas Hall
2:00-3:00pm Lecture: James Thompson\, \;<
em>The Beauty\, Mystery\, and Terror of Color\, \;Murray Board R
oom
Al
l listed events are free and open to the public. \;
&#
160\;
\;
\;
UID:20171104T070000Z-265964@college.lclark.edu
DTSTAMP:20171016T135537Z
URL:https://college.lclark.edu/live/events/265964-nw5-painting-colloquium
LAST-MODIFIED:20171016T205537Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/68995_screen_shot_2017-10-16_at_113322_am.rev.1508178692.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:265964
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/68995_screen_shot_2017-10-16_at_113322_am.rev.1508178692.
jpg
X-LIVEWHALE-SUMMARY:Exhibition and colloquium featuring faculty and stude
nts from Northwest 5 consortium. \;
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171105
DTEND;VALUE=DATE:20171106
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171105T070000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171106
DTEND;VALUE=DATE:20171107
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171106T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171107
DTEND;VALUE=DATE:20171108
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171107T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171108
DTEND;VALUE=DATE:20171109
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171108T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171108
DTEND;VALUE=DATE:20171109
SUMMARY:Legacy: Race and Remembrance- 14th Annual Ray Warren Symposium
DESCRIPTION:Legacy: Race and Remembrance14th Annual Ray Warren Symposium
on Race and Ethnicity November 8-10\, 2017 \; \; Debates over t
he content of textbooks and the commemoration of past events reveal that
powerful structures and actors still determine how we remember and imagin
e. At the same time\, marginalized communities fight to reclaim their his
tories and ensure visibility in the face of erasure and forgetfulness\, b
y calling upon institutions to grapple with white supremacist pasts\, def
ending sacred spaces\, and preserving cultural tradition and practice. T
his year's symposium will explore questions of how we remember\, create\,
and tell our individual and collective histories. In what ways do race a
nd ethnicity shape how personal and national narratives are constructed?
Who must reckon with memory\, and who has the power to forget and manipul
ate it? What creative avenues are used to craft the stories we tell? How
does the work of remembering serve as a form of resistance and enable us
to imagine a more just future? \;View the current schedule here (ht
tps://college.lclark.edu/programs/ethnic_studies/symposium/archive/2017/s
chedule.php)
X-ALT-DESC;FMTTYPE=text/html:
Legacy: Race and Remembrance 14th Annual Ray Warren Symposium on Race and Ethnicity
<
p> November 8-10\, 2017 \; \;
Debates over the content o
f textbooks and the commemoration of past events reveal that powerful str
uctures and actors still determine how we remember and imagine. At the sa
me time\, marginalized communities fight to reclaim their histories and e
nsure visibility in the face of erasure and forgetfulness\, by calling up
on institutions to grapple with white supremacist pasts\, defending sacre
d spaces\, and preserving cultural tradition and practice.
This y
ear's symposium will explore questions of how we remember\, create\, and
tell our individual and collective histories. In what ways do race and et
hnicity shape how personal and national narratives are constructed? Who m
ust reckon with memory\, and who has the power to forget and manipulate i
t? What creative avenues are used to craft the stories we tell? How does
the work of remembering serve as a form of resistance and enable us to im
agine a more just future?
UID:20171108T080000Z-267440@college.lclark.edu
DTSTAMP:20171023T164408Z
URL:https://college.lclark.edu/live/events/266542-14th-annual-ray-warren-
symposium-legacy-race-and
CATEGORIES:Open to the Public
LAST-MODIFIED:20171023T234408Z
ATTACH:https://college.lclark.edu/live/image/gid/68/width/80/height/80/cr
op/1/src_region/0,0,417,417/69076_es_warrensymp_squaregraphic_092817.rev.
1508430193.jpg
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X-LIVEWHALE-ID:267440
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/68/width/80/h
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X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Join us at the 14th Annual Ray Warren Symposium on Ra
ce and Ethnic Studies in examining the way we remember the past\, reflect
ing on the stories we tell\, and imagining a more equitable future.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171108
DTEND;VALUE=DATE:20171109
SUMMARY:CARGO- Pop-up Art Exhibition
DESCRIPTION:This is a big week for the Senior Studio Art majors\, their p
op up box truck show opens \;this Wednesday \;11/8 from \;4-7
pm. The truck will be parked between Fields and Hoffman in front of Mille
r. Students will host an opening reception with refreshments from \;4
-7pm. \;On \;Thursday 11/9 \;from \;9am-12pm \;the st
udents will hold gallery hours. They will de-install the show between
0\;12pm-3pm \;and then we will drive the truck to the shows second lo
cation at Canteen restaurant at \;2816 SE Stark St\, Portland\, OR 97
214 (https://maps.google.com/?q=2816+SE+Stark+St\,+Portland\,+OR+97214&am
p\;entry=gmail&\;source=g) \;with an opening from \;5pm-8pm.
\;
X-ALT-DESC;FMTTYPE=text/html:
This is a big week for the Senior Stu
dio Art majors\, their pop up box truck show opens \;this Wednesday&#
160\;11/8 from \;4-7pm. The truck will be parked between Fields and H
offman in front of Miller. Students will host an opening reception with r
efreshments from \;4-7pm. \;On \;Thursday 11/9 \;from
0\;9am-12pm \;the students will hold gallery hours. They will de-inst
all the show between \;12pm-3pm \;and then we will drive the truc
k to the shows second location at Canteen restaurant at \;2816 SE Stark St\, Portland\, OR 97214 \;w
ith an opening from \;5pm-8pm.
\;
UID:20171108T080000Z-270747@college.lclark.edu
DTSTAMP:20171106T113411Z
URL:https://college.lclark.edu/live/events/270747-cargo-pop-up-art-exhibi
tion
LAST-MODIFIED:20171106T193411Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/69589_cargo_class_photo_poster.rev.1509996833.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:270747
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/69589_cargo_class_photo_poster.rev.1509996833.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Senior Art majors are hosting a pop-up art show!
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171109
DTEND;VALUE=DATE:20171110
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171109T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171109
DTEND;VALUE=DATE:20171110
SUMMARY:CARGO- Pop-up Art Exhibition
DESCRIPTION:This is a big week for the Senior Studio Art majors\, their p
op up box truck show opens \;this Wednesday \;11/8 from \;4-7
pm. The truck will be parked between Fields and Hoffman in front of Mille
r. Students will host an opening reception with refreshments from \;4
-7pm. \;On \;Thursday 11/9 \;from \;9am-12pm \;the st
udents will hold gallery hours. They will de-install the show between
0\;12pm-3pm \;and then we will drive the truck to the shows second lo
cation at Canteen restaurant at \;2816 SE Stark St\, Portland\, OR 97
214 (https://maps.google.com/?q=2816+SE+Stark+St\,+Portland\,+OR+97214&am
p\;entry=gmail&\;source=g) \;with an opening from \;5pm-8pm.
\;
X-ALT-DESC;FMTTYPE=text/html:
This is a big week for the Senior Stu
dio Art majors\, their pop up box truck show opens \;this Wednesday&#
160\;11/8 from \;4-7pm. The truck will be parked between Fields and H
offman in front of Miller. Students will host an opening reception with r
efreshments from \;4-7pm. \;On \;Thursday 11/9 \;from
0\;9am-12pm \;the students will hold gallery hours. They will de-inst
all the show between \;12pm-3pm \;and then we will drive the truc
k to the shows second location at Canteen restaurant at \;2816 SE Stark St\, Portland\, OR 97214 \;w
ith an opening from \;5pm-8pm.
\;
UID:20171109T080000Z-270747@college.lclark.edu
DTSTAMP:20171106T113411Z
URL:https://college.lclark.edu/live/events/270747-cargo-pop-up-art-exhibi
tion
LAST-MODIFIED:20171106T193411Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/69589_cargo_class_photo_poster.rev.1509996833.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:270747
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/69589_cargo_class_photo_poster.rev.1509996833.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Senior Art majors are hosting a pop-up art show!
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171109
DTEND;VALUE=DATE:20171110
SUMMARY:Legacy: Race and Remembrance- 14th Annual Ray Warren Symposium
DESCRIPTION:Legacy: Race and Remembrance14th Annual Ray Warren Symposium
on Race and Ethnicity November 8-10\, 2017 \; \; Debates over t
he content of textbooks and the commemoration of past events reveal that
powerful structures and actors still determine how we remember and imagin
e. At the same time\, marginalized communities fight to reclaim their his
tories and ensure visibility in the face of erasure and forgetfulness\, b
y calling upon institutions to grapple with white supremacist pasts\, def
ending sacred spaces\, and preserving cultural tradition and practice. T
his year's symposium will explore questions of how we remember\, create\,
and tell our individual and collective histories. In what ways do race a
nd ethnicity shape how personal and national narratives are constructed?
Who must reckon with memory\, and who has the power to forget and manipul
ate it? What creative avenues are used to craft the stories we tell? How
does the work of remembering serve as a form of resistance and enable us
to imagine a more just future? \;View the current schedule here (ht
tps://college.lclark.edu/programs/ethnic_studies/symposium/archive/2017/s
chedule.php)
X-ALT-DESC;FMTTYPE=text/html:
Legacy: Race and Remembrance 14th Annual Ray Warren Symposium on Race and Ethnicity
<
p> November 8-10\, 2017 \; \;
Debates over the content o
f textbooks and the commemoration of past events reveal that powerful str
uctures and actors still determine how we remember and imagine. At the sa
me time\, marginalized communities fight to reclaim their histories and e
nsure visibility in the face of erasure and forgetfulness\, by calling up
on institutions to grapple with white supremacist pasts\, defending sacre
d spaces\, and preserving cultural tradition and practice.
This y
ear's symposium will explore questions of how we remember\, create\, and
tell our individual and collective histories. In what ways do race and et
hnicity shape how personal and national narratives are constructed? Who m
ust reckon with memory\, and who has the power to forget and manipulate i
t? What creative avenues are used to craft the stories we tell? How does
the work of remembering serve as a form of resistance and enable us to im
agine a more just future?
UID:20171109T080000Z-267440@college.lclark.edu
DTSTAMP:20171023T164408Z
URL:https://college.lclark.edu/live/events/266542-14th-annual-ray-warren-
symposium-legacy-race-and
CATEGORIES:Open to the Public
LAST-MODIFIED:20171023T234408Z
ATTACH:https://college.lclark.edu/live/image/gid/68/width/80/height/80/cr
op/1/src_region/0,0,417,417/69076_es_warrensymp_squaregraphic_092817.rev.
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X-LIVEWHALE-SUMMARY:Join us at the 14th Annual Ray Warren Symposium on Ra
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ing on the stories we tell\, and imagining a more equitable future.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171110
DTEND;VALUE=DATE:20171111
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171110T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
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X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171110T000000
DTEND;TZID=America/Los_Angeles:20171110T010000
SUMMARY:Legacy: Race and Remembrance- 14th Annual Ray Warren Symposium
DESCRIPTION:Legacy: Race and Remembrance14th Annual Ray Warren Symposium
on Race and Ethnicity November 8-10\, 2017 \; \; Debates over t
he content of textbooks and the commemoration of past events reveal that
powerful structures and actors still determine how we remember and imagin
e. At the same time\, marginalized communities fight to reclaim their his
tories and ensure visibility in the face of erasure and forgetfulness\, b
y calling upon institutions to grapple with white supremacist pasts\, def
ending sacred spaces\, and preserving cultural tradition and practice. T
his year's symposium will explore questions of how we remember\, create\,
and tell our individual and collective histories. In what ways do race a
nd ethnicity shape how personal and national narratives are constructed?
Who must reckon with memory\, and who has the power to forget and manipul
ate it? What creative avenues are used to craft the stories we tell? How
does the work of remembering serve as a form of resistance and enable us
to imagine a more just future? \;View the current schedule here (ht
tps://college.lclark.edu/programs/ethnic_studies/symposium/archive/2017/s
chedule.php)
X-ALT-DESC;FMTTYPE=text/html:
Legacy: Race and Remembrance 14th Annual Ray Warren Symposium on Race and Ethnicity
<
p> November 8-10\, 2017 \; \;
Debates over the content o
f textbooks and the commemoration of past events reveal that powerful str
uctures and actors still determine how we remember and imagine. At the sa
me time\, marginalized communities fight to reclaim their histories and e
nsure visibility in the face of erasure and forgetfulness\, by calling up
on institutions to grapple with white supremacist pasts\, defending sacre
d spaces\, and preserving cultural tradition and practice.
This y
ear's symposium will explore questions of how we remember\, create\, and
tell our individual and collective histories. In what ways do race and et
hnicity shape how personal and national narratives are constructed? Who m
ust reckon with memory\, and who has the power to forget and manipulate i
t? What creative avenues are used to craft the stories we tell? How does
the work of remembering serve as a form of resistance and enable us to im
agine a more just future?
UID:20171110T080000Z-267440@college.lclark.edu
DTSTAMP:20171023T164408Z
URL:https://college.lclark.edu/live/events/266542-14th-annual-ray-warren-
symposium-legacy-race-and
CATEGORIES:Open to the Public
LAST-MODIFIED:20171023T234408Z
ATTACH:https://college.lclark.edu/live/image/gid/68/width/80/height/80/cr
op/1/src_region/0,0,417,417/69076_es_warrensymp_squaregraphic_092817.rev.
1508430193.jpg
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eight/80/crop/1/src_region/0\,0\,417\,417/69076_es_warrensymp_squaregraph
ic_092817.rev.1508430193.jpg
X-LIVEWHALE-SUMMARY:Join us at the 14th Annual Ray Warren Symposium on Ra
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ing on the stories we tell\, and imagining a more equitable future.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171111
DTEND;VALUE=DATE:20171112
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171111T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
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X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171112
DTEND;VALUE=DATE:20171113
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171112T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
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X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171113
DTEND;VALUE=DATE:20171114
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171113T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
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X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171114
DTEND;VALUE=DATE:20171115
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171114T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
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height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171115
DTEND;VALUE=DATE:20171116
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171115T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
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height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171116
DTEND;VALUE=DATE:20171117
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171116T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
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X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171117
DTEND;VALUE=DATE:20171118
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171117T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
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X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171118
DTEND;VALUE=DATE:20171119
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171118T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
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X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171119
DTEND;VALUE=DATE:20171120
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171119T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
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X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171120
DTEND;VALUE=DATE:20171121
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171120T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
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height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171121
DTEND;VALUE=DATE:20171122
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171121T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
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X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171122
DTEND;VALUE=DATE:20171123
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171122T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
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X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171123
DTEND;VALUE=DATE:20171124
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171123T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
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X-LIVEWHALE-ALL-DAY:1
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\n Portland artist Bill Will has used the Hoffman
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ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171124
DTEND;VALUE=DATE:20171125
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171124T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
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height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171125
DTEND;VALUE=DATE:20171126
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171125T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
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X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171126
DTEND;VALUE=DATE:20171127
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171126T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
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X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171127
DTEND;VALUE=DATE:20171128
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171127T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171128
DTEND;VALUE=DATE:20171129
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171128T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171128T193000
DTEND;TZID=America/Los_Angeles:20171128T203000
LOCATION:Miller 102
SUMMARY:Artist Talk by Peter Simensky
DESCRIPTION:Peter Simensky is an interdisciplinary artist who has extensi
ve teaching experience in programs across the country\, including Califor
nia College of the Arts\, Stanford University\, and New York University.
He has served as Faculty in MFA Programs at the Maine College of Art and
the School of the Art Institute of Chicago. Simensky currently Chairs the
MFA in Visual Studies at Pacific Northwest College of Art in Portland\,
Oregon. Simensky's varied process-oriented practice demonstrates interest
in the art object as trigger and emblem for forms of exchange and valuat
ion. Situated in moments of slippage and interchange\, his projects evide
nce the volatility of art objects\, which are on one level cash with whic
h to trade and invest\, and other\, art-the mysterious objectification of
reflection\, imagination\, desire\, and promise. \; Simensky is a
n active artist whose work has been featured in solo exhibitions at the M
useum of Contemporary Art San Diego\; Museum 52\, New York\; the Swiss In
stitute\, New York\; Museum 500m\, Sapporo and Project Row Houses\, Houst
on. He has participated in numerous group shows in the U.S. and internati
onally at museums\, institutions\, and galleries. He also served as the P
hoto Editor at Artforum from 2001-2003. \; He holds a MFA 2003 fro
m Hunter College and a BA 1999 from the University of California\, Berkel
ey (Art History and Art Practice). \;
X-ALT-DESC;FMTTYPE=text/html:
Peter Simensky is an interdis
ciplinary artist who has extensive teaching experience in programs across
the country\, including California College of the Arts\, Stanford Univer
sity\, and New York University. He has served as Faculty in MFA Programs
at the Maine College of Art and the School of the Art Institute of Chicag
o. Simensky currently Chairs the MFA in Visual Studies at Pacific Northwe
st College of Art in Portland\, Oregon. Simensky's varied process-oriente
d practice demonstrates interest in the art object as trigger and emblem
for forms of exchange and valuation. Situated in moments of slippage and
interchange\, his projects evidence the volatility of art objects\, which
are on one level cash with which to trade and invest\, and other\, art-t
he mysterious objectification of reflection\, imagination\, desire\, and
promise.
\;
Simensky is an active artist w
hose work has been featured in solo exhibitions at the Museum of Contempo
rary Art San Diego\; Museum 52\, New York\; the Swiss Institute\, New Yor
k\; Museum 500m\, Sapporo and Project Row Houses\, Houston. He has partic
ipated in numerous group shows in the U.S. and internationally at museums
\, institutions\, and galleries. He also served as the Photo Editor at Ar
tforum from 2001-2003.
\;
He holds a MFA 2
003 from Hunter College and a BA 1999 from the University of California\,
Berkeley (Art History and Art Practice).
\;
UID:20171129T033000Z-275113@college.lclark.edu
DTSTAMP:20171127T084040Z
URL:https://college.lclark.edu/live/events/275113-artist-talk-by-peter-si
mensky
CATEGORIES:Open to the Public
LAST-MODIFIED:20171127T164058Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/69943_screen_shot_2017-11-27_at_83725_am.rev.1511800828.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:275113
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/69943_screen_shot_2017-11-27_at_83725_am.rev.1511800828.j
pg
X-LIVEWHALE-SUMMARY:Part of the Visiting Artist Lecture Series at Lewis &
amp\; Clark College
X-LIVEWHALE-TAGS:art history|art|arts|lecture|lecturer|send-to-undergradu
ate|visual arts
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171129
DTEND;VALUE=DATE:20171130
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171129T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171130
DTEND;VALUE=DATE:20171201
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171130T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171201
DTEND;VALUE=DATE:20171202
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171201T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171202
DTEND;VALUE=DATE:20171203
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171202T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171203
DTEND;VALUE=DATE:20171204
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171203T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171204
DTEND;VALUE=DATE:20171205
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171204T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171205
DTEND;VALUE=DATE:20171206
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171205T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171206
DTEND;VALUE=DATE:20171207
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171206T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171207
DTEND;VALUE=DATE:20171208
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171207T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171208
DTEND;VALUE=DATE:20171209
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171208T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171209
DTEND;VALUE=DATE:20171210
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171209T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171210T000000
DTEND;TZID=America/Los_Angeles:20171210T010000
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Bill Will: Fun House
UID:20171210T080000Z-249580@college.lclark.edu
DTSTAMP:20170727T143138Z
URL:https://www.lclark.edu/hoffman_gallery/
CATEGORIES:Open to the Public
LAST-MODIFIED:20170727T213138Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:249580
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/66981_bill_will_logo_for_college_1.rev.1496338227.jpg
X-LIVEWHALE-SUMMARY:
\n Portland artist Bill Will has used the Hoffman
Gallery as a venue for a site-specific interactive art experience he cal
ls the \;Fun House. He has conceived a menagerie of mechanic
al artworks that\, together\, form a dramatic and cacophonous spectacle\,
where all elements intersect and overlap to create an experiential envir
onment\, like a circus of artwork and related contraptions. \;\n
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171211T180000
DTEND;TZID=America/Los_Angeles:20171211T190000
LOCATION:Miller 105
SUMMARY:Art History Senior Thesis Presentations
DESCRIPTION:The Art Department invites you to the Art History Senior Thes
is presentations. \; Willow Wood Claire Lyman Acacia Steinberg Zo
ey Kambour
X-ALT-DESC;FMTTYPE=text/html:
The Art Department invites you to the A
rt History Senior Thesis presentations. \;
Willo
w Wood
Claire Lyman
Acacia Steinberg
Zoey Kambour
UID:20171212T020000Z-276997@college.lclark.edu
DTSTAMP:20171206T125452Z
URL:https://college.lclark.edu/live/events/276997-art-history-senior-thes
is-presentations
CATEGORIES:Open to the Public
LAST-MODIFIED:20171206T205735Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/70172_ah_senior_thesis_prese.rev.1512593644.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:276997
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/70172_ah_senior_thesis_prese.rev.1512593644.jpg
X-LIVEWHALE-SUMMARY:
\n The Art Department invites you to the Art Hist
ory Senior Thesis presentations. \;\n
\n
\n \n
\n<
div>\n Willow Wood\n
\n
\n Claire Lyman\n
\n<
div>\n Acacia Steinberg\n
\n
\n Zoey Kambour\n
\n
\n \n
X-LIVEWHALE-TAGS:art history|arts|open to the public|send-to-undergraduat
e|student
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171213T180000
DTEND;TZID=America/Los_Angeles:20171213T190000
LOCATION:Miller 102
SUMMARY:Art History Senior Thesis Presentations
DESCRIPTION:The art department invites you to presentations by this year'
s graduating seniors: Taty Nunez del Prado Win Salyards Carly Stevenso
n
X-ALT-DESC;FMTTYPE=text/html:
The art department invites you to prese
ntations by this year's graduating seniors:
Taty Nun
ez del Prado
Win Salyards
Carly Stevenson
UID:20171214T020000Z-276998@college.lclark.edu
DTSTAMP:20171206T125703Z
URL:https://college.lclark.edu/live/events/276998-art-history-senior-thes
is-presentations
CATEGORIES:Open to the Public
LAST-MODIFIED:20171206T205748Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/70172_ah_senior_thesis_prese.rev.1512593644.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:276998
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/70172_ah_senior_thesis_prese.rev.1512593644.jpg
X-LIVEWHALE-SUMMARY:The art department invites you to presentations by th
is year's graduating seniors: \n \n
\n \n
\n \n \n
\n Taty Nunez del Prado\n
\n \n \
n
\n Win Salyards\n
\n \n \n
\n Carly Stev
enson\n
X-LIVEWHALE-TAGS:Art History Faculty|art history|art|send-to-undergraduate
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180123T183000
DTEND;TZID=America/Los_Angeles:20180123T193000
LOCATION:Miller 102
SUMMARY:Artist talk by Hap Tivey
DESCRIPTION:Hap Tivey began creating light installations and sculptures d
uring the late sixties in Los Angeles. \; By 1973 he had made dozens
of outdoor light works in the desert outside Palm Springs and a complex o
f interior light spaces that he exhibited in his Pasadena studio. \;
These early creations reflected the influence of L.A. light artists such
as James Turrell\, with whom he collaborated on large-scale search light
structures. \; During the 70's he produced a large body of light inst
allations in public galleries that invited viewers into large fields of u
ndifferentiated light\, where they experienced intensely saturated color
with apparently infinite depth. \; Many of those works produced the i
mpression of looking into deep cloudless skies\, and in the case of the I
rvine and Spring Street Situations\, the viewer was literally enveloped b
y that empty light. \; \; For more than thirty years\, Tivey's
art has investigated the phenomena of light. \; In installation\, pa
inting\, sculpture and projection\, he pursued the concrete experience of
light as well as the emotional and theoretical implications it holds for
the human condition. \;Hap Tivey's talk is in Conjunction withArt
311: Studio Seminar On Contemporary Art Theory And PracticeVisiting Artis
t Lecture Series
X-ALT-DESC;FMTTYPE=text/html:
Hap Tivey began creating light installa
tions and sculptures during the late sixties in Los Angeles. \; By 19
73 he had made dozens of outdoor light works in the desert outside Palm S
prings and a complex of interior light spaces that he exhibited in his Pa
sadena studio. \; These early creations reflected the influence of L.
A. light artists such as James Turrell\, with whom he collaborated on lar
ge-scale search light structures. \; During the 70's he produced a la
rge body of light installations in public galleries that invited viewers
into large fields of undifferentiated light\, where they experienced inte
nsely saturated color with apparently infinite depth. \; Many of thos
e works produced the impression of looking into deep cloudless skies\, an
d in the case of the Irvine and Spring Street Situations\, the viewer was
literally enveloped by that empty light.
\; \;
For more than thirty years\, Tivey's art has investigated the phenomena o
f light. \; In installation\, painting\, sculpture and projection\, h
e pursued the concrete experience of light as well as the emotional and t
heoretical implications it holds for the human condition.
\;
Hap Tivey's talk is in Conjunction with
Art 311: Studio Seminar On Contemporar
y Art Theory And Practice
Visiting
Artist Lecture Series
UID:20180124T023000Z-282298@college.lclark.edu
DTSTAMP:20180117T115649Z
URL:https://college.lclark.edu/live/events/282298-artist-talk-by-hap-tivey
CATEGORIES:Open to the Public
LAST-MODIFIED:20180117T195658Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/src_region/110,0,973,863/70506_hap.rev.1516218963.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:282298
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/src_region/110\,0\,973\,863/70506_hap.rev.1516218963.jpg
X-LIVEWHALE-IMAGE-CAPTION:Red\, 2016
X-LIVEWHALE-SUMMARY:
\n Hap Tivey's talk is in
Conjunction with\n
\n
\n Art 311: S
tudio Seminar On Contemporary Art Theory And Practice\n
Visiting Artist Lecture Series
X-LIVEWHALE-TAGS:Art History Faculty|art history|Art Studio Faculty|art|o
pen to the public|send-to-undergraduate
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180202
DTEND;VALUE=DATE:20180203
SUMMARY:CALL FOR ART! Gender Studies Symposium
DESCRIPTION:37th Annual Gender Studies Symposium inSecurity March 7-9\,
2018 \; The 37th Annual Gender Studies Symposium will explore the
ways in which ideologies of gender and sexuality shape dynamics of secur
ity on a personal\, communal\, and global level. All art examining issues
of gender and sexuality will be considered\, but we especially welcome w
orks engaging with this year's theme. \; \;Submission Guidelines:
Send 3-5 images\, including both full work and details of your piece\,
to gssart@lclark.edu (mailto:gssart@lclark.edu). Include title\, dimensio
ns\, materials\, and installation requirements\, and a short artist state
ment (150-300 words) to accompany your work. Artist of all experiences ar
e encouraged to submit. Limited to visual art only. \; Deadline for
Submissions: February 12\, 2018 at 5:00 PM \; Send submissions and/
or inquiries to: gssart@lclark.edu (mailto:gssart@lclark.edu)Artist State
ment Guidelines here. (http://%20https://college.lclark.edu/departments/g
ender_studies/symposium/guideartiststatement/) \;37th Annual Gender
Studies Symposium (https://college.lclark.edu/live/events/282686-37th-an
nual-gender-studies-symposium-insecurity?preview=1) \;
X-ALT-DESC;FMTTYPE=text/html:
37th Annual Gender Studies Symposium
h2>
inSecurity
March 7-9\, 2018
\;
The 37th Annual Gender Studies Symposium wi
ll explore the ways in which ideologies of gender and sexuality shape dyn
amics of security on a personal\, communal\, and global level. All art ex
amining issues of gender and sexuality will be considered\, but we especi
ally welcome works engaging with this year's theme. \; \;
Submission Guidelines:<
/h4>
Send 3-5 images\, including both full work and details of your p
iece\, to gssart@lclar
k.edu. Include title\, dimensions\, materials\, and installation requ
irements\, and a short artist statement (150-300 words) to accompany your
work. Artist of all experiences are encouraged to submit. Limited to vis
ual art only. \;
UID:20180202T080000Z-282876@college.lclark.edu
DTSTAMP:20180201T102528Z
URL:https://college.lclark.edu/live/events/282692-call-for-art-gender-stu
dies-symposium
CATEGORIES:Open to the Public
LAST-MODIFIED:20180201T182528Z
RRULE:FREQ=DAILY;UNTIL=20180212T000000Z;INTERVAL=1;BYDAY=MO,WE,FR
EXDATE:20180129T000000Z,20180131T000000Z,20180205T000000Z,20180209T000000Z
ATTACH:https://college.lclark.edu/live/image/gid/72/width/80/height/80/cr
op/1/src_region/0,0,1250,1250/70704_gs_sympsquaregraphic_011818.rev.15172
60574.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:282876
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/72/width/80/h
eight/80/crop/1/src_region/0\,0\,1250\,1250/70704_gs_sympsquaregraphic_01
1818.rev.1517260574.jpg
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Deadline for Submissions : February 12\, at 5pm
\nclick on the link for more information!
X-LIVEWHALE-REPEATS-UNTIL:2018-02-12 08:00:00
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180219T190000
DTEND;TZID=America/Los_Angeles:20180219T200000
LOCATION:Agnes Flanagan Chapel
GEO:45.450821;-122.671419
SUMMARY:What's Next? Eco-Materialism and Contemporary AR
DESCRIPTION:Linda Weintraub \;is an artist\, curator\, educator\, and
author of several popular books about contemporary art. Her recent writi
ngs explore the intersection between contemporary art and environmentalis
m\, including the series \;Avant-Guardians: Textlets in Art and Ecolo
gy \;and \;TO LIFE! Eco Art in Pursuit of a Sustainable Planet
60\;and forthcoming\, \;WHAT'S NEXT? Eco-materialism and Contemporary
Art. \; Weintraub is also the author of \;In the Making: Creativ
e Options for Contemporary Artists \;and \;Art on the Edge and Ov
er: Searching for Art's Meaning in Contemporary Society. \;She is a v
isiting artist at NOMAD9 MFA Program at Hartford University and maintains
a homestead in upstate New York.
X-ALT-DESC;FMTTYPE=text/html:
Linda Weintraub \;is
an artist\, curator\, educator\, and author of several popular books abo
ut contemporary art. Her recent writings explore the intersection between
contemporary art and environmentalism\, including the series \;Avant
-Guardians: Textlets in Art and Ecology \;and \;TO LIFE! Eco Art
in Pursuit of a Sustainable Planet \;and forthcoming\, \;WHAT'S N
EXT? Eco-materialism and Contemporary Art. \; Weintraub is also the a
uthor of \;In the Making: Creative Options for Contemporary Artists&#
160\;and \;Art on the Edge and Over: Searching for Art's Meaning in C
ontemporary Society. \;She is a visiting artist at NOMAD9 MFA Program
at Hartford University and maintains a homestead in upstate New York.
UID:20180220T030000Z-283010@college.lclark.edu
DTSTAMP:20180205T122433Z
URL:https://college.lclark.edu/live/events/283010-whats-next-eco-material
ism-and-contemporary-ar
CATEGORIES:Open to the Public
LAST-MODIFIED:20180208T232426Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/70830_linda_and_her_mushroom6.rev.1517862267.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:283010
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/70830_linda_and_her_mushroom6.rev.1517862267.jpg
X-LIVEWHALE-SUMMARY:What is the role of the artist in conveying complex a
nd emotional issues related to ecological and social catastrophe? \n
Lecture by Linda Weintraub.
X-LIVEWHALE-TAGS:art|civic engagement|climate change|lecture|lecturer|ope
n to the public|send-to-graduate|send-to-law|send-to-undergraduate|sustai
nability|visual arts
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180308T160000
DTEND;TZID=America/Los_Angeles:20180308T170000
SUMMARY:Faya Causey Lecture
DESCRIPTION:Iconoclasm and Vandalism: From the Ancient Past to the Presen
t Day In her lecture\, Dr. Causey will discuss archaeologically-retrieve
d ancient Greek and Roman bronze portrait heads which were removed from t
heir bodies\, but not defaced\, and then carefully buried or placed in a
well. What were the ancient terms to describe such actions? What was the
purpose of these actions—which ultimately resulted in the rediscovery o
f "masterpieces" in modern times? Dr. Causey also asks how this ancient
past relates to the present in the cases of modern-era sculpted monuments
(statues such as those of Robert E. Lee or Columbus or St. Junipero Serr
a). How should iconoclasm in our current moment be understood?​  \
; Sponsored by the Art Department and Classics Program
X-ALT-DESC;FMTTYPE=text/html:
Iconoclasm and Vandalism: From the Ancient P
ast to the Present Day
In her lecture\, Dr. C
ausey will discuss archaeologically-retrieved ancient Greek and Roman bro
nze portrait heads which were removed from their bodies\, but not defaced
\, and then carefully buried or placed in a well. What were the ancient t
erms to describe such actions? What was the purpose of these actions—wh
ich ultimately resulted in the rediscovery of "masterpieces" in modern ti
mes?
Dr. Causey also asks how this ancient past relates to the pr
esent in the cases of modern-era sculpted monuments (statues such as thos
e of Robert E. Lee or Columbus or St. Junipero Serra). How should iconocl
asm in our current moment be understood?​
\;
Sponsored by the Art Department and Classics Program
UID:20180309T000000Z-284151@college.lclark.edu
DTSTAMP:20180302T104621Z
URL:https://college.lclark.edu/live/events/284151-faya-causey-lecture
CATEGORIES:Open to the Public
LAST-MODIFIED:20180302T192722Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/71362_copy_of_causey_38.rev.1520016330.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:284151
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/71362_copy_of_causey_38.rev.1520016330.jpg
X-LIVEWHALE-SUMMARY:The Art department invites you to a lecture with Dr.
Faya Causey\, Scholar\, Getty Research Institute.
X-LIVEWHALE-TAGS:Art History Faculty|art history|Art Studio Faculty|art|a
rts|lecture|lecturer|send-to-undergraduate
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180410T180000
DTEND;TZID=America/Los_Angeles:20180410T190000
LOCATION:Fields Art Building\, Room 207
SUMMARY:Clay Beyond the Studio
DESCRIPTION:On Tuesday\, April 10th \;a group of students will presen
t on individual topics they learned from the NCECA ceramics conference th
ey attended. This lecture will focus on 3D printing\, history in clay\, r
elationship between craft and art\, alternative firing methods\, art ther
apy\, and surface decorations. A sign up for a workshop that will be held
on April 12th \;will be available at the end of the lecture. The wor
kshop will introduce to students methods for throwing\, trimming\, handbu
ilding\, and glazing.
X-ALT-DESC;FMTTYPE=text/html:
On Tuesday\, April 10th 
\;a group of students will present on individual topics they learned from
the NCECA ceramics conference they attended. This lecture will focus on
3D printing\, history in clay\, relationship between craft and art\, alte
rnative firing methods\, art therapy\, and surface decorations. A sign up
for a workshop that will be held on April 12th \;will be
available at the end of the lecture. The workshop will introduce to stude
nts methods for throwing\, trimming\, handbuilding\, and glazing.
UID:20180411T010000Z-284997@college.lclark.edu
DTSTAMP:20180403T095251Z
URL:https://college.lclark.edu/live/events/284997-clay-beyond-the-studio
CATEGORIES:Open to the Public
LAST-MODIFIED:20180403T165345Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/src_region/108,0,829,721/71630_cbts.rev.1522774357.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:284997
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/src_region/108\,0\,829\,721/71630_cbts.rev.1522774357.jpg
X-LIVEWHALE-SUMMARY:Lecture from ceramics students who attended the Natio
nal Council for the Ceramic Arts Conference
X-LIVEWHALE-TAGS:art|arts|collaboration|lecture|open to the public
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180908
DTEND;VALUE=DATE:20180909
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Maria T.D. Inocencio and Mark R. Smith: Loss of Material Evidence
DESCRIPTION:Loss of Material Evidence comprises work resulting from an on
going conversation between collaborators and life partners\, Maria T. D.
Inocencio and Mark R. Smith\, about the aging and passing of their parent
s. Through new work created specifically for this exhibition—some works
made collaboratively and others made by the individual artists—Inocenc
io and Smith investigate the dispersion and disposal of material possessi
ons—long associated with specific experiences or periods of time—from
their family homes. The exhibition will examine topics such as loss\, re
membrance\, legacy\, the passage of time\, and the making of art as a mea
ns to process grief through abstract visual language. No one is spared a
life without profound loss. Loss of Material Evidence defines and proces
ses the poignant and universal phenomenon embodied in the aging and passi
ng on of parents\, family members\, and loved ones and\, in particular\,
the dissolution of the home environment and material goods that have defi
ned an individual's or family's life narrative. Having recently undergone
this circumstance themselves\, Inocencio and Smith manage their own sens
e of loss through artistic means in the expectation that their work will
find commonality and conversation within a larger group. This type of los
s\, and ensuing grief\, is not limited to losing a family member through
death. Indeed\, the exhibition is a lens through which to consider innume
rable themes of loss as witnessed daily in local and world events. Worki
ng through an abstract visual language that heavily emphasizes method\, r
epetition\, and accumulation\, Inocencio and Smith imagine the Hoffman Ga
llery to be a meditative space where viewers can project their own unique
experiences into the art. The exhibition will also incorporate familiar
signifiers such as furniture\, clothing\, and quilts as a bridge between
literal and symbolic content\, combining formal austerity\, humor\, and m
emory as equal points of entry into the work. A fully-illustrated catalo
gue\, with an essay by Linda Tesner\, has been generously funded by The F
ord Family Foundation. Please join us for a gallery talk\, pie tutorial\,
and catalogue signing on the closing of the exhibition on Sunday\, Decem
ber 9. Catalogues will be available for pre-sale through the exhibition f
or $20.00.Reception for the Artists Saturday\, September 8 4 to 6 p.mGa
llery Talk\, Pie Tutorial\, and Catalogue Signing Sunday\, December 9 2
to 4 p.m.
X-ALT-DESC;FMTTYPE=text/html:
Loss of Material Evidence compri
ses work resulting from an ongoing conversation between collaborators and
life partners\, Maria T. D. Inocencio and Mark R. Smith\, about the agin
g and passing of their parents. Through new work created specifically for
this exhibition—some works made collaboratively and others made by the
individual artists—Inocencio and Smith investigate the dispersion and
disposal of material possessions—long associated with specific experien
ces or periods of time—from their family homes. The exhibition will exa
mine topics such as loss\, remembrance\, legacy\, the passage of time\, a
nd the making of art as a means to process grief through abstract visual
language.
No one is spared a life without profound loss. Loss
of Material Evidence defines and processes the poignant and univers
al phenomenon embodied in the aging and passing on of parents\, family me
mbers\, and loved ones and\, in particular\, the dissolution of the home
environment and material goods that have defined an individual's or famil
y's life narrative. Having recently undergone this circumstance themselve
s\, Inocencio and Smith manage their own sense of loss through artistic m
eans in the expectation that their work will find commonality and convers
ation within a larger group. This type of loss\, and ensuing grief\, is n
ot limited to losing a family member through death. Indeed\, the exhibiti
on is a lens through which to consider innumerable themes of loss as witn
essed daily in local and world events.
Working through an abstrac
t visual language that heavily emphasizes method\, repetition\, and accum
ulation\, Inocencio and Smith imagine the Hoffman Gallery to be a meditat
ive space where viewers can project their own unique experiences into the
art. The exhibition will also incorporate familiar signifiers such as fu
rniture\, clothing\, and quilts as a bridge between literal and symbolic
content\, combining formal austerity\, humor\, and memory as equal points
of entry into the work.
A fully-illustrated catalogue\, with an
essay by Linda Tesner\, has been generously funded by The Ford Family Fou
ndation. Please join us for a gallery talk\, pie tutorial\, and catalogue
signing on the closing of the exhibition on Sunday\, December 9. Catalog
ues will be available for pre-sale through the exhibition for $20.00.
Reception for the Artists
Saturday\, Septem
ber 8
4 to 6 p.m
Gallery Talk\, Pie Tutorial\, and
Catalogue Signing
Sunday\, December 9
2 to 4 p
.m.
UID:20180908T070000Z-291475@college.lclark.edu
DTSTAMP:20180904T094435Z
URL:https://college.lclark.edu/live/events/288240-maria-td-inocencio-and-
mark-r-smith-loss-of
LAST-MODIFIED:20180904T164435Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.rev.153186971
9.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:291475
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.re
v.1531869719.jpg
X-LIVEWHALE-IMAGE-CAPTION:Mark R. Smith and Maria T.D. Inocencio
\n
I Used to Think I Knew Everyone (detail)
\n2017
\nmu
slin\, paper\, newsprint cutouts\, thread\, glue
\n84"x 83.5"
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Loss of Material Evidence comprises work res
ulting from an ongoing conversation between collaborators and life partne
rs\, Maria T. D. Inocencio and Mark R. Smith\, about the aging and passin
g of their parents. Through new work created specifically for this exhibi
tion—some works made collaboratively and others made by the individual
artists—Inocencio and Smith investigate the dispersion and disposal of
material possessions—long associated with specific experiences or perio
ds of time—from their family homes. The exhibition will examine topics
such as loss\, remembrance\, legacy\, the passage of time\, and the makin
g of art as a means to process grief through abstract visual language.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180909
DTEND;VALUE=DATE:20180910
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Maria T.D. Inocencio and Mark R. Smith: Loss of Material Evidence
DESCRIPTION:Loss of Material Evidence comprises work resulting from an on
going conversation between collaborators and life partners\, Maria T. D.
Inocencio and Mark R. Smith\, about the aging and passing of their parent
s. Through new work created specifically for this exhibition—some works
made collaboratively and others made by the individual artists—Inocenc
io and Smith investigate the dispersion and disposal of material possessi
ons—long associated with specific experiences or periods of time—from
their family homes. The exhibition will examine topics such as loss\, re
membrance\, legacy\, the passage of time\, and the making of art as a mea
ns to process grief through abstract visual language. No one is spared a
life without profound loss. Loss of Material Evidence defines and proces
ses the poignant and universal phenomenon embodied in the aging and passi
ng on of parents\, family members\, and loved ones and\, in particular\,
the dissolution of the home environment and material goods that have defi
ned an individual's or family's life narrative. Having recently undergone
this circumstance themselves\, Inocencio and Smith manage their own sens
e of loss through artistic means in the expectation that their work will
find commonality and conversation within a larger group. This type of los
s\, and ensuing grief\, is not limited to losing a family member through
death. Indeed\, the exhibition is a lens through which to consider innume
rable themes of loss as witnessed daily in local and world events. Worki
ng through an abstract visual language that heavily emphasizes method\, r
epetition\, and accumulation\, Inocencio and Smith imagine the Hoffman Ga
llery to be a meditative space where viewers can project their own unique
experiences into the art. The exhibition will also incorporate familiar
signifiers such as furniture\, clothing\, and quilts as a bridge between
literal and symbolic content\, combining formal austerity\, humor\, and m
emory as equal points of entry into the work. A fully-illustrated catalo
gue\, with an essay by Linda Tesner\, has been generously funded by The F
ord Family Foundation. Please join us for a gallery talk\, pie tutorial\,
and catalogue signing on the closing of the exhibition on Sunday\, Decem
ber 9. Catalogues will be available for pre-sale through the exhibition f
or $20.00.Reception for the Artists Saturday\, September 8 4 to 6 p.mGa
llery Talk\, Pie Tutorial\, and Catalogue Signing Sunday\, December 9 2
to 4 p.m.
X-ALT-DESC;FMTTYPE=text/html:
Loss of Material Evidence compri
ses work resulting from an ongoing conversation between collaborators and
life partners\, Maria T. D. Inocencio and Mark R. Smith\, about the agin
g and passing of their parents. Through new work created specifically for
this exhibition—some works made collaboratively and others made by the
individual artists—Inocencio and Smith investigate the dispersion and
disposal of material possessions—long associated with specific experien
ces or periods of time—from their family homes. The exhibition will exa
mine topics such as loss\, remembrance\, legacy\, the passage of time\, a
nd the making of art as a means to process grief through abstract visual
language.
No one is spared a life without profound loss. Loss
of Material Evidence defines and processes the poignant and univers
al phenomenon embodied in the aging and passing on of parents\, family me
mbers\, and loved ones and\, in particular\, the dissolution of the home
environment and material goods that have defined an individual's or famil
y's life narrative. Having recently undergone this circumstance themselve
s\, Inocencio and Smith manage their own sense of loss through artistic m
eans in the expectation that their work will find commonality and convers
ation within a larger group. This type of loss\, and ensuing grief\, is n
ot limited to losing a family member through death. Indeed\, the exhibiti
on is a lens through which to consider innumerable themes of loss as witn
essed daily in local and world events.
Working through an abstrac
t visual language that heavily emphasizes method\, repetition\, and accum
ulation\, Inocencio and Smith imagine the Hoffman Gallery to be a meditat
ive space where viewers can project their own unique experiences into the
art. The exhibition will also incorporate familiar signifiers such as fu
rniture\, clothing\, and quilts as a bridge between literal and symbolic
content\, combining formal austerity\, humor\, and memory as equal points
of entry into the work.
A fully-illustrated catalogue\, with an
essay by Linda Tesner\, has been generously funded by The Ford Family Fou
ndation. Please join us for a gallery talk\, pie tutorial\, and catalogue
signing on the closing of the exhibition on Sunday\, December 9. Catalog
ues will be available for pre-sale through the exhibition for $20.00.
Reception for the Artists
Saturday\, Septem
ber 8
4 to 6 p.m
Gallery Talk\, Pie Tutorial\, and
Catalogue Signing
Sunday\, December 9
2 to 4 p
.m.
UID:20180909T070000Z-291475@college.lclark.edu
DTSTAMP:20180904T094435Z
URL:https://college.lclark.edu/live/events/288240-maria-td-inocencio-and-
mark-r-smith-loss-of
LAST-MODIFIED:20180904T164435Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.rev.153186971
9.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:291475
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X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.re
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X-LIVEWHALE-IMAGE-CAPTION:Mark R. Smith and Maria T.D. Inocencio
\n
I Used to Think I Knew Everyone (detail)
\n2017
\nmu
slin\, paper\, newsprint cutouts\, thread\, glue
\n84"x 83.5"
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Loss of Material Evidence comprises work res
ulting from an ongoing conversation between collaborators and life partne
rs\, Maria T. D. Inocencio and Mark R. Smith\, about the aging and passin
g of their parents. Through new work created specifically for this exhibi
tion—some works made collaboratively and others made by the individual
artists—Inocencio and Smith investigate the dispersion and disposal of
material possessions—long associated with specific experiences or perio
ds of time—from their family homes. The exhibition will examine topics
such as loss\, remembrance\, legacy\, the passage of time\, and the makin
g of art as a means to process grief through abstract visual language.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180910
DTEND;VALUE=DATE:20180911
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Maria T.D. Inocencio and Mark R. Smith: Loss of Material Evidence
DESCRIPTION:Loss of Material Evidence comprises work resulting from an on
going conversation between collaborators and life partners\, Maria T. D.
Inocencio and Mark R. Smith\, about the aging and passing of their parent
s. Through new work created specifically for this exhibition—some works
made collaboratively and others made by the individual artists—Inocenc
io and Smith investigate the dispersion and disposal of material possessi
ons—long associated with specific experiences or periods of time—from
their family homes. The exhibition will examine topics such as loss\, re
membrance\, legacy\, the passage of time\, and the making of art as a mea
ns to process grief through abstract visual language. No one is spared a
life without profound loss. Loss of Material Evidence defines and proces
ses the poignant and universal phenomenon embodied in the aging and passi
ng on of parents\, family members\, and loved ones and\, in particular\,
the dissolution of the home environment and material goods that have defi
ned an individual's or family's life narrative. Having recently undergone
this circumstance themselves\, Inocencio and Smith manage their own sens
e of loss through artistic means in the expectation that their work will
find commonality and conversation within a larger group. This type of los
s\, and ensuing grief\, is not limited to losing a family member through
death. Indeed\, the exhibition is a lens through which to consider innume
rable themes of loss as witnessed daily in local and world events. Worki
ng through an abstract visual language that heavily emphasizes method\, r
epetition\, and accumulation\, Inocencio and Smith imagine the Hoffman Ga
llery to be a meditative space where viewers can project their own unique
experiences into the art. The exhibition will also incorporate familiar
signifiers such as furniture\, clothing\, and quilts as a bridge between
literal and symbolic content\, combining formal austerity\, humor\, and m
emory as equal points of entry into the work. A fully-illustrated catalo
gue\, with an essay by Linda Tesner\, has been generously funded by The F
ord Family Foundation. Please join us for a gallery talk\, pie tutorial\,
and catalogue signing on the closing of the exhibition on Sunday\, Decem
ber 9. Catalogues will be available for pre-sale through the exhibition f
or $20.00.Reception for the Artists Saturday\, September 8 4 to 6 p.mGa
llery Talk\, Pie Tutorial\, and Catalogue Signing Sunday\, December 9 2
to 4 p.m.
X-ALT-DESC;FMTTYPE=text/html:
Loss of Material Evidence compri
ses work resulting from an ongoing conversation between collaborators and
life partners\, Maria T. D. Inocencio and Mark R. Smith\, about the agin
g and passing of their parents. Through new work created specifically for
this exhibition—some works made collaboratively and others made by the
individual artists—Inocencio and Smith investigate the dispersion and
disposal of material possessions—long associated with specific experien
ces or periods of time—from their family homes. The exhibition will exa
mine topics such as loss\, remembrance\, legacy\, the passage of time\, a
nd the making of art as a means to process grief through abstract visual
language.
No one is spared a life without profound loss. Loss
of Material Evidence defines and processes the poignant and univers
al phenomenon embodied in the aging and passing on of parents\, family me
mbers\, and loved ones and\, in particular\, the dissolution of the home
environment and material goods that have defined an individual's or famil
y's life narrative. Having recently undergone this circumstance themselve
s\, Inocencio and Smith manage their own sense of loss through artistic m
eans in the expectation that their work will find commonality and convers
ation within a larger group. This type of loss\, and ensuing grief\, is n
ot limited to losing a family member through death. Indeed\, the exhibiti
on is a lens through which to consider innumerable themes of loss as witn
essed daily in local and world events.
Working through an abstrac
t visual language that heavily emphasizes method\, repetition\, and accum
ulation\, Inocencio and Smith imagine the Hoffman Gallery to be a meditat
ive space where viewers can project their own unique experiences into the
art. The exhibition will also incorporate familiar signifiers such as fu
rniture\, clothing\, and quilts as a bridge between literal and symbolic
content\, combining formal austerity\, humor\, and memory as equal points
of entry into the work.
A fully-illustrated catalogue\, with an
essay by Linda Tesner\, has been generously funded by The Ford Family Fou
ndation. Please join us for a gallery talk\, pie tutorial\, and catalogue
signing on the closing of the exhibition on Sunday\, December 9. Catalog
ues will be available for pre-sale through the exhibition for $20.00.
Reception for the Artists
Saturday\, Septem
ber 8
4 to 6 p.m
Gallery Talk\, Pie Tutorial\, and
Catalogue Signing
Sunday\, December 9
2 to 4 p
.m.
UID:20180910T070000Z-291475@college.lclark.edu
DTSTAMP:20180904T094435Z
URL:https://college.lclark.edu/live/events/288240-maria-td-inocencio-and-
mark-r-smith-loss-of
LAST-MODIFIED:20180904T164435Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.rev.153186971
9.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:291475
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X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.re
v.1531869719.jpg
X-LIVEWHALE-IMAGE-CAPTION:Mark R. Smith and Maria T.D. Inocencio
\n
I Used to Think I Knew Everyone (detail)
\n2017
\nmu
slin\, paper\, newsprint cutouts\, thread\, glue
\n84"x 83.5"
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Loss of Material Evidence comprises work res
ulting from an ongoing conversation between collaborators and life partne
rs\, Maria T. D. Inocencio and Mark R. Smith\, about the aging and passin
g of their parents. Through new work created specifically for this exhibi
tion—some works made collaboratively and others made by the individual
artists—Inocencio and Smith investigate the dispersion and disposal of
material possessions—long associated with specific experiences or perio
ds of time—from their family homes. The exhibition will examine topics
such as loss\, remembrance\, legacy\, the passage of time\, and the makin
g of art as a means to process grief through abstract visual language.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180911
DTEND;VALUE=DATE:20180912
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Maria T.D. Inocencio and Mark R. Smith: Loss of Material Evidence
DESCRIPTION:Loss of Material Evidence comprises work resulting from an on
going conversation between collaborators and life partners\, Maria T. D.
Inocencio and Mark R. Smith\, about the aging and passing of their parent
s. Through new work created specifically for this exhibition—some works
made collaboratively and others made by the individual artists—Inocenc
io and Smith investigate the dispersion and disposal of material possessi
ons—long associated with specific experiences or periods of time—from
their family homes. The exhibition will examine topics such as loss\, re
membrance\, legacy\, the passage of time\, and the making of art as a mea
ns to process grief through abstract visual language. No one is spared a
life without profound loss. Loss of Material Evidence defines and proces
ses the poignant and universal phenomenon embodied in the aging and passi
ng on of parents\, family members\, and loved ones and\, in particular\,
the dissolution of the home environment and material goods that have defi
ned an individual's or family's life narrative. Having recently undergone
this circumstance themselves\, Inocencio and Smith manage their own sens
e of loss through artistic means in the expectation that their work will
find commonality and conversation within a larger group. This type of los
s\, and ensuing grief\, is not limited to losing a family member through
death. Indeed\, the exhibition is a lens through which to consider innume
rable themes of loss as witnessed daily in local and world events. Worki
ng through an abstract visual language that heavily emphasizes method\, r
epetition\, and accumulation\, Inocencio and Smith imagine the Hoffman Ga
llery to be a meditative space where viewers can project their own unique
experiences into the art. The exhibition will also incorporate familiar
signifiers such as furniture\, clothing\, and quilts as a bridge between
literal and symbolic content\, combining formal austerity\, humor\, and m
emory as equal points of entry into the work. A fully-illustrated catalo
gue\, with an essay by Linda Tesner\, has been generously funded by The F
ord Family Foundation. Please join us for a gallery talk\, pie tutorial\,
and catalogue signing on the closing of the exhibition on Sunday\, Decem
ber 9. Catalogues will be available for pre-sale through the exhibition f
or $20.00.Reception for the Artists Saturday\, September 8 4 to 6 p.mGa
llery Talk\, Pie Tutorial\, and Catalogue Signing Sunday\, December 9 2
to 4 p.m.
X-ALT-DESC;FMTTYPE=text/html:
Loss of Material Evidence compri
ses work resulting from an ongoing conversation between collaborators and
life partners\, Maria T. D. Inocencio and Mark R. Smith\, about the agin
g and passing of their parents. Through new work created specifically for
this exhibition—some works made collaboratively and others made by the
individual artists—Inocencio and Smith investigate the dispersion and
disposal of material possessions—long associated with specific experien
ces or periods of time—from their family homes. The exhibition will exa
mine topics such as loss\, remembrance\, legacy\, the passage of time\, a
nd the making of art as a means to process grief through abstract visual
language.
No one is spared a life without profound loss. Loss
of Material Evidence defines and processes the poignant and univers
al phenomenon embodied in the aging and passing on of parents\, family me
mbers\, and loved ones and\, in particular\, the dissolution of the home
environment and material goods that have defined an individual's or famil
y's life narrative. Having recently undergone this circumstance themselve
s\, Inocencio and Smith manage their own sense of loss through artistic m
eans in the expectation that their work will find commonality and convers
ation within a larger group. This type of loss\, and ensuing grief\, is n
ot limited to losing a family member through death. Indeed\, the exhibiti
on is a lens through which to consider innumerable themes of loss as witn
essed daily in local and world events.
Working through an abstrac
t visual language that heavily emphasizes method\, repetition\, and accum
ulation\, Inocencio and Smith imagine the Hoffman Gallery to be a meditat
ive space where viewers can project their own unique experiences into the
art. The exhibition will also incorporate familiar signifiers such as fu
rniture\, clothing\, and quilts as a bridge between literal and symbolic
content\, combining formal austerity\, humor\, and memory as equal points
of entry into the work.
A fully-illustrated catalogue\, with an
essay by Linda Tesner\, has been generously funded by The Ford Family Fou
ndation. Please join us for a gallery talk\, pie tutorial\, and catalogue
signing on the closing of the exhibition on Sunday\, December 9. Catalog
ues will be available for pre-sale through the exhibition for $20.00.
Reception for the Artists
Saturday\, Septem
ber 8
4 to 6 p.m
Gallery Talk\, Pie Tutorial\, and
Catalogue Signing
Sunday\, December 9
2 to 4 p
.m.
UID:20180911T070000Z-291475@college.lclark.edu
DTSTAMP:20180904T094435Z
URL:https://college.lclark.edu/live/events/288240-maria-td-inocencio-and-
mark-r-smith-loss-of
LAST-MODIFIED:20180904T164435Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.rev.153186971
9.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:291475
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.re
v.1531869719.jpg
X-LIVEWHALE-IMAGE-CAPTION:Mark R. Smith and Maria T.D. Inocencio
\n
I Used to Think I Knew Everyone (detail)
\n2017
\nmu
slin\, paper\, newsprint cutouts\, thread\, glue
\n84"x 83.5"
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Loss of Material Evidence comprises work res
ulting from an ongoing conversation between collaborators and life partne
rs\, Maria T. D. Inocencio and Mark R. Smith\, about the aging and passin
g of their parents. Through new work created specifically for this exhibi
tion—some works made collaboratively and others made by the individual
artists—Inocencio and Smith investigate the dispersion and disposal of
material possessions—long associated with specific experiences or perio
ds of time—from their family homes. The exhibition will examine topics
such as loss\, remembrance\, legacy\, the passage of time\, and the makin
g of art as a means to process grief through abstract visual language.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180912
DTEND;VALUE=DATE:20180913
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Maria T.D. Inocencio and Mark R. Smith: Loss of Material Evidence
DESCRIPTION:Loss of Material Evidence comprises work resulting from an on
going conversation between collaborators and life partners\, Maria T. D.
Inocencio and Mark R. Smith\, about the aging and passing of their parent
s. Through new work created specifically for this exhibition—some works
made collaboratively and others made by the individual artists—Inocenc
io and Smith investigate the dispersion and disposal of material possessi
ons—long associated with specific experiences or periods of time—from
their family homes. The exhibition will examine topics such as loss\, re
membrance\, legacy\, the passage of time\, and the making of art as a mea
ns to process grief through abstract visual language. No one is spared a
life without profound loss. Loss of Material Evidence defines and proces
ses the poignant and universal phenomenon embodied in the aging and passi
ng on of parents\, family members\, and loved ones and\, in particular\,
the dissolution of the home environment and material goods that have defi
ned an individual's or family's life narrative. Having recently undergone
this circumstance themselves\, Inocencio and Smith manage their own sens
e of loss through artistic means in the expectation that their work will
find commonality and conversation within a larger group. This type of los
s\, and ensuing grief\, is not limited to losing a family member through
death. Indeed\, the exhibition is a lens through which to consider innume
rable themes of loss as witnessed daily in local and world events. Worki
ng through an abstract visual language that heavily emphasizes method\, r
epetition\, and accumulation\, Inocencio and Smith imagine the Hoffman Ga
llery to be a meditative space where viewers can project their own unique
experiences into the art. The exhibition will also incorporate familiar
signifiers such as furniture\, clothing\, and quilts as a bridge between
literal and symbolic content\, combining formal austerity\, humor\, and m
emory as equal points of entry into the work. A fully-illustrated catalo
gue\, with an essay by Linda Tesner\, has been generously funded by The F
ord Family Foundation. Please join us for a gallery talk\, pie tutorial\,
and catalogue signing on the closing of the exhibition on Sunday\, Decem
ber 9. Catalogues will be available for pre-sale through the exhibition f
or $20.00.Reception for the Artists Saturday\, September 8 4 to 6 p.mGa
llery Talk\, Pie Tutorial\, and Catalogue Signing Sunday\, December 9 2
to 4 p.m.
X-ALT-DESC;FMTTYPE=text/html:
Loss of Material Evidence compri
ses work resulting from an ongoing conversation between collaborators and
life partners\, Maria T. D. Inocencio and Mark R. Smith\, about the agin
g and passing of their parents. Through new work created specifically for
this exhibition—some works made collaboratively and others made by the
individual artists—Inocencio and Smith investigate the dispersion and
disposal of material possessions—long associated with specific experien
ces or periods of time—from their family homes. The exhibition will exa
mine topics such as loss\, remembrance\, legacy\, the passage of time\, a
nd the making of art as a means to process grief through abstract visual
language.
No one is spared a life without profound loss. Loss
of Material Evidence defines and processes the poignant and univers
al phenomenon embodied in the aging and passing on of parents\, family me
mbers\, and loved ones and\, in particular\, the dissolution of the home
environment and material goods that have defined an individual's or famil
y's life narrative. Having recently undergone this circumstance themselve
s\, Inocencio and Smith manage their own sense of loss through artistic m
eans in the expectation that their work will find commonality and convers
ation within a larger group. This type of loss\, and ensuing grief\, is n
ot limited to losing a family member through death. Indeed\, the exhibiti
on is a lens through which to consider innumerable themes of loss as witn
essed daily in local and world events.
Working through an abstrac
t visual language that heavily emphasizes method\, repetition\, and accum
ulation\, Inocencio and Smith imagine the Hoffman Gallery to be a meditat
ive space where viewers can project their own unique experiences into the
art. The exhibition will also incorporate familiar signifiers such as fu
rniture\, clothing\, and quilts as a bridge between literal and symbolic
content\, combining formal austerity\, humor\, and memory as equal points
of entry into the work.
A fully-illustrated catalogue\, with an
essay by Linda Tesner\, has been generously funded by The Ford Family Fou
ndation. Please join us for a gallery talk\, pie tutorial\, and catalogue
signing on the closing of the exhibition on Sunday\, December 9. Catalog
ues will be available for pre-sale through the exhibition for $20.00.
Reception for the Artists
Saturday\, Septem
ber 8
4 to 6 p.m
Gallery Talk\, Pie Tutorial\, and
Catalogue Signing
Sunday\, December 9
2 to 4 p
.m.
UID:20180912T070000Z-291475@college.lclark.edu
DTSTAMP:20180904T094435Z
URL:https://college.lclark.edu/live/events/288240-maria-td-inocencio-and-
mark-r-smith-loss-of
LAST-MODIFIED:20180904T164435Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.rev.153186971
9.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:291475
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.re
v.1531869719.jpg
X-LIVEWHALE-IMAGE-CAPTION:Mark R. Smith and Maria T.D. Inocencio
\n
I Used to Think I Knew Everyone (detail)
\n2017
\nmu
slin\, paper\, newsprint cutouts\, thread\, glue
\n84"x 83.5"
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Loss of Material Evidence comprises work res
ulting from an ongoing conversation between collaborators and life partne
rs\, Maria T. D. Inocencio and Mark R. Smith\, about the aging and passin
g of their parents. Through new work created specifically for this exhibi
tion—some works made collaboratively and others made by the individual
artists—Inocencio and Smith investigate the dispersion and disposal of
material possessions—long associated with specific experiences or perio
ds of time—from their family homes. The exhibition will examine topics
such as loss\, remembrance\, legacy\, the passage of time\, and the makin
g of art as a means to process grief through abstract visual language.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180913
DTEND;VALUE=DATE:20180914
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Maria T.D. Inocencio and Mark R. Smith: Loss of Material Evidence
DESCRIPTION:Loss of Material Evidence comprises work resulting from an on
going conversation between collaborators and life partners\, Maria T. D.
Inocencio and Mark R. Smith\, about the aging and passing of their parent
s. Through new work created specifically for this exhibition—some works
made collaboratively and others made by the individual artists—Inocenc
io and Smith investigate the dispersion and disposal of material possessi
ons—long associated with specific experiences or periods of time—from
their family homes. The exhibition will examine topics such as loss\, re
membrance\, legacy\, the passage of time\, and the making of art as a mea
ns to process grief through abstract visual language. No one is spared a
life without profound loss. Loss of Material Evidence defines and proces
ses the poignant and universal phenomenon embodied in the aging and passi
ng on of parents\, family members\, and loved ones and\, in particular\,
the dissolution of the home environment and material goods that have defi
ned an individual's or family's life narrative. Having recently undergone
this circumstance themselves\, Inocencio and Smith manage their own sens
e of loss through artistic means in the expectation that their work will
find commonality and conversation within a larger group. This type of los
s\, and ensuing grief\, is not limited to losing a family member through
death. Indeed\, the exhibition is a lens through which to consider innume
rable themes of loss as witnessed daily in local and world events. Worki
ng through an abstract visual language that heavily emphasizes method\, r
epetition\, and accumulation\, Inocencio and Smith imagine the Hoffman Ga
llery to be a meditative space where viewers can project their own unique
experiences into the art. The exhibition will also incorporate familiar
signifiers such as furniture\, clothing\, and quilts as a bridge between
literal and symbolic content\, combining formal austerity\, humor\, and m
emory as equal points of entry into the work. A fully-illustrated catalo
gue\, with an essay by Linda Tesner\, has been generously funded by The F
ord Family Foundation. Please join us for a gallery talk\, pie tutorial\,
and catalogue signing on the closing of the exhibition on Sunday\, Decem
ber 9. Catalogues will be available for pre-sale through the exhibition f
or $20.00.Reception for the Artists Saturday\, September 8 4 to 6 p.mGa
llery Talk\, Pie Tutorial\, and Catalogue Signing Sunday\, December 9 2
to 4 p.m.
X-ALT-DESC;FMTTYPE=text/html:
Loss of Material Evidence compri
ses work resulting from an ongoing conversation between collaborators and
life partners\, Maria T. D. Inocencio and Mark R. Smith\, about the agin
g and passing of their parents. Through new work created specifically for
this exhibition—some works made collaboratively and others made by the
individual artists—Inocencio and Smith investigate the dispersion and
disposal of material possessions—long associated with specific experien
ces or periods of time—from their family homes. The exhibition will exa
mine topics such as loss\, remembrance\, legacy\, the passage of time\, a
nd the making of art as a means to process grief through abstract visual
language.
No one is spared a life without profound loss. Loss
of Material Evidence defines and processes the poignant and univers
al phenomenon embodied in the aging and passing on of parents\, family me
mbers\, and loved ones and\, in particular\, the dissolution of the home
environment and material goods that have defined an individual's or famil
y's life narrative. Having recently undergone this circumstance themselve
s\, Inocencio and Smith manage their own sense of loss through artistic m
eans in the expectation that their work will find commonality and convers
ation within a larger group. This type of loss\, and ensuing grief\, is n
ot limited to losing a family member through death. Indeed\, the exhibiti
on is a lens through which to consider innumerable themes of loss as witn
essed daily in local and world events.
Working through an abstrac
t visual language that heavily emphasizes method\, repetition\, and accum
ulation\, Inocencio and Smith imagine the Hoffman Gallery to be a meditat
ive space where viewers can project their own unique experiences into the
art. The exhibition will also incorporate familiar signifiers such as fu
rniture\, clothing\, and quilts as a bridge between literal and symbolic
content\, combining formal austerity\, humor\, and memory as equal points
of entry into the work.
A fully-illustrated catalogue\, with an
essay by Linda Tesner\, has been generously funded by The Ford Family Fou
ndation. Please join us for a gallery talk\, pie tutorial\, and catalogue
signing on the closing of the exhibition on Sunday\, December 9. Catalog
ues will be available for pre-sale through the exhibition for $20.00.
Reception for the Artists
Saturday\, Septem
ber 8
4 to 6 p.m
Gallery Talk\, Pie Tutorial\, and
Catalogue Signing
Sunday\, December 9
2 to 4 p
.m.
UID:20180913T070000Z-291475@college.lclark.edu
DTSTAMP:20180904T094435Z
URL:https://college.lclark.edu/live/events/288240-maria-td-inocencio-and-
mark-r-smith-loss-of
LAST-MODIFIED:20180904T164435Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.rev.153186971
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X-LIVEWHALE-IMAGE-CAPTION:Mark R. Smith and Maria T.D. Inocencio
\n
I Used to Think I Knew Everyone (detail)
\n2017
\nmu
slin\, paper\, newsprint cutouts\, thread\, glue
\n84"x 83.5"
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Loss of Material Evidence comprises work res
ulting from an ongoing conversation between collaborators and life partne
rs\, Maria T. D. Inocencio and Mark R. Smith\, about the aging and passin
g of their parents. Through new work created specifically for this exhibi
tion—some works made collaboratively and others made by the individual
artists—Inocencio and Smith investigate the dispersion and disposal of
material possessions—long associated with specific experiences or perio
ds of time—from their family homes. The exhibition will examine topics
such as loss\, remembrance\, legacy\, the passage of time\, and the makin
g of art as a means to process grief through abstract visual language.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180914
DTEND;VALUE=DATE:20180915
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Maria T.D. Inocencio and Mark R. Smith: Loss of Material Evidence
DESCRIPTION:Loss of Material Evidence comprises work resulting from an on
going conversation between collaborators and life partners\, Maria T. D.
Inocencio and Mark R. Smith\, about the aging and passing of their parent
s. Through new work created specifically for this exhibition—some works
made collaboratively and others made by the individual artists—Inocenc
io and Smith investigate the dispersion and disposal of material possessi
ons—long associated with specific experiences or periods of time—from
their family homes. The exhibition will examine topics such as loss\, re
membrance\, legacy\, the passage of time\, and the making of art as a mea
ns to process grief through abstract visual language. No one is spared a
life without profound loss. Loss of Material Evidence defines and proces
ses the poignant and universal phenomenon embodied in the aging and passi
ng on of parents\, family members\, and loved ones and\, in particular\,
the dissolution of the home environment and material goods that have defi
ned an individual's or family's life narrative. Having recently undergone
this circumstance themselves\, Inocencio and Smith manage their own sens
e of loss through artistic means in the expectation that their work will
find commonality and conversation within a larger group. This type of los
s\, and ensuing grief\, is not limited to losing a family member through
death. Indeed\, the exhibition is a lens through which to consider innume
rable themes of loss as witnessed daily in local and world events. Worki
ng through an abstract visual language that heavily emphasizes method\, r
epetition\, and accumulation\, Inocencio and Smith imagine the Hoffman Ga
llery to be a meditative space where viewers can project their own unique
experiences into the art. The exhibition will also incorporate familiar
signifiers such as furniture\, clothing\, and quilts as a bridge between
literal and symbolic content\, combining formal austerity\, humor\, and m
emory as equal points of entry into the work. A fully-illustrated catalo
gue\, with an essay by Linda Tesner\, has been generously funded by The F
ord Family Foundation. Please join us for a gallery talk\, pie tutorial\,
and catalogue signing on the closing of the exhibition on Sunday\, Decem
ber 9. Catalogues will be available for pre-sale through the exhibition f
or $20.00.Reception for the Artists Saturday\, September 8 4 to 6 p.mGa
llery Talk\, Pie Tutorial\, and Catalogue Signing Sunday\, December 9 2
to 4 p.m.
X-ALT-DESC;FMTTYPE=text/html:
Loss of Material Evidence compri
ses work resulting from an ongoing conversation between collaborators and
life partners\, Maria T. D. Inocencio and Mark R. Smith\, about the agin
g and passing of their parents. Through new work created specifically for
this exhibition—some works made collaboratively and others made by the
individual artists—Inocencio and Smith investigate the dispersion and
disposal of material possessions—long associated with specific experien
ces or periods of time—from their family homes. The exhibition will exa
mine topics such as loss\, remembrance\, legacy\, the passage of time\, a
nd the making of art as a means to process grief through abstract visual
language.
No one is spared a life without profound loss. Loss
of Material Evidence defines and processes the poignant and univers
al phenomenon embodied in the aging and passing on of parents\, family me
mbers\, and loved ones and\, in particular\, the dissolution of the home
environment and material goods that have defined an individual's or famil
y's life narrative. Having recently undergone this circumstance themselve
s\, Inocencio and Smith manage their own sense of loss through artistic m
eans in the expectation that their work will find commonality and convers
ation within a larger group. This type of loss\, and ensuing grief\, is n
ot limited to losing a family member through death. Indeed\, the exhibiti
on is a lens through which to consider innumerable themes of loss as witn
essed daily in local and world events.
Working through an abstrac
t visual language that heavily emphasizes method\, repetition\, and accum
ulation\, Inocencio and Smith imagine the Hoffman Gallery to be a meditat
ive space where viewers can project their own unique experiences into the
art. The exhibition will also incorporate familiar signifiers such as fu
rniture\, clothing\, and quilts as a bridge between literal and symbolic
content\, combining formal austerity\, humor\, and memory as equal points
of entry into the work.
A fully-illustrated catalogue\, with an
essay by Linda Tesner\, has been generously funded by The Ford Family Fou
ndation. Please join us for a gallery talk\, pie tutorial\, and catalogue
signing on the closing of the exhibition on Sunday\, December 9. Catalog
ues will be available for pre-sale through the exhibition for $20.00.
Reception for the Artists
Saturday\, Septem
ber 8
4 to 6 p.m
Gallery Talk\, Pie Tutorial\, and
Catalogue Signing
Sunday\, December 9
2 to 4 p
.m.
UID:20180914T070000Z-291475@college.lclark.edu
DTSTAMP:20180904T094435Z
URL:https://college.lclark.edu/live/events/288240-maria-td-inocencio-and-
mark-r-smith-loss-of
LAST-MODIFIED:20180904T164435Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.rev.153186971
9.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:291475
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X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
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X-LIVEWHALE-IMAGE-CAPTION:Mark R. Smith and Maria T.D. Inocencio
\n
I Used to Think I Knew Everyone (detail)
\n2017
\nmu
slin\, paper\, newsprint cutouts\, thread\, glue
\n84"x 83.5"
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Loss of Material Evidence comprises work res
ulting from an ongoing conversation between collaborators and life partne
rs\, Maria T. D. Inocencio and Mark R. Smith\, about the aging and passin
g of their parents. Through new work created specifically for this exhibi
tion—some works made collaboratively and others made by the individual
artists—Inocencio and Smith investigate the dispersion and disposal of
material possessions—long associated with specific experiences or perio
ds of time—from their family homes. The exhibition will examine topics
such as loss\, remembrance\, legacy\, the passage of time\, and the makin
g of art as a means to process grief through abstract visual language.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180915
DTEND;VALUE=DATE:20180916
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Maria T.D. Inocencio and Mark R. Smith: Loss of Material Evidence
DESCRIPTION:Loss of Material Evidence comprises work resulting from an on
going conversation between collaborators and life partners\, Maria T. D.
Inocencio and Mark R. Smith\, about the aging and passing of their parent
s. Through new work created specifically for this exhibition—some works
made collaboratively and others made by the individual artists—Inocenc
io and Smith investigate the dispersion and disposal of material possessi
ons—long associated with specific experiences or periods of time—from
their family homes. The exhibition will examine topics such as loss\, re
membrance\, legacy\, the passage of time\, and the making of art as a mea
ns to process grief through abstract visual language. No one is spared a
life without profound loss. Loss of Material Evidence defines and proces
ses the poignant and universal phenomenon embodied in the aging and passi
ng on of parents\, family members\, and loved ones and\, in particular\,
the dissolution of the home environment and material goods that have defi
ned an individual's or family's life narrative. Having recently undergone
this circumstance themselves\, Inocencio and Smith manage their own sens
e of loss through artistic means in the expectation that their work will
find commonality and conversation within a larger group. This type of los
s\, and ensuing grief\, is not limited to losing a family member through
death. Indeed\, the exhibition is a lens through which to consider innume
rable themes of loss as witnessed daily in local and world events. Worki
ng through an abstract visual language that heavily emphasizes method\, r
epetition\, and accumulation\, Inocencio and Smith imagine the Hoffman Ga
llery to be a meditative space where viewers can project their own unique
experiences into the art. The exhibition will also incorporate familiar
signifiers such as furniture\, clothing\, and quilts as a bridge between
literal and symbolic content\, combining formal austerity\, humor\, and m
emory as equal points of entry into the work. A fully-illustrated catalo
gue\, with an essay by Linda Tesner\, has been generously funded by The F
ord Family Foundation. Please join us for a gallery talk\, pie tutorial\,
and catalogue signing on the closing of the exhibition on Sunday\, Decem
ber 9. Catalogues will be available for pre-sale through the exhibition f
or $20.00.Reception for the Artists Saturday\, September 8 4 to 6 p.mGa
llery Talk\, Pie Tutorial\, and Catalogue Signing Sunday\, December 9 2
to 4 p.m.
X-ALT-DESC;FMTTYPE=text/html:
Loss of Material Evidence compri
ses work resulting from an ongoing conversation between collaborators and
life partners\, Maria T. D. Inocencio and Mark R. Smith\, about the agin
g and passing of their parents. Through new work created specifically for
this exhibition—some works made collaboratively and others made by the
individual artists—Inocencio and Smith investigate the dispersion and
disposal of material possessions—long associated with specific experien
ces or periods of time—from their family homes. The exhibition will exa
mine topics such as loss\, remembrance\, legacy\, the passage of time\, a
nd the making of art as a means to process grief through abstract visual
language.
No one is spared a life without profound loss. Loss
of Material Evidence defines and processes the poignant and univers
al phenomenon embodied in the aging and passing on of parents\, family me
mbers\, and loved ones and\, in particular\, the dissolution of the home
environment and material goods that have defined an individual's or famil
y's life narrative. Having recently undergone this circumstance themselve
s\, Inocencio and Smith manage their own sense of loss through artistic m
eans in the expectation that their work will find commonality and convers
ation within a larger group. This type of loss\, and ensuing grief\, is n
ot limited to losing a family member through death. Indeed\, the exhibiti
on is a lens through which to consider innumerable themes of loss as witn
essed daily in local and world events.
Working through an abstrac
t visual language that heavily emphasizes method\, repetition\, and accum
ulation\, Inocencio and Smith imagine the Hoffman Gallery to be a meditat
ive space where viewers can project their own unique experiences into the
art. The exhibition will also incorporate familiar signifiers such as fu
rniture\, clothing\, and quilts as a bridge between literal and symbolic
content\, combining formal austerity\, humor\, and memory as equal points
of entry into the work.
A fully-illustrated catalogue\, with an
essay by Linda Tesner\, has been generously funded by The Ford Family Fou
ndation. Please join us for a gallery talk\, pie tutorial\, and catalogue
signing on the closing of the exhibition on Sunday\, December 9. Catalog
ues will be available for pre-sale through the exhibition for $20.00.
Reception for the Artists
Saturday\, Septem
ber 8
4 to 6 p.m
Gallery Talk\, Pie Tutorial\, and
Catalogue Signing
Sunday\, December 9
2 to 4 p
.m.
UID:20180915T070000Z-291475@college.lclark.edu
DTSTAMP:20180904T094435Z
URL:https://college.lclark.edu/live/events/288240-maria-td-inocencio-and-
mark-r-smith-loss-of
LAST-MODIFIED:20180904T164435Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.rev.153186971
9.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:291475
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
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v.1531869719.jpg
X-LIVEWHALE-IMAGE-CAPTION:Mark R. Smith and Maria T.D. Inocencio
\n
I Used to Think I Knew Everyone (detail)
\n2017
\nmu
slin\, paper\, newsprint cutouts\, thread\, glue
\n84"x 83.5"
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Loss of Material Evidence comprises work res
ulting from an ongoing conversation between collaborators and life partne
rs\, Maria T. D. Inocencio and Mark R. Smith\, about the aging and passin
g of their parents. Through new work created specifically for this exhibi
tion—some works made collaboratively and others made by the individual
artists—Inocencio and Smith investigate the dispersion and disposal of
material possessions—long associated with specific experiences or perio
ds of time—from their family homes. The exhibition will examine topics
such as loss\, remembrance\, legacy\, the passage of time\, and the makin
g of art as a means to process grief through abstract visual language.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180916
DTEND;VALUE=DATE:20180917
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Maria T.D. Inocencio and Mark R. Smith: Loss of Material Evidence
DESCRIPTION:Loss of Material Evidence comprises work resulting from an on
going conversation between collaborators and life partners\, Maria T. D.
Inocencio and Mark R. Smith\, about the aging and passing of their parent
s. Through new work created specifically for this exhibition—some works
made collaboratively and others made by the individual artists—Inocenc
io and Smith investigate the dispersion and disposal of material possessi
ons—long associated with specific experiences or periods of time—from
their family homes. The exhibition will examine topics such as loss\, re
membrance\, legacy\, the passage of time\, and the making of art as a mea
ns to process grief through abstract visual language. No one is spared a
life without profound loss. Loss of Material Evidence defines and proces
ses the poignant and universal phenomenon embodied in the aging and passi
ng on of parents\, family members\, and loved ones and\, in particular\,
the dissolution of the home environment and material goods that have defi
ned an individual's or family's life narrative. Having recently undergone
this circumstance themselves\, Inocencio and Smith manage their own sens
e of loss through artistic means in the expectation that their work will
find commonality and conversation within a larger group. This type of los
s\, and ensuing grief\, is not limited to losing a family member through
death. Indeed\, the exhibition is a lens through which to consider innume
rable themes of loss as witnessed daily in local and world events. Worki
ng through an abstract visual language that heavily emphasizes method\, r
epetition\, and accumulation\, Inocencio and Smith imagine the Hoffman Ga
llery to be a meditative space where viewers can project their own unique
experiences into the art. The exhibition will also incorporate familiar
signifiers such as furniture\, clothing\, and quilts as a bridge between
literal and symbolic content\, combining formal austerity\, humor\, and m
emory as equal points of entry into the work. A fully-illustrated catalo
gue\, with an essay by Linda Tesner\, has been generously funded by The F
ord Family Foundation. Please join us for a gallery talk\, pie tutorial\,
and catalogue signing on the closing of the exhibition on Sunday\, Decem
ber 9. Catalogues will be available for pre-sale through the exhibition f
or $20.00.Reception for the Artists Saturday\, September 8 4 to 6 p.mGa
llery Talk\, Pie Tutorial\, and Catalogue Signing Sunday\, December 9 2
to 4 p.m.
X-ALT-DESC;FMTTYPE=text/html:
Loss of Material Evidence compri
ses work resulting from an ongoing conversation between collaborators and
life partners\, Maria T. D. Inocencio and Mark R. Smith\, about the agin
g and passing of their parents. Through new work created specifically for
this exhibition—some works made collaboratively and others made by the
individual artists—Inocencio and Smith investigate the dispersion and
disposal of material possessions—long associated with specific experien
ces or periods of time—from their family homes. The exhibition will exa
mine topics such as loss\, remembrance\, legacy\, the passage of time\, a
nd the making of art as a means to process grief through abstract visual
language.
No one is spared a life without profound loss. Loss
of Material Evidence defines and processes the poignant and univers
al phenomenon embodied in the aging and passing on of parents\, family me
mbers\, and loved ones and\, in particular\, the dissolution of the home
environment and material goods that have defined an individual's or famil
y's life narrative. Having recently undergone this circumstance themselve
s\, Inocencio and Smith manage their own sense of loss through artistic m
eans in the expectation that their work will find commonality and convers
ation within a larger group. This type of loss\, and ensuing grief\, is n
ot limited to losing a family member through death. Indeed\, the exhibiti
on is a lens through which to consider innumerable themes of loss as witn
essed daily in local and world events.
Working through an abstrac
t visual language that heavily emphasizes method\, repetition\, and accum
ulation\, Inocencio and Smith imagine the Hoffman Gallery to be a meditat
ive space where viewers can project their own unique experiences into the
art. The exhibition will also incorporate familiar signifiers such as fu
rniture\, clothing\, and quilts as a bridge between literal and symbolic
content\, combining formal austerity\, humor\, and memory as equal points
of entry into the work.
A fully-illustrated catalogue\, with an
essay by Linda Tesner\, has been generously funded by The Ford Family Fou
ndation. Please join us for a gallery talk\, pie tutorial\, and catalogue
signing on the closing of the exhibition on Sunday\, December 9. Catalog
ues will be available for pre-sale through the exhibition for $20.00.
Reception for the Artists
Saturday\, Septem
ber 8
4 to 6 p.m
Gallery Talk\, Pie Tutorial\, and
Catalogue Signing
Sunday\, December 9
2 to 4 p
.m.
UID:20180916T070000Z-291475@college.lclark.edu
DTSTAMP:20180904T094435Z
URL:https://college.lclark.edu/live/events/288240-maria-td-inocencio-and-
mark-r-smith-loss-of
LAST-MODIFIED:20180904T164435Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.rev.153186971
9.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:291475
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.re
v.1531869719.jpg
X-LIVEWHALE-IMAGE-CAPTION:Mark R. Smith and Maria T.D. Inocencio
\n
I Used to Think I Knew Everyone (detail)
\n2017
\nmu
slin\, paper\, newsprint cutouts\, thread\, glue
\n84"x 83.5"
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Loss of Material Evidence comprises work res
ulting from an ongoing conversation between collaborators and life partne
rs\, Maria T. D. Inocencio and Mark R. Smith\, about the aging and passin
g of their parents. Through new work created specifically for this exhibi
tion—some works made collaboratively and others made by the individual
artists—Inocencio and Smith investigate the dispersion and disposal of
material possessions—long associated with specific experiences or perio
ds of time—from their family homes. The exhibition will examine topics
such as loss\, remembrance\, legacy\, the passage of time\, and the makin
g of art as a means to process grief through abstract visual language.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180917
DTEND;VALUE=DATE:20180918
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Maria T.D. Inocencio and Mark R. Smith: Loss of Material Evidence
DESCRIPTION:Loss of Material Evidence comprises work resulting from an on
going conversation between collaborators and life partners\, Maria T. D.
Inocencio and Mark R. Smith\, about the aging and passing of their parent
s. Through new work created specifically for this exhibition—some works
made collaboratively and others made by the individual artists—Inocenc
io and Smith investigate the dispersion and disposal of material possessi
ons—long associated with specific experiences or periods of time—from
their family homes. The exhibition will examine topics such as loss\, re
membrance\, legacy\, the passage of time\, and the making of art as a mea
ns to process grief through abstract visual language. No one is spared a
life without profound loss. Loss of Material Evidence defines and proces
ses the poignant and universal phenomenon embodied in the aging and passi
ng on of parents\, family members\, and loved ones and\, in particular\,
the dissolution of the home environment and material goods that have defi
ned an individual's or family's life narrative. Having recently undergone
this circumstance themselves\, Inocencio and Smith manage their own sens
e of loss through artistic means in the expectation that their work will
find commonality and conversation within a larger group. This type of los
s\, and ensuing grief\, is not limited to losing a family member through
death. Indeed\, the exhibition is a lens through which to consider innume
rable themes of loss as witnessed daily in local and world events. Worki
ng through an abstract visual language that heavily emphasizes method\, r
epetition\, and accumulation\, Inocencio and Smith imagine the Hoffman Ga
llery to be a meditative space where viewers can project their own unique
experiences into the art. The exhibition will also incorporate familiar
signifiers such as furniture\, clothing\, and quilts as a bridge between
literal and symbolic content\, combining formal austerity\, humor\, and m
emory as equal points of entry into the work. A fully-illustrated catalo
gue\, with an essay by Linda Tesner\, has been generously funded by The F
ord Family Foundation. Please join us for a gallery talk\, pie tutorial\,
and catalogue signing on the closing of the exhibition on Sunday\, Decem
ber 9. Catalogues will be available for pre-sale through the exhibition f
or $20.00.Reception for the Artists Saturday\, September 8 4 to 6 p.mGa
llery Talk\, Pie Tutorial\, and Catalogue Signing Sunday\, December 9 2
to 4 p.m.
X-ALT-DESC;FMTTYPE=text/html:
Loss of Material Evidence compri
ses work resulting from an ongoing conversation between collaborators and
life partners\, Maria T. D. Inocencio and Mark R. Smith\, about the agin
g and passing of their parents. Through new work created specifically for
this exhibition—some works made collaboratively and others made by the
individual artists—Inocencio and Smith investigate the dispersion and
disposal of material possessions—long associated with specific experien
ces or periods of time—from their family homes. The exhibition will exa
mine topics such as loss\, remembrance\, legacy\, the passage of time\, a
nd the making of art as a means to process grief through abstract visual
language.
No one is spared a life without profound loss. Loss
of Material Evidence defines and processes the poignant and univers
al phenomenon embodied in the aging and passing on of parents\, family me
mbers\, and loved ones and\, in particular\, the dissolution of the home
environment and material goods that have defined an individual's or famil
y's life narrative. Having recently undergone this circumstance themselve
s\, Inocencio and Smith manage their own sense of loss through artistic m
eans in the expectation that their work will find commonality and convers
ation within a larger group. This type of loss\, and ensuing grief\, is n
ot limited to losing a family member through death. Indeed\, the exhibiti
on is a lens through which to consider innumerable themes of loss as witn
essed daily in local and world events.
Working through an abstrac
t visual language that heavily emphasizes method\, repetition\, and accum
ulation\, Inocencio and Smith imagine the Hoffman Gallery to be a meditat
ive space where viewers can project their own unique experiences into the
art. The exhibition will also incorporate familiar signifiers such as fu
rniture\, clothing\, and quilts as a bridge between literal and symbolic
content\, combining formal austerity\, humor\, and memory as equal points
of entry into the work.
A fully-illustrated catalogue\, with an
essay by Linda Tesner\, has been generously funded by The Ford Family Fou
ndation. Please join us for a gallery talk\, pie tutorial\, and catalogue
signing on the closing of the exhibition on Sunday\, December 9. Catalog
ues will be available for pre-sale through the exhibition for $20.00.
Reception for the Artists
Saturday\, Septem
ber 8
4 to 6 p.m
Gallery Talk\, Pie Tutorial\, and
Catalogue Signing
Sunday\, December 9
2 to 4 p
.m.
UID:20180917T070000Z-291475@college.lclark.edu
DTSTAMP:20180904T094435Z
URL:https://college.lclark.edu/live/events/288240-maria-td-inocencio-and-
mark-r-smith-loss-of
LAST-MODIFIED:20180904T164435Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.rev.153186971
9.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:291475
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.re
v.1531869719.jpg
X-LIVEWHALE-IMAGE-CAPTION:Mark R. Smith and Maria T.D. Inocencio
\n
I Used to Think I Knew Everyone (detail)
\n2017
\nmu
slin\, paper\, newsprint cutouts\, thread\, glue
\n84"x 83.5"
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Loss of Material Evidence comprises work res
ulting from an ongoing conversation between collaborators and life partne
rs\, Maria T. D. Inocencio and Mark R. Smith\, about the aging and passin
g of their parents. Through new work created specifically for this exhibi
tion—some works made collaboratively and others made by the individual
artists—Inocencio and Smith investigate the dispersion and disposal of
material possessions—long associated with specific experiences or perio
ds of time—from their family homes. The exhibition will examine topics
such as loss\, remembrance\, legacy\, the passage of time\, and the makin
g of art as a means to process grief through abstract visual language.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180918
DTEND;VALUE=DATE:20180919
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Maria T.D. Inocencio and Mark R. Smith: Loss of Material Evidence
DESCRIPTION:Loss of Material Evidence comprises work resulting from an on
going conversation between collaborators and life partners\, Maria T. D.
Inocencio and Mark R. Smith\, about the aging and passing of their parent
s. Through new work created specifically for this exhibition—some works
made collaboratively and others made by the individual artists—Inocenc
io and Smith investigate the dispersion and disposal of material possessi
ons—long associated with specific experiences or periods of time—from
their family homes. The exhibition will examine topics such as loss\, re
membrance\, legacy\, the passage of time\, and the making of art as a mea
ns to process grief through abstract visual language. No one is spared a
life without profound loss. Loss of Material Evidence defines and proces
ses the poignant and universal phenomenon embodied in the aging and passi
ng on of parents\, family members\, and loved ones and\, in particular\,
the dissolution of the home environment and material goods that have defi
ned an individual's or family's life narrative. Having recently undergone
this circumstance themselves\, Inocencio and Smith manage their own sens
e of loss through artistic means in the expectation that their work will
find commonality and conversation within a larger group. This type of los
s\, and ensuing grief\, is not limited to losing a family member through
death. Indeed\, the exhibition is a lens through which to consider innume
rable themes of loss as witnessed daily in local and world events. Worki
ng through an abstract visual language that heavily emphasizes method\, r
epetition\, and accumulation\, Inocencio and Smith imagine the Hoffman Ga
llery to be a meditative space where viewers can project their own unique
experiences into the art. The exhibition will also incorporate familiar
signifiers such as furniture\, clothing\, and quilts as a bridge between
literal and symbolic content\, combining formal austerity\, humor\, and m
emory as equal points of entry into the work. A fully-illustrated catalo
gue\, with an essay by Linda Tesner\, has been generously funded by The F
ord Family Foundation. Please join us for a gallery talk\, pie tutorial\,
and catalogue signing on the closing of the exhibition on Sunday\, Decem
ber 9. Catalogues will be available for pre-sale through the exhibition f
or $20.00.Reception for the Artists Saturday\, September 8 4 to 6 p.mGa
llery Talk\, Pie Tutorial\, and Catalogue Signing Sunday\, December 9 2
to 4 p.m.
X-ALT-DESC;FMTTYPE=text/html:
Loss of Material Evidence compri
ses work resulting from an ongoing conversation between collaborators and
life partners\, Maria T. D. Inocencio and Mark R. Smith\, about the agin
g and passing of their parents. Through new work created specifically for
this exhibition—some works made collaboratively and others made by the
individual artists—Inocencio and Smith investigate the dispersion and
disposal of material possessions—long associated with specific experien
ces or periods of time—from their family homes. The exhibition will exa
mine topics such as loss\, remembrance\, legacy\, the passage of time\, a
nd the making of art as a means to process grief through abstract visual
language.
No one is spared a life without profound loss. Loss
of Material Evidence defines and processes the poignant and univers
al phenomenon embodied in the aging and passing on of parents\, family me
mbers\, and loved ones and\, in particular\, the dissolution of the home
environment and material goods that have defined an individual's or famil
y's life narrative. Having recently undergone this circumstance themselve
s\, Inocencio and Smith manage their own sense of loss through artistic m
eans in the expectation that their work will find commonality and convers
ation within a larger group. This type of loss\, and ensuing grief\, is n
ot limited to losing a family member through death. Indeed\, the exhibiti
on is a lens through which to consider innumerable themes of loss as witn
essed daily in local and world events.
Working through an abstrac
t visual language that heavily emphasizes method\, repetition\, and accum
ulation\, Inocencio and Smith imagine the Hoffman Gallery to be a meditat
ive space where viewers can project their own unique experiences into the
art. The exhibition will also incorporate familiar signifiers such as fu
rniture\, clothing\, and quilts as a bridge between literal and symbolic
content\, combining formal austerity\, humor\, and memory as equal points
of entry into the work.
A fully-illustrated catalogue\, with an
essay by Linda Tesner\, has been generously funded by The Ford Family Fou
ndation. Please join us for a gallery talk\, pie tutorial\, and catalogue
signing on the closing of the exhibition on Sunday\, December 9. Catalog
ues will be available for pre-sale through the exhibition for $20.00.
Reception for the Artists
Saturday\, Septem
ber 8
4 to 6 p.m
Gallery Talk\, Pie Tutorial\, and
Catalogue Signing
Sunday\, December 9
2 to 4 p
.m.
UID:20180918T070000Z-291475@college.lclark.edu
DTSTAMP:20180904T094435Z
URL:https://college.lclark.edu/live/events/288240-maria-td-inocencio-and-
mark-r-smith-loss-of
LAST-MODIFIED:20180904T164435Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.rev.153186971
9.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:291475
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.re
v.1531869719.jpg
X-LIVEWHALE-IMAGE-CAPTION:Mark R. Smith and Maria T.D. Inocencio
\n
I Used to Think I Knew Everyone (detail)
\n2017
\nmu
slin\, paper\, newsprint cutouts\, thread\, glue
\n84"x 83.5"
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Loss of Material Evidence comprises work res
ulting from an ongoing conversation between collaborators and life partne
rs\, Maria T. D. Inocencio and Mark R. Smith\, about the aging and passin
g of their parents. Through new work created specifically for this exhibi
tion—some works made collaboratively and others made by the individual
artists—Inocencio and Smith investigate the dispersion and disposal of
material possessions—long associated with specific experiences or perio
ds of time—from their family homes. The exhibition will examine topics
such as loss\, remembrance\, legacy\, the passage of time\, and the makin
g of art as a means to process grief through abstract visual language.
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180918T193000
DTEND;TZID=America/Los_Angeles:20180918T203000
LOCATION:Miller 102
SUMMARY:Paul Komada- 2018 Visiting Artist & Critics Series
DESCRIPTION:Paul Komada was born in Seattle but spent his formative years
in Japan\, including three years working at a Buddhist temple as a monk.
He received a Bachelor of Fine Arts in painting from the University of W
ashington\, followed by a Master of Fine Arts in painting from the Univer
sity of Pennsylvania. He is fascinated with reworking his own composition
s\, making installations\, painting\, and honing his craft. He believes h
is deep admiration of Western culture and desire to be assimilated has dr
iven his fascination with the subject. He enjoys knitting pieces together
to communicate feelings of warmth and care.The series is sponsored by th
e Lewis &\; Clark College Art &\; Art History Department and takes
place in conjunction with ART 311\, the Junior Seminar on Contemporary Ar
t and Theory.
X-ALT-DESC;FMTTYPE=text/html:
Paul Komada was born in Seattle but
spent his formative years in Japan\, including three years working at a B
uddhist temple as a monk. He received a Bachelor of Fine Arts in painting
from the University of Washington\, followed by a Master of Fine Arts in
painting from the University of Pennsylvania. He is fascinated with rewo
rking his own compositions\, making installations\, painting\, and honing
his craft. He believes his deep admiration of Western culture and desire
to be assimilated has driven his fascination with the subject. He enjoys
knitting pieces together to communicate feelings of warmth and care.
The series is sponsored by the Lewis &\; Clark College
Art &\; Art History Department and takes place in conjunction with ART
311\, the Junior Seminar on Contemporary Art and Theory.
UID:20180919T023000Z-291473@college.lclark.edu
DTSTAMP:20180904T093747Z
URL:https://college.lclark.edu/live/events/291473-paul-komada-2018-visiti
ng-artist-critics
CATEGORIES:Open to the Public
LAST-MODIFIED:20180904T170835Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/src_region/0,0,500,436/74250_green-being.rev.1536079002.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:291473
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/60/width/80/h
eight/80/crop/1/src_region/0\,0\,500\,436/74250_green-being.rev.153607900
2.jpg
X-LIVEWHALE-IMAGE-CAPTION:Green Being\, 2014 Hand-knit yarn and acrylic o
n canvas
X-LIVEWHALE-SUMMARY:Artist Paul Komada will be speaking as part of the 20
18 Visiting Artist &\; Critics Series
X-LIVEWHALE-TAGS:art criticism|Art History Faculty|Art Studio Faculty|art
|arts|lecturer|open to the public
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180919
DTEND;VALUE=DATE:20180920
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Maria T.D. Inocencio and Mark R. Smith: Loss of Material Evidence
DESCRIPTION:Loss of Material Evidence comprises work resulting from an on
going conversation between collaborators and life partners\, Maria T. D.
Inocencio and Mark R. Smith\, about the aging and passing of their parent
s. Through new work created specifically for this exhibition—some works
made collaboratively and others made by the individual artists—Inocenc
io and Smith investigate the dispersion and disposal of material possessi
ons—long associated with specific experiences or periods of time—from
their family homes. The exhibition will examine topics such as loss\, re
membrance\, legacy\, the passage of time\, and the making of art as a mea
ns to process grief through abstract visual language. No one is spared a
life without profound loss. Loss of Material Evidence defines and proces
ses the poignant and universal phenomenon embodied in the aging and passi
ng on of parents\, family members\, and loved ones and\, in particular\,
the dissolution of the home environment and material goods that have defi
ned an individual's or family's life narrative. Having recently undergone
this circumstance themselves\, Inocencio and Smith manage their own sens
e of loss through artistic means in the expectation that their work will
find commonality and conversation within a larger group. This type of los
s\, and ensuing grief\, is not limited to losing a family member through
death. Indeed\, the exhibition is a lens through which to consider innume
rable themes of loss as witnessed daily in local and world events. Worki
ng through an abstract visual language that heavily emphasizes method\, r
epetition\, and accumulation\, Inocencio and Smith imagine the Hoffman Ga
llery to be a meditative space where viewers can project their own unique
experiences into the art. The exhibition will also incorporate familiar
signifiers such as furniture\, clothing\, and quilts as a bridge between
literal and symbolic content\, combining formal austerity\, humor\, and m
emory as equal points of entry into the work. A fully-illustrated catalo
gue\, with an essay by Linda Tesner\, has been generously funded by The F
ord Family Foundation. Please join us for a gallery talk\, pie tutorial\,
and catalogue signing on the closing of the exhibition on Sunday\, Decem
ber 9. Catalogues will be available for pre-sale through the exhibition f
or $20.00.Reception for the Artists Saturday\, September 8 4 to 6 p.mGa
llery Talk\, Pie Tutorial\, and Catalogue Signing Sunday\, December 9 2
to 4 p.m.
X-ALT-DESC;FMTTYPE=text/html:
Loss of Material Evidence compri
ses work resulting from an ongoing conversation between collaborators and
life partners\, Maria T. D. Inocencio and Mark R. Smith\, about the agin
g and passing of their parents. Through new work created specifically for
this exhibition—some works made collaboratively and others made by the
individual artists—Inocencio and Smith investigate the dispersion and
disposal of material possessions—long associated with specific experien
ces or periods of time—from their family homes. The exhibition will exa
mine topics such as loss\, remembrance\, legacy\, the passage of time\, a
nd the making of art as a means to process grief through abstract visual
language.
No one is spared a life without profound loss. Loss
of Material Evidence defines and processes the poignant and univers
al phenomenon embodied in the aging and passing on of parents\, family me
mbers\, and loved ones and\, in particular\, the dissolution of the home
environment and material goods that have defined an individual's or famil
y's life narrative. Having recently undergone this circumstance themselve
s\, Inocencio and Smith manage their own sense of loss through artistic m
eans in the expectation that their work will find commonality and convers
ation within a larger group. This type of loss\, and ensuing grief\, is n
ot limited to losing a family member through death. Indeed\, the exhibiti
on is a lens through which to consider innumerable themes of loss as witn
essed daily in local and world events.
Working through an abstrac
t visual language that heavily emphasizes method\, repetition\, and accum
ulation\, Inocencio and Smith imagine the Hoffman Gallery to be a meditat
ive space where viewers can project their own unique experiences into the
art. The exhibition will also incorporate familiar signifiers such as fu
rniture\, clothing\, and quilts as a bridge between literal and symbolic
content\, combining formal austerity\, humor\, and memory as equal points
of entry into the work.
A fully-illustrated catalogue\, with an
essay by Linda Tesner\, has been generously funded by The Ford Family Fou
ndation. Please join us for a gallery talk\, pie tutorial\, and catalogue
signing on the closing of the exhibition on Sunday\, December 9. Catalog
ues will be available for pre-sale through the exhibition for $20.00.
Reception for the Artists
Saturday\, Septem
ber 8
4 to 6 p.m
Gallery Talk\, Pie Tutorial\, and
Catalogue Signing
Sunday\, December 9
2 to 4 p
.m.
UID:20180919T070000Z-291475@college.lclark.edu
DTSTAMP:20180904T094435Z
URL:https://college.lclark.edu/live/events/288240-maria-td-inocencio-and-
mark-r-smith-loss-of
LAST-MODIFIED:20180904T164435Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.rev.153186971
9.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:291475
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.re
v.1531869719.jpg
X-LIVEWHALE-IMAGE-CAPTION:Mark R. Smith and Maria T.D. Inocencio
\n
I Used to Think I Knew Everyone (detail)
\n2017
\nmu
slin\, paper\, newsprint cutouts\, thread\, glue
\n84"x 83.5"
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Loss of Material Evidence comprises work res
ulting from an ongoing conversation between collaborators and life partne
rs\, Maria T. D. Inocencio and Mark R. Smith\, about the aging and passin
g of their parents. Through new work created specifically for this exhibi
tion—some works made collaboratively and others made by the individual
artists—Inocencio and Smith investigate the dispersion and disposal of
material possessions—long associated with specific experiences or perio
ds of time—from their family homes. The exhibition will examine topics
such as loss\, remembrance\, legacy\, the passage of time\, and the makin
g of art as a means to process grief through abstract visual language.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180920
DTEND;VALUE=DATE:20180921
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Maria T.D. Inocencio and Mark R. Smith: Loss of Material Evidence
DESCRIPTION:Loss of Material Evidence comprises work resulting from an on
going conversation between collaborators and life partners\, Maria T. D.
Inocencio and Mark R. Smith\, about the aging and passing of their parent
s. Through new work created specifically for this exhibition—some works
made collaboratively and others made by the individual artists—Inocenc
io and Smith investigate the dispersion and disposal of material possessi
ons—long associated with specific experiences or periods of time—from
their family homes. The exhibition will examine topics such as loss\, re
membrance\, legacy\, the passage of time\, and the making of art as a mea
ns to process grief through abstract visual language. No one is spared a
life without profound loss. Loss of Material Evidence defines and proces
ses the poignant and universal phenomenon embodied in the aging and passi
ng on of parents\, family members\, and loved ones and\, in particular\,
the dissolution of the home environment and material goods that have defi
ned an individual's or family's life narrative. Having recently undergone
this circumstance themselves\, Inocencio and Smith manage their own sens
e of loss through artistic means in the expectation that their work will
find commonality and conversation within a larger group. This type of los
s\, and ensuing grief\, is not limited to losing a family member through
death. Indeed\, the exhibition is a lens through which to consider innume
rable themes of loss as witnessed daily in local and world events. Worki
ng through an abstract visual language that heavily emphasizes method\, r
epetition\, and accumulation\, Inocencio and Smith imagine the Hoffman Ga
llery to be a meditative space where viewers can project their own unique
experiences into the art. The exhibition will also incorporate familiar
signifiers such as furniture\, clothing\, and quilts as a bridge between
literal and symbolic content\, combining formal austerity\, humor\, and m
emory as equal points of entry into the work. A fully-illustrated catalo
gue\, with an essay by Linda Tesner\, has been generously funded by The F
ord Family Foundation. Please join us for a gallery talk\, pie tutorial\,
and catalogue signing on the closing of the exhibition on Sunday\, Decem
ber 9. Catalogues will be available for pre-sale through the exhibition f
or $20.00.Reception for the Artists Saturday\, September 8 4 to 6 p.mGa
llery Talk\, Pie Tutorial\, and Catalogue Signing Sunday\, December 9 2
to 4 p.m.
X-ALT-DESC;FMTTYPE=text/html:
Loss of Material Evidence compri
ses work resulting from an ongoing conversation between collaborators and
life partners\, Maria T. D. Inocencio and Mark R. Smith\, about the agin
g and passing of their parents. Through new work created specifically for
this exhibition—some works made collaboratively and others made by the
individual artists—Inocencio and Smith investigate the dispersion and
disposal of material possessions—long associated with specific experien
ces or periods of time—from their family homes. The exhibition will exa
mine topics such as loss\, remembrance\, legacy\, the passage of time\, a
nd the making of art as a means to process grief through abstract visual
language.
No one is spared a life without profound loss. Loss
of Material Evidence defines and processes the poignant and univers
al phenomenon embodied in the aging and passing on of parents\, family me
mbers\, and loved ones and\, in particular\, the dissolution of the home
environment and material goods that have defined an individual's or famil
y's life narrative. Having recently undergone this circumstance themselve
s\, Inocencio and Smith manage their own sense of loss through artistic m
eans in the expectation that their work will find commonality and convers
ation within a larger group. This type of loss\, and ensuing grief\, is n
ot limited to losing a family member through death. Indeed\, the exhibiti
on is a lens through which to consider innumerable themes of loss as witn
essed daily in local and world events.
Working through an abstrac
t visual language that heavily emphasizes method\, repetition\, and accum
ulation\, Inocencio and Smith imagine the Hoffman Gallery to be a meditat
ive space where viewers can project their own unique experiences into the
art. The exhibition will also incorporate familiar signifiers such as fu
rniture\, clothing\, and quilts as a bridge between literal and symbolic
content\, combining formal austerity\, humor\, and memory as equal points
of entry into the work.
A fully-illustrated catalogue\, with an
essay by Linda Tesner\, has been generously funded by The Ford Family Fou
ndation. Please join us for a gallery talk\, pie tutorial\, and catalogue
signing on the closing of the exhibition on Sunday\, December 9. Catalog
ues will be available for pre-sale through the exhibition for $20.00.
Reception for the Artists
Saturday\, Septem
ber 8
4 to 6 p.m
Gallery Talk\, Pie Tutorial\, and
Catalogue Signing
Sunday\, December 9
2 to 4 p
.m.
UID:20180920T070000Z-291475@college.lclark.edu
DTSTAMP:20180904T094435Z
URL:https://college.lclark.edu/live/events/288240-maria-td-inocencio-and-
mark-r-smith-loss-of
LAST-MODIFIED:20180904T164435Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.rev.153186971
9.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:291475
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.re
v.1531869719.jpg
X-LIVEWHALE-IMAGE-CAPTION:Mark R. Smith and Maria T.D. Inocencio
\n
I Used to Think I Knew Everyone (detail)
\n2017
\nmu
slin\, paper\, newsprint cutouts\, thread\, glue
\n84"x 83.5"
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Loss of Material Evidence comprises work res
ulting from an ongoing conversation between collaborators and life partne
rs\, Maria T. D. Inocencio and Mark R. Smith\, about the aging and passin
g of their parents. Through new work created specifically for this exhibi
tion—some works made collaboratively and others made by the individual
artists—Inocencio and Smith investigate the dispersion and disposal of
material possessions—long associated with specific experiences or perio
ds of time—from their family homes. The exhibition will examine topics
such as loss\, remembrance\, legacy\, the passage of time\, and the makin
g of art as a means to process grief through abstract visual language.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180921
DTEND;VALUE=DATE:20180922
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Maria T.D. Inocencio and Mark R. Smith: Loss of Material Evidence
DESCRIPTION:Loss of Material Evidence comprises work resulting from an on
going conversation between collaborators and life partners\, Maria T. D.
Inocencio and Mark R. Smith\, about the aging and passing of their parent
s. Through new work created specifically for this exhibition—some works
made collaboratively and others made by the individual artists—Inocenc
io and Smith investigate the dispersion and disposal of material possessi
ons—long associated with specific experiences or periods of time—from
their family homes. The exhibition will examine topics such as loss\, re
membrance\, legacy\, the passage of time\, and the making of art as a mea
ns to process grief through abstract visual language. No one is spared a
life without profound loss. Loss of Material Evidence defines and proces
ses the poignant and universal phenomenon embodied in the aging and passi
ng on of parents\, family members\, and loved ones and\, in particular\,
the dissolution of the home environment and material goods that have defi
ned an individual's or family's life narrative. Having recently undergone
this circumstance themselves\, Inocencio and Smith manage their own sens
e of loss through artistic means in the expectation that their work will
find commonality and conversation within a larger group. This type of los
s\, and ensuing grief\, is not limited to losing a family member through
death. Indeed\, the exhibition is a lens through which to consider innume
rable themes of loss as witnessed daily in local and world events. Worki
ng through an abstract visual language that heavily emphasizes method\, r
epetition\, and accumulation\, Inocencio and Smith imagine the Hoffman Ga
llery to be a meditative space where viewers can project their own unique
experiences into the art. The exhibition will also incorporate familiar
signifiers such as furniture\, clothing\, and quilts as a bridge between
literal and symbolic content\, combining formal austerity\, humor\, and m
emory as equal points of entry into the work. A fully-illustrated catalo
gue\, with an essay by Linda Tesner\, has been generously funded by The F
ord Family Foundation. Please join us for a gallery talk\, pie tutorial\,
and catalogue signing on the closing of the exhibition on Sunday\, Decem
ber 9. Catalogues will be available for pre-sale through the exhibition f
or $20.00.Reception for the Artists Saturday\, September 8 4 to 6 p.mGa
llery Talk\, Pie Tutorial\, and Catalogue Signing Sunday\, December 9 2
to 4 p.m.
X-ALT-DESC;FMTTYPE=text/html:
Loss of Material Evidence compri
ses work resulting from an ongoing conversation between collaborators and
life partners\, Maria T. D. Inocencio and Mark R. Smith\, about the agin
g and passing of their parents. Through new work created specifically for
this exhibition—some works made collaboratively and others made by the
individual artists—Inocencio and Smith investigate the dispersion and
disposal of material possessions—long associated with specific experien
ces or periods of time—from their family homes. The exhibition will exa
mine topics such as loss\, remembrance\, legacy\, the passage of time\, a
nd the making of art as a means to process grief through abstract visual
language.
No one is spared a life without profound loss. Loss
of Material Evidence defines and processes the poignant and univers
al phenomenon embodied in the aging and passing on of parents\, family me
mbers\, and loved ones and\, in particular\, the dissolution of the home
environment and material goods that have defined an individual's or famil
y's life narrative. Having recently undergone this circumstance themselve
s\, Inocencio and Smith manage their own sense of loss through artistic m
eans in the expectation that their work will find commonality and convers
ation within a larger group. This type of loss\, and ensuing grief\, is n
ot limited to losing a family member through death. Indeed\, the exhibiti
on is a lens through which to consider innumerable themes of loss as witn
essed daily in local and world events.
Working through an abstrac
t visual language that heavily emphasizes method\, repetition\, and accum
ulation\, Inocencio and Smith imagine the Hoffman Gallery to be a meditat
ive space where viewers can project their own unique experiences into the
art. The exhibition will also incorporate familiar signifiers such as fu
rniture\, clothing\, and quilts as a bridge between literal and symbolic
content\, combining formal austerity\, humor\, and memory as equal points
of entry into the work.
A fully-illustrated catalogue\, with an
essay by Linda Tesner\, has been generously funded by The Ford Family Fou
ndation. Please join us for a gallery talk\, pie tutorial\, and catalogue
signing on the closing of the exhibition on Sunday\, December 9. Catalog
ues will be available for pre-sale through the exhibition for $20.00.
Reception for the Artists
Saturday\, Septem
ber 8
4 to 6 p.m
Gallery Talk\, Pie Tutorial\, and
Catalogue Signing
Sunday\, December 9
2 to 4 p
.m.
UID:20180921T070000Z-291475@college.lclark.edu
DTSTAMP:20180904T094435Z
URL:https://college.lclark.edu/live/events/288240-maria-td-inocencio-and-
mark-r-smith-loss-of
LAST-MODIFIED:20180904T164435Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.rev.153186971
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X-LIVEWHALE-IMAGE-CAPTION:Mark R. Smith and Maria T.D. Inocencio
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I Used to Think I Knew Everyone (detail)
\n2017
\nmu
slin\, paper\, newsprint cutouts\, thread\, glue
\n84"x 83.5"
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Loss of Material Evidence comprises work res
ulting from an ongoing conversation between collaborators and life partne
rs\, Maria T. D. Inocencio and Mark R. Smith\, about the aging and passin
g of their parents. Through new work created specifically for this exhibi
tion—some works made collaboratively and others made by the individual
artists—Inocencio and Smith investigate the dispersion and disposal of
material possessions—long associated with specific experiences or perio
ds of time—from their family homes. The exhibition will examine topics
such as loss\, remembrance\, legacy\, the passage of time\, and the makin
g of art as a means to process grief through abstract visual language.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180922
DTEND;VALUE=DATE:20180923
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Maria T.D. Inocencio and Mark R. Smith: Loss of Material Evidence
DESCRIPTION:Loss of Material Evidence comprises work resulting from an on
going conversation between collaborators and life partners\, Maria T. D.
Inocencio and Mark R. Smith\, about the aging and passing of their parent
s. Through new work created specifically for this exhibition—some works
made collaboratively and others made by the individual artists—Inocenc
io and Smith investigate the dispersion and disposal of material possessi
ons—long associated with specific experiences or periods of time—from
their family homes. The exhibition will examine topics such as loss\, re
membrance\, legacy\, the passage of time\, and the making of art as a mea
ns to process grief through abstract visual language. No one is spared a
life without profound loss. Loss of Material Evidence defines and proces
ses the poignant and universal phenomenon embodied in the aging and passi
ng on of parents\, family members\, and loved ones and\, in particular\,
the dissolution of the home environment and material goods that have defi
ned an individual's or family's life narrative. Having recently undergone
this circumstance themselves\, Inocencio and Smith manage their own sens
e of loss through artistic means in the expectation that their work will
find commonality and conversation within a larger group. This type of los
s\, and ensuing grief\, is not limited to losing a family member through
death. Indeed\, the exhibition is a lens through which to consider innume
rable themes of loss as witnessed daily in local and world events. Worki
ng through an abstract visual language that heavily emphasizes method\, r
epetition\, and accumulation\, Inocencio and Smith imagine the Hoffman Ga
llery to be a meditative space where viewers can project their own unique
experiences into the art. The exhibition will also incorporate familiar
signifiers such as furniture\, clothing\, and quilts as a bridge between
literal and symbolic content\, combining formal austerity\, humor\, and m
emory as equal points of entry into the work. A fully-illustrated catalo
gue\, with an essay by Linda Tesner\, has been generously funded by The F
ord Family Foundation. Please join us for a gallery talk\, pie tutorial\,
and catalogue signing on the closing of the exhibition on Sunday\, Decem
ber 9. Catalogues will be available for pre-sale through the exhibition f
or $20.00.Reception for the Artists Saturday\, September 8 4 to 6 p.mGa
llery Talk\, Pie Tutorial\, and Catalogue Signing Sunday\, December 9 2
to 4 p.m.
X-ALT-DESC;FMTTYPE=text/html:
Loss of Material Evidence compri
ses work resulting from an ongoing conversation between collaborators and
life partners\, Maria T. D. Inocencio and Mark R. Smith\, about the agin
g and passing of their parents. Through new work created specifically for
this exhibition—some works made collaboratively and others made by the
individual artists—Inocencio and Smith investigate the dispersion and
disposal of material possessions—long associated with specific experien
ces or periods of time—from their family homes. The exhibition will exa
mine topics such as loss\, remembrance\, legacy\, the passage of time\, a
nd the making of art as a means to process grief through abstract visual
language.
No one is spared a life without profound loss. Loss
of Material Evidence defines and processes the poignant and univers
al phenomenon embodied in the aging and passing on of parents\, family me
mbers\, and loved ones and\, in particular\, the dissolution of the home
environment and material goods that have defined an individual's or famil
y's life narrative. Having recently undergone this circumstance themselve
s\, Inocencio and Smith manage their own sense of loss through artistic m
eans in the expectation that their work will find commonality and convers
ation within a larger group. This type of loss\, and ensuing grief\, is n
ot limited to losing a family member through death. Indeed\, the exhibiti
on is a lens through which to consider innumerable themes of loss as witn
essed daily in local and world events.
Working through an abstrac
t visual language that heavily emphasizes method\, repetition\, and accum
ulation\, Inocencio and Smith imagine the Hoffman Gallery to be a meditat
ive space where viewers can project their own unique experiences into the
art. The exhibition will also incorporate familiar signifiers such as fu
rniture\, clothing\, and quilts as a bridge between literal and symbolic
content\, combining formal austerity\, humor\, and memory as equal points
of entry into the work.
A fully-illustrated catalogue\, with an
essay by Linda Tesner\, has been generously funded by The Ford Family Fou
ndation. Please join us for a gallery talk\, pie tutorial\, and catalogue
signing on the closing of the exhibition on Sunday\, December 9. Catalog
ues will be available for pre-sale through the exhibition for $20.00.
Reception for the Artists
Saturday\, Septem
ber 8
4 to 6 p.m
Gallery Talk\, Pie Tutorial\, and
Catalogue Signing
Sunday\, December 9
2 to 4 p
.m.
UID:20180922T070000Z-291475@college.lclark.edu
DTSTAMP:20180904T094435Z
URL:https://college.lclark.edu/live/events/288240-maria-td-inocencio-and-
mark-r-smith-loss-of
LAST-MODIFIED:20180904T164435Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.rev.153186971
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X-LIVEWHALE-IMAGE-CAPTION:Mark R. Smith and Maria T.D. Inocencio
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I Used to Think I Knew Everyone (detail)
\n2017
\nmu
slin\, paper\, newsprint cutouts\, thread\, glue
\n84"x 83.5"
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Loss of Material Evidence comprises work res
ulting from an ongoing conversation between collaborators and life partne
rs\, Maria T. D. Inocencio and Mark R. Smith\, about the aging and passin
g of their parents. Through new work created specifically for this exhibi
tion—some works made collaboratively and others made by the individual
artists—Inocencio and Smith investigate the dispersion and disposal of
material possessions—long associated with specific experiences or perio
ds of time—from their family homes. The exhibition will examine topics
such as loss\, remembrance\, legacy\, the passage of time\, and the makin
g of art as a means to process grief through abstract visual language.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180923
DTEND;VALUE=DATE:20180924
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Maria T.D. Inocencio and Mark R. Smith: Loss of Material Evidence
DESCRIPTION:Loss of Material Evidence comprises work resulting from an on
going conversation between collaborators and life partners\, Maria T. D.
Inocencio and Mark R. Smith\, about the aging and passing of their parent
s. Through new work created specifically for this exhibition—some works
made collaboratively and others made by the individual artists—Inocenc
io and Smith investigate the dispersion and disposal of material possessi
ons—long associated with specific experiences or periods of time—from
their family homes. The exhibition will examine topics such as loss\, re
membrance\, legacy\, the passage of time\, and the making of art as a mea
ns to process grief through abstract visual language. No one is spared a
life without profound loss. Loss of Material Evidence defines and proces
ses the poignant and universal phenomenon embodied in the aging and passi
ng on of parents\, family members\, and loved ones and\, in particular\,
the dissolution of the home environment and material goods that have defi
ned an individual's or family's life narrative. Having recently undergone
this circumstance themselves\, Inocencio and Smith manage their own sens
e of loss through artistic means in the expectation that their work will
find commonality and conversation within a larger group. This type of los
s\, and ensuing grief\, is not limited to losing a family member through
death. Indeed\, the exhibition is a lens through which to consider innume
rable themes of loss as witnessed daily in local and world events. Worki
ng through an abstract visual language that heavily emphasizes method\, r
epetition\, and accumulation\, Inocencio and Smith imagine the Hoffman Ga
llery to be a meditative space where viewers can project their own unique
experiences into the art. The exhibition will also incorporate familiar
signifiers such as furniture\, clothing\, and quilts as a bridge between
literal and symbolic content\, combining formal austerity\, humor\, and m
emory as equal points of entry into the work. A fully-illustrated catalo
gue\, with an essay by Linda Tesner\, has been generously funded by The F
ord Family Foundation. Please join us for a gallery talk\, pie tutorial\,
and catalogue signing on the closing of the exhibition on Sunday\, Decem
ber 9. Catalogues will be available for pre-sale through the exhibition f
or $20.00.Reception for the Artists Saturday\, September 8 4 to 6 p.mGa
llery Talk\, Pie Tutorial\, and Catalogue Signing Sunday\, December 9 2
to 4 p.m.
X-ALT-DESC;FMTTYPE=text/html:
Loss of Material Evidence compri
ses work resulting from an ongoing conversation between collaborators and
life partners\, Maria T. D. Inocencio and Mark R. Smith\, about the agin
g and passing of their parents. Through new work created specifically for
this exhibition—some works made collaboratively and others made by the
individual artists—Inocencio and Smith investigate the dispersion and
disposal of material possessions—long associated with specific experien
ces or periods of time—from their family homes. The exhibition will exa
mine topics such as loss\, remembrance\, legacy\, the passage of time\, a
nd the making of art as a means to process grief through abstract visual
language.
No one is spared a life without profound loss. Loss
of Material Evidence defines and processes the poignant and univers
al phenomenon embodied in the aging and passing on of parents\, family me
mbers\, and loved ones and\, in particular\, the dissolution of the home
environment and material goods that have defined an individual's or famil
y's life narrative. Having recently undergone this circumstance themselve
s\, Inocencio and Smith manage their own sense of loss through artistic m
eans in the expectation that their work will find commonality and convers
ation within a larger group. This type of loss\, and ensuing grief\, is n
ot limited to losing a family member through death. Indeed\, the exhibiti
on is a lens through which to consider innumerable themes of loss as witn
essed daily in local and world events.
Working through an abstrac
t visual language that heavily emphasizes method\, repetition\, and accum
ulation\, Inocencio and Smith imagine the Hoffman Gallery to be a meditat
ive space where viewers can project their own unique experiences into the
art. The exhibition will also incorporate familiar signifiers such as fu
rniture\, clothing\, and quilts as a bridge between literal and symbolic
content\, combining formal austerity\, humor\, and memory as equal points
of entry into the work.
A fully-illustrated catalogue\, with an
essay by Linda Tesner\, has been generously funded by The Ford Family Fou
ndation. Please join us for a gallery talk\, pie tutorial\, and catalogue
signing on the closing of the exhibition on Sunday\, December 9. Catalog
ues will be available for pre-sale through the exhibition for $20.00.
Reception for the Artists
Saturday\, Septem
ber 8
4 to 6 p.m
Gallery Talk\, Pie Tutorial\, and
Catalogue Signing
Sunday\, December 9
2 to 4 p
.m.
UID:20180923T070000Z-291475@college.lclark.edu
DTSTAMP:20180904T094435Z
URL:https://college.lclark.edu/live/events/288240-maria-td-inocencio-and-
mark-r-smith-loss-of
LAST-MODIFIED:20180904T164435Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.rev.153186971
9.jpg
X-LIVEWHALE-TYPE:events
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X-LIVEWHALE-IMAGE-CAPTION:Mark R. Smith and Maria T.D. Inocencio
\n
I Used to Think I Knew Everyone (detail)
\n2017
\nmu
slin\, paper\, newsprint cutouts\, thread\, glue
\n84"x 83.5"
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Loss of Material Evidence comprises work res
ulting from an ongoing conversation between collaborators and life partne
rs\, Maria T. D. Inocencio and Mark R. Smith\, about the aging and passin
g of their parents. Through new work created specifically for this exhibi
tion—some works made collaboratively and others made by the individual
artists—Inocencio and Smith investigate the dispersion and disposal of
material possessions—long associated with specific experiences or perio
ds of time—from their family homes. The exhibition will examine topics
such as loss\, remembrance\, legacy\, the passage of time\, and the makin
g of art as a means to process grief through abstract visual language.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180924
DTEND;VALUE=DATE:20180925
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Maria T.D. Inocencio and Mark R. Smith: Loss of Material Evidence
DESCRIPTION:Loss of Material Evidence comprises work resulting from an on
going conversation between collaborators and life partners\, Maria T. D.
Inocencio and Mark R. Smith\, about the aging and passing of their parent
s. Through new work created specifically for this exhibition—some works
made collaboratively and others made by the individual artists—Inocenc
io and Smith investigate the dispersion and disposal of material possessi
ons—long associated with specific experiences or periods of time—from
their family homes. The exhibition will examine topics such as loss\, re
membrance\, legacy\, the passage of time\, and the making of art as a mea
ns to process grief through abstract visual language. No one is spared a
life without profound loss. Loss of Material Evidence defines and proces
ses the poignant and universal phenomenon embodied in the aging and passi
ng on of parents\, family members\, and loved ones and\, in particular\,
the dissolution of the home environment and material goods that have defi
ned an individual's or family's life narrative. Having recently undergone
this circumstance themselves\, Inocencio and Smith manage their own sens
e of loss through artistic means in the expectation that their work will
find commonality and conversation within a larger group. This type of los
s\, and ensuing grief\, is not limited to losing a family member through
death. Indeed\, the exhibition is a lens through which to consider innume
rable themes of loss as witnessed daily in local and world events. Worki
ng through an abstract visual language that heavily emphasizes method\, r
epetition\, and accumulation\, Inocencio and Smith imagine the Hoffman Ga
llery to be a meditative space where viewers can project their own unique
experiences into the art. The exhibition will also incorporate familiar
signifiers such as furniture\, clothing\, and quilts as a bridge between
literal and symbolic content\, combining formal austerity\, humor\, and m
emory as equal points of entry into the work. A fully-illustrated catalo
gue\, with an essay by Linda Tesner\, has been generously funded by The F
ord Family Foundation. Please join us for a gallery talk\, pie tutorial\,
and catalogue signing on the closing of the exhibition on Sunday\, Decem
ber 9. Catalogues will be available for pre-sale through the exhibition f
or $20.00.Reception for the Artists Saturday\, September 8 4 to 6 p.mGa
llery Talk\, Pie Tutorial\, and Catalogue Signing Sunday\, December 9 2
to 4 p.m.
X-ALT-DESC;FMTTYPE=text/html:
Loss of Material Evidence compri
ses work resulting from an ongoing conversation between collaborators and
life partners\, Maria T. D. Inocencio and Mark R. Smith\, about the agin
g and passing of their parents. Through new work created specifically for
this exhibition—some works made collaboratively and others made by the
individual artists—Inocencio and Smith investigate the dispersion and
disposal of material possessions—long associated with specific experien
ces or periods of time—from their family homes. The exhibition will exa
mine topics such as loss\, remembrance\, legacy\, the passage of time\, a
nd the making of art as a means to process grief through abstract visual
language.
No one is spared a life without profound loss. Loss
of Material Evidence defines and processes the poignant and univers
al phenomenon embodied in the aging and passing on of parents\, family me
mbers\, and loved ones and\, in particular\, the dissolution of the home
environment and material goods that have defined an individual's or famil
y's life narrative. Having recently undergone this circumstance themselve
s\, Inocencio and Smith manage their own sense of loss through artistic m
eans in the expectation that their work will find commonality and convers
ation within a larger group. This type of loss\, and ensuing grief\, is n
ot limited to losing a family member through death. Indeed\, the exhibiti
on is a lens through which to consider innumerable themes of loss as witn
essed daily in local and world events.
Working through an abstrac
t visual language that heavily emphasizes method\, repetition\, and accum
ulation\, Inocencio and Smith imagine the Hoffman Gallery to be a meditat
ive space where viewers can project their own unique experiences into the
art. The exhibition will also incorporate familiar signifiers such as fu
rniture\, clothing\, and quilts as a bridge between literal and symbolic
content\, combining formal austerity\, humor\, and memory as equal points
of entry into the work.
A fully-illustrated catalogue\, with an
essay by Linda Tesner\, has been generously funded by The Ford Family Fou
ndation. Please join us for a gallery talk\, pie tutorial\, and catalogue
signing on the closing of the exhibition on Sunday\, December 9. Catalog
ues will be available for pre-sale through the exhibition for $20.00.
Reception for the Artists
Saturday\, Septem
ber 8
4 to 6 p.m
Gallery Talk\, Pie Tutorial\, and
Catalogue Signing
Sunday\, December 9
2 to 4 p
.m.
UID:20180924T070000Z-291475@college.lclark.edu
DTSTAMP:20180904T094435Z
URL:https://college.lclark.edu/live/events/288240-maria-td-inocencio-and-
mark-r-smith-loss-of
LAST-MODIFIED:20180904T164435Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.rev.153186971
9.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:291475
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
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X-LIVEWHALE-IMAGE-CAPTION:Mark R. Smith and Maria T.D. Inocencio
\n
I Used to Think I Knew Everyone (detail)
\n2017
\nmu
slin\, paper\, newsprint cutouts\, thread\, glue
\n84"x 83.5"
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Loss of Material Evidence comprises work res
ulting from an ongoing conversation between collaborators and life partne
rs\, Maria T. D. Inocencio and Mark R. Smith\, about the aging and passin
g of their parents. Through new work created specifically for this exhibi
tion—some works made collaboratively and others made by the individual
artists—Inocencio and Smith investigate the dispersion and disposal of
material possessions—long associated with specific experiences or perio
ds of time—from their family homes. The exhibition will examine topics
such as loss\, remembrance\, legacy\, the passage of time\, and the makin
g of art as a means to process grief through abstract visual language.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180925
DTEND;VALUE=DATE:20180926
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Maria T.D. Inocencio and Mark R. Smith: Loss of Material Evidence
DESCRIPTION:Loss of Material Evidence comprises work resulting from an on
going conversation between collaborators and life partners\, Maria T. D.
Inocencio and Mark R. Smith\, about the aging and passing of their parent
s. Through new work created specifically for this exhibition—some works
made collaboratively and others made by the individual artists—Inocenc
io and Smith investigate the dispersion and disposal of material possessi
ons—long associated with specific experiences or periods of time—from
their family homes. The exhibition will examine topics such as loss\, re
membrance\, legacy\, the passage of time\, and the making of art as a mea
ns to process grief through abstract visual language. No one is spared a
life without profound loss. Loss of Material Evidence defines and proces
ses the poignant and universal phenomenon embodied in the aging and passi
ng on of parents\, family members\, and loved ones and\, in particular\,
the dissolution of the home environment and material goods that have defi
ned an individual's or family's life narrative. Having recently undergone
this circumstance themselves\, Inocencio and Smith manage their own sens
e of loss through artistic means in the expectation that their work will
find commonality and conversation within a larger group. This type of los
s\, and ensuing grief\, is not limited to losing a family member through
death. Indeed\, the exhibition is a lens through which to consider innume
rable themes of loss as witnessed daily in local and world events. Worki
ng through an abstract visual language that heavily emphasizes method\, r
epetition\, and accumulation\, Inocencio and Smith imagine the Hoffman Ga
llery to be a meditative space where viewers can project their own unique
experiences into the art. The exhibition will also incorporate familiar
signifiers such as furniture\, clothing\, and quilts as a bridge between
literal and symbolic content\, combining formal austerity\, humor\, and m
emory as equal points of entry into the work. A fully-illustrated catalo
gue\, with an essay by Linda Tesner\, has been generously funded by The F
ord Family Foundation. Please join us for a gallery talk\, pie tutorial\,
and catalogue signing on the closing of the exhibition on Sunday\, Decem
ber 9. Catalogues will be available for pre-sale through the exhibition f
or $20.00.Reception for the Artists Saturday\, September 8 4 to 6 p.mGa
llery Talk\, Pie Tutorial\, and Catalogue Signing Sunday\, December 9 2
to 4 p.m.
X-ALT-DESC;FMTTYPE=text/html:
Loss of Material Evidence compri
ses work resulting from an ongoing conversation between collaborators and
life partners\, Maria T. D. Inocencio and Mark R. Smith\, about the agin
g and passing of their parents. Through new work created specifically for
this exhibition—some works made collaboratively and others made by the
individual artists—Inocencio and Smith investigate the dispersion and
disposal of material possessions—long associated with specific experien
ces or periods of time—from their family homes. The exhibition will exa
mine topics such as loss\, remembrance\, legacy\, the passage of time\, a
nd the making of art as a means to process grief through abstract visual
language.
No one is spared a life without profound loss. Loss
of Material Evidence defines and processes the poignant and univers
al phenomenon embodied in the aging and passing on of parents\, family me
mbers\, and loved ones and\, in particular\, the dissolution of the home
environment and material goods that have defined an individual's or famil
y's life narrative. Having recently undergone this circumstance themselve
s\, Inocencio and Smith manage their own sense of loss through artistic m
eans in the expectation that their work will find commonality and convers
ation within a larger group. This type of loss\, and ensuing grief\, is n
ot limited to losing a family member through death. Indeed\, the exhibiti
on is a lens through which to consider innumerable themes of loss as witn
essed daily in local and world events.
Working through an abstrac
t visual language that heavily emphasizes method\, repetition\, and accum
ulation\, Inocencio and Smith imagine the Hoffman Gallery to be a meditat
ive space where viewers can project their own unique experiences into the
art. The exhibition will also incorporate familiar signifiers such as fu
rniture\, clothing\, and quilts as a bridge between literal and symbolic
content\, combining formal austerity\, humor\, and memory as equal points
of entry into the work.
A fully-illustrated catalogue\, with an
essay by Linda Tesner\, has been generously funded by The Ford Family Fou
ndation. Please join us for a gallery talk\, pie tutorial\, and catalogue
signing on the closing of the exhibition on Sunday\, December 9. Catalog
ues will be available for pre-sale through the exhibition for $20.00.
Reception for the Artists
Saturday\, Septem
ber 8
4 to 6 p.m
Gallery Talk\, Pie Tutorial\, and
Catalogue Signing
Sunday\, December 9
2 to 4 p
.m.
UID:20180925T070000Z-291475@college.lclark.edu
DTSTAMP:20180904T094435Z
URL:https://college.lclark.edu/live/events/288240-maria-td-inocencio-and-
mark-r-smith-loss-of
LAST-MODIFIED:20180904T164435Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.rev.153186971
9.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:291475
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
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v.1531869719.jpg
X-LIVEWHALE-IMAGE-CAPTION:Mark R. Smith and Maria T.D. Inocencio
\n
I Used to Think I Knew Everyone (detail)
\n2017
\nmu
slin\, paper\, newsprint cutouts\, thread\, glue
\n84"x 83.5"
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Loss of Material Evidence comprises work res
ulting from an ongoing conversation between collaborators and life partne
rs\, Maria T. D. Inocencio and Mark R. Smith\, about the aging and passin
g of their parents. Through new work created specifically for this exhibi
tion—some works made collaboratively and others made by the individual
artists—Inocencio and Smith investigate the dispersion and disposal of
material possessions—long associated with specific experiences or perio
ds of time—from their family homes. The exhibition will examine topics
such as loss\, remembrance\, legacy\, the passage of time\, and the makin
g of art as a means to process grief through abstract visual language.
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180925T193000
DTEND;TZID=America/Los_Angeles:20180925T203000
LOCATION:Miller 102
SUMMARY:Jaleesa Johnston- 2018 Visiting Artist & Critics Series
DESCRIPTION:Jaleesa Johnston is a mixed media artist currently working in
Portland\, OR. She holds a BA from Vassar College and an MFA from the Sa
n Francisco Art Institute. Her work explores the ruptured and queer exist
ence of the black female body as both subject and object through performa
nce\, video\, photography\, sculpture and collage. Working with her body
as material\, Jaleesa uses its malleability and symbolism to conjure new
narratives that suggest blackness as a liminal site for personal and comm
unal transformation. She is particularly concerned with articulating gest
ures of the body as a fragmented language that can be used to voice narra
tives of fugitivity\, resistance and freedom. The series is sponsored by
the Lewis &\; Clark College Art &\; Art History Department and tak
es place in conjunction with ART 311\, the Junior Seminar on Contemporary
Art and Theory.
X-ALT-DESC;FMTTYPE=text/html:
Jaleesa Johnston is a mixed media artis
t currently working in Portland\, OR. She holds a BA from Vassar College
and an MFA from the San Francisco Art Institute. Her work explores the ru
ptured and queer existence of the black female body as both subject and o
bject through performance\, video\, photography\, sculpture and collage.
Working with her body as material\, Jaleesa uses its malleability and sym
bolism to conjure new narratives that suggest blackness as a liminal site
for personal and communal transformation. She is particularly concerned
with articulating gestures of the body as a fragmented language that can
be used to voice narratives of fugitivity\, resistance and freedom.
The series is sponsored by the Lewis &\; Clark College Art &\; A
rt History Department and takes place in conjunction with ART 311\, the J
unior Seminar on Contemporary Art and Theory.
UID:20180926T023000Z-291474@college.lclark.edu
DTSTAMP:20180904T094419Z
URL:https://college.lclark.edu/live/events/291474-jaleesa-johnston-2018-v
isiting-artist-critics
CATEGORIES:Open to the Public
LAST-MODIFIED:20180904T165802Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/src_region/0,0,3200,2561/74251_bone_and_flesh.rev.1536079209.jpg
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079209.jpg
X-LIVEWHALE-IMAGE-CAPTION:Bone and Flesh\, 2017 Magazine Images\, Paper a
nd Glue on Wood Panel
X-LIVEWHALE-COST:Free
X-LIVEWHALE-SUMMARY:Artist Jeleesa Johnston will be presenting as part of
the 2018 Visiting Artist &\; Critics Seriese
X-LIVEWHALE-TAGS:art criticism|Art History Faculty|art history|Art Studio
Faculty|art|arts|open to the public
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180926
DTEND;VALUE=DATE:20180927
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Maria T.D. Inocencio and Mark R. Smith: Loss of Material Evidence
DESCRIPTION:Loss of Material Evidence comprises work resulting from an on
going conversation between collaborators and life partners\, Maria T. D.
Inocencio and Mark R. Smith\, about the aging and passing of their parent
s. Through new work created specifically for this exhibition—some works
made collaboratively and others made by the individual artists—Inocenc
io and Smith investigate the dispersion and disposal of material possessi
ons—long associated with specific experiences or periods of time—from
their family homes. The exhibition will examine topics such as loss\, re
membrance\, legacy\, the passage of time\, and the making of art as a mea
ns to process grief through abstract visual language. No one is spared a
life without profound loss. Loss of Material Evidence defines and proces
ses the poignant and universal phenomenon embodied in the aging and passi
ng on of parents\, family members\, and loved ones and\, in particular\,
the dissolution of the home environment and material goods that have defi
ned an individual's or family's life narrative. Having recently undergone
this circumstance themselves\, Inocencio and Smith manage their own sens
e of loss through artistic means in the expectation that their work will
find commonality and conversation within a larger group. This type of los
s\, and ensuing grief\, is not limited to losing a family member through
death. Indeed\, the exhibition is a lens through which to consider innume
rable themes of loss as witnessed daily in local and world events. Worki
ng through an abstract visual language that heavily emphasizes method\, r
epetition\, and accumulation\, Inocencio and Smith imagine the Hoffman Ga
llery to be a meditative space where viewers can project their own unique
experiences into the art. The exhibition will also incorporate familiar
signifiers such as furniture\, clothing\, and quilts as a bridge between
literal and symbolic content\, combining formal austerity\, humor\, and m
emory as equal points of entry into the work. A fully-illustrated catalo
gue\, with an essay by Linda Tesner\, has been generously funded by The F
ord Family Foundation. Please join us for a gallery talk\, pie tutorial\,
and catalogue signing on the closing of the exhibition on Sunday\, Decem
ber 9. Catalogues will be available for pre-sale through the exhibition f
or $20.00.Reception for the Artists Saturday\, September 8 4 to 6 p.mGa
llery Talk\, Pie Tutorial\, and Catalogue Signing Sunday\, December 9 2
to 4 p.m.
X-ALT-DESC;FMTTYPE=text/html:
Loss of Material Evidence compri
ses work resulting from an ongoing conversation between collaborators and
life partners\, Maria T. D. Inocencio and Mark R. Smith\, about the agin
g and passing of their parents. Through new work created specifically for
this exhibition—some works made collaboratively and others made by the
individual artists—Inocencio and Smith investigate the dispersion and
disposal of material possessions—long associated with specific experien
ces or periods of time—from their family homes. The exhibition will exa
mine topics such as loss\, remembrance\, legacy\, the passage of time\, a
nd the making of art as a means to process grief through abstract visual
language.
No one is spared a life without profound loss. Loss
of Material Evidence defines and processes the poignant and univers
al phenomenon embodied in the aging and passing on of parents\, family me
mbers\, and loved ones and\, in particular\, the dissolution of the home
environment and material goods that have defined an individual's or famil
y's life narrative. Having recently undergone this circumstance themselve
s\, Inocencio and Smith manage their own sense of loss through artistic m
eans in the expectation that their work will find commonality and convers
ation within a larger group. This type of loss\, and ensuing grief\, is n
ot limited to losing a family member through death. Indeed\, the exhibiti
on is a lens through which to consider innumerable themes of loss as witn
essed daily in local and world events.
Working through an abstrac
t visual language that heavily emphasizes method\, repetition\, and accum
ulation\, Inocencio and Smith imagine the Hoffman Gallery to be a meditat
ive space where viewers can project their own unique experiences into the
art. The exhibition will also incorporate familiar signifiers such as fu
rniture\, clothing\, and quilts as a bridge between literal and symbolic
content\, combining formal austerity\, humor\, and memory as equal points
of entry into the work.
A fully-illustrated catalogue\, with an
essay by Linda Tesner\, has been generously funded by The Ford Family Fou
ndation. Please join us for a gallery talk\, pie tutorial\, and catalogue
signing on the closing of the exhibition on Sunday\, December 9. Catalog
ues will be available for pre-sale through the exhibition for $20.00.
Reception for the Artists
Saturday\, Septem
ber 8
4 to 6 p.m
Gallery Talk\, Pie Tutorial\, and
Catalogue Signing
Sunday\, December 9
2 to 4 p
.m.
UID:20180926T070000Z-291475@college.lclark.edu
DTSTAMP:20180904T094435Z
URL:https://college.lclark.edu/live/events/288240-maria-td-inocencio-and-
mark-r-smith-loss-of
LAST-MODIFIED:20180904T164435Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.rev.153186971
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X-LIVEWHALE-IMAGE-CAPTION:Mark R. Smith and Maria T.D. Inocencio
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I Used to Think I Knew Everyone (detail)
\n2017
\nmu
slin\, paper\, newsprint cutouts\, thread\, glue
\n84"x 83.5"
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Loss of Material Evidence comprises work res
ulting from an ongoing conversation between collaborators and life partne
rs\, Maria T. D. Inocencio and Mark R. Smith\, about the aging and passin
g of their parents. Through new work created specifically for this exhibi
tion—some works made collaboratively and others made by the individual
artists—Inocencio and Smith investigate the dispersion and disposal of
material possessions—long associated with specific experiences or perio
ds of time—from their family homes. The exhibition will examine topics
such as loss\, remembrance\, legacy\, the passage of time\, and the makin
g of art as a means to process grief through abstract visual language.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180927
DTEND;VALUE=DATE:20180928
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Maria T.D. Inocencio and Mark R. Smith: Loss of Material Evidence
DESCRIPTION:Loss of Material Evidence comprises work resulting from an on
going conversation between collaborators and life partners\, Maria T. D.
Inocencio and Mark R. Smith\, about the aging and passing of their parent
s. Through new work created specifically for this exhibition—some works
made collaboratively and others made by the individual artists—Inocenc
io and Smith investigate the dispersion and disposal of material possessi
ons—long associated with specific experiences or periods of time—from
their family homes. The exhibition will examine topics such as loss\, re
membrance\, legacy\, the passage of time\, and the making of art as a mea
ns to process grief through abstract visual language. No one is spared a
life without profound loss. Loss of Material Evidence defines and proces
ses the poignant and universal phenomenon embodied in the aging and passi
ng on of parents\, family members\, and loved ones and\, in particular\,
the dissolution of the home environment and material goods that have defi
ned an individual's or family's life narrative. Having recently undergone
this circumstance themselves\, Inocencio and Smith manage their own sens
e of loss through artistic means in the expectation that their work will
find commonality and conversation within a larger group. This type of los
s\, and ensuing grief\, is not limited to losing a family member through
death. Indeed\, the exhibition is a lens through which to consider innume
rable themes of loss as witnessed daily in local and world events. Worki
ng through an abstract visual language that heavily emphasizes method\, r
epetition\, and accumulation\, Inocencio and Smith imagine the Hoffman Ga
llery to be a meditative space where viewers can project their own unique
experiences into the art. The exhibition will also incorporate familiar
signifiers such as furniture\, clothing\, and quilts as a bridge between
literal and symbolic content\, combining formal austerity\, humor\, and m
emory as equal points of entry into the work. A fully-illustrated catalo
gue\, with an essay by Linda Tesner\, has been generously funded by The F
ord Family Foundation. Please join us for a gallery talk\, pie tutorial\,
and catalogue signing on the closing of the exhibition on Sunday\, Decem
ber 9. Catalogues will be available for pre-sale through the exhibition f
or $20.00.Reception for the Artists Saturday\, September 8 4 to 6 p.mGa
llery Talk\, Pie Tutorial\, and Catalogue Signing Sunday\, December 9 2
to 4 p.m.
X-ALT-DESC;FMTTYPE=text/html:
Loss of Material Evidence compri
ses work resulting from an ongoing conversation between collaborators and
life partners\, Maria T. D. Inocencio and Mark R. Smith\, about the agin
g and passing of their parents. Through new work created specifically for
this exhibition—some works made collaboratively and others made by the
individual artists—Inocencio and Smith investigate the dispersion and
disposal of material possessions—long associated with specific experien
ces or periods of time—from their family homes. The exhibition will exa
mine topics such as loss\, remembrance\, legacy\, the passage of time\, a
nd the making of art as a means to process grief through abstract visual
language.
No one is spared a life without profound loss. Loss
of Material Evidence defines and processes the poignant and univers
al phenomenon embodied in the aging and passing on of parents\, family me
mbers\, and loved ones and\, in particular\, the dissolution of the home
environment and material goods that have defined an individual's or famil
y's life narrative. Having recently undergone this circumstance themselve
s\, Inocencio and Smith manage their own sense of loss through artistic m
eans in the expectation that their work will find commonality and convers
ation within a larger group. This type of loss\, and ensuing grief\, is n
ot limited to losing a family member through death. Indeed\, the exhibiti
on is a lens through which to consider innumerable themes of loss as witn
essed daily in local and world events.
Working through an abstrac
t visual language that heavily emphasizes method\, repetition\, and accum
ulation\, Inocencio and Smith imagine the Hoffman Gallery to be a meditat
ive space where viewers can project their own unique experiences into the
art. The exhibition will also incorporate familiar signifiers such as fu
rniture\, clothing\, and quilts as a bridge between literal and symbolic
content\, combining formal austerity\, humor\, and memory as equal points
of entry into the work.
A fully-illustrated catalogue\, with an
essay by Linda Tesner\, has been generously funded by The Ford Family Fou
ndation. Please join us for a gallery talk\, pie tutorial\, and catalogue
signing on the closing of the exhibition on Sunday\, December 9. Catalog
ues will be available for pre-sale through the exhibition for $20.00.
Reception for the Artists
Saturday\, Septem
ber 8
4 to 6 p.m
Gallery Talk\, Pie Tutorial\, and
Catalogue Signing
Sunday\, December 9
2 to 4 p
.m.
UID:20180927T070000Z-291475@college.lclark.edu
DTSTAMP:20180904T094435Z
URL:https://college.lclark.edu/live/events/288240-maria-td-inocencio-and-
mark-r-smith-loss-of
LAST-MODIFIED:20180904T164435Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.rev.153186971
9.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:291475
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X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
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X-LIVEWHALE-IMAGE-CAPTION:Mark R. Smith and Maria T.D. Inocencio
\n
I Used to Think I Knew Everyone (detail)
\n2017
\nmu
slin\, paper\, newsprint cutouts\, thread\, glue
\n84"x 83.5"
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Loss of Material Evidence comprises work res
ulting from an ongoing conversation between collaborators and life partne
rs\, Maria T. D. Inocencio and Mark R. Smith\, about the aging and passin
g of their parents. Through new work created specifically for this exhibi
tion—some works made collaboratively and others made by the individual
artists—Inocencio and Smith investigate the dispersion and disposal of
material possessions—long associated with specific experiences or perio
ds of time—from their family homes. The exhibition will examine topics
such as loss\, remembrance\, legacy\, the passage of time\, and the makin
g of art as a means to process grief through abstract visual language.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180928
DTEND;VALUE=DATE:20180929
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Maria T.D. Inocencio and Mark R. Smith: Loss of Material Evidence
DESCRIPTION:Loss of Material Evidence comprises work resulting from an on
going conversation between collaborators and life partners\, Maria T. D.
Inocencio and Mark R. Smith\, about the aging and passing of their parent
s. Through new work created specifically for this exhibition—some works
made collaboratively and others made by the individual artists—Inocenc
io and Smith investigate the dispersion and disposal of material possessi
ons—long associated with specific experiences or periods of time—from
their family homes. The exhibition will examine topics such as loss\, re
membrance\, legacy\, the passage of time\, and the making of art as a mea
ns to process grief through abstract visual language. No one is spared a
life without profound loss. Loss of Material Evidence defines and proces
ses the poignant and universal phenomenon embodied in the aging and passi
ng on of parents\, family members\, and loved ones and\, in particular\,
the dissolution of the home environment and material goods that have defi
ned an individual's or family's life narrative. Having recently undergone
this circumstance themselves\, Inocencio and Smith manage their own sens
e of loss through artistic means in the expectation that their work will
find commonality and conversation within a larger group. This type of los
s\, and ensuing grief\, is not limited to losing a family member through
death. Indeed\, the exhibition is a lens through which to consider innume
rable themes of loss as witnessed daily in local and world events. Worki
ng through an abstract visual language that heavily emphasizes method\, r
epetition\, and accumulation\, Inocencio and Smith imagine the Hoffman Ga
llery to be a meditative space where viewers can project their own unique
experiences into the art. The exhibition will also incorporate familiar
signifiers such as furniture\, clothing\, and quilts as a bridge between
literal and symbolic content\, combining formal austerity\, humor\, and m
emory as equal points of entry into the work. A fully-illustrated catalo
gue\, with an essay by Linda Tesner\, has been generously funded by The F
ord Family Foundation. Please join us for a gallery talk\, pie tutorial\,
and catalogue signing on the closing of the exhibition on Sunday\, Decem
ber 9. Catalogues will be available for pre-sale through the exhibition f
or $20.00.Reception for the Artists Saturday\, September 8 4 to 6 p.mGa
llery Talk\, Pie Tutorial\, and Catalogue Signing Sunday\, December 9 2
to 4 p.m.
X-ALT-DESC;FMTTYPE=text/html:
Loss of Material Evidence compri
ses work resulting from an ongoing conversation between collaborators and
life partners\, Maria T. D. Inocencio and Mark R. Smith\, about the agin
g and passing of their parents. Through new work created specifically for
this exhibition—some works made collaboratively and others made by the
individual artists—Inocencio and Smith investigate the dispersion and
disposal of material possessions—long associated with specific experien
ces or periods of time—from their family homes. The exhibition will exa
mine topics such as loss\, remembrance\, legacy\, the passage of time\, a
nd the making of art as a means to process grief through abstract visual
language.
No one is spared a life without profound loss. Loss
of Material Evidence defines and processes the poignant and univers
al phenomenon embodied in the aging and passing on of parents\, family me
mbers\, and loved ones and\, in particular\, the dissolution of the home
environment and material goods that have defined an individual's or famil
y's life narrative. Having recently undergone this circumstance themselve
s\, Inocencio and Smith manage their own sense of loss through artistic m
eans in the expectation that their work will find commonality and convers
ation within a larger group. This type of loss\, and ensuing grief\, is n
ot limited to losing a family member through death. Indeed\, the exhibiti
on is a lens through which to consider innumerable themes of loss as witn
essed daily in local and world events.
Working through an abstrac
t visual language that heavily emphasizes method\, repetition\, and accum
ulation\, Inocencio and Smith imagine the Hoffman Gallery to be a meditat
ive space where viewers can project their own unique experiences into the
art. The exhibition will also incorporate familiar signifiers such as fu
rniture\, clothing\, and quilts as a bridge between literal and symbolic
content\, combining formal austerity\, humor\, and memory as equal points
of entry into the work.
A fully-illustrated catalogue\, with an
essay by Linda Tesner\, has been generously funded by The Ford Family Fou
ndation. Please join us for a gallery talk\, pie tutorial\, and catalogue
signing on the closing of the exhibition on Sunday\, December 9. Catalog
ues will be available for pre-sale through the exhibition for $20.00.
Reception for the Artists
Saturday\, Septem
ber 8
4 to 6 p.m
Gallery Talk\, Pie Tutorial\, and
Catalogue Signing
Sunday\, December 9
2 to 4 p
.m.
UID:20180928T070000Z-291475@college.lclark.edu
DTSTAMP:20180904T094435Z
URL:https://college.lclark.edu/live/events/288240-maria-td-inocencio-and-
mark-r-smith-loss-of
LAST-MODIFIED:20180904T164435Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.rev.153186971
9.jpg
X-LIVEWHALE-TYPE:events
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X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
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X-LIVEWHALE-IMAGE-CAPTION:Mark R. Smith and Maria T.D. Inocencio
\n
I Used to Think I Knew Everyone (detail)
\n2017
\nmu
slin\, paper\, newsprint cutouts\, thread\, glue
\n84"x 83.5"
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Loss of Material Evidence comprises work res
ulting from an ongoing conversation between collaborators and life partne
rs\, Maria T. D. Inocencio and Mark R. Smith\, about the aging and passin
g of their parents. Through new work created specifically for this exhibi
tion—some works made collaboratively and others made by the individual
artists—Inocencio and Smith investigate the dispersion and disposal of
material possessions—long associated with specific experiences or perio
ds of time—from their family homes. The exhibition will examine topics
such as loss\, remembrance\, legacy\, the passage of time\, and the makin
g of art as a means to process grief through abstract visual language.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180929
DTEND;VALUE=DATE:20180930
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Maria T.D. Inocencio and Mark R. Smith: Loss of Material Evidence
DESCRIPTION:Loss of Material Evidence comprises work resulting from an on
going conversation between collaborators and life partners\, Maria T. D.
Inocencio and Mark R. Smith\, about the aging and passing of their parent
s. Through new work created specifically for this exhibition—some works
made collaboratively and others made by the individual artists—Inocenc
io and Smith investigate the dispersion and disposal of material possessi
ons—long associated with specific experiences or periods of time—from
their family homes. The exhibition will examine topics such as loss\, re
membrance\, legacy\, the passage of time\, and the making of art as a mea
ns to process grief through abstract visual language. No one is spared a
life without profound loss. Loss of Material Evidence defines and proces
ses the poignant and universal phenomenon embodied in the aging and passi
ng on of parents\, family members\, and loved ones and\, in particular\,
the dissolution of the home environment and material goods that have defi
ned an individual's or family's life narrative. Having recently undergone
this circumstance themselves\, Inocencio and Smith manage their own sens
e of loss through artistic means in the expectation that their work will
find commonality and conversation within a larger group. This type of los
s\, and ensuing grief\, is not limited to losing a family member through
death. Indeed\, the exhibition is a lens through which to consider innume
rable themes of loss as witnessed daily in local and world events. Worki
ng through an abstract visual language that heavily emphasizes method\, r
epetition\, and accumulation\, Inocencio and Smith imagine the Hoffman Ga
llery to be a meditative space where viewers can project their own unique
experiences into the art. The exhibition will also incorporate familiar
signifiers such as furniture\, clothing\, and quilts as a bridge between
literal and symbolic content\, combining formal austerity\, humor\, and m
emory as equal points of entry into the work. A fully-illustrated catalo
gue\, with an essay by Linda Tesner\, has been generously funded by The F
ord Family Foundation. Please join us for a gallery talk\, pie tutorial\,
and catalogue signing on the closing of the exhibition on Sunday\, Decem
ber 9. Catalogues will be available for pre-sale through the exhibition f
or $20.00.Reception for the Artists Saturday\, September 8 4 to 6 p.mGa
llery Talk\, Pie Tutorial\, and Catalogue Signing Sunday\, December 9 2
to 4 p.m.
X-ALT-DESC;FMTTYPE=text/html:
Loss of Material Evidence compri
ses work resulting from an ongoing conversation between collaborators and
life partners\, Maria T. D. Inocencio and Mark R. Smith\, about the agin
g and passing of their parents. Through new work created specifically for
this exhibition—some works made collaboratively and others made by the
individual artists—Inocencio and Smith investigate the dispersion and
disposal of material possessions—long associated with specific experien
ces or periods of time—from their family homes. The exhibition will exa
mine topics such as loss\, remembrance\, legacy\, the passage of time\, a
nd the making of art as a means to process grief through abstract visual
language.
No one is spared a life without profound loss. Loss
of Material Evidence defines and processes the poignant and univers
al phenomenon embodied in the aging and passing on of parents\, family me
mbers\, and loved ones and\, in particular\, the dissolution of the home
environment and material goods that have defined an individual's or famil
y's life narrative. Having recently undergone this circumstance themselve
s\, Inocencio and Smith manage their own sense of loss through artistic m
eans in the expectation that their work will find commonality and convers
ation within a larger group. This type of loss\, and ensuing grief\, is n
ot limited to losing a family member through death. Indeed\, the exhibiti
on is a lens through which to consider innumerable themes of loss as witn
essed daily in local and world events.
Working through an abstrac
t visual language that heavily emphasizes method\, repetition\, and accum
ulation\, Inocencio and Smith imagine the Hoffman Gallery to be a meditat
ive space where viewers can project their own unique experiences into the
art. The exhibition will also incorporate familiar signifiers such as fu
rniture\, clothing\, and quilts as a bridge between literal and symbolic
content\, combining formal austerity\, humor\, and memory as equal points
of entry into the work.
A fully-illustrated catalogue\, with an
essay by Linda Tesner\, has been generously funded by The Ford Family Fou
ndation. Please join us for a gallery talk\, pie tutorial\, and catalogue
signing on the closing of the exhibition on Sunday\, December 9. Catalog
ues will be available for pre-sale through the exhibition for $20.00.
Reception for the Artists
Saturday\, Septem
ber 8
4 to 6 p.m
Gallery Talk\, Pie Tutorial\, and
Catalogue Signing
Sunday\, December 9
2 to 4 p
.m.
UID:20180929T070000Z-291475@college.lclark.edu
DTSTAMP:20180904T094435Z
URL:https://college.lclark.edu/live/events/288240-maria-td-inocencio-and-
mark-r-smith-loss-of
LAST-MODIFIED:20180904T164435Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.rev.153186971
9.jpg
X-LIVEWHALE-TYPE:events
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height/80/crop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.re
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X-LIVEWHALE-IMAGE-CAPTION:Mark R. Smith and Maria T.D. Inocencio
\n
I Used to Think I Knew Everyone (detail)
\n2017
\nmu
slin\, paper\, newsprint cutouts\, thread\, glue
\n84"x 83.5"
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Loss of Material Evidence comprises work res
ulting from an ongoing conversation between collaborators and life partne
rs\, Maria T. D. Inocencio and Mark R. Smith\, about the aging and passin
g of their parents. Through new work created specifically for this exhibi
tion—some works made collaboratively and others made by the individual
artists—Inocencio and Smith investigate the dispersion and disposal of
material possessions—long associated with specific experiences or perio
ds of time—from their family homes. The exhibition will examine topics
such as loss\, remembrance\, legacy\, the passage of time\, and the makin
g of art as a means to process grief through abstract visual language.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180930
DTEND;VALUE=DATE:20181001
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Maria T.D. Inocencio and Mark R. Smith: Loss of Material Evidence
DESCRIPTION:Loss of Material Evidence comprises work resulting from an on
going conversation between collaborators and life partners\, Maria T. D.
Inocencio and Mark R. Smith\, about the aging and passing of their parent
s. Through new work created specifically for this exhibition—some works
made collaboratively and others made by the individual artists—Inocenc
io and Smith investigate the dispersion and disposal of material possessi
ons—long associated with specific experiences or periods of time—from
their family homes. The exhibition will examine topics such as loss\, re
membrance\, legacy\, the passage of time\, and the making of art as a mea
ns to process grief through abstract visual language. No one is spared a
life without profound loss. Loss of Material Evidence defines and proces
ses the poignant and universal phenomenon embodied in the aging and passi
ng on of parents\, family members\, and loved ones and\, in particular\,
the dissolution of the home environment and material goods that have defi
ned an individual's or family's life narrative. Having recently undergone
this circumstance themselves\, Inocencio and Smith manage their own sens
e of loss through artistic means in the expectation that their work will
find commonality and conversation within a larger group. This type of los
s\, and ensuing grief\, is not limited to losing a family member through
death. Indeed\, the exhibition is a lens through which to consider innume
rable themes of loss as witnessed daily in local and world events. Worki
ng through an abstract visual language that heavily emphasizes method\, r
epetition\, and accumulation\, Inocencio and Smith imagine the Hoffman Ga
llery to be a meditative space where viewers can project their own unique
experiences into the art. The exhibition will also incorporate familiar
signifiers such as furniture\, clothing\, and quilts as a bridge between
literal and symbolic content\, combining formal austerity\, humor\, and m
emory as equal points of entry into the work. A fully-illustrated catalo
gue\, with an essay by Linda Tesner\, has been generously funded by The F
ord Family Foundation. Please join us for a gallery talk\, pie tutorial\,
and catalogue signing on the closing of the exhibition on Sunday\, Decem
ber 9. Catalogues will be available for pre-sale through the exhibition f
or $20.00.Reception for the Artists Saturday\, September 8 4 to 6 p.mGa
llery Talk\, Pie Tutorial\, and Catalogue Signing Sunday\, December 9 2
to 4 p.m.
X-ALT-DESC;FMTTYPE=text/html:
Loss of Material Evidence compri
ses work resulting from an ongoing conversation between collaborators and
life partners\, Maria T. D. Inocencio and Mark R. Smith\, about the agin
g and passing of their parents. Through new work created specifically for
this exhibition—some works made collaboratively and others made by the
individual artists—Inocencio and Smith investigate the dispersion and
disposal of material possessions—long associated with specific experien
ces or periods of time—from their family homes. The exhibition will exa
mine topics such as loss\, remembrance\, legacy\, the passage of time\, a
nd the making of art as a means to process grief through abstract visual
language.
No one is spared a life without profound loss. Loss
of Material Evidence defines and processes the poignant and univers
al phenomenon embodied in the aging and passing on of parents\, family me
mbers\, and loved ones and\, in particular\, the dissolution of the home
environment and material goods that have defined an individual's or famil
y's life narrative. Having recently undergone this circumstance themselve
s\, Inocencio and Smith manage their own sense of loss through artistic m
eans in the expectation that their work will find commonality and convers
ation within a larger group. This type of loss\, and ensuing grief\, is n
ot limited to losing a family member through death. Indeed\, the exhibiti
on is a lens through which to consider innumerable themes of loss as witn
essed daily in local and world events.
Working through an abstrac
t visual language that heavily emphasizes method\, repetition\, and accum
ulation\, Inocencio and Smith imagine the Hoffman Gallery to be a meditat
ive space where viewers can project their own unique experiences into the
art. The exhibition will also incorporate familiar signifiers such as fu
rniture\, clothing\, and quilts as a bridge between literal and symbolic
content\, combining formal austerity\, humor\, and memory as equal points
of entry into the work.
A fully-illustrated catalogue\, with an
essay by Linda Tesner\, has been generously funded by The Ford Family Fou
ndation. Please join us for a gallery talk\, pie tutorial\, and catalogue
signing on the closing of the exhibition on Sunday\, December 9. Catalog
ues will be available for pre-sale through the exhibition for $20.00.
Reception for the Artists
Saturday\, Septem
ber 8
4 to 6 p.m
Gallery Talk\, Pie Tutorial\, and
Catalogue Signing
Sunday\, December 9
2 to 4 p
.m.
UID:20180930T070000Z-291475@college.lclark.edu
DTSTAMP:20180904T094435Z
URL:https://college.lclark.edu/live/events/288240-maria-td-inocencio-and-
mark-r-smith-loss-of
LAST-MODIFIED:20180904T164435Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.rev.153186971
9.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:291475
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.re
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X-LIVEWHALE-IMAGE-CAPTION:Mark R. Smith and Maria T.D. Inocencio
\n
I Used to Think I Knew Everyone (detail)
\n2017
\nmu
slin\, paper\, newsprint cutouts\, thread\, glue
\n84"x 83.5"
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Loss of Material Evidence comprises work res
ulting from an ongoing conversation between collaborators and life partne
rs\, Maria T. D. Inocencio and Mark R. Smith\, about the aging and passin
g of their parents. Through new work created specifically for this exhibi
tion—some works made collaboratively and others made by the individual
artists—Inocencio and Smith investigate the dispersion and disposal of
material possessions—long associated with specific experiences or perio
ds of time—from their family homes. The exhibition will examine topics
such as loss\, remembrance\, legacy\, the passage of time\, and the makin
g of art as a means to process grief through abstract visual language.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181001
DTEND;VALUE=DATE:20181002
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Maria T.D. Inocencio and Mark R. Smith: Loss of Material Evidence
DESCRIPTION:Loss of Material Evidence comprises work resulting from an on
going conversation between collaborators and life partners\, Maria T. D.
Inocencio and Mark R. Smith\, about the aging and passing of their parent
s. Through new work created specifically for this exhibition—some works
made collaboratively and others made by the individual artists—Inocenc
io and Smith investigate the dispersion and disposal of material possessi
ons—long associated with specific experiences or periods of time—from
their family homes. The exhibition will examine topics such as loss\, re
membrance\, legacy\, the passage of time\, and the making of art as a mea
ns to process grief through abstract visual language. No one is spared a
life without profound loss. Loss of Material Evidence defines and proces
ses the poignant and universal phenomenon embodied in the aging and passi
ng on of parents\, family members\, and loved ones and\, in particular\,
the dissolution of the home environment and material goods that have defi
ned an individual's or family's life narrative. Having recently undergone
this circumstance themselves\, Inocencio and Smith manage their own sens
e of loss through artistic means in the expectation that their work will
find commonality and conversation within a larger group. This type of los
s\, and ensuing grief\, is not limited to losing a family member through
death. Indeed\, the exhibition is a lens through which to consider innume
rable themes of loss as witnessed daily in local and world events. Worki
ng through an abstract visual language that heavily emphasizes method\, r
epetition\, and accumulation\, Inocencio and Smith imagine the Hoffman Ga
llery to be a meditative space where viewers can project their own unique
experiences into the art. The exhibition will also incorporate familiar
signifiers such as furniture\, clothing\, and quilts as a bridge between
literal and symbolic content\, combining formal austerity\, humor\, and m
emory as equal points of entry into the work. A fully-illustrated catalo
gue\, with an essay by Linda Tesner\, has been generously funded by The F
ord Family Foundation. Please join us for a gallery talk\, pie tutorial\,
and catalogue signing on the closing of the exhibition on Sunday\, Decem
ber 9. Catalogues will be available for pre-sale through the exhibition f
or $20.00.Reception for the Artists Saturday\, September 8 4 to 6 p.mGa
llery Talk\, Pie Tutorial\, and Catalogue Signing Sunday\, December 9 2
to 4 p.m.
X-ALT-DESC;FMTTYPE=text/html:
Loss of Material Evidence compri
ses work resulting from an ongoing conversation between collaborators and
life partners\, Maria T. D. Inocencio and Mark R. Smith\, about the agin
g and passing of their parents. Through new work created specifically for
this exhibition—some works made collaboratively and others made by the
individual artists—Inocencio and Smith investigate the dispersion and
disposal of material possessions—long associated with specific experien
ces or periods of time—from their family homes. The exhibition will exa
mine topics such as loss\, remembrance\, legacy\, the passage of time\, a
nd the making of art as a means to process grief through abstract visual
language.
No one is spared a life without profound loss. Loss
of Material Evidence defines and processes the poignant and univers
al phenomenon embodied in the aging and passing on of parents\, family me
mbers\, and loved ones and\, in particular\, the dissolution of the home
environment and material goods that have defined an individual's or famil
y's life narrative. Having recently undergone this circumstance themselve
s\, Inocencio and Smith manage their own sense of loss through artistic m
eans in the expectation that their work will find commonality and convers
ation within a larger group. This type of loss\, and ensuing grief\, is n
ot limited to losing a family member through death. Indeed\, the exhibiti
on is a lens through which to consider innumerable themes of loss as witn
essed daily in local and world events.
Working through an abstrac
t visual language that heavily emphasizes method\, repetition\, and accum
ulation\, Inocencio and Smith imagine the Hoffman Gallery to be a meditat
ive space where viewers can project their own unique experiences into the
art. The exhibition will also incorporate familiar signifiers such as fu
rniture\, clothing\, and quilts as a bridge between literal and symbolic
content\, combining formal austerity\, humor\, and memory as equal points
of entry into the work.
A fully-illustrated catalogue\, with an
essay by Linda Tesner\, has been generously funded by The Ford Family Fou
ndation. Please join us for a gallery talk\, pie tutorial\, and catalogue
signing on the closing of the exhibition on Sunday\, December 9. Catalog
ues will be available for pre-sale through the exhibition for $20.00.
Reception for the Artists
Saturday\, Septem
ber 8
4 to 6 p.m
Gallery Talk\, Pie Tutorial\, and
Catalogue Signing
Sunday\, December 9
2 to 4 p
.m.
UID:20181001T070000Z-291475@college.lclark.edu
DTSTAMP:20180904T094435Z
URL:https://college.lclark.edu/live/events/288240-maria-td-inocencio-and-
mark-r-smith-loss-of
LAST-MODIFIED:20180904T164435Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.rev.153186971
9.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:291475
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.re
v.1531869719.jpg
X-LIVEWHALE-IMAGE-CAPTION:Mark R. Smith and Maria T.D. Inocencio
\n
I Used to Think I Knew Everyone (detail)
\n2017
\nmu
slin\, paper\, newsprint cutouts\, thread\, glue
\n84"x 83.5"
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Loss of Material Evidence comprises work res
ulting from an ongoing conversation between collaborators and life partne
rs\, Maria T. D. Inocencio and Mark R. Smith\, about the aging and passin
g of their parents. Through new work created specifically for this exhibi
tion—some works made collaboratively and others made by the individual
artists—Inocencio and Smith investigate the dispersion and disposal of
material possessions—long associated with specific experiences or perio
ds of time—from their family homes. The exhibition will examine topics
such as loss\, remembrance\, legacy\, the passage of time\, and the makin
g of art as a means to process grief through abstract visual language.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181002
DTEND;VALUE=DATE:20181003
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Maria T.D. Inocencio and Mark R. Smith: Loss of Material Evidence
DESCRIPTION:Loss of Material Evidence comprises work resulting from an on
going conversation between collaborators and life partners\, Maria T. D.
Inocencio and Mark R. Smith\, about the aging and passing of their parent
s. Through new work created specifically for this exhibition—some works
made collaboratively and others made by the individual artists—Inocenc
io and Smith investigate the dispersion and disposal of material possessi
ons—long associated with specific experiences or periods of time—from
their family homes. The exhibition will examine topics such as loss\, re
membrance\, legacy\, the passage of time\, and the making of art as a mea
ns to process grief through abstract visual language. No one is spared a
life without profound loss. Loss of Material Evidence defines and proces
ses the poignant and universal phenomenon embodied in the aging and passi
ng on of parents\, family members\, and loved ones and\, in particular\,
the dissolution of the home environment and material goods that have defi
ned an individual's or family's life narrative. Having recently undergone
this circumstance themselves\, Inocencio and Smith manage their own sens
e of loss through artistic means in the expectation that their work will
find commonality and conversation within a larger group. This type of los
s\, and ensuing grief\, is not limited to losing a family member through
death. Indeed\, the exhibition is a lens through which to consider innume
rable themes of loss as witnessed daily in local and world events. Worki
ng through an abstract visual language that heavily emphasizes method\, r
epetition\, and accumulation\, Inocencio and Smith imagine the Hoffman Ga
llery to be a meditative space where viewers can project their own unique
experiences into the art. The exhibition will also incorporate familiar
signifiers such as furniture\, clothing\, and quilts as a bridge between
literal and symbolic content\, combining formal austerity\, humor\, and m
emory as equal points of entry into the work. A fully-illustrated catalo
gue\, with an essay by Linda Tesner\, has been generously funded by The F
ord Family Foundation. Please join us for a gallery talk\, pie tutorial\,
and catalogue signing on the closing of the exhibition on Sunday\, Decem
ber 9. Catalogues will be available for pre-sale through the exhibition f
or $20.00.Reception for the Artists Saturday\, September 8 4 to 6 p.mGa
llery Talk\, Pie Tutorial\, and Catalogue Signing Sunday\, December 9 2
to 4 p.m.
X-ALT-DESC;FMTTYPE=text/html:
Loss of Material Evidence compri
ses work resulting from an ongoing conversation between collaborators and
life partners\, Maria T. D. Inocencio and Mark R. Smith\, about the agin
g and passing of their parents. Through new work created specifically for
this exhibition—some works made collaboratively and others made by the
individual artists—Inocencio and Smith investigate the dispersion and
disposal of material possessions—long associated with specific experien
ces or periods of time—from their family homes. The exhibition will exa
mine topics such as loss\, remembrance\, legacy\, the passage of time\, a
nd the making of art as a means to process grief through abstract visual
language.
No one is spared a life without profound loss. Loss
of Material Evidence defines and processes the poignant and univers
al phenomenon embodied in the aging and passing on of parents\, family me
mbers\, and loved ones and\, in particular\, the dissolution of the home
environment and material goods that have defined an individual's or famil
y's life narrative. Having recently undergone this circumstance themselve
s\, Inocencio and Smith manage their own sense of loss through artistic m
eans in the expectation that their work will find commonality and convers
ation within a larger group. This type of loss\, and ensuing grief\, is n
ot limited to losing a family member through death. Indeed\, the exhibiti
on is a lens through which to consider innumerable themes of loss as witn
essed daily in local and world events.
Working through an abstrac
t visual language that heavily emphasizes method\, repetition\, and accum
ulation\, Inocencio and Smith imagine the Hoffman Gallery to be a meditat
ive space where viewers can project their own unique experiences into the
art. The exhibition will also incorporate familiar signifiers such as fu
rniture\, clothing\, and quilts as a bridge between literal and symbolic
content\, combining formal austerity\, humor\, and memory as equal points
of entry into the work.
A fully-illustrated catalogue\, with an
essay by Linda Tesner\, has been generously funded by The Ford Family Fou
ndation. Please join us for a gallery talk\, pie tutorial\, and catalogue
signing on the closing of the exhibition on Sunday\, December 9. Catalog
ues will be available for pre-sale through the exhibition for $20.00.
Reception for the Artists
Saturday\, Septem
ber 8
4 to 6 p.m
Gallery Talk\, Pie Tutorial\, and
Catalogue Signing
Sunday\, December 9
2 to 4 p
.m.
UID:20181002T070000Z-291475@college.lclark.edu
DTSTAMP:20180904T094435Z
URL:https://college.lclark.edu/live/events/288240-maria-td-inocencio-and-
mark-r-smith-loss-of
LAST-MODIFIED:20180904T164435Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.rev.153186971
9.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:291475
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.re
v.1531869719.jpg
X-LIVEWHALE-IMAGE-CAPTION:Mark R. Smith and Maria T.D. Inocencio
\n
I Used to Think I Knew Everyone (detail)
\n2017
\nmu
slin\, paper\, newsprint cutouts\, thread\, glue
\n84"x 83.5"
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Loss of Material Evidence comprises work res
ulting from an ongoing conversation between collaborators and life partne
rs\, Maria T. D. Inocencio and Mark R. Smith\, about the aging and passin
g of their parents. Through new work created specifically for this exhibi
tion—some works made collaboratively and others made by the individual
artists—Inocencio and Smith investigate the dispersion and disposal of
material possessions—long associated with specific experiences or perio
ds of time—from their family homes. The exhibition will examine topics
such as loss\, remembrance\, legacy\, the passage of time\, and the makin
g of art as a means to process grief through abstract visual language.
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20181002T193000
DTEND;TZID=America/Los_Angeles:20181002T203000
LOCATION:Miller 102
SUMMARY:Heidi Schwegler- 2018 Visiting Artist & Critics Series
DESCRIPTION:Heidi Schwegler explores a wide range of materials in the ser
vice of her subject matter. She is drawn to the peripheral ruin\, modifyi
ng discarded objects to give them a new sense of purpose. There is an equ
ilibrium inherent in such things – they float between endurance and dec
ay\, a living death. Her numerous exhibitions include the Co/Lab Art Fair
(CA)\, Raid Projects\, (CA)\, Platform China(Beijing)\, Scope Art 2004 (
NY)\, and the Hallie Ford Museum (OR). Schwegler is a Ford Family Fellow\
, a MacDowell Colony Fellow\, a Yaddo Artist in Resident and has received
several RACC Individual Project Grants. Reviews of Schwegler's work have
appeared in Art in America\, Daily Serving\, ArtNews and the Huffington
Post. She earned her MFA from the University of Oregon and is Chair of th
e MFA in Applied Craft + Design\, a joint program of Oregon College of Ar
t and Craft\, and the Pacific Northwest College of Art. The series is sp
onsored by the Lewis &\; Clark College Art &\; Art History Departme
nt and takes place in conjunction with ART 311\, the Junior Seminar on Co
ntemporary Art and Theory.
X-ALT-DESC;FMTTYPE=text/html:
Heidi Schwegler explores a wide range o
f materials in the service of her subject matter. She is drawn to the per
ipheral ruin\, modifying discarded objects to give them a new sense of pu
rpose. There is an equilibrium inherent in such things – they float bet
ween endurance and decay\, a living death. Her numerous exhibitions inclu
de the Co/Lab Art Fair (CA)\, Raid Projects\, (CA)\, Platform China(Beiji
ng)\, Scope Art 2004 (NY)\, and the Hallie Ford Museum (OR). Schwegler is
a Ford Family Fellow\, a MacDowell Colony Fellow\, a Yaddo Artist in Res
ident and has received several RACC Individual Project Grants. Reviews of
Schwegler's work have appeared in Art in America\, Daily Serving\, ArtNe
ws and the Huffington Post. She earned her MFA from the University of Ore
gon and is Chair of the MFA in Applied Craft + Design\, a joint program o
f Oregon College of Art and Craft\, and the Pacific Northwest College of
Art.
The series is sponsored by the Lewis &\; Clark College Ar
t &\; Art History Department and takes place in conjunction with ART 3
11\, the Junior Seminar on Contemporary Art and Theory.
UID:20181003T023000Z-291476@college.lclark.edu
DTSTAMP:20180904T095221Z
URL:https://college.lclark.edu/live/events/291476-heidi-schwegler-2018-vi
siting-artist-critics
CATEGORIES:Open to the Public
LAST-MODIFIED:20180904T165811Z
ATTACH:https://college.lclark.edu/live/image/gid/60/width/80/height/80/cr
op/1/src_region/0,0,1920,1389/74252_extinction_anxiety.rev.1536079880.jpg
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eight/80/crop/1/src_region/0\,0\,1920\,1389/74252_extinction_anxiety.rev.
1536079880.jpg
X-LIVEWHALE-IMAGE-CAPTION:Image: \; Extinction Anxiety
X-LIVEWHALE-SUMMARY:Artist Heidi Schwegler will be presenting as part of
the 2018 Visiting Artist &\; Critics Series
X-LIVEWHALE-TAGS:art criticism|Art History Faculty|art history|Art Studio
Faculty|art|arts|lecture|lecturer|open to the public
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181003
DTEND;VALUE=DATE:20181004
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Maria T.D. Inocencio and Mark R. Smith: Loss of Material Evidence
DESCRIPTION:Loss of Material Evidence comprises work resulting from an on
going conversation between collaborators and life partners\, Maria T. D.
Inocencio and Mark R. Smith\, about the aging and passing of their parent
s. Through new work created specifically for this exhibition—some works
made collaboratively and others made by the individual artists—Inocenc
io and Smith investigate the dispersion and disposal of material possessi
ons—long associated with specific experiences or periods of time—from
their family homes. The exhibition will examine topics such as loss\, re
membrance\, legacy\, the passage of time\, and the making of art as a mea
ns to process grief through abstract visual language. No one is spared a
life without profound loss. Loss of Material Evidence defines and proces
ses the poignant and universal phenomenon embodied in the aging and passi
ng on of parents\, family members\, and loved ones and\, in particular\,
the dissolution of the home environment and material goods that have defi
ned an individual's or family's life narrative. Having recently undergone
this circumstance themselves\, Inocencio and Smith manage their own sens
e of loss through artistic means in the expectation that their work will
find commonality and conversation within a larger group. This type of los
s\, and ensuing grief\, is not limited to losing a family member through
death. Indeed\, the exhibition is a lens through which to consider innume
rable themes of loss as witnessed daily in local and world events. Worki
ng through an abstract visual language that heavily emphasizes method\, r
epetition\, and accumulation\, Inocencio and Smith imagine the Hoffman Ga
llery to be a meditative space where viewers can project their own unique
experiences into the art. The exhibition will also incorporate familiar
signifiers such as furniture\, clothing\, and quilts as a bridge between
literal and symbolic content\, combining formal austerity\, humor\, and m
emory as equal points of entry into the work. A fully-illustrated catalo
gue\, with an essay by Linda Tesner\, has been generously funded by The F
ord Family Foundation. Please join us for a gallery talk\, pie tutorial\,
and catalogue signing on the closing of the exhibition on Sunday\, Decem
ber 9. Catalogues will be available for pre-sale through the exhibition f
or $20.00.Reception for the Artists Saturday\, September 8 4 to 6 p.mGa
llery Talk\, Pie Tutorial\, and Catalogue Signing Sunday\, December 9 2
to 4 p.m.
X-ALT-DESC;FMTTYPE=text/html:
Loss of Material Evidence compri
ses work resulting from an ongoing conversation between collaborators and
life partners\, Maria T. D. Inocencio and Mark R. Smith\, about the agin
g and passing of their parents. Through new work created specifically for
this exhibition—some works made collaboratively and others made by the
individual artists—Inocencio and Smith investigate the dispersion and
disposal of material possessions—long associated with specific experien
ces or periods of time—from their family homes. The exhibition will exa
mine topics such as loss\, remembrance\, legacy\, the passage of time\, a
nd the making of art as a means to process grief through abstract visual
language.
No one is spared a life without profound loss. Loss
of Material Evidence defines and processes the poignant and univers
al phenomenon embodied in the aging and passing on of parents\, family me
mbers\, and loved ones and\, in particular\, the dissolution of the home
environment and material goods that have defined an individual's or famil
y's life narrative. Having recently undergone this circumstance themselve
s\, Inocencio and Smith manage their own sense of loss through artistic m
eans in the expectation that their work will find commonality and convers
ation within a larger group. This type of loss\, and ensuing grief\, is n
ot limited to losing a family member through death. Indeed\, the exhibiti
on is a lens through which to consider innumerable themes of loss as witn
essed daily in local and world events.
Working through an abstrac
t visual language that heavily emphasizes method\, repetition\, and accum
ulation\, Inocencio and Smith imagine the Hoffman Gallery to be a meditat
ive space where viewers can project their own unique experiences into the
art. The exhibition will also incorporate familiar signifiers such as fu
rniture\, clothing\, and quilts as a bridge between literal and symbolic
content\, combining formal austerity\, humor\, and memory as equal points
of entry into the work.
A fully-illustrated catalogue\, with an
essay by Linda Tesner\, has been generously funded by The Ford Family Fou
ndation. Please join us for a gallery talk\, pie tutorial\, and catalogue
signing on the closing of the exhibition on Sunday\, December 9. Catalog
ues will be available for pre-sale through the exhibition for $20.00.
Reception for the Artists
Saturday\, Septem
ber 8
4 to 6 p.m
Gallery Talk\, Pie Tutorial\, and
Catalogue Signing
Sunday\, December 9
2 to 4 p
.m.
UID:20181003T070000Z-291475@college.lclark.edu
DTSTAMP:20180904T094435Z
URL:https://college.lclark.edu/live/events/288240-maria-td-inocencio-and-
mark-r-smith-loss-of
LAST-MODIFIED:20180904T164435Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.rev.153186971
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X-LIVEWHALE-IMAGE-CAPTION:Mark R. Smith and Maria T.D. Inocencio
\n
I Used to Think I Knew Everyone (detail)
\n2017
\nmu
slin\, paper\, newsprint cutouts\, thread\, glue
\n84"x 83.5"
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Loss of Material Evidence comprises work res
ulting from an ongoing conversation between collaborators and life partne
rs\, Maria T. D. Inocencio and Mark R. Smith\, about the aging and passin
g of their parents. Through new work created specifically for this exhibi
tion—some works made collaboratively and others made by the individual
artists—Inocencio and Smith investigate the dispersion and disposal of
material possessions—long associated with specific experiences or perio
ds of time—from their family homes. The exhibition will examine topics
such as loss\, remembrance\, legacy\, the passage of time\, and the makin
g of art as a means to process grief through abstract visual language.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181004
DTEND;VALUE=DATE:20181005
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Maria T.D. Inocencio and Mark R. Smith: Loss of Material Evidence
DESCRIPTION:Loss of Material Evidence comprises work resulting from an on
going conversation between collaborators and life partners\, Maria T. D.
Inocencio and Mark R. Smith\, about the aging and passing of their parent
s. Through new work created specifically for this exhibition—some works
made collaboratively and others made by the individual artists—Inocenc
io and Smith investigate the dispersion and disposal of material possessi
ons—long associated with specific experiences or periods of time—from
their family homes. The exhibition will examine topics such as loss\, re
membrance\, legacy\, the passage of time\, and the making of art as a mea
ns to process grief through abstract visual language. No one is spared a
life without profound loss. Loss of Material Evidence defines and proces
ses the poignant and universal phenomenon embodied in the aging and passi
ng on of parents\, family members\, and loved ones and\, in particular\,
the dissolution of the home environment and material goods that have defi
ned an individual's or family's life narrative. Having recently undergone
this circumstance themselves\, Inocencio and Smith manage their own sens
e of loss through artistic means in the expectation that their work will
find commonality and conversation within a larger group. This type of los
s\, and ensuing grief\, is not limited to losing a family member through
death. Indeed\, the exhibition is a lens through which to consider innume
rable themes of loss as witnessed daily in local and world events. Worki
ng through an abstract visual language that heavily emphasizes method\, r
epetition\, and accumulation\, Inocencio and Smith imagine the Hoffman Ga
llery to be a meditative space where viewers can project their own unique
experiences into the art. The exhibition will also incorporate familiar
signifiers such as furniture\, clothing\, and quilts as a bridge between
literal and symbolic content\, combining formal austerity\, humor\, and m
emory as equal points of entry into the work. A fully-illustrated catalo
gue\, with an essay by Linda Tesner\, has been generously funded by The F
ord Family Foundation. Please join us for a gallery talk\, pie tutorial\,
and catalogue signing on the closing of the exhibition on Sunday\, Decem
ber 9. Catalogues will be available for pre-sale through the exhibition f
or $20.00.Reception for the Artists Saturday\, September 8 4 to 6 p.mGa
llery Talk\, Pie Tutorial\, and Catalogue Signing Sunday\, December 9 2
to 4 p.m.
X-ALT-DESC;FMTTYPE=text/html:
Loss of Material Evidence compri
ses work resulting from an ongoing conversation between collaborators and
life partners\, Maria T. D. Inocencio and Mark R. Smith\, about the agin
g and passing of their parents. Through new work created specifically for
this exhibition—some works made collaboratively and others made by the
individual artists—Inocencio and Smith investigate the dispersion and
disposal of material possessions—long associated with specific experien
ces or periods of time—from their family homes. The exhibition will exa
mine topics such as loss\, remembrance\, legacy\, the passage of time\, a
nd the making of art as a means to process grief through abstract visual
language.
No one is spared a life without profound loss. Loss
of Material Evidence defines and processes the poignant and univers
al phenomenon embodied in the aging and passing on of parents\, family me
mbers\, and loved ones and\, in particular\, the dissolution of the home
environment and material goods that have defined an individual's or famil
y's life narrative. Having recently undergone this circumstance themselve
s\, Inocencio and Smith manage their own sense of loss through artistic m
eans in the expectation that their work will find commonality and convers
ation within a larger group. This type of loss\, and ensuing grief\, is n
ot limited to losing a family member through death. Indeed\, the exhibiti
on is a lens through which to consider innumerable themes of loss as witn
essed daily in local and world events.
Working through an abstrac
t visual language that heavily emphasizes method\, repetition\, and accum
ulation\, Inocencio and Smith imagine the Hoffman Gallery to be a meditat
ive space where viewers can project their own unique experiences into the
art. The exhibition will also incorporate familiar signifiers such as fu
rniture\, clothing\, and quilts as a bridge between literal and symbolic
content\, combining formal austerity\, humor\, and memory as equal points
of entry into the work.
A fully-illustrated catalogue\, with an
essay by Linda Tesner\, has been generously funded by The Ford Family Fou
ndation. Please join us for a gallery talk\, pie tutorial\, and catalogue
signing on the closing of the exhibition on Sunday\, December 9. Catalog
ues will be available for pre-sale through the exhibition for $20.00.
Reception for the Artists
Saturday\, Septem
ber 8
4 to 6 p.m
Gallery Talk\, Pie Tutorial\, and
Catalogue Signing
Sunday\, December 9
2 to 4 p
.m.
UID:20181004T070000Z-291475@college.lclark.edu
DTSTAMP:20180904T094435Z
URL:https://college.lclark.edu/live/events/288240-maria-td-inocencio-and-
mark-r-smith-loss-of
LAST-MODIFIED:20180904T164435Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.rev.153186971
9.jpg
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X-LIVEWHALE-IMAGE-CAPTION:Mark R. Smith and Maria T.D. Inocencio
\n
I Used to Think I Knew Everyone (detail)
\n2017
\nmu
slin\, paper\, newsprint cutouts\, thread\, glue
\n84"x 83.5"
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Loss of Material Evidence comprises work res
ulting from an ongoing conversation between collaborators and life partne
rs\, Maria T. D. Inocencio and Mark R. Smith\, about the aging and passin
g of their parents. Through new work created specifically for this exhibi
tion—some works made collaboratively and others made by the individual
artists—Inocencio and Smith investigate the dispersion and disposal of
material possessions—long associated with specific experiences or perio
ds of time—from their family homes. The exhibition will examine topics
such as loss\, remembrance\, legacy\, the passage of time\, and the makin
g of art as a means to process grief through abstract visual language.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181005
DTEND;VALUE=DATE:20181006
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Maria T.D. Inocencio and Mark R. Smith: Loss of Material Evidence
DESCRIPTION:Loss of Material Evidence comprises work resulting from an on
going conversation between collaborators and life partners\, Maria T. D.
Inocencio and Mark R. Smith\, about the aging and passing of their parent
s. Through new work created specifically for this exhibition—some works
made collaboratively and others made by the individual artists—Inocenc
io and Smith investigate the dispersion and disposal of material possessi
ons—long associated with specific experiences or periods of time—from
their family homes. The exhibition will examine topics such as loss\, re
membrance\, legacy\, the passage of time\, and the making of art as a mea
ns to process grief through abstract visual language. No one is spared a
life without profound loss. Loss of Material Evidence defines and proces
ses the poignant and universal phenomenon embodied in the aging and passi
ng on of parents\, family members\, and loved ones and\, in particular\,
the dissolution of the home environment and material goods that have defi
ned an individual's or family's life narrative. Having recently undergone
this circumstance themselves\, Inocencio and Smith manage their own sens
e of loss through artistic means in the expectation that their work will
find commonality and conversation within a larger group. This type of los
s\, and ensuing grief\, is not limited to losing a family member through
death. Indeed\, the exhibition is a lens through which to consider innume
rable themes of loss as witnessed daily in local and world events. Worki
ng through an abstract visual language that heavily emphasizes method\, r
epetition\, and accumulation\, Inocencio and Smith imagine the Hoffman Ga
llery to be a meditative space where viewers can project their own unique
experiences into the art. The exhibition will also incorporate familiar
signifiers such as furniture\, clothing\, and quilts as a bridge between
literal and symbolic content\, combining formal austerity\, humor\, and m
emory as equal points of entry into the work. A fully-illustrated catalo
gue\, with an essay by Linda Tesner\, has been generously funded by The F
ord Family Foundation. Please join us for a gallery talk\, pie tutorial\,
and catalogue signing on the closing of the exhibition on Sunday\, Decem
ber 9. Catalogues will be available for pre-sale through the exhibition f
or $20.00.Reception for the Artists Saturday\, September 8 4 to 6 p.mGa
llery Talk\, Pie Tutorial\, and Catalogue Signing Sunday\, December 9 2
to 4 p.m.
X-ALT-DESC;FMTTYPE=text/html:
Loss of Material Evidence compri
ses work resulting from an ongoing conversation between collaborators and
life partners\, Maria T. D. Inocencio and Mark R. Smith\, about the agin
g and passing of their parents. Through new work created specifically for
this exhibition—some works made collaboratively and others made by the
individual artists—Inocencio and Smith investigate the dispersion and
disposal of material possessions—long associated with specific experien
ces or periods of time—from their family homes. The exhibition will exa
mine topics such as loss\, remembrance\, legacy\, the passage of time\, a
nd the making of art as a means to process grief through abstract visual
language.
No one is spared a life without profound loss. Loss
of Material Evidence defines and processes the poignant and univers
al phenomenon embodied in the aging and passing on of parents\, family me
mbers\, and loved ones and\, in particular\, the dissolution of the home
environment and material goods that have defined an individual's or famil
y's life narrative. Having recently undergone this circumstance themselve
s\, Inocencio and Smith manage their own sense of loss through artistic m
eans in the expectation that their work will find commonality and convers
ation within a larger group. This type of loss\, and ensuing grief\, is n
ot limited to losing a family member through death. Indeed\, the exhibiti
on is a lens through which to consider innumerable themes of loss as witn
essed daily in local and world events.
Working through an abstrac
t visual language that heavily emphasizes method\, repetition\, and accum
ulation\, Inocencio and Smith imagine the Hoffman Gallery to be a meditat
ive space where viewers can project their own unique experiences into the
art. The exhibition will also incorporate familiar signifiers such as fu
rniture\, clothing\, and quilts as a bridge between literal and symbolic
content\, combining formal austerity\, humor\, and memory as equal points
of entry into the work.
A fully-illustrated catalogue\, with an
essay by Linda Tesner\, has been generously funded by The Ford Family Fou
ndation. Please join us for a gallery talk\, pie tutorial\, and catalogue
signing on the closing of the exhibition on Sunday\, December 9. Catalog
ues will be available for pre-sale through the exhibition for $20.00.
Reception for the Artists
Saturday\, Septem
ber 8
4 to 6 p.m
Gallery Talk\, Pie Tutorial\, and
Catalogue Signing
Sunday\, December 9
2 to 4 p
.m.
UID:20181005T070000Z-291475@college.lclark.edu
DTSTAMP:20180904T094435Z
URL:https://college.lclark.edu/live/events/288240-maria-td-inocencio-and-
mark-r-smith-loss-of
LAST-MODIFIED:20180904T164435Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.rev.153186971
9.jpg
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X-LIVEWHALE-IMAGE-CAPTION:Mark R. Smith and Maria T.D. Inocencio
\n
I Used to Think I Knew Everyone (detail)
\n2017
\nmu
slin\, paper\, newsprint cutouts\, thread\, glue
\n84"x 83.5"
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Loss of Material Evidence comprises work res
ulting from an ongoing conversation between collaborators and life partne
rs\, Maria T. D. Inocencio and Mark R. Smith\, about the aging and passin
g of their parents. Through new work created specifically for this exhibi
tion—some works made collaboratively and others made by the individual
artists—Inocencio and Smith investigate the dispersion and disposal of
material possessions—long associated with specific experiences or perio
ds of time—from their family homes. The exhibition will examine topics
such as loss\, remembrance\, legacy\, the passage of time\, and the makin
g of art as a means to process grief through abstract visual language.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181006
DTEND;VALUE=DATE:20181007
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Maria T.D. Inocencio and Mark R. Smith: Loss of Material Evidence
DESCRIPTION:Loss of Material Evidence comprises work resulting from an on
going conversation between collaborators and life partners\, Maria T. D.
Inocencio and Mark R. Smith\, about the aging and passing of their parent
s. Through new work created specifically for this exhibition—some works
made collaboratively and others made by the individual artists—Inocenc
io and Smith investigate the dispersion and disposal of material possessi
ons—long associated with specific experiences or periods of time—from
their family homes. The exhibition will examine topics such as loss\, re
membrance\, legacy\, the passage of time\, and the making of art as a mea
ns to process grief through abstract visual language. No one is spared a
life without profound loss. Loss of Material Evidence defines and proces
ses the poignant and universal phenomenon embodied in the aging and passi
ng on of parents\, family members\, and loved ones and\, in particular\,
the dissolution of the home environment and material goods that have defi
ned an individual's or family's life narrative. Having recently undergone
this circumstance themselves\, Inocencio and Smith manage their own sens
e of loss through artistic means in the expectation that their work will
find commonality and conversation within a larger group. This type of los
s\, and ensuing grief\, is not limited to losing a family member through
death. Indeed\, the exhibition is a lens through which to consider innume
rable themes of loss as witnessed daily in local and world events. Worki
ng through an abstract visual language that heavily emphasizes method\, r
epetition\, and accumulation\, Inocencio and Smith imagine the Hoffman Ga
llery to be a meditative space where viewers can project their own unique
experiences into the art. The exhibition will also incorporate familiar
signifiers such as furniture\, clothing\, and quilts as a bridge between
literal and symbolic content\, combining formal austerity\, humor\, and m
emory as equal points of entry into the work. A fully-illustrated catalo
gue\, with an essay by Linda Tesner\, has been generously funded by The F
ord Family Foundation. Please join us for a gallery talk\, pie tutorial\,
and catalogue signing on the closing of the exhibition on Sunday\, Decem
ber 9. Catalogues will be available for pre-sale through the exhibition f
or $20.00.Reception for the Artists Saturday\, September 8 4 to 6 p.mGa
llery Talk\, Pie Tutorial\, and Catalogue Signing Sunday\, December 9 2
to 4 p.m.
X-ALT-DESC;FMTTYPE=text/html:
Loss of Material Evidence compri
ses work resulting from an ongoing conversation between collaborators and
life partners\, Maria T. D. Inocencio and Mark R. Smith\, about the agin
g and passing of their parents. Through new work created specifically for
this exhibition—some works made collaboratively and others made by the
individual artists—Inocencio and Smith investigate the dispersion and
disposal of material possessions—long associated with specific experien
ces or periods of time—from their family homes. The exhibition will exa
mine topics such as loss\, remembrance\, legacy\, the passage of time\, a
nd the making of art as a means to process grief through abstract visual
language.
No one is spared a life without profound loss. Loss
of Material Evidence defines and processes the poignant and univers
al phenomenon embodied in the aging and passing on of parents\, family me
mbers\, and loved ones and\, in particular\, the dissolution of the home
environment and material goods that have defined an individual's or famil
y's life narrative. Having recently undergone this circumstance themselve
s\, Inocencio and Smith manage their own sense of loss through artistic m
eans in the expectation that their work will find commonality and convers
ation within a larger group. This type of loss\, and ensuing grief\, is n
ot limited to losing a family member through death. Indeed\, the exhibiti
on is a lens through which to consider innumerable themes of loss as witn
essed daily in local and world events.
Working through an abstrac
t visual language that heavily emphasizes method\, repetition\, and accum
ulation\, Inocencio and Smith imagine the Hoffman Gallery to be a meditat
ive space where viewers can project their own unique experiences into the
art. The exhibition will also incorporate familiar signifiers such as fu
rniture\, clothing\, and quilts as a bridge between literal and symbolic
content\, combining formal austerity\, humor\, and memory as equal points
of entry into the work.
A fully-illustrated catalogue\, with an
essay by Linda Tesner\, has been generously funded by The Ford Family Fou
ndation. Please join us for a gallery talk\, pie tutorial\, and catalogue
signing on the closing of the exhibition on Sunday\, December 9. Catalog
ues will be available for pre-sale through the exhibition for $20.00.
Reception for the Artists
Saturday\, Septem
ber 8
4 to 6 p.m
Gallery Talk\, Pie Tutorial\, and
Catalogue Signing
Sunday\, December 9
2 to 4 p
.m.
UID:20181006T070000Z-291475@college.lclark.edu
DTSTAMP:20180904T094435Z
URL:https://college.lclark.edu/live/events/288240-maria-td-inocencio-and-
mark-r-smith-loss-of
LAST-MODIFIED:20180904T164435Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.rev.153186971
9.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:291475
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X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.re
v.1531869719.jpg
X-LIVEWHALE-IMAGE-CAPTION:Mark R. Smith and Maria T.D. Inocencio
\n
I Used to Think I Knew Everyone (detail)
\n2017
\nmu
slin\, paper\, newsprint cutouts\, thread\, glue
\n84"x 83.5"
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Loss of Material Evidence comprises work res
ulting from an ongoing conversation between collaborators and life partne
rs\, Maria T. D. Inocencio and Mark R. Smith\, about the aging and passin
g of their parents. Through new work created specifically for this exhibi
tion—some works made collaboratively and others made by the individual
artists—Inocencio and Smith investigate the dispersion and disposal of
material possessions—long associated with specific experiences or perio
ds of time—from their family homes. The exhibition will examine topics
such as loss\, remembrance\, legacy\, the passage of time\, and the makin
g of art as a means to process grief through abstract visual language.
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181007
DTEND;VALUE=DATE:20181008
LOCATION:Hoffman Gallery
GEO:45.45054;-122.668438
SUMMARY:Maria T.D. Inocencio and Mark R. Smith: Loss of Material Evidence
DESCRIPTION:Loss of Material Evidence comprises work resulting from an on
going conversation between collaborators and life partners\, Maria T. D.
Inocencio and Mark R. Smith\, about the aging and passing of their parent
s. Through new work created specifically for this exhibition—some works
made collaboratively and others made by the individual artists—Inocenc
io and Smith investigate the dispersion and disposal of material possessi
ons—long associated with specific experiences or periods of time—from
their family homes. The exhibition will examine topics such as loss\, re
membrance\, legacy\, the passage of time\, and the making of art as a mea
ns to process grief through abstract visual language. No one is spared a
life without profound loss. Loss of Material Evidence defines and proces
ses the poignant and universal phenomenon embodied in the aging and passi
ng on of parents\, family members\, and loved ones and\, in particular\,
the dissolution of the home environment and material goods that have defi
ned an individual's or family's life narrative. Having recently undergone
this circumstance themselves\, Inocencio and Smith manage their own sens
e of loss through artistic means in the expectation that their work will
find commonality and conversation within a larger group. This type of los
s\, and ensuing grief\, is not limited to losing a family member through
death. Indeed\, the exhibition is a lens through which to consider innume
rable themes of loss as witnessed daily in local and world events. Worki
ng through an abstract visual language that heavily emphasizes method\, r
epetition\, and accumulation\, Inocencio and Smith imagine the Hoffman Ga
llery to be a meditative space where viewers can project their own unique
experiences into the art. The exhibition will also incorporate familiar
signifiers such as furniture\, clothing\, and quilts as a bridge between
literal and symbolic content\, combining formal austerity\, humor\, and m
emory as equal points of entry into the work. A fully-illustrated catalo
gue\, with an essay by Linda Tesner\, has been generously funded by The F
ord Family Foundation. Please join us for a gallery talk\, pie tutorial\,
and catalogue signing on the closing of the exhibition on Sunday\, Decem
ber 9. Catalogues will be available for pre-sale through the exhibition f
or $20.00.Reception for the Artists Saturday\, September 8 4 to 6 p.mGa
llery Talk\, Pie Tutorial\, and Catalogue Signing Sunday\, December 9 2
to 4 p.m.
X-ALT-DESC;FMTTYPE=text/html:
Loss of Material Evidence compri
ses work resulting from an ongoing conversation between collaborators and
life partners\, Maria T. D. Inocencio and Mark R. Smith\, about the agin
g and passing of their parents. Through new work created specifically for
this exhibition—some works made collaboratively and others made by the
individual artists—Inocencio and Smith investigate the dispersion and
disposal of material possessions—long associated with specific experien
ces or periods of time—from their family homes. The exhibition will exa
mine topics such as loss\, remembrance\, legacy\, the passage of time\, a
nd the making of art as a means to process grief through abstract visual
language.
No one is spared a life without profound loss. Loss
of Material Evidence defines and processes the poignant and univers
al phenomenon embodied in the aging and passing on of parents\, family me
mbers\, and loved ones and\, in particular\, the dissolution of the home
environment and material goods that have defined an individual's or famil
y's life narrative. Having recently undergone this circumstance themselve
s\, Inocencio and Smith manage their own sense of loss through artistic m
eans in the expectation that their work will find commonality and convers
ation within a larger group. This type of loss\, and ensuing grief\, is n
ot limited to losing a family member through death. Indeed\, the exhibiti
on is a lens through which to consider innumerable themes of loss as witn
essed daily in local and world events.
Working through an abstrac
t visual language that heavily emphasizes method\, repetition\, and accum
ulation\, Inocencio and Smith imagine the Hoffman Gallery to be a meditat
ive space where viewers can project their own unique experiences into the
art. The exhibition will also incorporate familiar signifiers such as fu
rniture\, clothing\, and quilts as a bridge between literal and symbolic
content\, combining formal austerity\, humor\, and memory as equal points
of entry into the work.
A fully-illustrated catalogue\, with an
essay by Linda Tesner\, has been generously funded by The Ford Family Fou
ndation. Please join us for a gallery talk\, pie tutorial\, and catalogue
signing on the closing of the exhibition on Sunday\, December 9. Catalog
ues will be available for pre-sale through the exhibition for $20.00.
Reception for the Artists
Saturday\, Septem
ber 8
4 to 6 p.m
Gallery Talk\, Pie Tutorial\, and
Catalogue Signing
Sunday\, December 9
2 to 4 p
.m.
UID:20181007T070000Z-291475@college.lclark.edu
DTSTAMP:20180904T094435Z
URL:https://college.lclark.edu/live/events/288240-maria-td-inocencio-and-
mark-r-smith-loss-of
LAST-MODIFIED:20180904T164435Z
ATTACH:https://college.lclark.edu/live/image/gid/225/width/80/height/80/c
rop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.rev.153186971
9.jpg
X-LIVEWHALE-TYPE:events
X-LIVEWHALE-ID:291475
X-LIVEWHALE-TIMEZONE:America/Los_Angeles
X-LIVEWHALE-IMAGE:https://college.lclark.edu/live/image/gid/225/width/80/
height/80/crop/1/73549_inocencio_smith_i_used_to_think_i_knew_everyone.re
v.1531869719.jpg
X-LIVEWHALE-IMAGE-CAPTION:Mark R. Smith and Maria T.D. Inocencio
\n
I Used to Think I Knew Everyone (detail)
\n2017
\nmu
slin\, paper\, newsprint cutouts\, thread\, glue
\n84"x 83.5"
X-LIVEWHALE-ALL-DAY:1
X-LIVEWHALE-SUMMARY:Loss of Material Evidence comprises work res
ulting from an ongoing conversation between collaborators and life partne
rs\, Maria T. D. Inocencio and Mark R. Smith\, about the aging and passin
g of their parents. Through new work created specifically for this exhibi
tion—some works made collaboratively and others made by the individual
artists—Inocencio and Smith investigate the dispersion and disposal of
material possessions—long associated with specific experiences or perio
ds of time—from their family homes. The exhibition will examine topics
such as loss\, remembrance\, legacy\, the passage of time\, and the makin
g of art as a means to process grief through abstract visual language.
END:VEVENT
END:VCALENDAR